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You've selected:
TWO BEATS
Sheetmusic to print
181 sheet music found
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176
TWO BEATS (2 flutes)
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Drake Mabry
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TWO BEATS
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Drake Mabry
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SheetMusicPlus
Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.799537 Composed by Drake Mabry. 20th Century,Contemporary,Jazz. 6 pages. Drake Mabry #368655...
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Woodwind Ensemble Flute - Level 5 - Digital Download SKU: A0.799537 Composed by Drake Mabry. 20th Century,Contemporary,Jazz. 6 pages. Drake Mabry #3686551. Published by Drake Mabry (A0.799537). TWO BEATS, in this version for any two like members of the flute family, is a version of BEATS with an added second part. The original version of BEATS for soprano recorder was written in 2014 for Maria Dorner-Hofmann, a German recorder virtuoso who also teaches at the Mozarteum in Salzburg. The work, in 7 minutes, explores the evolution of repetitive cellular ideas using various meters, lengths of cells and musical atmospheres. There are simple passages as well as virtuosic ones and the energy level of the piece remains at a highly intensive level throughout the entire seven minutes.
$5.99
TWO BEATS (2 bassoons)
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Contemporary
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Drake Mabry
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TWO BEATS
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Drake Mabry
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SheetMusicPlus
Small Ensemble Contrabassoon - Level 4 - Digital Download SKU: A0.799555 Composed by Drake Mabry. Contemporary. Score and parts. 6 pages. Drake Mabry #38...
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Small Ensemble Contrabassoon - Level 4 - Digital Download SKU: A0.799555 Composed by Drake Mabry. Contemporary. Score and parts. 6 pages. Drake Mabry #3859939. Published by Drake Mabry (A0.799555). TWO BEATS, in this version for 2 bassoons or contrabassoons, is a version of BEATS with an added second part. The original version of BEATS for soprano recorder was written in 2014 for Maria Dorner-Hofmann, a German recorder virtuoso who also teaches at the Mozarteum in Salzburg. The work, in 7 minutes, explores the evolution of repetitive cellular ideas using various meters, lengths of cells and musical atmospheres. There are simple passages as well as virtuosic ones and the energy level of the piece remains at a highly intensive level throughout the entire seven minutes.
$5.99
TWO BEATS (2 violas)
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Contemporary
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Drake Mabry
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TWO BEATS
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Drake Mabry
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.799551 Composed by Drake Mabry. Contemporary. Score and parts. 6 pages. Dr...
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Instrumental Duet Instrumental Duet,Viola - Level 4 - Digital Download SKU: A0.799551 Composed by Drake Mabry. Contemporary. Score and parts. 6 pages. Drake Mabry #3859935. Published by Drake Mabry (A0.799551). TWO BEATS, in this version for 2 violas, is a version of BEATS with an added second part. The original version of BEATS for soprano recorder was written in 2014 for Maria Dorner-Hofmann, a German recorder virtuoso who also teaches at the Mozarteum in Salzburg. The work, in 7 minutes, explores the evolution of repetitive cellular ideas using various meters, lengths of cells and musical atmospheres. There are simple passages as well as virtuosic ones and the energy level of the piece remains at a highly intensive level throughout the entire seven minutes.
$5.99
Offbeat in Two - Trumpet Quartet
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Phil Beaman
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Offbeat in Two - Trumpet Quart
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Phil Beaman
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SheetMusicPlus
Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.844476 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Ph...
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Brass Ensemble Trumpet - Level 3 - Digital Download SKU: A0.844476 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3412055. Published by Phil Beaman (A0.844476). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Trumpet Quartet; 4 Bb Trumpets. Go for it!
$7.99
Offbeat in Two - French Horn Quartet
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Phil Beaman
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Offbeat in Two - French Horn Q
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Phil Beaman
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.844478 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil ...
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.844478 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3412099. Published by Phil Beaman (A0.844478). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for French Horn Quartet. Go for it!
$7.99
Offbeat in Two - Trombone Quartet
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Phil Beaman
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Offbeat in Two - Trombone Quar
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Phil Beaman
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.844481 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. P...
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.844481 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3414557. Published by Phil Beaman (A0.844481). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Trombone Quartet. Go for it!
$7.99
Offbeat in Two - Baritone Horn Quartet
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Phil Beaman
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Offbeat in Two - Baritone Horn
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Phil Beaman
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SheetMusicPlus
Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.844483 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. ...
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Brass Ensemble Euphonium - Level 3 - Digital Download SKU: A0.844483 Composed by Phil Beaman. 20th Century,Instructional,Jazz. Score and parts. 5 pages. Phil Beaman #3414561. Published by Phil Beaman (A0.844483). Offbeat in Two is a vibrant piece that is all about the rhythmic drive! The downbeat is always a rest as are most of the cardinal beats. The notes are easy; the difficulty level depends on how well you feel offbeat rhythms. I have marked it as Intermediate not only because of rhythms, but also because it is all tongued and up tempo. For some instruments, Parts 1 & 4 might push the upper and lower range limits. Form is AA, bridge, BB, D.C., Coda with the A theme in a contrasting key. Individually the parts are not difficult, but it is the dynamic way they pulse together and interact that creates interest and excitement. It is a wild ride for one and a half minutes! With the right drive and energy this can be a real showpiece!5 pages score and parts; recording is a piano reduction of parts.This version is for Baritone Horn Quartet. Go for it!
$7.99
Two English Carols (Coventry Carol; What Child Is This?) - Violin & Piano
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Traditional
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Roger Wallace
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Two English Carols
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Roger Wallace
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SheetMusicPlus
Piano Accompaniment - Level 4 - Digital Download SKU: A0.1494784 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. Accomp...
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Piano Accompaniment - Level 4 - Digital Download SKU: A0.1494784 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. Accompaniment. Duration 163. Roger Wallace #1071345. Published by Roger Wallace (A0.1494784). Piano Accompaniment for Violin Solo. The track begins with 6 preparatory beats.This is a demonstration of the Piano Accompaniment for the printed arrangement by Roger Wallace that is available in Sheet Music Plus and Sheet Music Direct.The beautiful melodies of each carol are shared by both parts. The conclusion (coda) combines both melodies.Can also be played by Flute, Recorder, Oboe and Pitched Percussion (ex: Marimba). Package includes parts for Clarinet/Soprano Sax/Trumpet/Flugelhorn and Alto Sax.
$1.99
Two English Carols (Coventry Carol; What Child Is This?) - Trombone & Piano
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Traditional
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Roger Wallace
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Two English Carols
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Roger Wallace
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SheetMusicPlus
Piano Accompaniment - Level 4 - Digital Download SKU: A0.1494786 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. Accomp...
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Piano Accompaniment - Level 4 - Digital Download SKU: A0.1494786 Composed by Traditional. Arranged by Roger Wallace. Christmas,Renaissance,Sacred. Accompaniment. Duration 160. Roger Wallace #1071349. Published by Roger Wallace (A0.1494786). Piano Accompaniment for Trombone Solo. The track begins with 6 preparatory beats.This is a demonstration of the Piano Accompaniment for the printed arrangement by Roger Wallace that is available in Sheet Music Plus and Sheet Music Direct.The beautiful melodies of each carol are shared by both parts. The conclusion (coda) combines both melodies.Can also be played by Baritone/Euphonium/Bassoon/Cello. Package includes parts for Treble Clef Trombone/Tenor Sax, Horn in F and Viola.
$1.99
Can't Help Falling In Love
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Wedding/Ballad
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Rock
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Elvis Presley
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Katherine Fraser
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Six-eight time can be tricky
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Can't Help Falling In Love
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Katherine L Fraser
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SheetMusicPlus
Small Ensemble Cello - Level 4 - Digital Download SKU: A0.870481 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by K...
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Small Ensemble Cello - Level 4 - Digital Download SKU: A0.870481 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Katherine Fraser. 20th Century,Country,Folk,Wedding. Score and parts. 8 pages. Katherine L Fraser #6457395. Published by Katherine L Fraser (A0.870481). This arrangement is ideal for weddings, receptions, general performance, and services. Six-eight time can be tricky. It's helpful to remember that a quarter note gets two beats, a dotted quarter note gets three beats, and a half note gets four beats. I hope you have fun with this one!
$12.99
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - Digital Download SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
Little Waltz for a Dancing Occasion
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Instructional
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Phil Thrift
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Little Waltz for a Dancing Occ
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Phil Thrift
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SheetMusicPlus
Large Ensemble - Level 1 - Digital Download SKU: A0.955739 Composed by Phil Thrift. Instructional. Score and parts. 18 pages. Phil Thrift #6327371. Publi...
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Large Ensemble - Level 1 - Digital Download SKU: A0.955739 Composed by Phil Thrift. Instructional. Score and parts. 18 pages. Phil Thrift #6327371. Published by Phil Thrift (A0.955739). Little Waltz for a Dancing Occasion is intended for junior players and can be performed on virtually any combination of five or more woodwind and/or brass instruments. It is based on my own experience of working with such groups.This waltz is perhaps a little unconventional in that it does not make use of a strong first beat – traditionally played by bass instruments – followed by weaker second and third beats. Furthermore, in this piece most of the phrases are five, seven or nine measures long, thus departing from the four- or eight-measure phrases many players will be used to. From measure 22 the melody in 3/4 time has an accompaniment that is essentially in 2/4 time; I’ve included accents here to help ensure a 2/4 feel. There’s also a rather abrupt ending which, hopefully, will take some by surprise. And everybody gets the tune at some stage, not just the usual melody instruments!The parts included are suitable for the instruments found in groups of learners:flute, oboe, Bb clarinet, bassoonEb alto sax, Bb tenor saxBb trumpet, F/Eb horn, trombone (TC/BC), euphonium (TC/BC), tuba, Bb/Eb bassThe high flute/oboe part is optional. The glockenspiel is also optional and I’ve mainly included this part so that, if you have a drummer who needs something to do, he or she won’t be tempted to just play bass drum on first beat, snare on second and third beats!The tempo chosen will depend on the abilities of the players.Apart from maybe saving paper, writing two parts on one system does help players to learn to read such charts – something I feel all players should learn to do from an early age.
$12.99
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: ...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00
L'adieu des bergers
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Hector Berlioz
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Paul Burnell
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L'adieu des bergers
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Paul Burnell
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SheetMusicPlus
Recorder - Level 4 - Digital Download SKU: A0.835792 Composed by Hector Berlioz. Arranged by Paul Burnell. Christmas,Romantic Period. Recorder Ensemble. ...
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Recorder - Level 4 - Digital Download SKU: A0.835792 Composed by Hector Berlioz. Arranged by Paul Burnell. Christmas,Romantic Period. Recorder Ensemble. 17 pages. Paul Burnell #3444871. Published by Paul Burnell (A0.835792). L'adieu des bergers (The Shepherds' Farewell) from 'L'enfance du Christ', composed by Hector Berlioz (1803-1869), arranged by Paul Burnell in 2012 for recorder orchestra:Two Soprano Recorders, two Alto Recorders, two Tenor Recorders, two Bass Recorders, Great Bass Recorder, Contrabass Recorder. Performance tempos of the original composition are often slower than the published metronome mark of 50 beats per minute, typically resulting in a duration of around three to four minutes. The orginal key is E major, but in this arrangement it has been transposed up a semitone to F Major. If there is a single Contrabass recorder in the bars marked divisi the lower note should be played. Programme note: L'enfance du Christ is an oratorio by the French composer Hector Berlioz first performed in 1854. 'L'adieu des bergers' (The shepherds' farewell) was written as an organ piece in 1850. In the oratorio it appears in Part Two and is probably the most well-known movement, often performed separately.
$5.95
“The Wheels on the Bus” for 13-note Bells and Boomwhackers (with Black and White Notes)
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Sharon Wilson
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Sharon Wilson
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“The Wheels on the Bus” fo
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565432 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565432 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Standards,Traditional. Score and parts. 9 pages. Sharon Wilson #4357009. Published by Sharon Wilson (A0.565432). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
“If You're Happy and You Know It" for 13-note Bells and Boomwhackers® (with Black and White Notes)
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Sharon Wilson
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Sharon Wilson
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“If You're Happy and You Kno
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565421 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565421 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Sacred,Standards. Score and parts. 11 pages. Sharon Wilson #4356963. Published by Sharon Wilson (A0.565421). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
“I Love Little Kitty” for 8-note Bells and Boomwhackers® (with Black and White Notes)
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Sharon Wilson
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Sharon Wilson
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“I Love Little Kitty” for
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565420 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565420 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Standards,Traditional. Score and parts. 11 pages. Sharon Wilson #4356961. Published by Sharon Wilson (A0.565420). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
“It's Raining, It's Pouring” for 8-note Bells and Boomwhackers® (with Black and White Notes)
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Sharon Wilson
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Sharon Wilson
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“It's Raining, It's Pouring
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565423 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565423 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Standards,Traditional. Score and parts. 11 pages. Sharon Wilson #4356967. Published by Sharon Wilson (A0.565423). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
“This Old Man” for 8-note Bells and Boomwhackers® (with Black and White Notes)
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Sharon Wilson
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Sharon Wilson
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“This Old Man” for 8-note
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565431 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565431 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Standards,Traditional. Score and parts. 11 pages. Sharon Wilson #4357007. Published by Sharon Wilson (A0.565431). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
“Mary Had a Little Lamb” for 8-note Bells and Boomwhackers® (with Black and White Notes)
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Sharon Wilson
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Sharon Wilson
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“Mary Had a Little Lamb” f
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565427 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565427 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Standards,Traditional. Score and parts. 8 pages. Sharon Wilson #4356987. Published by Sharon Wilson (A0.565427). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
“Are You Sleeping?” for 8-note Bells and Boomwhackers® (with Black and White Notes)
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Sharon Wilson
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Sharon Wilson
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“Are You Sleeping?” for 8-
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565414 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565414 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Standards,Traditional. Score and parts. 11 pages. Sharon Wilson #4356815. Published by Sharon Wilson (A0.565414). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
“Lightly Row” for 8-note Bells and Boomwhackers® (with Black and White Notes)
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Sharon Wilson
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Sharon Wilson
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“Lightly Row” for 8-note B
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565425 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565425 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Multicultural,Standards,World. Score and parts. 12 pages. Sharon Wilson #4356977. Published by Sharon Wilson (A0.565425). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads.Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
Folk Songs for 13-note Bells and Boomwhackers® (with Black and White Notes), VOL. 2
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Sharon Wilson
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Sharon Wilson Music
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Folk Songs for 13-note Bells a
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Sharon Wilson
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SheetMusicPlus
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565434 By ...
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565434 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson Music. Children,Folk,Instructional,Standards,Traditional. Score and parts. 177 pages. Sharon Wilson #4357019. Published by Sharon Wilson (A0.565434). This sheet music collection of 20 folk songs is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). For each song, there is a combined score with both parts on a grand staff plus a separate 1-staff score for each individual part. A note and chord chart is also provided for most songs.The songs in this digital book are ordered by difficulty with the easiest songs presented first. The songs progressively incorporate more challenging rhythms, some requiring rapid chord changes. Each song in this collection is presented in one of three ways as detailed below:1. Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords for 1 verse and chorus. 2. Two verses are included: The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. 3. Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. This set of scores uses black and white noteheads and is best suited for musicians already familiar with reading standard music notation. For beginning musicians, this same set of scores is available (sold separately) with color coded noteheads. Only filled noteheads (quarter and eighth notes) are used so the notes are easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of these songs. The number of ringers and whackers needed will vary depending on the skill level of the participants. Instrument assignment suggestions are provided for each song. Each of the 20 arrangements in this collection is also available separately with accompanying preview pages and audio samples. Titles included in this collection: Are You Sleeping? (Frère Jacques) Aura LeaCan CanFor He's a Jolly Good FellowHome on the RangeI Love Little KittyI'm a Little TeapotI've Been Working on the RailroadIf You're Happy and You Know ItIt's Raining, It's PouringLightly RowLondon BridgeMary Had a Little LambMichael Row the Boat AshoreRed River ValleyThe Farmer in the DellThere's Music in the AirThis Old ManWheels on the BusYankee DoodlePermission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$25.00
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