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The Dot On The
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101
Rhythm: Dotted Notes & Triplets educational pack - Perform Compose Understand PCU Series
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Instructional
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Austin Ralphson
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Rhythm: Dotted Notes & Triplet
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Austin Ralphson
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SheetMusicPlus
Large Ensemble - Level 3 - Digital Download SKU: A0.569835 Composed by Austin Ralphson. Instructional. Score and parts. 58 pages. Austin Ralphson #472551...
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Large Ensemble - Level 3 - Digital Download SKU: A0.569835 Composed by Austin Ralphson. Instructional. Score and parts. 58 pages. Austin Ralphson #4725511. Published by Austin Ralphson (A0.569835). Rhythm: Dotted Notes & Triplets - Perform, Compose, Understand Series. This pack comprises a piece called The Long And Short Of It, worksheets and questions which relate to the piece. It is all about understanding these two rhythmic devices, although it asks many other general musical questions as well.Welcome to the PCU Series for classroom-based groups. This series focuses on learning by doing; there are many accomplished performers within our school classrooms throughout the world, but my years of experience has taught me that many of these students learn to play by rote – literally be learning one note followed by another – without gaining full understanding of how the pieces work musically and theoretically. Indeed, some of them can perform to a high standard using this method, but then really struggle with composition and general musical understanding later in their educational careers.I equate this to learning to speak sentences in a foreign language without fully understanding what those sentences actually mean.So who is this book for?It is for music teachers to use with their students who are learning to create exam-level compositions within a school environment. It is ideal for courses such as the American High School Diploma, GCSE, BTEC, IGCSE, SCS, HKCEE, IB(MYP), SPM, GCEO, CCEF, HKCEE, VSSD, GES or ICSE.It is designed to cater for almost any instrument due to the parts being provided in many different keys and clefs (including tab and bass tab). Drum parts are intentionally not provided as drummers still need to have a good understanding of non-percussive elements such as melody and harmony; I would suggest that they play a keyboard part for the purposes of learning about composition.You can also download backing tracks of all pieces in this series by searching:Classroom Performance educational pack: RHYTHM backing tracksThese contain parts 2-5, allowing part 1 to be played live over the top.
$5.99
The Fundamentals of Music Theory - Booklet 1
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Jose Valladares
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Jose Valladares
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The Fundamentals of Music Theo
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Circlesquare Music
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SheetMusicPlus
Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 page...
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Level 1 - Digital Download SKU: A0.1369230 By Jose Valladares. By Jose Valladares. Arranged by Jose Valladares. 19th Century. Educational Method. 25 pages. Circlesquare Music #953582. Published by Circlesquare Music (A0.1369230). The Fundamentals of Music Theory: Booklet 1 by Jose Valladares serves as an introductory guide into the captivating realm of music theory. Targeted at both novices and enthusiastic learners, this booklet is designed as the first step in a transformative journey to understand the language of music. Likening music theory to the grammar of music, it aims to provide readers with the foundational tools to create, interpret, and communicate through music.The booklet begins with an exploration of the definition, significance, and historical evolution of music theory. It then delves into the core components that constitute music's framework:The Music Staff and Notes: Readers are introduced to the music staff, the bedrock for note placement, and learn how each line and space corresponds to distinct musical pitches. This section emphasizes the assembly of notes to create soul-stirring melodies.Clefs and Note Names: This part focuses on various clefs including treble, bass, alto, and tenor, which are crucial for reading and interpreting the music staff, and serve as navigational landmarks in the sea of notes.Rhythmic Notation: It addresses the essence of rhythm in music, covering note values, rests, dotted notes, and ties, enabling readers to grasp the rhythmic heartbeat of any composition.Time Signatures: The booklet explores time signatures, detailing how they organize a music piece and define its rhythmic character, from the steady beats of simple time to the flowing grace of compound time.Basic Scales and Key Signatures: It uncovers the foundational elements of melodies and harmonies, discussing major and minor scales, their emotional influences, and the Circle of Fifths, which serves as a guide through the relationships among different keys.By the end of The Fundamentals of Music Theory: Booklet 1, readers are expected to have a comprehensive understanding of music theory's basics. They will be well-equipped to decipher music's language, comprehend its notations, and fully appreciate the intricate craftsmanship involved in every musical composition. The booklet promises a journey of musical discovery, unwinding the intricacies of music theory one note and rhythm at a time.
$10.99
Where The Green Grass Grows
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Tim McGraw
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Ruth Roland
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Where The Green Grass Grows
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Ruth Roland
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SheetMusicPlus
Acoustic Guitar,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.1491012 By Tim McGraw. By Craig Wiseman and Jess Leary. Arranged by Ruth Rol...
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Acoustic Guitar,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.1491012 By Tim McGraw. By Craig Wiseman and Jess Leary. Arranged by Ruth Roland. Contemporary,Country,Folk,Pop,Singer/Songwriter. 6 pages. Ruth Roland #1067779. Published by Ruth Roland (A0.1491012). This is a transcription of the fiddle part on Tim McGraw's recording of Where the Green Grass Grows.Chords are included on the lead sheet. This piece requires the following skills: open string drones, dotted rhythms, slides, off-beat slurs.If you enjoy the convenience of this transcription, sign up for my email list to request other titles, get notified of YouTube videos, and more.Email YT LIST to ruthviolin [at] cox [dot] net.
$4.99
The Complete Instrumentalist Book Two
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DaCapo Primary Music
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The Complete Instrumentalist B
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DaCapo Primary Music
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring. Classical,Contemporary,Instructional,Multicultural,Traditional,World...
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Level 4 - Digital Download SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 106 pages. DaCapo Primary Music #904157. Published by DaCapo Primary Music (A0.1315421). This book contains 66 songs for the instrumentalistThe Complete Instrumentalist Two is the second book in a series for instrumental players, designed to help develop excellent musicianship.It is written in stick notation* with an additional five line stave so that pupils or teachers can write out the music in whichever clef or key they choose to use. The songs are grouped by the number of notes in the piece and are mostly diatonic with a few pentatonic and modal pieces.As with all of the DaCapo books it is left to the teachers to decide which section of the book to start with. Tempos and dynamic markings are also left to the teachers and pupils. We have suggested activities that can be applied to the entire repertoire and there are some extra ideas for specific pieces included on some pages, along with extra information for the pupil.In many instances the songs have been reworded as it was felt that the subject matter or use of language was a barrier for some pupils. There are a few pieces where this may still be true but we have decided against rewording because of the cultural or historical aspect of the song and the opportunity to educate children beyond the music (e.g. spirituals).Whilst every attempt has been made to source music in the public domain we would like to know if errors have been made. We hope that you enjoy the next step to becoming a Complete Instrumentalist.Jane Cutler Carl Herring 2012*stick notationThe purpose of stick notation is to build excellent inner hearing. You can't guess the intervals – they have to be known or learned via the solfa in order to hear the music from the page. Pupils can then translate and transfer this to their instrument and then onto a five-line stave.• We show the rhythm only - with solfa syllables under the relevant note• No note head used unless for a minim, dotted minim or semibreve• The home note or tonic of each piece is indicated by an emboldened solfa syllable e.g. d r m f s shows do as the tonic • Where notes fall under or above the home note or tonic, they are indicated thus: s, d’• A tick’( I ) has been used instead of bar lines.You can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
Playing Percussion Instruments in the Music School
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Béla Ugró
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Playing Percussion Instruments
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Bela Ugro
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SheetMusicPlus
Percussion Solo - Level 1 - Digital Download SKU: A0.1359795 Composed by Béla Ugró. 21st Century,Children,Instructional,Multicultural,Traditional,W...
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Percussion Solo - Level 1 - Digital Download SKU: A0.1359795 Composed by Béla Ugró. 21st Century,Children,Instructional,Multicultural,Traditional,World. Individual part. 117 pages. Bela Ugro #944273. Published by Bela Ugro (A0.1359795). Dive into the rhythmic world of PLAYING PERCUSSION INSTRUMENTS IN THE MUSIC SCHOOL, (JÃTÉK ÃœTÅHANGSZEREKEN A ZENEISKOLÃBAN) an insightful and comprehensive sheet music collection authored by the accomplished Béla Ugró. Designed with educational purposes in mind, this resource serves as a valuable guide for students and teachers exploring the fascinating realm of percussion instruments.PLAYING PERCUSSION INSTRUMENTS IN THE MUSIC SCHOOL offers a comprehensive and enjoyable approach to percussion education, empowering students to develop their skills across various percussion instruments. With a wide array of exercises, solos, and accompaniments, this sheet music collection is a valuable resource for both aspiring percussionists and dedicated music educators.Béla Ugró's compositions create a lively and engaging atmosphere, making music education a joyful and enriching experience for both students and instructors alike.Structured Learning:Explore fundamental rhythms in Chapter I, including basic rhythmic patterns and the exploration of eighth notes.Navigate through Chapter II, delving into the intricacies of eighth-note rests, dotted quarters, and captivating snare drum solos such as The Martian and Moonlight.Triplet Adventures:Chapter III introduces the world of triplets, fostering an understanding of triolas and incomplete triols, accompanied by engaging snare drum solos like Waterfall.Sixteenth Note Mastery:Progress through Chapter IV to master sixteenth notes, their rests, and the art of combining them. Challenge yourself with dynamic snare drum solos like Let’s Go! and Roller Coaster.Quintuplets and Beyond:Chapter V explores quintuplets, sextuplets, and septuplets, adding complexity to your percussion repertoire. Immerse yourself in captivating snare drum solos, including Ferris Wheel.Elaborate Rudiments:Journey through Chapter IX to enhance your skills with essential rudiments, including roll rudiments, paradiddles, flams, and drags. Showcase your prowess with snare drum solos like The Patrol and Smitherens.Multi-Percussion Excitement:Chapter X introduces the realm of multi-percussion, featuring unique solos like Töredékek A-B-C-D részek, Marsch, and Bossa Nova Knock.Drum Set Grooves:Explore exciting drum set grooves in Groove Modules, adding versatility to your percussion repertoire.Melodic Percussion and Song Adaptations:Engage in melodic percussion with Chapter X, practicing on melodious instruments. Enhance your skills with well-known tunes, including adaptations of Mozart, Lully, and more.Vibrant Compositions:Immerse yourself in original compositions by Béla Ugró, such as the expressive Elégia for vibraphone solo.Piano Accompaniments:Access additional piano accompaniments in the appendix, providing a rich harmonic backdrop for your percussion journey.Keywords:Percussion EducationBéla UgróSnare Drum SolosRhythmic PatternsMusic School CurriculumPercussion TechniquesEducational Sheet MusicMelodic PercussionRudiments MasteryMulti-PercussionDrum Set GroovesMusic School ExercisesTimpani SoloVibraphone ElegyMusical Expressions DictionarySheet Music CollectionMusical RudimentsEducational ResourcesStudent DevelopmentPercussion RepertoirePedagogical PercussionStudent Empowerment.
$20.00
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
I Will Glory in the Cross - Accompaniment MP3 (Digital Download)
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I Will Glory in the Cross - Ac
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Digital Download SKU: LX.99-4107MD Sacred Anthem. Accompaniment MP3. Lorenz Publishing - Digital Sheet Music #e99/4107MD. Published by Lorenz Publishing ...
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Digital Download SKU: LX.99-4107MD Sacred Anthem. Accompaniment MP3. Lorenz Publishing - Digital Sheet Music #e99/4107MD. Published by Lorenz Publishing - Digital Sheet Music (LX.99-4107MD). Downloadable accompaniment track for I Will Glory in the Cross (10/5404MD) - Based on Dottie Rambo's Southern gospel favorite, Jay Rouse's powerful setting with optional orchestra evokes wonder and awe for the selfless sacrifice of Jesus Christ. Featuring rich harmonies and expressive moving lines, this anthem builds to the joyful announcement I will weep no more for the cross that He Bore; I will glory, I will glory in the cross! From Songs of the Cross (55/1199MD).
$14.95
Sleep Doth Descend
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Todd Mesler, Jr
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Sleep Doth Descend
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Todd Mesler, Jr.
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SheetMusicPlus
Small Ensemble B-Flat Bass Clarinet,Marimba,Vibraphone - Level 2 - Digital Download SKU: A0.557036 Composed by Todd Mesler, Jr. 20th Century,Contemporary...
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Small Ensemble B-Flat Bass Clarinet,Marimba,Vibraphone - Level 2 - Digital Download SKU: A0.557036 Composed by Todd Mesler, Jr. 20th Century,Contemporary,Contest,Festival. Score and parts. 9 pages. Todd Mesler, Jr. #166498. Published by Todd Mesler, Jr. (A0.557036). Sleep Doth Descend is small ensemble piece for Bass Clarinet, Marimba I, Marimba II, and Vibraphone based on mathematics by composer Todd Mesler, Jr.
$14.99
Dancing on the Clouds
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Contemporary
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James CM Chen
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Dancing on the Clouds
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Dr. James Chen & Ifen Chuang
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SheetMusicPlus
African Percussion,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.865101 Composed by James CM Chen (O'Dalla), Christine Ifen Chuang. Contem...
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African Percussion,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.865101 Composed by James CM Chen (O'Dalla), Christine Ifen Chuang. Contemporary. Score and individual part. 8 pages. Dr. James Chen & Ifen Chuang #5989055. Published by Dr. James Chen & Ifen Chuang (A0.865101). This piece aims for the instrument player with 1-3 years learning experience. It is set in cut time, for students learn to count, to prepare for the marching band. The solo part has been transposed to different key signatures, for any instruments in C, Bb, Eb, F and C with Bass clef to enjoy playing.After you made the purchase, please email the purchase screenshot(w/order number and item number) to dolcemusic777 at gmail dot com. The composer will send you the real-piano accompaniment play-a-long soundtrack for free.
$5.99
Turandot - Extracts from the Opera for 8-part Trombone Ensemble
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Giacomo Puccini
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Randall Malmstrom
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Turandot - Extracts from the O
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone,Tuba - Level 5 - Digital Download SKU: A0.1238465 Composed by Giacomo Puccini. Arranged by Randall Malmstrom. 20th Century,O...
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Bass Trombone,Tenor Trombone,Tuba - Level 5 - Digital Download SKU: A0.1238465 Composed by Giacomo Puccini. Arranged by Randall Malmstrom. 20th Century,Opera,Romantic Period. 43 pages. Gordon Cherry #833915. Published by Gordon Cherry (A0.1238465). Turandot is an opera by Giacomo Puccini set in ancient China. The story follows Princess Turandot who has sworn never to marry unless a suitor can answer three riddles, and those who fail are executed. When Calaf arrives in Beijing and falls in love with Turandot at first sight, he decides to try his luck and solve the riddles. With the help of a servant girl named Liu, Calaf succeeds but offers Turandot a challenge of guessing his name before sunrise. The opera reaches its dramatic conclusion as the characters confront their own desires and fears.This dramatic 6-minute arrangement by Randall Malmstrom which includes the monumental aria Nessun Dorma is for 8-part Trombone ensemble of advanced performers including an optional Contrabass on part 8. A strong player (or doubled-up) is needed on part 1.
$37.50
Raindrops Keep Fallin' On My Head
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B
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Michael Dotterer
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Raindrops Keep Fallin' On My H
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Michael Dotterer
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SheetMusicPlus
Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1189594 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Michael Dotterer. Broadwa...
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Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1189594 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Michael Dotterer. Broadway,Chamber,Classical,Film/TV,Musical/Show,Singer/Songwriter. 20 pages. Michael Dotterer #789223. Published by Michael Dotterer (A0.1189594). Arranged for Brass Quartet. Parts include: Score, Trumpet 1&2, Horn in F, Trombone, & an alternate Trombone 1 (instead of Horn). It starts with the trombone playing the melody and the horn in F joining in for a duet for a few bars. Every instrument gets to play the memorable melody. Towards the end, it goes into the almost latin feel tag that's from the musical genius of Burt Bacharach. For more arrangements, check out www.hampton-brass.com.
$18.99
Because The Night
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Patti Smith
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Michael Dotterer
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Because The Night
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Michael Dotterer
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SheetMusicPlus
Brass Quartet Bass Trombone,Euphonium,Horn,Trumpet - Digital Download SKU: A0.1297095 By Patti Smith. By Bruce Springsteen and Patti Smith. Arranged by M...
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Brass Quartet Bass Trombone,Euphonium,Horn,Trumpet - Digital Download SKU: A0.1297095 By Patti Smith. By Bruce Springsteen and Patti Smith. Arranged by Michael Dotterer. Chamber,Classical,Halloween,Pop,Rock. 20 pages. Michael Dotterer #887197. Published by Michael Dotterer (A0.1297095). Becasue the Night arranged for Brass Quartet and optional drums. More based on the 10,000 Maniacs  version than the Springsteen version. Parts include: Trumpet 1, Trumpet 2, Horn in F, Trombone, Drum set, and an alternate Trombone 1 sub for Horn in F.The Hampton Brass performs this at Halloween/Fall type festivals as the melody in almost haunting.For more about the Hampton Brass and our arrangements, check out Hampton-Brass.com.
$17.99
Joyful, Joyful, We Adore Thee
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Joyful, Joyful, We Adore Thee
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SheetMusicPlus
Ode to Joy by Ludwig van Bethoven This setting of HYMN TO JOY by John A. Behnke features a unique middle section which highlights the famous melody on optional ...
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Ode to Joy by Ludwig van Bethoven This setting of HYMN TO JOY by John A. Behnke features a unique middle section which highlights the famous melody on optional handchimes riding above the dotted rhythm accompaniment played by thumb damps and mallets
Song List
: Single
$6.50
Joy, joy doth so arise for Trombone or Low Brass Trio
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Renaissance
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Eric Burger Music
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Joy, joy doth so arise for Tro
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Eric Burger Music
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SheetMusicPlus
Brass Ensemble Bassoon,Euphonium,Trombone - Level 2 - Digital Download SKU: A0.508443 Arranged by Eric Burger Music. Renaissance. Score and parts. 10 pag...
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Brass Ensemble Bassoon,Euphonium,Trombone - Level 2 - Digital Download SKU: A0.508443 Arranged by Eric Burger Music. Renaissance. Score and parts. 10 pages. Eric Burger Music #3884711. Published by Eric Burger Music (A0.508443). View the score with playback at: https://youtu.be/Q1HMd_0qU0g Please review score and playback for additional information. This quality work is published by Eric Burger Music: www.EricBurgerMusic.com Each of these Trios are arranged and transcribed with the intent of provide the musician with an opportunity to play works from notable composers otherwise not available to them, using the construct and voicings the compose intended. Please review the video for questions on range and difficulty. If you need parts modified to different clefs or keys, please write me direct at: EricBurgerMusic@gmail.com Custom work also available. If you are unhappy with any of my work, write me directly for a replacement.
$6.00
The Journey (Three hands version)
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Contemporary
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Jesica Yap
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The Journey
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Jesica Yap
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.902610 Composed by Jesica Yap. 20th Century. Score and parts. 5 pages. Jes...
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.902610 Composed by Jesica Yap. 20th Century. Score and parts. 5 pages. Jesica Yap #6232713. Published by Jesica Yap (A0.902610). The JourneyThis is the first song (Introduction) to my Instrumental Piano Solo Album titled The JourneyThe Journey is a minimalistic music telling the story about one's Journey.In this piece you will hear lots of different mood.You can also find my both hands (2 hands) arrangement in my SMP press Page.Just click on my SMP Page below: ♫ My Sheet Music Plus Page: https://www.sheetmusicplus.com/publishers/jesica-yap-sheet-music/3018200Duration: 2 mins 32 secondsKey : A MinorTempo: Dotted quarter = 100 bpm Practice suggestions:Use the metronome on Dotted Quarter note equal to 100 meaning 3 Eighth notes equal to 1 click Have fun! About the arranger:Jesica Yap is an Indonesian-born composer for the visual media, a music producer, a pianist and a teacher residing in Los Angeles, California.PRO : BMIContact: jyap@jesicayap.comFollow me on my social media for the latest update about my musical journey and new sheet music post:♫ My Facebook: https://www.facebook.com/jesicayapmusic/♫ My Instagram:http://instagram.com/jesicayap♫ My Website: http://www.jesicayap.com.♫ My Sheet Music Plus Page: https://www.sheetmusicplus.com/publishers/jesica-yap-sheet-music/3018200
$4.99
Nessun Dorma from Turandot for String Quartet or Wind Quartet (Mixed Quartet, Clarinet Quartet)
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Daniel Kelley
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Daniel Kelley
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Nessun Dorma from Turandot for
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Bass Clarinet,Bassoon,Cello,English Horn,Flute,Oboe,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.805337 By Daniel Kelley. By Gi...
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Small Ensemble Bass Clarinet,Bassoon,Cello,English Horn,Flute,Oboe,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.805337 By Daniel Kelley. By Giacomo Puccini. Arranged by Daniel Kelley. Opera,Romantic Period,Wedding. Score and parts. 30 pages. Last Resort Music Publishing #412375. Published by Last Resort Music Publishing (A0.805337). Giacomo Puccini's Nessun Dorma (Let No One Sleep) is one of the best-known arias in all opera. Popularized even further by Luciano Pavarotti as well as Plácido Domingo and The Three Tenors, it is instantly recognizable as well as timelessly elegant. An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Set of 11 Parts plus Score Part 1 Flute or Oboe or Violin Part 1 Clarinet in Bb Part 2 Flute or Oboe or Violin Part 2 Clarinet in Bb Part 3 Viola Part 3 Violin Part 3 Clarinet in Bb Part 3 English Horn or French Horn in F Part 4 Cello or Bassoon Part 4 Bass Clarinet in Bb Keyboard or Guitar Score (Parts 1-4 in C) Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.com String Quartet, Mixed Quartet, Wind Quartet, Clarinet Quartet, 3 Violins and Cello, String Trio or Quartet plus Piano.
$9.95
Nessun Dorma from Turandot for String Trio (or Wind Trio or Mixed Trio) Music for Three
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Daniel Kelley
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Daniel Kelley
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Nessun Dorma from Turandot for
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble Bass Clarinet,Bassoon,Cello,English Horn,Flute,Oboe,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.805335 By Daniel Kelley. By Gi...
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Small Ensemble Bass Clarinet,Bassoon,Cello,English Horn,Flute,Oboe,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.805335 By Daniel Kelley. By Giacomo Puccini. Arranged by Daniel Kelley. Opera,Romantic Period,Wedding. Score and parts. 23 pages. Last Resort Music Publishing #412373. Published by Last Resort Music Publishing (A0.805335). Giacomo Puccini's Nessun Dorma (Let No One Sleep) is one of the best-known arias in all opera. Popularized even further by Luciano Pavarotti as well as Plácido Domingo and The Three Tenors, it is instantly recognizable as well as timelessly elegant. Full Set of Parts includes: Part 1 Flute or Oboe or Violin Part 1 Clarinet in Bb Part 2 Flute or Oboe or Violin Part 2 Viola Part 2 Clarinet in Bb Part 3 Cello or Bassoon Part 3 Bass Clarinet in Bb Keyboard or Guitar Score Playable by String Trio (Violin, Violin or Viola, & Cello), Woodwind Trio, Clarinet Trio, Piano Trio & more. The Keyboard Part is a full harmonization of Parts 2 and 3. Therefore, this arrangement can be played as a Piano Trio, or an entire trio could play with a pianist, as long as Part 1 is being played. Perfect for String Trio, Mixed Trio, Wind Trio, Woodwind Trio, Clarinet Trio, Double Reed Trio, Piano Trio, Duet with Piano and more! Endless possibilities! Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.
$9.95
Flute Quartet in F major, Op.7 No.1 (Weinmann Vb: F1)
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Classical
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Johann Baptist Wanhal
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Uwe Grodd
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Flute Quartet in F major, Op.7
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Artaria Editions
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SheetMusicPlus
Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Arta...
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Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1488235 Composed by Johann Baptist Wanhal. Arranged by Uwe Grodd. Classical. 52 pages. Artaria Editions #1065122. Published by Artaria Editions (A0.1488235). Artaria Editions AE379 The flute writing in Wanhal's quartets is a good deal less virtuosic than the solo writing found in Hofmann's quartets. The principal reason for this lies in the greater equality of part-writing and in this respect Wanhal's quartets are more modern and technically advanced than those of Hofmann. One prime example of this can be seen in Wanhal's adoption of the modern alla breve notation in first movements in preference to the fussy eight-in-a-bar favoured by Hofmann and others. There is also a greater emphasis on the development of thematic material although not to the same extent or intensity that one encounters in the composer's symphonies. In keeping with the conventional practice of the period the flute quartets were conceived to be played with a variety of possible instruments on the top part. The London publisher Welcker, for example, issued the Op. 7 set with the title page Six Quartettes for a / Hautboy or German Flute whereas Sieber styled them Six Quartetto Concertante / Pour une Flute au Hautbois. Copies of several works from the set are preserved in manuscript as string quartets and at least one work as a clarinet quartet. There is good reason to believe that the six flute quartets under consideration were conceived as a set and probably intended for immediate publication. They first appeared under Huberty's imprint in 1771 (as Op.8) and may have been composed reasonably close to the publication date. Whether Wanhal sent the works direct to Huberty is uncertain. It is very interesting to note, however, that Sieber issued the same works in a new edition the following year - it was announced on 28 January 1772 - and this seems to have been the basis for the later (undated) Welcker edition published in London and many of the extant manuscript copies.In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. A number of variants have been adopted from other sources, notably the Welcker edition, on the rare occasions where they appear more convincing than Sieber's text. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; text underlay, where confused in the source, has been corrected; editorial emendations with no authority from the source are placed within brackets. Paul Bryan, Uwe Grodd
$53.00
BACH: Air on a G String for Alto Clarinet & Harp
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Classical
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Johann Sebastian Bach
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James M
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BACH: Air on a G String for Al
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.552188 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Conte...
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E-Flat Clarinet,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.552188 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Contemporary. 8 pages. Jmsgu3 #6264449. Published by jmsgu3 (A0.552188). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95
Bach: Air on a G String for French Horn & Harp
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Classical
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for Fr
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jmsgu3
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SheetMusicPlus
Harp,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1277153 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber...
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Harp,Horn,Instrumental Duet - Level 2 - Digital Download SKU: A0.1277153 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Traditional,Wedding. 8 pages. Jmsgu3 #868841. Published by jmsgu3 (A0.1277153). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95
Bach: Air on a G String for Soprano Sax & Harp
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Classical
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for So
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jmsgu3
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SheetMusicPlus
Harp,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1277167 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Ba...
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Harp,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1277167 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Traditional,Wedding. 8 pages. Jmsgu3 #868862. Published by jmsgu3 (A0.1277167). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95
Bach: Air on a G String for Alto Sax & Harp
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Classical
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for Al
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jmsgu3
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SheetMusicPlus
Alto Saxophone,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1277157 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroq...
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Alto Saxophone,Harp,Instrumental Duet - Level 2 - Digital Download SKU: A0.1277157 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Traditional,Wedding. 8 pages. Jmsgu3 #868848. Published by jmsgu3 (A0.1277157). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95
Bach: Air on a G String for Oboe d'Amore & Harp
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Classical
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Johann Sebastian Bach
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James M
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Bach: Air on a G String for Ob
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jmsgu3
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SheetMusicPlus
Harp,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1277138 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque...
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Harp,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1277138 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Wedding. 8 pages. Jmsgu3 #868826. Published by jmsgu3 (A0.1277138). Air on a G String is the popular nickname for the Air from Orchestral Suite #3 in D Major, BWV 1068 by J. S. Bach. Duration: 5:53 (taking both repeats). Level: Intermediate and up. Programming: Great choice for recitals and useful for almost any church service, reception, wedding, or event where insightful meditation is desired. This music is well known and admired by nearly everyone, so you will have an advantage in providing something familiar and well-cherished for your audience. This is the piece to demonstrate dynamic control, tone quality, and strategic phrasing of long melodic lines.Bach: Air on a G String - ~ Bach composed three noteworthy Orchestral Suites. He wrote his third orchestral suite, BWV 1068 in D, for his Collegium Musicum. The Overture of the suite features a double-dotted rhythm in the French style and employs the entire ensemble: trumpet trio, timpani, oboe duet, and strings. The strings were the typical 2 violin parts, viola part, and continuo of cello and harpsichord. Air - the title of the second movement, is, by contrast, scored only for the strings. It seems like this work was entitled Air on a G String not by Bach, but by a nineteenth-century violinist named August Wilhelmj. He arranged the Air such that the first violin part was performed by a single soloist – and entirely on the G String.
$32.95
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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I encourage you to use both
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00
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