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The Sun's Going Down
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You've selected:
The Sun's Going Down
Sheetmusic to print
30 sheet music found
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1
26
Don't Let The Sun Go Down On Me
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Elton John
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Mark Burnip
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Don't Let The Sun Go Down On M
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Mark S Burnip
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SheetMusicPlus
Choral Choir (5-Part) - Level 2 - Digital Download SKU: A0.1086615 By Elton John. By Bernie Taupin and Elton John. Arranged by Mark Burnip. A Cappella,Co...
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Choral Choir (5-Part) - Level 2 - Digital Download SKU: A0.1086615 By Elton John. By Bernie Taupin and Elton John. Arranged by Mark Burnip. A Cappella,Contemporary,Pop. Octavo. 7 pages. Mark S Burnip #690819. Published by Mark S Burnip (A0.1086615). This is a TTBB acapella arrangement with a 5th part as a Lead soloist. It is a challenge to sing but has a feel good factor going through it. A great addition to any chorus' repertoire and a real crowd pleaser.
$1.99
Hymns from Childhood - Set 2 (solo)
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Sacred music
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Various
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Curtis Hanson
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Hymns from Childhood - Set 2
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719762 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069335. Pub...
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719762 Composed by Various. Arranged by Curtis Hanson. Sacred. 8 pages. Curtis Hanson #6069335. Published by Curtis Hanson (A0.719762). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include This Is My Father's World, I Love to Tell the Story, and Faith of Our Fathers. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
Déjeuner du matin sung in French and English with various samples (mp3)
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David Warin Solomons
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Déjeuner du matin sung in Fre
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Sampler - Level 4 - Digital Download SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songw...
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Alto Voice,Sampler - Level 4 - Digital Download SKU: A0.1350393 By David Warin Solomons. By David Warin Solomons. Contemporary,Multicultural,Singer/Songwriter,World. Full Performance. Duration 249. David Warin Solomons #935190. Published by David Warin Solomons (A0.1350393). Déjeuner du matin - poem by Jacques PrévertEnglish translation by Lawrence FerlinghettiMusical improvisation on 8-track Fostex with Archimedes sequencer sung by David W Solomons with various samples (1989)using my Isaiah sequence (circular A minor arpeggio feature with bass note going down by semitones returning via a dominant 7th chord)This is best heard on headphones to get the English and French versions separately.Recently described by Howie Richey as follows:sounds like Stairway to Heaven sung by Sgt. Pepper!Yup I can see that LOLFrench and English versions:Déjeuner Du MatinIl a mis le caféDans la tasseIl a mis le laitDans la tasse de caféIl a mis le sucreDans le café au laitAvec la petite cuillèreIl a tournéIl a bu le café au laitEt il a reposé la tasseSans me parlerIl a alluméUne cigaretteIl a fait des rondsAvec la fuméeIl a mis les cendresDans le cendrierSans me parlerSans me regarderIl s'est levéIl a misSon chapeau sur la têteIl a misSon manteau de pluieParce qu'il pleuvaitEt il est partiSous la pluieSans une paroleSans me regarderEt moi, j'ai prisMa tête dans ma mainEt j'ai pleuréBreakfastHe put the coffee in the cupHe put the milk inthe cup of coffeeHe put the sugarin the café au laitWith a coffee spoon he stirred he drank the café au lait and set down the cupwithout a word to mewithout a word to mehe lit a cigarettehe made smoke ringswith the smokehe put the ashesin the ash traywithout a word to mewithout a look at mehe got uphe put his hat upon his headhe put his raincoat on because it was rainingand he left in the rainwith out a wordwithout a look at meand I ....I took my head in my hand and I cried.
$5.50
Hymns from Childhood - Set 4 (solo)
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Sacred music
#
Various
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Curtis Hanson
#
Hymns from Childhood - Set 4
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Curtis Hanson
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SheetMusicPlus
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719764 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069369. Pub...
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719764 Composed by Various. Arranged by Curtis Hanson. Sacred. 9 pages. Curtis Hanson #6069369. Published by Curtis Hanson (A0.719764). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have elected to use the older texts as that is the way they were first written and the way I first learned them. There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set include I Need Thee Every Hour, O Jesus, I Have Promised, and The Church's One Foundation. This collection of arrangements is also available for SATB voices and piano or piano solo.
$5.99
Jason's Song (medium voice)
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Pop music
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Jeffrey Richard Carter
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Jason's Song
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Jeffrey Richard Carter
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SheetMusicPlus
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1023633 Composed by Jeffrey Richard Carter. Pop. 9 pages. Jeffrey Richard Carter #6209337. Publishe...
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1023633 Composed by Jeffrey Richard Carter. Pop. 9 pages. Jeffrey Richard Carter #6209337. Published by Jeffrey Richard Carter (A0.1023633). 2014. I was falling in love, but I knew that he was going to leave to return to his home country. One Sunday afternoon, I sat down and started scribbling lyrics, and within 45 minutes had a song. That evening, instead of watching Downton Abbey, I sat down at the piano and started noodling. Thirty minutes latter I had a melody and harmony. The muses had whispered powerfully that day. This was my first attempt at something other than sacred choral and solo music. I'm happy with it.Also published a step higher in medium voice in D major.
$5.99
Jason's Song (low voice)
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Pop music
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Jeffrey Richard Carter
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Jason's Song
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Jeffrey Richard Carter
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SheetMusicPlus
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1023632 Composed by Jeffrey Richard Carter. Pop. 9 pages. Jeffrey Richard Carter #6209331. Publishe...
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.1023632 Composed by Jeffrey Richard Carter. Pop. 9 pages. Jeffrey Richard Carter #6209331. Published by Jeffrey Richard Carter (A0.1023632). 2014. I was falling in love, but I knew that he was going to leave to return to his home country. One Sunday afternoon, I sat down and started scribbling lyrics, and within 45 minutes had a song. That evening, instead of watching Downton Abbey, I sat down at the piano and started noodling. Thirty minutes latter I had a melody and harmony. The muses had whispered powerfully that day. This was my first attempt at something other than sacred choral and solo music. I'm happy with it.Also published a step higher in medium voice in D major.
$5.99
It's Going To Take Some Time
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The Carpenters
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Elise Letourneau
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It's Going To Take Some Time
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Elise Letourneau
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SheetMusicPlus
Choral Choir,Choral,SAA Chorus - Level 2 - Digital Download SKU: A0.1402844 By The Carpenters. By Carole King and Toni Stern. Arranged by Elise Letournea...
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Choral Choir,Choral,SAA Chorus - Level 2 - Digital Download SKU: A0.1402844 By The Carpenters. By Carole King and Toni Stern. Arranged by Elise Letourneau. Pop,Rock,Singer/Songwriter,Standards. 8 pages. Elise Letourneau #986055. Published by Elise Letourneau (A0.1402844). As sung by The Juliet Singers and Vox Eclectica Women's+ Choir. SAA arrangement of the memorable song composed by Carole King and Toni Stern, performed by The Carpenters. Rich harmonies that beautifully showcase the lower range of the female voice, with lines carefully considered for approachability. Four-stave system with chord symbols. 8 pages. Duration about 3:30. Programming themes include: time, rebuilding, growth, change, loss, moving forwardElise Letourneau is a multiple award-winning composer, and an accomplished songwriter, multi-instrumentalist performer, arranger, producer, choir director, and educator. Her compositions and arrangements have been performed around the globe. www.eliseletourneau.com
$2.00
Wild Mountain Thyme (Downloadable Choral Score)
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Karen Marrolli
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Wild Mountain Thyme
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Galaxy Music Corporation - Digital
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SheetMusicPlus
TTBB choir, violin, and piano - Moderately Easy - Digital Download SKU: MQ.1.3586-E Composed by Karen Marrolli. 10 pages. Galaxy Music Corporation - Digi...
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TTBB choir, violin, and piano - Moderately Easy - Digital Download SKU: MQ.1.3586-E Composed by Karen Marrolli. 10 pages. Galaxy Music Corporation - Digital #1.3586-E. Published by Galaxy Music Corporation - Digital (MQ.1.3586-E). UPC: 600313135866. English.Originally composed for the Santa Fe Men’s Camerata in Santa Fe, New Mexico, this piece is a combination of two traditional Scottish tunes: Wild Mountain Thyme, sung by the men’s chorus, and the popular Scottish reel Whiskey Before Breakfast, played as a counterpoint by the violin. The two tunes come together to highlight the playful nature of Tannahill’s text, which speaks of going out to “pluck wild mountain thyme†with one’s love in the romantic blush of spring.
$2.65
Tremors of Krakatoa
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Judith Katz
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Tremors of Krakatoa
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Imagine Music - Digital
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SheetMusicPlus
Woodwind choir - Digital Download SKU: IZ.CMS181 Composed by Judith Katz. Score and Parts. 48 pages. Imagine Music - Digital #CMS181. Published by Imagin...
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Woodwind choir - Digital Download SKU: IZ.CMS181 Composed by Judith Katz. Score and Parts. 48 pages. Imagine Music - Digital #CMS181. Published by Imagine Music - Digital (IZ.CMS181). 9 x 12 in inches.With tremors that started in May of 1883, the volcano on the Indonesian island of Krakatoa fully erupted on August 26th of that same year. The eruption continued until the late morning of August 27th, destroying over 70% of the island, the surrounding archipelago, and collapsed into a caldera.This event is counted as one of the deadliest and most destructive events in recorded history. Over 36,000 deaths were the result of both the eruption and the tsunamis that were created. Weeks later, the eruptions on Krakatoa intensified, causing explosions on neighboring islands. Globally, these explosions had effects on Australia and as far away as South Africa.The 1883 Krakatoa eruption also darkened the sky worldwide for years afterwards, caused by volcanic ash. Spectacular sunsets were created and they inspired artists to capture the effects. British artist William Ashcroft made numerous color sketches, attempting to capture the look of the red-tinged skies, and there is a theory that Edvard Munch's blood-red sky depicted in the painting, The Scream, was inspired from his observing the color of the sky over Norway at the time.Of all the original compositions and arrangements that I have written, this is my first foray into program music. Program music can be a difficult genre; has the story really been conveyed? Does the orchestration fit the composition? Is it too short, or rather, way too long.I decided to write this for woodwind choir, rather than woodwind quintet. The sound of a woodwind choir offers enough variety of sound to convey both the frenetic quality of panic, fear, and desperation of a volcanic eruption, and yet the calm, sadness of how people felt, not knowing when things were going to erupt again.
$32.00
Epilogue
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Ali Hanna, Madison Julius Cawe
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Epilogue
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Ali Hanna
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SheetMusicPlus
B-Flat Clarinet,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1264319 Composed by Ali Hanna, Madison Julius Cawein, and Mark Twai...
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B-Flat Clarinet,Medium Voice,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1264319 Composed by Ali Hanna, Madison Julius Cawein, and Mark Twain. 21st Century,Contemporary. 6 pages. Ali Hanna #857172. Published by Ali Hanna (A0.1264319). I wrote this piece as an epilogue (pun definitely intended) to a traumatic religious event that took place in February 2023. I won't go into details so I don't risk triggering anyone, but let's just say it was a lot. This is also the first piece I've written where the text isn't my own because my composition professor at the time challenged me to do so.The text of the first half of the piece comes from Mark Twain's poem Warm Summer Sun. It's intended to be an acceptance of the fact that the singer isn't the same person they once were. As the poem repeats, the singer begins to say goodbye to their old self and lay them to rest.The text of the second half of the piece comes from Madison Julius Cawein's poem Take Heart. I see this part as someone in the singer's life giving them hope to keep on living, and who that entity is can be interpreted in a number of ways. For me, it was the friends and professors around me that helped me keep going. I didn't talk to many people about what happened, but just seeing everyone's faces every day taught me that if they can continue living their lives, then so can I.I ended up adding the clarinet part after a moment of inspiration during my trip to the ICA ClarinetFest 2023 in Denver, Colorado. Voice and clarinet are my two passions, so I thought I would use Epilogue to put them together. This piece has yet to be premiered in its current form, but I hope to someday. If you would like to premiere it, please email me at alisonhanna29@gmail.com.
$10.00
The Road Not Taken - Original Voice Range (A4 size)
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Contemporary
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Don Bowyer
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The Road Not Taken - Original
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Dolphin Don's Music School
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Voice - Digital Download SKU: A0.990138 Composed by Don Bowyer (Sunway University). Contemporary. Score and ...
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Instrumental Duet Instrumental Duet,Trombone,Voice - Digital Download SKU: A0.990138 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 4 pages. Dolphin Don's Music School #6416709. Published by Dolphin Don's Music School (A0.990138). This setting of Robert Frost’s well-known poem is for soprano and trombone, with a duration of just over three minutes. The two melodic lines are meant to reflect the two roads of the poem, starting out the same, going in different directions, but perhaps being more similar than first perceived.The soprano range in this (the original) version is B3 to F5, This composition is also available for higher voice (minor third higher - D4 to Ab5).
$8.99
The Road Not Taken - Higher Voice Range (A4 size)
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Contemporary
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Don Bowyer
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The Road Not Taken - Higher Vo
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Dolphin Don's Music School
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Voice - Digital Download SKU: A0.990139 Composed by Don Bowyer (Sunway University). Contemporary. Score and ...
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Instrumental Duet Instrumental Duet,Trombone,Voice - Digital Download SKU: A0.990139 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 4 pages. Dolphin Don's Music School #6416713. Published by Dolphin Don's Music School (A0.990139). This setting of Robert Frost’s well-known poem is for soprano and trombone, with a duration of just over three minutes. The two melodic lines are meant to reflect the two roads of the poem, starting out the same, going in different directions, but perhaps being more similar than first perceived.
$8.99
The Road Not Taken - Higher Voice Range (Letter size)
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Contemporary
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Don Bowyer
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The Road Not Taken - Higher Vo
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Dolphin Don's Music School
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Voice - Digital Download SKU: A0.990140 Composed by Don Bowyer (Sunway University). Contemporary. Score and ...
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Instrumental Duet Instrumental Duet,Trombone,Voice - Digital Download SKU: A0.990140 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 4 pages. Dolphin Don's Music School #6416715. Published by Dolphin Don's Music School (A0.990140). This setting of Robert Frost’s well-known poem is for soprano and trombone, with a duration of just over three minutes. The two melodic lines are meant to reflect the two roads of the poem, starting out the same, going in different directions, but perhaps being more similar than first perceived.
$8.99
The Road Not Taken - Original Voice Range (Letter size)
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Contemporary
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Don Bowyer
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The Road Not Taken - Original
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Dolphin Don's Music School
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Voice - Digital Download SKU: A0.990137 Composed by Don Bowyer (Sunway University). Contemporary. Score and ...
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Instrumental Duet Instrumental Duet,Trombone,Voice - Digital Download SKU: A0.990137 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 4 pages. Dolphin Don's Music School #6416711. Published by Dolphin Don's Music School (A0.990137). This setting of Robert Frost’s well-known poem is for soprano and trombone, with a duration of just over three minutes. The two melodic lines are meant to reflect the two roads of the poem, starting out the same, going in different directions, but perhaps being more similar than first perceived.
$8.99
The Spooky Old Tree (Piano Accompaniment/Rehearsal Track)
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Carol Troutman Wiggins
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The Spooky Old Tree
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Multi-Percussion,Voice - Digital Download SKU: A0.1065419 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Dura...
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Choir,Multi-Percussion,Voice - Digital Download SKU: A0.1065419 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 74. Carol Troutman Wiggins #3246435. Published by Carol Troutman Wiggins (A0.1065419). THE SPOOKY OLD TREEUnison w/Optional Rhythm Sticks & RatchetHowling, Ooh's, Breathing, Whistling, Wind SoundsNeed a quick & easy fall or Halloween song? This song has a lot of fun things going on! Rhythm sticks & a ratchet add quirky sounds as the song about this spooky old tree is sung. Add howling, ooh's, breath sounds, and whistling as the wind.Excellent for upper elementary or middle school studentsPerfect for Halloween or fallEasy lyricsComfortable singing range'Spooky' piano accompaniment with lots of staccatosAdd rhythm sticks & ratchet for creaky tree soundsAny untuned percussion may be used - use what you have!Rhythm chart is included in the scoreRhythm interludes between verse and chorusEmphasis on intervals - 2ndsChords included for additional instruments, if desiredUnison choral arrangement available on this site.
$5.99
Let It Be
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Christmas
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The Beatles
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Jeremy Nafziger
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Let It Be
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Jeremy Nafziger
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SheetMusicPlus
Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The...
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Choral Alto Voice,Bass Voice,Double Bass,Piano and Keyboard,Soprano voice,Tenor Voice,Viola,Violin - Level 3 - Interactive Download SKU: A0.481914 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeremy Nafziger. This edition: Interactive Download. Christmas. Octavo. Duration 286. Jeremy Nafziger #6Re335EyhndYxZ7ALSuj10. Published by Jeremy Nafziger (A0.481914). Key: C major.The Beatles classic with the Advent hymn, In Dulci Jubilo. Both texts come from dreams, and this winds up a meaningful combination. In Dulci was written in the 14th century by German monk and teacher Heinrich Suso (or Seuse), who writes in his third-person autobiography about a dream he had: Now this same angel came up to the Servant [Suso] brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then they drew the Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus, which runs thus: In dulci jubilo... About 650 years later, in 1968, Paul McCartney was staying out late, drinking too much, and thinking that the Beatles were probably going to break up soon. Then one night, somewhere between deep sleep and insomnia, I had the most comforting dream about my mother, who died when I was only 14. She had been a nurse, my mum, and very hardworking, because she wanted the best for us.... At night when she came home, she would cook, so we didn’t have a lot of time with each other. But she was just a very comforting presence in my life. And when she died, one of the difficulties I had, as the years went by, was that I couldn’t recall her face so easily.... So in this dream twelve years later, my mother appeared, and there was her face, completely clear, particularly her eyes, and she said to me very gently, very reassuringly: “Let it be.†It was lovely. I woke up with a great feeling. It was really like she had visited me at this very difficult point in my life and gave me this message: Be gentle, don’t fight things, just try and go with the flow and it will all work out. His mother's name was Mary, or course. He wrote the song in the next few days, and it was released on the album on the same name in 1970, a month after the Beatles split up. As for the actual texts, they're very different. In Dulci is macaronic (alternating between two languages, in this case Latin and a translation from Medieval German) and ecstatic; Let It Be is English and more subdued. In this version, we alternate between the two but keep the Let It Be structure, except for a diversion in the middle where the well-known Bach setting is adopted as kind of an interlude. The two texts and melodies are sung together in the last verse (the fourth In Dulci verse and the third Let It Be verse), where both are talking about music.
$3.99
VALS FRÅN DREFVIKEN
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Lars Ek
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VALS FRÅN DREFVIKEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068894 Composed by Lars Ek. Folk,World. Full Performance. Duration 225. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921499. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068894). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
LÄTTA FINGRAR
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Lars Ek
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LÄTTA FINGRAR
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068893 Composed by Lars Ek. Folk,World. Full Performance. Duration 154. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921497. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068893). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
FORNUDDSVALSEN
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Lars Ek
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FORNUDDSVALSEN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068890 Composed by Lars Ek. Folk,World. Full Performance. Duration 259. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921479. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068890). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
LOVELY THOUGHTS
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Lars Ek
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LOVELY THOUGHTS
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068892 Composed by Lars Ek. Folk,World. Full Performance. Duration 233. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921495. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068892). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
SNÖKÄNGAN
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Lars Ek
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SNÖKÄNGAN
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o...
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Accordion,Double Bass,Guitar - Digital Download SKU: A0.1068889 Composed by Lars Ek. Folk,World. Full Performance. Duration 206. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1921477. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068889). Something quite astonishing has happened in the Swedish accordion world during the last couple of years, we´ve got a new idol. It´s astonishing in two different ways: for us who know the accordion world it´s a fact that Lars Ek has been around as a professional accordionist for almost 20 years, since he finished school, second: he has become an idol playing music and in a style that has it´s roots 50 years back in the accordion music history. One could say that Lars Ek, today 35 years old, should have been 85, active in the 30´s. Himself, he confess that he feels kind of secret longing back to a time when accordionists were equilibrists, when accordionists played in a brilliant way, the golden age it was for all accordion music all over the world, an age that we will never meet again. It´s a type of music which is historical but not belonging to the museums, not dead, it´s a typical of music filled with life. Very much so thanks to Lars Ek. It´s a quite notable situation. Lars Ek has been playing the accordion for a long time, he has been playing all types of music that can be played on an accordion. Just some few years ago he met, via phonograph records, the music of Nils Lind and Ragge Sundquist (two legendary Swedish performers from the 30´s and the 40´s, both dead since long ago - they both founded a school and a style) and, of course, also Frosini. And then, finally, Lars Ek felt that it was exactly here, in this style where he belonged. Lars Ek finally came home. Some sloppy listeners say that Lars Ek is copying the music of Nils Lind. Those are listeners who don´t listen. Others say that Lars is a maniac - he plays on an accordion of the Raggie Sundquist brand from 1937 and since a couple of years he also owns and plays an accordion once owned by Pietro Frosini, manufactured in 1927. That´s not mania. The style asks for such instruments. It´s most correct that way. Lars Ek has become incredibly popular. There are many reasons. He has lots of personality, he is a stage personality, he shows enthusiasm and joy while performing, he knows how to attract an audience (and the girls say he´s very handsome). One other reason is that the music Lars performs finds lots of response from the audience. And, please, don´t think it´s only those old ones who were around in the 30´s who love the music - so do even the young ones! Lars Ek x 2 is the name of the record. The explanation is simple. Lars wasn´t able to find a second accordionist to assist him. So, thanks to the technique he is his own second accordionist himself in five of the tunes performed. There is one more explanation. Lars performs melodies linked to the names of Nils Lind, Ragge Sundquist and Frosini, but he also plays five compositions of hes own. Just to show how he wants accordion music to be composed. Lars Ek does not need any recommendation, his records sell anyway. But you´re going to get some final words. This records is, regarding style, very rare to be recorded in 1982, it´s a matter of looking back and to do so with lots of skill, a look back that golden age of the accordion. It´s also a very personal record. The inspiration may very well be Nils Lind, Ragge Sundquist and Pietro Frosini. But it´s Lars Ek who plays. In his personal way. Which means that this is a record played in a very personal way.
$1.99
Improvisatory Images (Letter size)
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Contemporary
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Don Bowyer
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Improvisatory Images
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Dolphin Don's Music School
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.990145 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 1 pages. Dolphin Don's Music ...
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Small Ensemble - Digital Download SKU: A0.990145 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 1 pages. Dolphin Don's Music School #6434139. Published by Dolphin Don's Music School (A0.990145). For any instrument.This composition is entirely improvised. The performer improvises a commentary on a series of ten images shown in a PowerPoint slideshow. Each slide will advance automatically after 20 seconds. The performer is expected to respond to each new image by changing the ongoing improvisation in either subtle or dramatic ways.An accompanying PowerPoint template is available for free download from the composer's website.The piece was created as part of my Rooftop Trombone v2.0 series during the second lockdown in Malaysia due to the Covid-19 pandemic.Improvisatory Poetry is a companion piece involving poetry submitted and read by the audience.
$8.99
Improvisatory Images (A4 size)
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Contemporary
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Don Bowyer
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Improvisatory Images
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Dolphin Don's Music School
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.990146 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 1 pages. Dolphin Don's Music ...
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Small Ensemble - Digital Download SKU: A0.990146 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 1 pages. Dolphin Don's Music School #6434137. Published by Dolphin Don's Music School (A0.990146). For any instrument.This composition is entirely improvised. The performer improvises a commentary on a series of ten images shown in a PowerPoint slideshow. Each slide will advance automatically after 20 seconds. The performer is expected to respond to each new image by changing the ongoing improvisation in either subtle or dramatic ways.An accompanying PowerPoint template is available for free download from the composer's website.The piece was created as part of my Rooftop Trombone v2.0 series during the second lockdown in Malaysia due to the Covid-19 pandemic.Improvisatory Poetry is a companion piece involving poetry submitted and read by the audience.
$8.99
Guantanamera
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Jose Fernandez Diaz
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Uwe Korn
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Guantanamera
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Schott Music - Digital
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SheetMusicPlus
Alto saxophone and piano - easy - Digital Download SKU: S9.Q7308 Composed by Jose Fernandez Diaz. Arranged by Uwe Korn. This edition: Sheet music. Editio...
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Alto saxophone and piano - easy - Digital Download SKU: S9.Q7308 Composed by Jose Fernandez Diaz. Arranged by Uwe Korn. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Schott Music - Digital #Q7308. Published by Schott Music - Digital (S9.Q7308). Is there anyone who does not know the song 'Guantanamera'? Going back to a melody of the Cuban music style Guajira and a text by the local national hero José MartÃ, it was used by José Fernández DÃaz in the 1930s as a refrain for improvisations on topical daily news. In 1963 Peter Seeger took up MartÃ's original version at a concert at the New York Carnegie Hall – which then became a 'hymn' of the American Trade Union Movement. Since then the title has been sung in countless versions. The current edition offers the opportunity to play the worldwide hit in front of a 'home audience' – enjoy and have fun!
$4.99
Murray - Piano Trio - Violin, Cello & Piano
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Contemporary
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TK Tim Murray
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tkmurraycomp@aol
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Murray - Piano Trio - Violin,
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TK
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.823987 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and parts. 43 ...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.823987 Composed by TK Tim Murray. 20th Century,Concert,Contemporary. Score and parts. 43 pages. TK (Tim) Murray #4762457. Published by TK (Tim) Murray (A0.823987). This Piano Trio is a 3 mvt work describing a journey.The 1st. mvt. Prelude (Setting off) is in a minimalist style depicting the mesmerising nature of travel. The 2nd. mvt. Meditation (Taking stock) shows the wide range and depth of thoughts and emotions that can come when you are still and let your mind wander. The Finale (Going home) is a moto perpetuo full of the excitement at heading back renewed and energised. This Piano Trio was commissioned by Margaret Lewissohn and premiered by The Isis Piano Trio. It has been recorded by The Fujita Trio.(c. 21 mins)Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times). Contact; tkmurraycomp@aol.com
$15.95
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