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Not classified
9,371
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409
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42
1 Piano, 4 hands
32
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24
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10
2 Pianos, 4 hands
7
Piano Quartet: piano, violin, viola, cello
4
Organ, Piano (duet)
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Melody line, Piano
3
Accordion, Voice
2
Organ, Trumpet (duet)
1
Piano Quintet: piano, 2 violins, viola, cello
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Banjo
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Piano, Guitar (duet)
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Dulcimer
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4 Guitars (Quartet)
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Ukulele Ensemble
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Baritone Ukulele
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2 Guitars (duet)
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Lap Steel Guitar
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Retract
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Choral 2-part
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Choral
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Voice solo
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Choral Unison
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Choral Instrumental Pak
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High voice
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9
Vocal duet, Piano
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Low voice, Piano
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Medium voice, Piano
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Soli, Mixted choir and accompaniment
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Soprano voice
2
Choral SSATB
2
Choral SSAATTBB
2
Baritone voice
1
Tenor voice, Piano
1
Alto voice, Piano
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Soprano voice, Orchestra
1
Tenor voice
1
Voice, Guitar
1
+ 21 instrumentations
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Retract
Woodwind
Saxophone Quartet: 4 saxophones
6,187
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5,122
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4,464
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2,886
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1,840
Flute Quartet: 4 flutes
1,512
3 Saxophones (trio)
1,503
3 Clarinets (trio)
1,351
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1,076
Flute Trio: 3 flutes
833
Saxophone ensemble
746
Clarinet Quintet: 5 clarinets
719
Flute ensemble
616
Flute, Oboe, Clarinet (trio)
454
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Oboe, Clarinet, Bassoon (trio)
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Flute
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2 Flutes (duet)
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Flute and Piano
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2 Clarinets (duet)
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Saxophone
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Alto Saxophone
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3 Oboes
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Clarinet and Piano
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2 Saxophones (duet)
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Tenor Saxophone
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Oboe (band part)
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2 Clarinets, Bassoon
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Tenor Saxophone and Piano
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Flute (band part)
44
Oboe
41
Flute, Clarinet, Horn and Bassoon (Quartet)
41
4 Oboes
38
Recorder
35
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29
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26
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22
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22
Wind ensemble
20
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20
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19
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11
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10
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9
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Flute, Violin
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6
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5 Recorders
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
Flute, Harp and Cello
1
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1
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1
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1
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1
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1
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1
Flute, Violin, Violoncello and Piano
1
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175
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161
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150
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63
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62
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60
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47
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46
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36
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28
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27
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22
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21
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18
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16
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13
English horn, Piano
13
2 French horns (duet)
11
Brass Quartet: 4 horns
10
Brass Quartet
9
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8
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6
2 Tubas (duet)
5
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4
3 Trombones (trio)
4
2 Euphoniums and 2 Tubas
4
3 Trumpets (trio)
3
4 Tubas
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Cornet
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Trumpet ensemble
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Trumpet, Trombone, Piano
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1
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1
English Horn
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1
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362
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61
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55
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54
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44
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40
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36
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31
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22
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18
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16
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11
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9
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8
String Trio: 2 violins, cello
8
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7
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6
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5
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4
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4
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4
Harp, Voice
3
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String quartet: 4 violins
3
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2
Viola ensemble
2
Piano Trio: Violin, Viola, Piano
2
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2
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1
String trio
1
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1
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1
Harp and Organ
1
Harp, Violin, Violoncello
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1
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1
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3,594
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9351
Tchaikovsky: Coronation March TH50 (COMPLETE) - symphonic wind dectet/bass
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Classical
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Peter Ilyich Tchaikovsky
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Ray Thompson
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Tchaikovsky: Coronation March
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - Digital Download SKU: A0.1284281 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Th...
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A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - Digital Download SKU: A0.1284281 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. 20th Century,March,Romantic Period. 38 pages. RayThompsonMusic #875459. Published by RayThompsonMusic (A0.1284281). Arranged double wind quintet/bass.This is my arrangement of the complete work - it includes the trio.Check out my shorter version here.The Festival Coronation March in D major, TH 50, ČW 47, is an orchestral work by Peter Ilyich Tchaikovsky ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883.It was written during March 1883 and performed for the first time on June 4[O.S. May 23], 1883 in Sokolniki Park (Moscow), conducted by Sergei Taneyev. The music included excerpts of the anthem God Save the Tsar.Recordings of this piece generally run between 5 and 5½ minutes.Arranged wind dectet/bass (double wind quintet/bass/tuba)My arrangement is in the same key as the original (D major)Clarinet parts are CLARINET IN ARather than simply copying the woodwind parts, I have moved some of the music down one octave. Thus avoiding the shrill sound of high woodwind in a smaller ensemble.For info: During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march. Other works that quoted or otherwise used the anthem, such as Tchaikovsky's Marche Slave and 1812 Overture, were also revised, due to an official Soviet ban on the anthem.Starting with Dmitri Medvedev’s inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president. That version (Similar to my arrangement) lasts less than two minutes, and so ends well before the playing  of  God Save the Tsar.Check out my arrangement of Tchaikovsky's Military March,TH150 arranged for similar instrumentation.
$24.95
Tchaikovsky: Coronation March TH50 - symphonic wind dectet/bass
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Classical
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Peter Ilyich Tchaikovsky
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Ray Thompson
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Tchaikovsky: Coronation March
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - Digital Download SKU: A0.1278533 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Th...
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A Clarinet,Bassoon,Double Bass,Flute,Horn,Oboe,Tuba - Level 4 - Digital Download SKU: A0.1278533 Composed by Peter Ilyich Tchaikovsky. Arranged by Ray Thompson. 20th Century,March,Romantic Period. 25 pages. RayThompsonMusic #870214. Published by RayThompsonMusic (A0.1278533). The Festival Coronation March in D major, TH 50, ČW 47, is an orchestral work by Peter Ilyich Tchaikovsky ordered by the city of Moscow for the coronation of Tsar Alexander III in 1883.It was written during March 1883 and performed for the first time on June 4[O.S. May 23], 1883 in Sokolniki Park (Moscow), conducted by Sergei Taneyev.[1] The music included excerpts of the anthem God Save the Tsar.Recordings of this piece generally run between 5 and 5½ minutes.Arranged wind dectet/bass (double wind quintet/bass/tuba)My arrangement is in the same key as the original (D major)Clarinet parts are CLARINET IN AThis is the first section of the March, It does NOT include the TRIO or the repeat of the March (so does not include the God save the Tsar music)Rather than simply copying the woodwind parts, I have moved some of the music down one octave. Thus avoiding the shrill sound of high woodwind in a smaller ensemble.For info: During the Soviet Era, Russian performances and recordings of the music were revised to omit the excerpts from the Czarist national anthem, replacing it with thematic material used earlier in the march. Other works that quoted or otherwise used the anthem, such as Tchaikovsky's Marche Slave and 1812 Overture, were also revised, due to an official Soviet ban on the anthem.Starting with Dmitri Medvedev’s inauguration in 2008, an abbreviated version of this piece is played during the Russian presidential inauguration accompanying the entrance of the incoming president. That version (Similar to my arrangement) lasts less than two minutes, and so ends well before the playing  of  God Save the Tsar.Check out my arrangement of Tchaikovsky's Military March,TH150 arranged for similar instrumentation.
$19.95
Kinder- Symphonie (Toy Symphony): Composer: Unknown - symphonic wind/percussion
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Edmund Angerer - ascribed vari
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Ray Thompson
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Kinder- Symphonie
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 3 - Digital Download SKU: A0.555864 Composed by Edmund Angerer - ascribed ...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 3 - Digital Download SKU: A0.555864 Composed by Edmund Angerer - ascribed variously to Joseph Haydn, Leopold Mozart, Michael Haydn, and Wolfgang Amadeus Mozart and Johann Rainprechter. Arranged by Ray Thompson. Children,Christmas,Classical,Standards. Score and parts. 52 pages. RayThompsonMusic #6047585. Published by RayThompsonMusic (A0.555864). This work was long reputed to be the work of Joseph Haydn, but later scholarship suggested that it was actually written by Leopold Mozart. Its authorship is still disputed, however, and other composers have been proposed as the symphony's true author, including Joseph Haydn's younger brother Michael Haydn, who purportedly contributed movements to the work.Recent research on a newly found manuscript suggests the Austrian Benedictine monk Edmund Angerer (1740–1794) to be the author. If Angerer's manuscript (from 1765, entitled Berchtolds-Gaden Musick) is the original, the Toy Symphony was originally written not in G but rather in C. These findings, however, are disputed among scholars. There is reason to believe that the true composer will likely never be known, in whole or in part, given its confused origins and the paucity of related manuscript sources.Even without a name attached to it, the piece has become a mainstay for children's shows and Christmastime concerts. Each of its three movements features the sounds of actual toys and instruments that sound like they came straight from Geppetto's workshop. The piece calls for a toy trumpet, ratchet, nightingale, cuckoo, drum, and triangle. ( A quail makes it’s only appearance in the 2nd movement.Noisemakers rattle throughout the first of its three movements. The cuckoo and trumpet  call out mischievously during the minuetto of the second movement , and a quail joins the nightingale in the trio. In the short third mvt which is played 3 times, they all play again, each repeat faster than the previous one.The presence of the toy instruments make this a fun piece for children to play, especially when there are also some toys waiting under the tree.My arrangement is based on the Kinder-Symphonie attributed to Leopold Mozart. It is scored in C.it is in 3 mvts and is arranged for double wind quintet, bass and toy percussion.i have distributed the original strings around the woodwind, and composed original classical horn parts.Sometimes known as Children’s Symphony.
$19.95
Everything for the Church Soloist-Digital Download
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Various Writers
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Don Doig, Jack Schrader, and J
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Everything for the Church Solo
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Hope Publishing - Digital
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SheetMusicPlus
Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. ...
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Vocal, Solo Solo Voice - Digital Download SKU: H1.804DP Arranged by Don Doig, Jack Schrader, and John F. Wilson. General Worship. Collection. 392 pages. Hope Publishing - Digital #804DP. Published by Hope Publishing - Digital (H1.804DP). By Various Writers.140 Christian songs by Various Writers Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms. Contains over 140 songs including: Because He Lives, Communion Song, Great Is Thy Faithfulness, the Holy City, I Wonder as I Wander, Learning to Lean, Malotte's Lord's Prayer, Wedding Song, and The Palms.
Song List
: A Song About Me A Worthy Woman Above the Hills of Time All In The Name Of Jesus Alleluia (Schubert) Amazing Grace Because He Lives Because You Are God's Chosen Ones The Birthday of the King The Blood Will Never Lose Its Power The Body of Our Lord Born Again Bread Of The World In Mercy Broken Bridal Prayer Bring Back The Springtime Chosen of the Lord Christ Living Within You Clean Before My Lord Come, Praise the Lord! Communion Song Eternal Life Flee As A Bird For Those Tears I Died Gentle Like Jesus The Gift Of Love Give Me Jesus Give Them All To Jesus Grace Greater Than Our Sin Great Is Thy Faithfulness Have Thine Own Way, Lord! He Carried My Cross He Died for Me He Shall Feed His Flock He Turned The Water Into Wine He Was There All The Time He's a Wonderful Lord The Heavens Declare His Glory Help Us Accept Each Other Here's My Life Here's One His Eye Is On The Sparrow Ho! Everyone Who Is Thirsty The Holy City How Big Is God How Quiet Is the Night How Real! Hush Now I Am His And He Is Mine I Am the Vine I Am Willing, Lord I Heard About A Man I Just Came To Praise The Lord I Know Where I'm Going I Saw the Lord, and All Beside Was Darkness I Walked Today Where Jesus Walked I Want Jesus to Walk with Me I Wonder as I Wander I Wonder Why? If Jesus Had Not Come If My People Will Pray If with All Your Hearts If You Need a Helping Hand I'm Goin' Home In Jesus' Name In the Image of God Into My Heart It Was His Love It Won't Stop Ivory Palaces Jesus Is Lord Of All Jesus Revealed in Me Just A Closer Walk With Thee Just Because I Asked Lead Me To Calvary Learning to Learn Life Indeed Like A Child Little Baby Jesus Lonely Voices The Lord Is My Light Lord, Listen to Your Children Lord, Show the Way Lord, Take Control of Me The Lord's Prayer Love Came Down At Christmas Love Theme Love Was When Marvelous Mystery May the Mind of Christ Mirror More (Than You'll Ever Know) My Cup Overflows My Jesus, I Love Thee My Tribute The New 23rd New Wind Blowin' No One Ever Cared For Me Like Jesus No Power of My Own Nothing ... Everything O Father in Heaven O Glorious Love! O Holy Night O Lord Most Holy O Rest in the Lord O The Deep, Deep Love Of Jesus Of Love I Sing Oh, What Love! Open the Gates of the Temple The Palms Praise The Lord, He Never Changes Reach Out to Your Neighbor Ring The Bells Rise Again Savior, My Heart Is Thine Seek Ye First Shepherd Of Love Something Beautiful So Great Is His Mercy Spirit Of God Strength to My Soul Sweet Is the Name of Jesus Take God By the Hand Take My Life Ten Thousand Angels Thank You for These Gifts Thanks to God That Someday Is Now That's Why We Are Beautiful Then shall the righteous shine forth There's A Quiet Understanding They Led Him Away This Is My Commandment This Is The Time I Must Sing The Touch Of The Master's Hand The Twenty-Third Psalm (Malotte) Until Then Wedding Song Welcome Home, Children What God Hath Promised What Grace Is This! What Have They Done? Whither Thou Goest Who Are You to Disagree? Who Is This Boy? Who Shall Separate Us? Who Will Go? Worthy Is The Lamb Yes, God Is Real You're Something Special
$79.95
Four Winds
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Contemporary
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Don Bowyer
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Four Winds
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Dolphin Don's Music School
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SheetMusicPlus
Large Ensemble Alto Saxophone,B-Flat Clarinet,Baritone Saxophone,Bass Clarinet,Bassoon,Chimes,Euphonium,Flute,Horn,Marimba,Oboe,Percussion,Tenor Saxophone,Timpa...
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Large Ensemble Alto Saxophone,B-Flat Clarinet,Baritone Saxophone,Bass Clarinet,Bassoon,Chimes,Euphonium,Flute,Horn,Marimba,Oboe,Percussion,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Xylophone - Digital Download SKU: A0.990176 Composed by Don Bowyer (Sunway University). Contemporary. Score and parts. 105 pages. Dolphin Don's Music School #6475223. Published by Dolphin Don's Music School (A0.990176). The title refers to the Four Winds of the Apocalypse. This single movement work is based entirely on a six-note synthetic scale including the notes C, D, E, G, Ab, A. Every other note of this scale is combined into two different triads, one augmented and the other suspended. The alternation of these two triads serves as the only harmonic structure for the piece.The trombone begins by stating a simple idea, which is blown around the ensemble until it develops into the first theme when the woodwinds take over. Following a driving ostinato percussion transition, the trumpet states the second theme.The chimes state the third theme, a twisted interpretation of the Medieval hymn, Dies Irae. The bass instruments join the chimes in repeating the third theme, while the rest of the winds restate the second theme and the percussion continue their ostinato.Each section states and repeats its own motive in a group effort that constitutes the fourth theme, then the woodwinds gently return to the first theme, accompanied by a subdued and rhythmically altered version of the third theme.The percussion ostinato returns, though rhythmically altered. The trumpets and horns bring back an altered version of the second theme, while the woodwinds do the same for the first theme. Just before the end, the trombone tries to return to the calm that began the performance. A final strong gust from the entire ensemble puts an end to this idea, simultaneously signaling the end of the piece.
$39.99
Colores (Let the Children Teach Us)
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Lon W
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Colores
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LCS Productions
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. ...
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Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
$35.00
Haydn M: Marcia Turchese in C (Turkish March) MH601 - symphonic wind dectet/bass
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Classical
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M Haydn
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Ray Thompson
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Haydn M: Marcia Turchese in C
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 4 - Digital Download SKU: A0.555862 Composed by M Haydn. Arranged by Ray Thompson. Classical. Score and parts. 19 pages. RayThomps...
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Large Ensemble - Level 4 - Digital Download SKU: A0.555862 Composed by M Haydn. Arranged by Ray Thompson. Classical. Score and parts. 19 pages. RayThompsonMusic #5954953. Published by RayThompsonMusic (A0.555862). Johann Michael Haydn, the younger brother of Joseph Haydn, was born in 1737 in the Austrian village of Rohrau. Following in his brother's footsteps he trained at the choir school of St. Stephen's Cathedral, Vienna where he was thought to be a brighter student than Joseph. After leaving the choir-school, he was first appointed as Kapellmeister at Nagyvárad in Romania and then, in 1762, at Salzburg where he stayed until his death in 1805, composing church and instrumental music.The Turkish March is scored for wind instruments and percussion. Mock Turkish music was very popular during the classical period, and was famously exploited by Mozart in his opera Die Entführung aus dem Serail. Haydn's work is typical of the genre having bright lively melodies given an exotic flavour through the addition of untuned percussion, particularly cymbals. (Originally scored for double wind quintet, two trumpets and percussion)My arrangement is scored for double wind quintet and bass.(no trumpets or percussion)All essential trumpet solos are covered by the other winds.Horn parts are in G as the original.I have written a bass part to add depth to the piece.
$14.95
The Peanut Vendor (el Manisero)
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Contemporary
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Louis Armstrong & His Orchestr
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Des McNutty
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The Peanut Vendor
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Des Press
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SheetMusicPlus
Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977352 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Des McNutty....
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Small Ensemble Timpani,Trumpet - Level 4 - Digital Download SKU: A0.977352 By Louis Armstrong & His Orchestra. By Moises Simons. Arranged by Des McNutty. Contemporary. Score and parts. 12 pages. Des Press #6438143. Published by Des Press (A0.977352). Part of the series A Pulchritudinous Posy of Pleasing Party-PiecesA few fancies for five-part natural trumpet ensemble* with optional timpani. At last: Some new repertoire for the historical natural trumpet! This one-handed instrument was familiar to composers such as JS Bach, Handel, Telemann, Purcell, Vivaldi etc., but was largely neglected after the invention of valves in the early 19th century - and the subsequent invention of the nodal vent-hole systems in the late 20th-century - until recently, when the elusive lost art of clarino playing (in the fourth octave and above) was cracked by dedicated optimists such as Don L Smithers and JF Madeuf. These arrangements are a stylistic departure from the trumpet's golden age of Baroque repertoire, featuring works well known in the 20th century, and provide excellent training for rhythmic precision, style, pitching and team playing. They're also fun, if you like that sort of thing. Advice on tuning up the differently-pitched instruments and a technical tip are included. The current regulations on SMP mean us little guys can only publish in-copyright works one at a time. So, you can collect them all and make yourself a tome! These arrangements were originally written for Lunchtime Tower Music (weather permitting), at the Dartington International Summer School between roughly 2000 and 2010, for courses led by Michael Laird and David Staff. Such performances from the mediæval clock tower involved the various brass and other wind classes playing seriously with an informal atmosphere. Logistical issues, a narrow staircase and the ubiquitous Health-and-Safety regulations prevented the use of timpani on the tower but sometimes larger groups, and those involving vertigo sufferers, played in the courtyard instead. These pieces are the opposite of playing Baroque music on modern, or postmodern instruments. Get them all now and enjoy a refreshing change! Enjoy! DM
$12.99
Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 p...
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Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00
Floating, Falling, Flying (parts for other instrumental combinations)
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Traditional. 9 pages. Brian Chung Music #788560. Published by Brian Chung Music (A0.1188952). Floating, Falling, Flying was originally written as trio for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus). For those who have already purchased that original score, these supplemental parts will make possible the following instrumental combinations:Clarinet (for Oboe) creates a Clarinet/Violin/Piano trio.Clarinet (for Violin) creates an Oboe/Clarinet/Piano trio (heard on sample audio file).Flute (for Violin) creates an Oboe/Flute/Piano trio.The Piano part in the original score is unchanged for all combinations. For Flute/Clarinet/Piano, please purchase the separate version optimized for that instrumentation (#1288002 on Sheet Music Direct, #A0.1192373 on Sheet Music Plus). Composer's Commentary on YouTube:  https://youtu.be/7Isy0t6VzasSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece for student concerts, recitals and Solo and Ensemble festivals.Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$6.00
Bagpipe music - instrumental improvisation based on the poem by Louis MacNeice (mp3)
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Contemporary
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David Warin Solomons
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Bagpipe music - instrumental i
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David Warin Solomons
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SheetMusicPlus
Sampler - Level 4 - Digital Download SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. Davi...
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Sampler - Level 4 - Digital Download SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. David Warin Solomons #939127. Published by David Warin Solomons (A0.1354408). Instrumental version of my improvisation on Louis MacNeiceis Bagpipe MusicThe original poem is: It's no go the merry-go-round, it's no go the rickshaw,All we want is a limousine and a ticket for the peepshow.Their knickers are made of crêpe-de-chine, their shoes are made of python,Their halls are lined with tiger rugs and their walls with heads of bison.John MacDonald found a corpse, put it under the sofa,Waited till it came to life and hit it with a poker,Sold its eyes for souvenirs, sold its blood for whiskey,Kept its bones for dumb-bells to use when he was fifty.It's no go the Yogi-Man, it's no go Blavatsky,All we want is a bank balance and a bit of skirt in a taxi.Annie MacDougall went to milk, caught her foot in the heather,Woke to hear a dance record playing of Old Vienna.It's no go your maidenheads, it's no go your culture,All we want is a Dunlop tyre and the devil mend the puncture.The Laird o' Phelps spent Hogmanay declaring he was sober,Counted his feet to prove the fact and found he had one foot over.Mrs Carmichael had her fifth, looked at the job with repulsion,Said to the midwife 'Take it away; I'm through with overproduction'.It's no go the gossip column, it's no go the Ceilidh,All we want is a mother's help and a sugar-stick for the baby.Willie Murray cut his thumb, couldn't count the damage,Took the hide of an Ayrshire cow and used it for a bandage.His brother caught three hundred cran when the seas were lavish,Threw the bleeders back in the sea and went upon the parish.It's no go the Herring Board, it's no go the Bible,All we want is a packet of fags when our hands are idle.It's no go the picture palace, it's no go the stadium,It's no go the country cot with a pot of pink geraniums,It's no go the Government grants, it's no go the elections,Sit on your arse for fifty years and hang your hat on a pension.It's no go my honey love, it's no go my poppet;Work your hands from day to day, the winds will blow the profit.The glass is falling hour by hour, the glass will fall for ever,But if you break the bloody glass you won't hold up the weather.
$5.50
A Storm is Gathering Piano Vocal Performance
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Steven H
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Ashley Ivers
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A Storm is Gathering Piano Voc
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - Digital Download SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 2...
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Piano,Voice - Digital Download SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 236. Boothe Publishing #4633697. Published by Boothe Publishing (A0.1069968). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$1.99
Themes For Adventures Of Robinson Crusoe
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Gian Piero Reverberi and Rober
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Trevor Wharton
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Themes For Adventures Of Robin
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Bumpmusic Editions
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SheetMusicPlus
B-Flat Clarinet,Baritone Saxophone,Bass Guitar,Keyboard,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1250196 Composed by Gian Piero Reverberi and...
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B-Flat Clarinet,Baritone Saxophone,Bass Guitar,Keyboard,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1250196 Composed by Gian Piero Reverberi and Robert Mellin. Arranged by Trevor Wharton. 20th Century,Film/TV. 25 pages. Bumpmusic Editions #844530. Published by Bumpmusic Editions (A0.1250196). The English-language version's theme music by Gian Piero Reverberi and Robert Mellin, which the BBC requested before they would buy the serial, has been praised. Radio commentator Glenn Mitchell said The theme tune, with its rumbling introductory notes suggesting the rolling waves of the on-screen title sequence remains distinctive, as does the full incidental score, comprising numerous cues that in each case represent some part of Crusoe's existence.This arrangementgives scope for the wind players to shape the various melodic elements in their own way. When the themes come together they should blend into a whole. The Bass and Keyboard parts support the wind instuments.
$19.75
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Ensemble)
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic ...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.813846 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6537757. Published by Regis Bookshar (A0.813846). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Woodwind Ensemble. Parts included with the purchase are a 1st Flute, a 2nd Flute, a 1st Oboe, a 2nd Oboe, a 1st Clarinet in Bb, a 2nd Clari.
$18.00
"Joy" for Mixed Wind Octet, Piano and Marimba.
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Dan Cutchen and Dan Cutchen
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"Joy" for Mixed Wind Octet, Pi
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Dan Cutchen Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Marimba,Piano Accompaniment,Soprano Saxophone,Trombone - Level 3 - Digital Download SKU:...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Clarinet,Flute,Horn,Marimba,Piano Accompaniment,Soprano Saxophone,Trombone - Level 3 - Digital Download SKU: A0.844263 Composed by Dan Cutchen and Dan Cutchen. 20th Century,Contemporary,World. Score and parts. 54 pages. Dan Cutchen Music #2920627. Published by Dan Cutchen Music (A0.844263). For 4 to 8 of the following instruments: Flute, Soprano Sax, Bb Clarinet, Alto Sax, French Horn, Trombone, Bassoon, Baritone Saxophone PLUS, Marimba and Piano.https://www.youtube.com/watch?v=Sio4HdW28x4&feature=youtu.beSuggested arrangements of instrumentation (all parts are included in purchase, plus score):1. All 10 parts. 2. Flute, Bb Clarinet, Bassoon, Horn, Marimba, Piano. 3. Soprano Sax, Alto Sax, Bari Sax, Trombone, Marimba, PianoTime: Approximately 6:42The title came from the piece being dedicated to the composer’s wife. This composition reminded the composer of her delightful and kind character and her amazing and creative aptitude for organizing and resolving complicated issues. PianoThe composition process began with the opening piano motif. The harmonic and rhythmic foundation for this work is provided by the piano part. The piano serves a steady percussion with a repeating two-measure pattern of 8th notes. It also provides the harmonic foundation with an evolving arrangement of harmonies, which gradually change as the treble clef and bass clef harmonic progressions continually shift over time. The Wind Instruments This piece is comprised of three sections. Section A and C are similar in structure and harmony. In these two sections, the right hand of the piano part repeats a six-measure pattern composed of three triads: F, Edim and Dm. The left hand outlines a repeating eight-measure pattern of four triads: F, Dm, Cm and Bb. As these patterns repeat, the extra two measures in the bass clef cause the patterns to shift out of phase. This brings about a new set of harmonies for each repetition until the patterns begin again on the F major triad. The wind instruments are employed as a rhythmic and melodic counterpoint to the piano. Individually, and as a unit, they reinforce the harmony and rhythmic figures of the piano through echoing and syncopation. Section B utilizes the harmonic progressions of the other two sections but more notes to the triads to extend the harmony (examples: 9th, 11th and 13th chords.) There is also a clear contrast between the rhythms and harmony of the piano versus the wind instruments. The rhythmic and harmonic flow of this section decelerates until there is a complete stop. Section C begins abruptly with the wind instruments taking over the piano’s opening motif. This last section utilizes the same harmonic and rhythmic patterns as section A but the wind instruments become more active in their melodic and rhythmic counterpoint. The last part of this section is eventually dominated by the saxophone and low brass with a strong reiteration of the opening motif.
$20.00
Dvorak: Serenade for Strings Op.22 Mvt. II Waltz - symphonic wind
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Classical
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Antonin Dvorak
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Ray Thompson
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Dvorak: Serenade for Strings O
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 4 - Digital Download SKU: A0.553793 Composed by Antonin Dvorak. Arranged by Ray Thompson. Holiday,Romantic Period. Score and parts...
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Large Ensemble - Level 4 - Digital Download SKU: A0.553793 Composed by Antonin Dvorak. Arranged by Ray Thompson. Holiday,Romantic Period. Score and parts. 41 pages. RayThompsonMusic #4614887. Published by RayThompsonMusic (A0.553793). Originally written for string orchestra, I have arranged it for wind dectet ( double wind dectet) and double bass.I have transposed it into Bb from A to aid the players.Dvořák is said to have written this Serenade in just 12 days, from 3–14 May. The piece was premiered in Prague on 10 December 1876 by Adolf Čech and the combined orchestras of the Czech and German theatres.Rather than simply transcribing the parts, I have tried to imagine how Dvorak would have written it for wind ensemble, so have spread the string parts around, rather than always giving violin 1 to the flute/oboes.I have added horn sustaining notes in some places.I have also tried to give the wind player somewhere to breath, so restricted the tutti passages.Hope it becomes a useful companion piece to his Serenade for Wind Op.44.I have arranged other movements on this site.Please check them outCheck my arrangements for wind dectet of some movements from Legends Op.59
$9.95
Miscellaneous: Mother's Day Collection, sweet and amusing compositions (COMPLETE) instantly for wind trio
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Classical
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Miscellaneous
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Virtualsheetmusic
This is an exclusive arrangements for wind trio of MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: The Happy Farmer, lullaby, op.49 no.4, song without words, op.67 no. 6, sarabande, op.40 no.2, waltz, ballade, op.3...
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This is an exclusive arrangements for wind trio of MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: The Happy Farmer, lullaby, op.49 no.4, song without words, op.67 no. 6, sarabande, op.40 no.2, waltz, ballade, op.38, the merry peasant, album for the youth, op.68, romance, romanza, eine kleine nachtmusik, toccata, berceuse, op.57, dance of the mirlitons, nutcracker, mothers day, mother's day,lullaby, op.49 no.4, song without words, op.67 no. 6, sarabande, op.40 no.2, waltz, ballade, op.38, the merry peasant, album for the youth, op.68, romance, romanza, eine kleine nachtmusik, toccata, berceuse, op.57, dance of the mirlitons, nutcracker, mothers day, mother's dayThe Happy Farmer, / classical
$14.99
The Cross Kirk and the lang walk
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1438467 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Historic,Medieval. Brass Band. 83 pages. Hambone Music #1018484. Published by Hambone Music (A0.1438467). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and bands of around 2nd to 3rd section, although still possible with 4th section bands. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
Tailwind | Woodwind Ensemble
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Contemporary
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Michael Barrera
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Tailwind | Woodwind Ensemble
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Michael Barrera
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SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe,Piccolo,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1095771...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe,Piccolo,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1095771 Composed by Michael Barrera. 20th Century,Contemporary. 67 pages. Michael Barrera #699737. Published by Michael Barrera (A0.1095771). Https://www.michaelbarreraflute.com/shop/p/tailwind-woodwinds Program Notes Tailwind is a quick-moving piece that creates a buoyant soundscape of a swift breeze. Originally conceived with the imagery of mechanics and machinery in mind, it quickly became a piece more interested in the fleeting motion of wind. It is both carefree and energetic, like floating leaves in the spring air. This piece was commissioned by Shooting Star Ocarina, an international virtual ocarina ensemble established in the summer of 2020. Following the traditional instrumentation of the Italian ocarina septet, SSO recently expanded to an octet adding the massive contrabass in G ocarina to the ensemble and commissioned a few pieces as a result to feature this addition to the low range. Instrumentation - Version for Woodwind Ensemble This version features all of the woodwinds in a symphonic band or wind ensemble. 1 Piccolo 2 Flutes 2 Oboes 2 Bassoons 1 Clarinet (E flat) 3 Clarinets (B flat) 1 Bass Clarinet 2 Alto Saxophones 1 Tenor Saxophone 1 Baritone Saxophone.
$39.99
To Idleness for wind quartet and guitar
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Contemporary
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David Warin Solomons
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To Idleness for wind quartet a
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Guitar - Level 3 - Digital Download SKU: A0.576888 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 23 pages....
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Small Ensemble Guitar - Level 3 - Digital Download SKU: A0.576888 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 23 pages. David Warin Solomons #485759. Published by David Warin Solomons (A0.576888). Instrumental quintet based on my choral setting of Dave Dunning's poem To Idleness. The pdf file contains score and parts. The sound sample is an electronic preview. These are the words of the original poem: When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song. once when the fresh new spring was here I lavished though to sow the year oh dreaming seasons never interfere with worldly bounty, scorned the prudent song and prayed March winds to buffet time along Soon in the heat of summer haze I floundered on through deep green maize, where heavy herds lowed as they grazed, I saw that I would reap in thought among the rich; and time moved on with busy song, now in the heat of summer Now winter creeps between the sashes and rain upon the window lashes while wild wind moans round rafters dashes and I to annual poverty belong, yet know that spring flows richly on in song When autumn harvests are full grown and luscious fruits to me are shown, piled plump and rich till stomachs groan when autumn harvests are full grown ripe juices puddle on the tongue, and winter I forget in gurgling song.
$12.00
Jupiter (Andante Maestoso from "Jupiter, the Bringer of Jollity" from The Planets) (Bb) (Oboe Quinte
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Classical
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Contemporary
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Gustav Holst
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Regis Bookshar
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Jupiter
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Regis Bookshar
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Oboe - Level 3 - Digital Download SKU: A0.813712 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Co...
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Woodwind Ensemble,Woodwind Quintet Oboe - Level 3 - Digital Download SKU: A0.813712 Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Concert,Contemporary,Standards,Wedding. 9 pages. Regis Bookshar #6474545. Published by Regis Bookshar (A0.813712). Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets) (Oboe Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for concerts and recitals but if you are considering using this selection for church services in which a congregation may sing along, I would suggest that you look for the arrangements of either I Vow to Thee, My Country, O God, Beyond All Praising, O Spirit All Embracing or Thaxted, also by Regis Bookshar. They are all based on the same excerpt from Jupiter, the Bringer of Jollity from The Planets. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for an Oboe Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of Jupiter based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst.
$12.00
Dvorak: String Quartet No.12 in F Op.96 " American" Mvt.II Lento - symphonic wind dectet/bass
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Classical
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thom...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1143137 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 23 pages. RayThompsonMusic #743323. Published by RayThompsonMusic (A0.1143137). Arranged wind dectet/bass 2nd mvt Lento - The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind ensemblet, so have given the horns repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and also used the horns to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinets and bassoons.
$9.95
Teach the Wind Your Song
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Amy F Bernon
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Teach the Wind Your Song
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Heritage Music Press
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SheetMusicPlus
2-part choir with optional Flute and Windchimes (With Optional Flute, Windchimes) - Digital Download SKU: LX.15-1535H Composed by Amy F Bernon. Education...
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2-part choir with optional Flute and Windchimes (With Optional Flute, Windchimes) - Digital Download SKU: LX.15-1535H Composed by Amy F Bernon. Educational. Octavo. 8 pages. Heritage Music Press #e15/1535H. Published by Heritage Music Press (LX.15-1535H). UPC: 000308049954.Premiered at the New Zealand Music Educator's Conference, this lyrical and inspiring piece was originally composed for a choir in Sydney, Australia. It sings of the wind carrying the songs of the world's children all over, allowing them to hear each other's music and harmonize with each other. There is innocence and hopefulness in its message-a musical wish for amore unified world.
$2.40
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