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6 sheet music found
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Canon: Green for Harp & Pitched Percussion
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Classical
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Celebrity Chamber Players
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Canon: Green for Harp & Pitche
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Father Ambrose Press
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SheetMusicPlus
Small Ensemble Harp,Percussion,Vibraphone - Level 5 - Interactive Download SKU: A0.492466 By Celebrity Chamber Players. By Marshall Thomas. This edition:...
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Small Ensemble Harp,Percussion,Vibraphone - Level 5 - Interactive Download SKU: A0.492466 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical. Score and parts. Duration 192. Father Ambrose Press #7R5zO4cxVO9qjZpheSI990. Published by Father Ambrose Press (A0.492466). Key: C major.Three expositions for small chamber ensemble...
$12.99
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00
Il Est Né!
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J
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Il Est Né!
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J. Randolph Hall
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1489411 By ... By Traditional French Carol. Arranged by J. Randolph Hall. This editio...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1489411 By ... By Traditional French Carol. Arranged by J. Randolph Hall. This edition: Interactive Download. Christmas,Classical,Folk,Praise & Worship,Standards,World. 9 pages. Duration 78. J. Randolph Hall #7i917NmaHNR0TX4LkDCXCz. Published by J. Randolph Hall (A0.1489411). Key: Eb major.Il est né is French for He is born. It goes back at least to the 18th Century. This fits perfectly with the Christmas season. Section A follows the introduction with the exposition. Section B includes a descant by yours truly. Setion C is the refrain and should be played in a more dreamy manner. Section D includes another descant by yours truly. Three measures beofre E is the return to the first mood and repeats.
$4.00
Paul Wehage : Concert Fantasy on Jingle Bells: theme and five variations on the carol by Pierpont f
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Christmas
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Paul Wehage
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Paul Wehage : Concert Fantasy
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.532890 Composed by Paul Wehage. Christmas,Contemporary,Instructional,Standards. Score and parts. 91 p...
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Small Ensemble - Level 4 - Digital Download SKU: A0.532890 Composed by Paul Wehage. Christmas,Contemporary,Instructional,Standards. Score and parts. 91 pages. Musik Fabrik Music Publishing #416507. Published by Musik Fabrik Music Publishing (A0.532890). Starting from James Pierpont’s classic holiday song, this piece is a irreverental set of five variations which present the well-known in several unusual contexts: an exotic dance in a South American style, a Yiddish Waltz, a burlesque number which features a quartet of soloists. After a much more tame “Chorale-Préludeâ€, the fughetta on the verse (“Dashing Through the Snowâ€) leads to a finial exposition of the theme in a Toccata style. Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Trumpet I, II and III F Horn I, II, III, and IV Trombone I, II and III Baritone I and II Tuba Timpani Percussion 1: snare drum, hit hat cymbal, suspended cymbal, triangle Percussion II: two temple blocks, Bass drum, crash cymbals, three toms, triangle Percussion III: chimes, xylophone This set contains all of the woodwind parts. The full score and the brass and percussion parts are available seperately. The individual parts are also available seperately.
$49.95
Sinfonietta for Percussion Trio
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Contemporary
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measure 41, the transition has
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Dan Heslink
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Sinfonietta for Percussion Tri
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Pharaoh Publications
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SheetMusicPlus
Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Hesli...
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Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386). Sinfonietta composed by Dan Heslink Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections. Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme. After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo. The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion. Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.
$9.99
The Water is Wide
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Traditional Scottish Folk Song
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Neille Williams
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The Water is Wide
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Neille Williams
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Flute - Level 4 - Digital Download SKU: A0.1005894 Composed by Traditional Scottish Folk Song. Arranged by Nei...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Flute - Level 4 - Digital Download SKU: A0.1005894 Composed by Traditional Scottish Folk Song. Arranged by Neille Williams. 20th Century,Celtic,Folk,Pop. 10 pages. Neille Williams #6618241. Published by Neille Williams (A0.1005894). For three flutes and bassoon - this beautiful arrangement of the classic Scottish folk sing features lush harmonies, nuanced dynamics and an exposition of register. .
$13.95
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