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Three Studies
Sheetmusic to print
43 sheet music found
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1
26
Circle of Fifths Studies for Guitar
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Kenneth Pasciak
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Circle of Fifths Studies for G
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Kenneth Pasciak
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1459399 Composed by Kenneth Pasciak. Classical,Country,Folk,Jazz,Rock. Educational Exercises. 11 pages. Kenne...
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Guitar - Level 3 - Digital Download SKU: A0.1459399 Composed by Kenneth Pasciak. Classical,Country,Folk,Jazz,Rock. Educational Exercises. 11 pages. Kenneth Pasciak #1038347. Published by Kenneth Pasciak (A0.1459399). ....................Circle of Fifths Studies for Guitar features 3 studies for fingerstyle or classical guitar. Learn how to play dominant 7th chords with different inverstion in all twelve keys while progressing through the circle of fifths. Includes three 3-page studies with tablature, chord changes and some fingering suggestions.Kenneth Pasciak Music Publishing, ASCAPkenpasciak.comhttps://linktr.ee/kp_sheetmusic/....................
$2.99
Thirty One Two Three Saxophone Studies
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Lynne Williams
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Thirty One Two Three Saxophone
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Forton Music - Digital
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SheetMusicPlus
Solo Saxophone - Easy - Digital Download SKU: F2.FM181 Composed by Lynne Williams. Part. 13 pages. Forton Music - Digital #FM181. Published by Forton Mus...
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Solo Saxophone - Easy - Digital Download SKU: F2.FM181 Composed by Lynne Williams. Part. 13 pages. Forton Music - Digital #FM181. Published by Forton Music - Digital (F2.FM181). ISBN 9790570480807.Thirty saxophone studies aimed at the Grade 1-3 player using ranges and keys from the early grades.
$9.95
Three Painters (score)
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Contemporary
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and ...
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799462 Composed by Drake Mabry. Contemporary. Score and parts. 24 pages. Drake Mabry #1989261. Published by Drake Mabry (A0.799462). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full-blown big band style played by the ensemble. The duration is 12 minutes.Three Painters was premiered by an ensemble conducted by Philippe Cambreling at the Auditorium, CRR de Chalon sur Saône, France on March 22, 2009.
$9.99
Three Painters (parts)
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Contemporary
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Drake Mabry
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Three Painters
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Drake Mabry
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and ...
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Small Ensemble B-Flat Clarinet,Bassoon,Oboe,Tenor Saxophone - Level 4 - Digital Download SKU: A0.799463 Composed by Drake Mabry. Contemporary. Score and parts. 48 pages. Drake Mabry #1989265. Published by Drake Mabry (A0.799463). Three Painters was a 2008 commission from the Conservatory of Music in Chalons, France. Each of the three movements is inspired by some of my favorite painters, in this case Yves Klein, Zao Wou-ki and Jackson Pollock for the first, second and third movements respectively. I first saw Yves Klein work on a visit to Balbao, Spain during an exhibit of his art at the Guggenheim Museum. There was a kind of giant sandbox filled with his famous blue pigment. The lighting created timbral shadows which varied depending on where the viewer stood. It was difficult to leave. I first saw Zao Wou-ki's paintings during an exhibit in Paris around 2000 – I don't remember where. The abstract shape and colors fascinated me and each work seemed to explore a different emotional perspective. And they were simply beautiful. In 1967 I began my music studies in New York and within a few months of arriving went to the Museum of Modern Art at W. 53rd street. On the way there I crossed paths with Moondog on the street near the museum dressed in his Viking outfit. From my first visit, the two artists I remember most vividly were Jackson Pollock and Alexander Calder. Jackson Pollock's art washed over my senses and I stared at One: Number 31 1950 for what seemed to be hours. And Calder's mobiles danced in slow motion and also captivated me. Someday I will write a work to pay homage to him. Three Painters depicts what I see in the works of these artists as sound over time. The first movement (Yves Klein) explores the subtle changing orchestrational timbres on the pitch 'F'. The second movement (Zao Wou-ki) uses the instruments without their reeds and/or mouthpieces resulting in waves of air sounds washing over the senses. The Third movement (Jackson Pollock) is a jazz-like romp which transfers his vibrant visual energy to a full blown big band style played by the ensemble. The duration is 12 minutes.
$9.99
Three Etudes
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Classical
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Kevin Birch
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Kevin Birch
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Three Etudes
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Birch Music Online
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SheetMusicPlus
Brass Ensemble,Brass Quartet - Level 3 - Digital Download SKU: A0.1504256 By Kevin Birch. By Johann Friedrich Burgmuller. Arranged by Kevin Birch. Classi...
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Brass Ensemble,Brass Quartet - Level 3 - Digital Download SKU: A0.1504256 By Kevin Birch. By Johann Friedrich Burgmuller. Arranged by Kevin Birch. Classical. 29 pages. Birch Music Online #1079714. Published by Birch Music Online (A0.1504256). This arrangement for Brass Quartet is three etudes from Burgmuller's 25 Etudes for Piano op.100. The arranger was brought up on these studies in his childhood during his piano lessons. It is for a standard brass band quartet, two cornets, tenor horn and euphonium.
$20.00
Decadence Studies por Harp, Guitar, Bass, Percussion...
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Classical
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Celebrity Chamber Players
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Decadence Studies por Harp, Gu
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Father Ambrose Press
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SheetMusicPlus
Small Ensemble Bass Clarinet,Guitar,Harp,Percussion,Vibraphone - Level 5 - Interactive Download SKU: A0.492077 By Celebrity Chamber Players. By Marshall ...
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Small Ensemble Bass Clarinet,Guitar,Harp,Percussion,Vibraphone - Level 5 - Interactive Download SKU: A0.492077 By Celebrity Chamber Players. By Marshall Thomas. This edition: Interactive Download. Classical. Score and parts. Duration 294. Father Ambrose Press #4v8CKeyuXgILUyloiQc7EO. Published by Father Ambrose Press (A0.492077). Three confectionary works, all composed as a suite, in canon form...
$21.99
Three Etudes
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David Gordon
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Three Etudes
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba SKU: TE.TEP10361 Composed by David Gordon. Methods/Studies/Etudes. Score. Published by Tuba-Euphonium Press (TE.TEP10361). Can also be pla...
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Tuba SKU: TE.TEP10361 Composed by David Gordon. Methods/Studies/Etudes. Score. Published by Tuba-Euphonium Press (TE.TEP10361). Can also be played in concert as a suite.
$15.00
Three Studies
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Merle Hogg
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Three Studies
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Tuba-Euphonium Press
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SheetMusicPlus
Euphonium solo with piano - Digital Download SKU: CX.TEP10436 Composed by Merle Hogg. Score. 20 pages. Published by Tuba-Euphonium Press (CX.TEP10436).
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Euphonium solo with piano - Digital Download SKU: CX.TEP10436 Composed by Merle Hogg. Score. 20 pages. Published by Tuba-Euphonium Press (CX.TEP10436).
$17.00
Three Studies
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Merle Hogg
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Three Studies
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Tuba-Euphonium Press
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SheetMusicPlus
Euphonium solo with piano SKU: TE.TEP10436 Composed by Merle Hogg. Score. Published by Tuba-Euphonium Press (TE.TEP10436). ...
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Euphonium solo with piano SKU: TE.TEP10436 Composed by Merle Hogg. Score. Published by Tuba-Euphonium Press (TE.TEP10436).
$17.00
Thirty One Two Three Flute Studies
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Lynne Williams
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Thirty One Two Three Flute Stu
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Forton Music - Digital
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SheetMusicPlus
Fl. - Easy - Digital Download SKU: F2.FM420 Composed by Lynne Williams. Solo Flute. Part. 16 pages. Forton Music - Digital #FM420. Published by Forton Mu...
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Fl. - Easy - Digital Download SKU: F2.FM420 Composed by Lynne Williams. Solo Flute. Part. 16 pages. Forton Music - Digital #FM420. Published by Forton Music - Digital (F2.FM420). ISBN 9790570483198.Thirty unaccompanied pieces for flute aimed at Grade 1 to 3 standard players.
$9.95
Thirty One Two Three Bassoon Studies
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Lynne Williams
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Thirty One Two Three Bassoon S
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Forton Music - Digital
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SheetMusicPlus
Bsn - Easy - Digital Download SKU: F2.FM421 Composed by Lynne Williams. Solo Bassoon. Part. 16 pages. Forton Music - Digital #FM421. Published by Forton ...
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Bsn - Easy - Digital Download SKU: F2.FM421 Composed by Lynne Williams. Solo Bassoon. Part. 16 pages. Forton Music - Digital #FM421. Published by Forton Music - Digital (F2.FM421). ISBN 9790570483204.Thirty unaccompanied pieces for bassoon aimed at Grade 1 to 3 standard players.
$9.95
Thirty One Two Three Oboe Studies
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Lynne Williams
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Thirty One Two Three Oboe Stud
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Forton Music - Digital
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SheetMusicPlus
Oboe - Easy - Digital Download SKU: F2.FM225 Composed by Lynne Williams. Score. 13 pages. Forton Music - Digital #FM225. Published by Forton Music - Digi...
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Oboe - Easy - Digital Download SKU: F2.FM225 Composed by Lynne Williams. Score. 13 pages. Forton Music - Digital #FM225. Published by Forton Music - Digital (F2.FM225). ISBN 9790570481248.Solo Oboe. Thirty unaccompanied pieces for oboe aimed at Grade 1 to 3 standard players.
$10.95
Landscape in snow
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Anno Schreier
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Landscape in snow
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Schott Music - Digital
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SheetMusicPlus
Flute, viola d'amore (or viola) and cello - advanced - Digital Download SKU: S9.Q561712 Three studies for flute, viola d’amore (or viola) and v...
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Flute, viola d'amore (or viola) and cello - advanced - Digital Download SKU: S9.Q561712 Three studies for flute, viola d’amore (or viola) and violoncello. Composed by Anno Schreier. Downloadable, Score and parts. Duration 13 minutes. Schott Music - Digital #Q561712. Published by Schott Music - Digital (S9.Q561712). Landschaft im Schnee [Landscape in the Snow] is one of a series of works inspired by my homeland in the North Eifel close to the Belgian border. This is a region possessing austere beauty and at times stark contrasts, particularly in winter when everything is shrouded in snow. Anno Schreier.
$17.99
Durham Concerto
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Jon Lord
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Durham Concerto
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Schott Music - Digital
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SheetMusicPlus
Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - Digital Download SKU: S9.Q52424 For violin, cello, Northumbrian pipes, hammond organ ...
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Violin, cello, Northumbrian pipes, Hammond-organ and orchestra - Digital Download SKU: S9.Q52424 For violin, cello, Northumbrian pipes, hammond organ and orchestra. Composed by Jon Lord. This edition: study score. Evening - architecture - dawn - architecture - cathedral - bagpipes - Durham - England - Great Britain - cathedral - Church - concerto - morning - afternoon - nocturne - Northumbrian pipes - program music - program music - students - Studies - Studies. Music Of Our Time. Downloadable, Study score. Duration 57' 0. Schott Music - Digital #Q52424. Published by Schott Music - Digital (S9.Q52424). The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history – so a sort of “Durham of the mindâ€, a stylized Durham; ‘my’ Durham, if you will, imagined into music. However, the defining inspiration for the piece was the Cathedral. My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, with people’s joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of “day in the life of Durhamâ€, and that the Cathedral would be its beginning, would be in its middle, and would be at its ending. The piece consists of six ‘pictures’ arranged into three parts – the morning, afternoon and evening of this imaginary Durham city. Jon Lord, 20173 (3. auch Picc.) · 2 · Engl. Hr. · Es-Klar. · 2 · Bassklar. · 2 · Kfg. - 4 · 3 (1. auch Flhr. ad lib., 3. auch Piccolotr.) · 3 · 1 - P. S. (Glsp. · Xyl. · Marimb. · Röhrengl. · Trgl. · Schlittengl. · häng. Beck. · Beckenpaar · Tamt. · Schellentr. · Tomt. · kl. Tr. · gr. Tr. · Woodbl.) (5 Spieler) - Cel. · Hfe. (ad lib.2) - Str. (16 · 14 · 12 · 10 · 8 - Minimum: 14 · 12 · 10 · 8 · 6).
$46.99
Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15
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Contemporary
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Aleksander Czarnecki
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Aleksander Czarnecki - Tales o
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Aleksander Norbert Czarnecki
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SheetMusicPlus
Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - Digital Download SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162...
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Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - Digital Download SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksander Norbert Czarnecki #4411649. Published by Aleksander Norbert Czarnecki (A0.1032136). Aleksander Czarnecki (1993-2018) was a Polish polymath, pianist - composer, mathematician and a philosopher. His research focused on the Calabi Yau manifold. He left an astonishing musical legacy, unprecedently rich, diverse and impressive for his young age, including several large scale works as well as piano/orchestra miniatures, chamber music, pieces for piano solo etc. His unmistakingly personal compositional style could be easiest described as post-classical/post - tonal, and is instantly recognizable by its highly intrinsic, intellectually refined idiom of Scriabinesque, modernist/ avant guarde, New Complexity , later minimalist/repetitive music influences married with frequent appeals to historic techniques (contrapunctus, Gregorian plain chant, French harpsichordists, ethnic modality), a dense emotional drive and a profound sensitivity, all in the best of the resolutely post-Romantic tradition further enhanced with a super-human - as if machine induced - level of pianistic/structural difficulty, typically far beyond the one represented by the most demanding examples of, say, Godovsky's/Cziffra's transcriptions or Sorabji's works. (Jozef Kapustka, pianist)Aleksander Czarnecki on his scientific research: My research work concentrates on the modularity conjecture for Calabi-Yau manifolds according to which the Galois representation is isomorphic ( exact to the semisimplification and the finite number of Euler factors) to the Galois representation assigned to an automorphic form -equivalently the L-series of the Calabi-Yau manifold should be equal to the L-series of a certain modular form. The modularity conjecture has been extensively studied by many algebraic geometricians (Dieulefait, van Straten, Yuri, Schoen, Hulek, Verrill, Schuett, Meyer) however these studies have not resulted in producing a sufficiently representative number of examples of small level modular forms. In the best understood, rigid case of Calabi-Yau threefolds defined over the field of rational numbers, the modularity conjecture delivers from a more general Serre conjecture, as proven by Wirtemberger and Khare. Additionally, the modularity has been known a property only for certain particular Calabi-Yau varieties. For some non rigid Calabi-Yau threefolds (certain double octics) defined over rationals ( or more generally over particular number fields) the existence of modular or Hilbert modular forms has been hypothetically suggested. I am mainly interested in Frobenius polynomials of non-rigid double octics and have been extensively working with variants of Dwork's deformation method, monodromy and selected p-adic methods including algorithms by Kedlaya, Lauder, Tuitman et al. , Picard-Fuchs operators etc. (Aleksander Czarnecki, 2018)
$99.00
Twenty Four Five
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Lynne Williams
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Twenty Four Five
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Forton Music - Digital
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SheetMusicPlus
Fl - Intermediate - Digital Download SKU: F2.FM561 Composed by Lynne Williams. Flute Studies for Intermediate Players. Score. 15 pages. Forton Music - Di...
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Fl - Intermediate - Digital Download SKU: F2.FM561 Composed by Lynne Williams. Flute Studies for Intermediate Players. Score. 15 pages. Forton Music - Digital #FM561. Published by Forton Music - Digital (F2.FM561). ISBN 9790570484607.A book of 20 studies for Intermediate (approximately Grade 4 and Grade 5) standard players. Exploring some of the standard keys and notation requirements for musicians of this standard, these character pieces are an ideal follow on from Thirty One Two Three by the same composer.
$9.95
Playing The Positions
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Playing The Positions
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fretted instruments - Beginning - Intermediate - Digital Download SKU: M0.93929EB Technique. E-book. Mel Bay Publications - Digital Sheet Music #93929EB....
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Fretted instruments - Beginning - Intermediate - Digital Download SKU: M0.93929EB Technique. E-book. Mel Bay Publications - Digital Sheet Music #93929EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93929EB). ISBN 9781513455419. 8.75 x 11.75 inches.Awareness of the importance of knowing the positions is the reason for this method. In this book you will have to cope with many more than single-note passages. Two, three and four-note combinations occur frequently and will test not only your skill, but your tenacity as well. No doubt, during the course of these studies you will observe that much of the work would be easier and simpler to execute in the first or another position than suggested, but this is the reason for this method. Practice these studies as suggested, the strings, the fingerings and the positions with intensity and enthusiasm, therein lies the difference between success or failure.
$9.99
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
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Melanie Mitrano
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Ivy Cottage Press
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Ivy Cottage Press
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SheetMusicPlus
Flute,Piano,Voice - Digital Download SKU: A0.1070135 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standard...
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Melanie Mitrano
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Ivy Cottage Press
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Ivy Cottage Press
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SheetMusicPlus
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Melanie Mitrano
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Ivy Cottage Press
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Ivy Cottage Press
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SheetMusicPlus
Clarinet,Piano,Voice - Digital Download SKU: A0.1070151 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Stand...
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Clarinet,Piano,Voice - Digital Download SKU: A0.1070151 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standards,World. Accompaniment. Duration 174. Ivy Cottage Press #3622817. Published by Ivy Cottage Press (A0.1070151). This mp3 is a midi recording of POOR WAYFARING STRANGER, based on the traditional American Spiritual, arranged by Melanie Mitrano for voice, Bb clarinet or oboe, and piano. This study recording includes all three voices, to assist in learning the piece. This piece is part of the Primary Studies in Vocal Chamber Music collection, the goal of which is to provide an entree into the world of collaborative music-making for the solo singer that is accessible to all levels and voice types. The arrangements are suitable for use in either a private vocal studio or group voice class.
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Melanie Mitrano
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Ivy Cottage Press
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Ivy Cottage Press
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SheetMusicPlus
Clarinet,Piano,Voice - Digital Download SKU: A0.1070145 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Stand...
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Clarinet,Piano,Voice - Digital Download SKU: A0.1070145 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standards,World. Accompaniment. Duration 152. Ivy Cottage Press #3622767. Published by Ivy Cottage Press (A0.1070145). This mp3 is a midi recording of THE GIRL WITH GOLDEN HAIR, based on the Italian folksong La Treccia Bionda, arranged by Melanie Mitrano for voice, Bb clarinet or oboe, and piano. This study recording includes all three voices, to assist in learning the piece. This piece is part of the Primary Studies in Vocal Chamber Music collection, the goal of which is to provide an entree into the world of collaborative music-making for the solo singer that is accessible to all levels and voice types. The arrangements are suitable for use in either a private vocal studio or group voice class.
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Melanie Mitrano
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Ivy Cottage Press
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Ivy Cottage Press
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SheetMusicPlus
Flute,Piano,Voice - Digital Download SKU: A0.1070143 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standard...
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Flute,Piano,Voice - Digital Download SKU: A0.1070143 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standards,World. Accompaniment. Duration 125. Ivy Cottage Press #3621967. Published by Ivy Cottage Press (A0.1070143). This mp3 is a midi recording of THE PIPER'S ANGEL, based on the Brazilian choro Meu Anjo, arranged by Melanie Mitrano for voice, flute or violin, and piano. This study recording includes all three voices, to assist in learning the piece. This piece is part of the Primary Studies in Vocal Chamber Music collection, the goal of which is to provide an entree into the world of collaborative music-making for the solo singer that is accessible to all levels and voice types. The arrangements are suitable for use in either a private vocal studio or group voice class.
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Melanie Mitrano
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Ivy Cottage Press
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Ivy Cottage Press
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SheetMusicPlus
Flute,Piano,Voice - Digital Download SKU: A0.1070137 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standard...
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Flute,Piano,Voice - Digital Download SKU: A0.1070137 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standards,World. Accompaniment. Duration 122. Ivy Cottage Press #3621939. Published by Ivy Cottage Press (A0.1070137). This mp3 is a midi recording of CANON FOR HUMANITY, based on Pachabel's Canon, arranged by Melanie Mitrano for voice, flute or violin, and piano. This study recording includes all three voices, to assist in learning the piece.This piece is part of the Primary Studies in Vocal Chamber Music collection, the goal of which is to provide an entree into the world of collaborative music-making for the solo singer that is accessible to all levels and voice types. The arrangements are suitable for use in either a private vocal studio or group voice class.
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Melanie Mitrano
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Ivy Cottage Press
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Scarborough Fair
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Ivy Cottage Press
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SheetMusicPlus
Flute,Piano,Voice - Digital Download SKU: A0.1070139 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standard...
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Flute,Piano,Voice - Digital Download SKU: A0.1070139 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standards,World. Accompaniment. Duration 150. Ivy Cottage Press #3621945. Published by Ivy Cottage Press (A0.1070139). This mp3 is a midi recording of SCARBOROUGH FAIR, based on the traditional English ballad, arranged by Melanie Mitrano for voice, flute or violin, and piano. This study recording includes all three voices, to assist in learning the piece. This piece is part of the Primary Studies in Vocal Chamber Music collection, the goal of which is to provide an entree into the world of collaborative music-making for the solo singer that is accessible to all levels and voice types. The arrangements are suitable for use in either a private vocal studio or group voice class.
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