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You've selected:
Trent R
SheetMusicPlus
Sheetmusic to print
4 sheet music found
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1
Hear, O Israel
Piano/Vocal/Chords,Piano Accompaniment,Voice,Guitar
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Sacred music
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Trent R
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Hear, O Israel
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Trent Rollin Logan
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SheetMusicPlus
Composed by Trent R. Logan. Christian, Sacred, Praise & Worship, General Worship. 5 pages. Published by Trent Rollin Logan (S0.380117). - - Christian,Sacred,Pr...
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Composed by Trent R. Logan. Christian, Sacred, Praise & Worship, General Worship. 5 pages. Published by Trent Rollin Logan (S0.380117). - - Christian,Sacred,Praise & Worship,General Worship - Trent Rollin Logan
$2.00
5 Easy Studies, Opus 50
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5 Easy Studies, Opus 50
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SheetMusicPlus
Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer...
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Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of Farrenc’s melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées à s'inscrire aux cours de composition conventionnels au Conservatoire de Paris à l'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle à porter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces œuvres se prêtent assez bien au montage en duo de guitares. Même si j’ai rendu assez fidèlement toutes les mélodies de Farrenc, j’ai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques à la guitare. De même, de nombreux effets dont la guitare est capable ont été mis en œuvre d’une manière qui s’écarte de l’intention originale de l’étude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée à permettre à l'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi à cet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés
Song List
:
1. Andantino grazioso
2. Andantino
3. Allegretto
4. Poco allegro
5. Allegro moderato
$7.95
3 pièces de Guillaume de Machaut
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Guillaume de Machaut
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Dusan Bogdanovic
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3 pièces de Guillaume de Mach
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Les Editions Doberman-Yppan
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SheetMusicPlus
Voice and guitar - Advanced - Digital Download SKU: ZY.DO-1537 Composed by Guillaume de Machaut. Arranged by Dusan Bogdanovic. Score. 12 pages. Les Editi...
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Voice and guitar - Advanced - Digital Download SKU: ZY.DO-1537 Composed by Guillaume de Machaut. Arranged by Dusan Bogdanovic. Score. 12 pages. Les Editions Doberman-Yppan (digital) #DO 1537. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1537). Regarded as the most significant French composer and poet of the 14th century, Guillaume de Machaut was the central figure of the ars nova style in late medieval music. The three vocal pieces included in this collection are two rondeaux Ma fin est mon commencement, Rose, liz, printemps, verdure along with the motet Je suis aussi com cils qui est ravis. An additional curiosity, the iconic rondeau Ma fin est mon commencement (My end is my beginning) has a very intricate form built on palindromic form; while one voice reads the line from left to right, the other uses the same line in the opposite direction. Both voices meet in the middle of the piece, thus creating a mirror-symmetric form. While maintaining the principal upper part vocal, my arrangement relegates the two additional voices to the guitar.Considéré comme le compositeur et poète français le plus important du XIVe siècle, Guillaume de Machaut était la figure centrale du style ars nova dans la musique de la fin du Moyen Âge. Les trois pièces vocales incluses dans ce recueil sont deux rondeaux Ma fin est mon commencement, Rose, liz, printemps, verdure ainsi que le motet Je suis aussi com cils qui est ravis. Autre curiosité, l'emblématique rondeau Ma fin est mon commencement a une forme très complexe construite sur une forme palindromique ; tandis qu'une voix lit la ligne de gauche à droite, l'autre utilise la même ligne dans la direction opposée. Les deux voix se rencontrent au milieu de la pièce, créant ainsi une forme symétrique en miroir. Tout en conservant la partie supérieure vocale principale, mon arrangement relègue les deux voix supplémentaires à la guitare.
$7.95
Contrée ancienne
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Rainer Maria Rilke
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Contrée ancienne
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Arthur
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1450890 By Rainer Maria Rilke. By Λrthvr. 21st Century,A Cappella,Classical,Contempo...
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Mezzo-Soprano Voice,Vocal Solo - Level 1 - Digital Download SKU: A0.1450890 By Rainer Maria Rilke. By Λrthvr. 21st Century,A Cappella,Classical,Contemporary. 1 pages. Arthur #1030339. Published by Arthur (A0.1450890). A setting of the poem Contrée ancienne by R.M. Rilke, for solo voice. You are free to transpose the score up or down.Ambitus:C4 - E5If you would like to perform the piece publicly (live concert or internet), please contact me.Here you can find the audio recording of this piece for download:https://arthvr000.bandcamp.com/album/vocal-music-poetry-settingsPoem text:Contrée ancienne, aux tours qui insistenttant que les carillons se souviennent -,aux regards qui, sans être tristes,tristement montrent leurs ombres anciennes.Vignes où tant de forces s’épuisentlorsqu’un soleil terrible les dore …Et, au loin, ces espaces qui luisentcomme des avenirs qu’on ignore.
$2.99
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