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--INSTRUMENTS--
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HARPSICHORD
LAP STEEL GUIT…
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MUSIC COURSE
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Two Lines
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323
Piano & keyboards
Piano solo
84
Big Note Piano
33
Piano, Voice
25
Organ
21
Easy Piano
21
Piano, Vocal and Guitar
19
2 Pianos, 4 hands
10
1 Piano, 4 hands
9
Piano Trio: piano, violin, cello
3
C Instruments
2
Piano Accompaniment
2
Accordion
1
Piano (band part)
1
+ 8 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
28
2 Guitars (duet)
7
Bass guitar
7
Guitar
6
2 Mandolins (duet)
4
Guitar (band part)
2
3 Guitars (trio)
2
Melody line, (Lyrics) and Chords
1
4 Guitars (Quartet)
1
Dulcimer
1
2 Dulcimers (duet)
1
Guitar, Violin, Cello (trio)
1
Mandolin
1
+ 8 instrumentations
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Voice
Choral SATB
74
Choral 2-part
58
Choral 3-part
33
Choral Unison
19
Choral TTBB
10
Choral SSAA
6
Soprano voice, Piano
3
Baritone voice, Piano
1
Alto voice, Piano
1
Vocal duet, Piano
1
High voice
1
+ 6 instrumentations
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Retract
Woodwind
2 Flutes (duet)
49
2 Saxophones (duet)
14
2 Clarinets (duet)
13
Flute and Piano
11
Saxophone (band part)
10
3 Clarinets (trio)
10
Flute, Oboe, Clarinet (trio)
6
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
6
Flute Trio: 3 flutes
6
Saxophone Quartet: 4 saxophones
5
Flute, Oboe, Clarinet, Bassoon
5
2 Oboes (duet)
4
2 Recorders (duet)
4
Alto Saxophone and Piano
4
Oboe, Piano (duet)
4
3 Recorders (trio)
4
Saxophone ensemble
4
Flute
3
Flute Quartet: 4 flutes
3
Recorder Quartet
3
Clarinet Quartet: 4 clarinets
3
2 Flutes, 2 Clarinets (Quartet)
2
Recorder
2
Oboe, Cello
2
Saxophone Quintet: 5 Saxophones
2
Oboe, Bassoon (duet)
2
Tenor Saxophone and Piano
2
Flute ensemble
2
Saxophone and Harp
2
Flute, Clarinet (duet)
2
Clarinet and Piano
2
2 English horns and Pianoforte
1
Clarinet, Guitar (duet)
1
Oboe
1
Soprano Saxophone and Piano
1
Flute (band part)
1
Clarinet, Trombone (duet)
1
Oboe, Harp
1
Clarinet, Harp (duet)
1
English horn, Piano
1
Clarinet Ensemble
1
Flute, Clarinet and Bassoon.
1
Flute, Violin, Piano
1
5 Recorders
1
Clarinet, Cello (duet)
1
Flute and Guitar
1
2 Clarinets, Bassoon
1
+ 42 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
26
Trombone (band part)
12
Brass quartet : 2 trumpets, trombone, tuba
9
Trumpet (band part)
6
Trombone and Piano
4
Trumpet, Piano
4
2 French horns (duet)
3
Trumpet
3
Euphonium, Piano (duet)
3
2 Trombones (duet)
3
2 Trumpets (duet)
3
Brass Quartet
2
French horn (band part)
2
Tuba
2
Trumpet, Bassoon (duet)
2
French Horn and Piano
2
2 English horns and Pianoforte
1
2 Euphoniums (duet)
1
Trombone
1
Trumpet, Trombone (duet)
1
English horn, Piano
1
3 Euphoniums
1
French horn
1
2 Tubas (duet)
1
Trumpet, Cello (duet)
1
French Horn and Harp
1
3 Trombones (trio)
1
Tuba (band part)
1
+ 23 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
31
String Trio: 2 violins, cello
18
String Quintet: 2 violins, viola, cello, bass
13
Violin and Piano
12
2 Cellos (duet)
12
2 Harps (duet)
11
Harp
11
2 Violins (duet)
10
Violin, Cello (duet)
9
2 Violas (duet)
7
Viola, Piano
7
Violin
6
Cello, Piano
4
Violin, Viola (duet)
4
String Trio: violin, viola, cello
3
Doublebass (band part)
3
Violin, Clarinet, Piano (trio)
2
4 Cellos
2
Cello
2
Harp, Flute (duet)
2
Viola
2
Double bass, Piano (duet)
2
Harp, Violin (duet)
1
4 Double Basses
1
Harp, Cello (duet)
1
Viola (band part)
1
2 Double basses (duet)
1
Violin (band part)
1
Double Bass
1
Viola and Harp
1
+ 25 instrumentations
-
Retract
Orchestra & Percussion
Concert band
36
Jazz Ensemble
28
Brass ensemble
27
Handbells
26
Orchestra
10
String Orchestra
8
Chamber Orchestra
6
Marching band
4
Percussion Ensemble
4
Xylophone, Piano
2
Drums
2
Marimba
1
Jazz combo
1
Drum (band part)
1
2 Marimbas
1
Percussion (band part)
1
2 Xylophones
1
+ 12 instrumentations
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Retract
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301
Jazz Guitar Lines
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Jazz
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Vincent Bredice
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Jazz Guitar Lines
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book....
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Guitar (jazz and contemporary) - Intermediate - Digital Download SKU: M0.93721EB Composed by Vincent Bredice. Improvising, Lines & Phrases. Jazz. E-book. Mel Bay Publications - Digital Sheet Music #93721EB. Published by Mel Bay Publications - Digital Sheet Music (M0.93721EB). ISBN 9781619119710. 8.75x11.75 inches.An interval is the distance between two notes measured in whole and half steps. When we stack intervals one on top of another, we produce chords. If we play the intervals in the chord one after another, we produce an arpeggio. But since all intervals, chords, and arpeggios are generated by scales, it follows that scales are the basis of all music from these scales we will find our JAZZ LINES, which is what this book is about. The following is a list of most of the jazz scales the student will encounter as he becomes involved in the study of improvising. When we improvise, we use as our weapons the scale, harmony and melody. The two dimensions in music are the harmony (vertical) and melody (horizontal). It is highly recommended that every student of improvising, know his scales in all positions and a variety of chords that the scales generate. All scales should be played in at least four positions especially the 1st position forces one to learn the theory. All other position pattern scales must be transposed throughout the guitar. The author has written a few pages in the beginning of the book serving as a prerequisite for the jazz lines to follow. It is essential that the student know the scales, key signatures, intervals, and chord constructions that will be used throughout the book. In order to benefit fully from this approach to jazz, the student must understand the full meaning of the words practice and analysis. Most students confuse practice with playing or reading through the exercise. To really improve and absorb the material, every phase must be practiced. This means the fingering must be committed to memory, slowly at first and then as fast as technique allows. The idea must be so ingrained in the mind that it flows from any part of the fingerboard that the performer desires. This is the way great players approach an idea – from any fret, string or position! If there is no harmonic or melodic analysis of the material being studied, then the learning skill becomes superfluous and there is no comprehension and absorption, and without this proper digestion the performer cannot use it as his taste dictates. All of the great players, have had a great technique and this is the first goal of the young student – “great chops.†As the student matures, musicianship will grow but technique is at the grasp of all who seek it. Start today to acquire it!
$22.99
50 Menuets (1728) for Two Violins or Mandolins; or Oboe, Recorder or Flute with Mandolin or Violin
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Instructional
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Georg Philipp Telemann
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John Goodin
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50 Menuets
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Rosie and Earl Music
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SheetMusicPlus
Large Ensemble Flute,Mandolin,Oboe,Soprano Recorder,Tenor Recorder,Violin - Level 2 - Digital Download SKU: A0.917070 Composed by Georg Philipp Telemann....
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Large Ensemble Flute,Mandolin,Oboe,Soprano Recorder,Tenor Recorder,Violin - Level 2 - Digital Download SKU: A0.917070 Composed by Georg Philipp Telemann. Arranged by John Goodin. Instructional. Score and parts. 52 pages. Rosie and Earl Music #4347897. Published by Rosie and Earl Music (A0.917070). G.P. Telemann was one of the most prolific composers in history. According to Steven Zohn in his Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works (Oxford University Press, 2008) the menuets in this collection were first published by the composer in Hamburg in 1728 under the title Sept fois sept et un menuet (Seven times Seven plus One Menuets), and most likely were issued to subscribers in groups of seven throughout the year. While only a combined score with melody lines in the treble clef and figured bass has survived, an advertisement from the time suggests that either part may have been available on its own. These arrangements have been created by raising the bass line into the treble clef, creating a part playable by mandolin, violin or any other instrument capable of reaching the G below middle C. I was able to preserve the shape of the bass lines in most cases although I did sometimes have to ignore octave leaps and, in two or three spots (with great reluctance), I was forced to change a note.These duos are both educational and fun. They are suitable for both private enjoyment and public performance and make excellent teaching tools.
$15.00
Two Gaillardes - Tielman Susato - Dansereye 1551
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Tielman Susato
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Alastair Lodge
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Two Gaillardes - Tielman Susat
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Wold Meridian
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1454137 Composed by Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridi...
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Level 2 - Digital Download SKU: A0.1454137 Composed by Tielman Susato. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1033311. Published by Wold Meridian (A0.1454137). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=udSSCPtTmDAAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=K6aTL0evXgYLine 3 is featured at https://www.youtube.com/watch?v=1H1RPHfDAFsLine 4 is featured at https://www.youtube.com/watch?v=uNETgZeCwZA
$2.50
Two English Tunes at a German Court (Packington's Pound),(Wilson's or Wolsey's Wilde)
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Michael Praetorius
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Alastair Lodge
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Two English Tunes at a German
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Wold Meridian
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1456368 Composed by Michael Praetorius. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 12 pages. Wold Me...
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Level 2 - Digital Download SKU: A0.1456368 Composed by Michael Praetorius. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 12 pages. Wold Meridian #1035448. Published by Wold Meridian (A0.1456368). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=oq5VMhNHhJEAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=0kDO3BCPd_ILine 3 is featured at https://www.youtube.com/watch?v=OAVg0dhvmi4Line 4 is featured at https://www.youtube.com/watch?v=H0DsSVonKYs
$2.50
Two Almandes - Claude Gervaise - Troisieme Livre de Danceries 1556
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Claude Gervaise
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Alastair Lodge
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Two Almandes - Claude Gervaise
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Wold Meridian
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1437421 Composed by Claude Gervaise. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Merid...
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Level 2 - Digital Download SKU: A0.1437421 Composed by Claude Gervaise. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1017542. Published by Wold Meridian (A0.1437421). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=FWD5COs6I1YAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=T-cbWrJVP-8Line 3 is featured at https://www.youtube.com/watch?v=YIdSRRTQS0MLine 4 is featured at https://www.youtube.com/watch?v=1KBeAu9Jdv4
$2.50
Two Bransles de Bourgogne and one Bransle de Champaigne - Claude Gervaise - 1556/1555
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Claude Gervaise
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Alastair Lodge
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Two Bransles de Bourgogne and
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Wold Meridian
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1442658 Composed by Claude Gervaise. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 9 pages. Wold Meridi...
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Level 2 - Digital Download SKU: A0.1442658 Composed by Claude Gervaise. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 9 pages. Wold Meridian #1022644. Published by Wold Meridian (A0.1442658). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments. They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort, this individual piece is presented in full score and with separate parts for each of the lines. Wold Meridian editions of these pieces have been created to make performing them as accessible as possible. Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment. Each piece can be heard in a video on YouTube with illustrations and historical background information. Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble. If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at https://www.youtube.com/watch?v=klD8-PR_EUUAs a help for players who are not so familiar with playing harmony and inner linesLine 2 is featured at https://www.youtube.com/watch?v=niwkktHVbL4Line 3 is featured at https://www.youtube.com/watch?v=Te8sPxvkd8QLine 4 is featured at https://www.youtube.com/watch?v=NKfYti7yEUE
$2.50
Essential Jazz Lines: In the Style of Clifford Brown-E Flat
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Jazz
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Corey Christiansen
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Essential Jazz Lines: In the S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Saxophone (alto) - Intermediate - Digital Download SKU: M0.20020BCDEB Composed by Corey Christiansen. Technique, Theory and Reference. Essential Jazz Lin...
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Saxophone (alto) - Intermediate - Digital Download SKU: M0.20020BCDEB Composed by Corey Christiansen. Technique, Theory and Reference. Essential Jazz Lines. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20020BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20020BCDEB). ISBN 9781610651042. 8.75x11.75 inches.Clifford Brown was one of the most influential jazz trumpeters and was a true master of jazz. His fantastic tone, time, feel and command of the jazz language have been inspiring jazz musicians on all instruments for decades. This book breaks down many of the one and two-bar phrases played by Clifford and helps students apply them to their own playing. Lines played over minor, dominant, and major chords as well as short, long and minor ii-V material can be mastered by practicing with the accompanying play-along audio. Chapters on Guide Tones, Bebop Scales, Targeting, and Playing the Upper-Structure will help students analyze and memorize the lines presented in the book. There is also a chapter with further insight in Clifford's style which discusses his phrasing as well as other musical devices he used to get his sound. A must have for aspiring students wanting the master the jazz language.
$14.99
Divertimento for Two Oboes and Two Bassoons (Grade 2.5 Medium Easy)
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L
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Divertimento for Two Oboes and
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LCH Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - Digital Download SKU: A0.1160603 Composed by L.C. Harnsberger. Chamber,Classical,Contest,Fest...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Oboe - Level 2 - Digital Download SKU: A0.1160603 Composed by L.C. Harnsberger. Chamber,Classical,Contest,Festival. 16 pages. LCH Music #760898. Published by LCH Music (A0.1160603). This two-movement piece in the classical style for two oboes and two bassoons is perfectly crafted for young instrumentalists. The first movement is a somber funeral march in C minor that shows off the lyrical playing of the quartet. The second movement, an upbeat rondo in 6/8 time that passes melodic lines around to each player, is sure to be an audience pleaser. Divertimento for Two Oboes and Two Bassoons is perfect for recitals, solo-and-ensemble festivals, concerts, and special events.Duration = 4:25.
$12.99
Bach: Fifteen Two-Part Inventions for Alto & Baritone Sax
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Classical
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Johann Sebastian Bach
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James M
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Baritone Sax
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Bach: Fifteen Two-Part Inventi
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble - Level 3 - Digital Download SKU: A0.550555 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Christmas,Easter,S...
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Woodwind Ensemble - Level 3 - Digital Download SKU: A0.550555 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Christmas,Easter,Standards. 67 pages. Jmsgu3 #4735777. Published by jmsgu3 (A0.550555). The 15 Two-Part Inventions BWV 772-786, arranged for Alto & Baritone Sax. The historical context of Bach's 15 Two-Part Inventions is rooted in their didactic purpose and significance in developing keyboard technique and musical expression. Composed around 1720, these pieces were part of Bach's Klavierbüchlein, a collection of 62 short works for keyboard compiled for his nine-year-old son, Wilhelm Friedemann Bach. The Inventions were designed as exercises to teach two-part playing, familiarize students with musical ideas, and provide a taste of composition. They were structured with care, with the first three based on scales, the following three on broken chords, and a combination of both in the final piece, almost resembling a fugue in form. Bach's Inventions are experiments on musical ideas and a new way of combining lines, reflecting his didactic aim and providing a clear path for students to learn to play cleanly in two parts and acquire a strong foretaste of composition. The inventions' musical elements, composition, and piano technique can be effectively learned and expressed through different instruments. The adaptability of Bach's Two-Part Inventions to various instruments allows for a broader exploration of musical ideas and will enable instrumentalists to develop their technical and expressive abilities.
$38.95
Heavy Metal for Balinese gamelan and chamber ensemble
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Christine Southworth
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Heavy Metal for Balinese gamel
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Airplane Ears Music
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SheetMusicPlus
Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 ...
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Small Ensemble Bass Guitar,Violin - Level 4 - Digital Download SKU: A0.1013048 Composed by Christine Southworth. Contemporary,World. Score and parts. 76 pages. Airplane Ears Music #5802059. Published by Airplane Ears Music (A0.1013048). HEAVY METAL (2006, 18') for Balinese Gamelan Gong Kebyar, guitar, violin, bass, lyricon, and robotic instruments. Commissioned by the Boston Museum of Science with the support of NEFA and Meet the Composer. Premiered on Wednesday, January 25, 2006 at Cahner's Theater in the Boston Museum of Science as part of Music & The Invasion of Technology, performed by Gamelan Galak Tika, Blake Newman, Erik Nugent, Todd Reynolds, and Eddie Whalen. Heavy Metal represents a new kind of fusion, multi-dimensional, making connections across cultures acoustic and electronic, western and eastern, high and low, human and machine. The piece was written for Gamelan Galak Tika, a Balinese gamelan in residence at MIT that has worked with electric instruments many times in the past, but this is certainly the first time a traditional Balinese gamelan has shared the stage with robotic instruments. In other ways, though, there is something very natural about these combinations: they reflect the way we all experience music in the 21st century. It could also be argued that this is simply an extension of the way music has always progressed and changed, as Chinese shawms morphed into oboes, and exotic middle eastern percussion instruments, like the cymbal and triangle, worked their way into the symphony orchestra. Heavy Metal engages the full force of two ensembles, Galak Tika and Ensemble Robot, as well as a living history of electroacoustic instruments, from the vintage lyricon to the Whirlybot. The sounds implicit in both senses of the title find their way into new combinations of struck bronze and excitable circuitry. Heavy Metal is based on American hard rock music from the late 1970’s through the early 1990s. The idea started as a pun, because the keys of many Balinese gamelan instruments are made of metal, but when I began studying the melodic ideas and rhythms in heavy metal music, I found that they leant themselves very well to gamelan. The problem was that a gamelan has a very specific sound and limited timbral variation, the sounds of hit metal and skin. I feel that the sounds of the gamelan become much more interesting when combined with string sounds. Also, the gamelan uses a pentatonic scale so I am using western instruments and robots to expand the sound universe to a full spectrum. In this piece, the gamelan and the western/robotic instruments play separately – rhythmically they are together, and they are working through the same material at the same time, but the western instruments and robots do not play the 5 notes that the gamelan plays, and more often than not they stay out of that key (a variation of E Major, the gamelan tuning being C#, D#, E, G, and A) altogether. This creates a sense of two harmonic worlds co-existing and cooperating, the West and our technology with Bali and their technology, much more primitive but very powerful nonetheless.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$25.00
"De la Sierra Morena" - Two Versions of a 17th-Century Baroque Song - José Marín - Score Only
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Arturo Escorza
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Arturo Escorza
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"De la Sierra Morena" - Two Ve
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Arturo Escorza
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SheetMusicPlus
Digital Download SKU: A0.1474647 By Arturo Escorza. By José Marín. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Historic. 5 pages. Arturo Es...
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Digital Download SKU: A0.1474647 By Arturo Escorza. By José Marín. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Historic. 5 pages. Arturo Escorza #1052224. Published by Arturo Escorza (A0.1474647). This sheet music features two versions of a 17th-century song composed by the renowned Spanish composer José Marín (1618-1699). Marín, a tenor of the Royal Chapel of King Philip IV, had a tumultuous life that took him to Rome, the New World, and eventually into a ten-year exile. He was praised as the best musician in Madrid and was known both within and outside Spain for his exceptional skill in composition and performance.Interestingly, the famous Mexican song Cielito Lindo shares a small connection with this piece, at least in the opening lines of both the Mexican and the 17th-century Spanish songs: De la Sierra Morena.... This sheet music includes two versions of Marín's song, one from the Libro de tonos de José Miguel de Guerra (also known as Codice Guerra) and the other from the National Library of Spain. The composition is for voice and continuo, encompassing 5 pages.
$10.00
Jazz Builders - Step Two
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Steve Owen
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Jazz Builders - Step Two
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Heritage Music Press
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SheetMusicPlus
Jazz Band - Grade 1.5 - Digital Download SKU: LX.J1064 Composed by Steve Owen. Jazz Band. Step Two. 4 pages. Heritage Music Press #eJ1064. Published by H...
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Jazz Band - Grade 1.5 - Digital Download SKU: LX.J1064 Composed by Steve Owen. Jazz Band. Step Two. 4 pages. Heritage Music Press #eJ1064. Published by Heritage Music Press (LX.J1064). UPC: 000308094978.An all-inclusive jazz band technique building chart that is a companion to Jazz Builders Step 1. There is something in this chart for every player in the band. The saxes learn overtone exercises aimed at improving sound and intonation. The brass get a jazz theory workout. The drummer works on independence as well as set-ups and kicks. The bass player continues to learn to create walking bass lines from changes. And the piano and guitar players learn to create their own voicings from chord symbols. There is also an open section for blowing on F blues, with two beginning approaches to begin improvising over the blues. This chart is a must for the budding jazz ensemble!
$45.00
The Complete Instrumentalist Book Two
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DaCapo Primary Music
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The Complete Instrumentalist B
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DaCapo Primary Music
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring. Classical,Contemporary,Instructional,Multicultural,Traditional,World...
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Level 4 - Digital Download SKU: A0.1315421 By DaCapo Primary Music. By Carl Herring. Classical,Contemporary,Instructional,Multicultural,Traditional,World. Educational Method. 106 pages. DaCapo Primary Music #904157. Published by DaCapo Primary Music (A0.1315421). This book contains 66 songs for the instrumentalistThe Complete Instrumentalist Two is the second book in a series for instrumental players, designed to help develop excellent musicianship.It is written in stick notation* with an additional five line stave so that pupils or teachers can write out the music in whichever clef or key they choose to use. The songs are grouped by the number of notes in the piece and are mostly diatonic with a few pentatonic and modal pieces.As with all of the DaCapo books it is left to the teachers to decide which section of the book to start with. Tempos and dynamic markings are also left to the teachers and pupils. We have suggested activities that can be applied to the entire repertoire and there are some extra ideas for specific pieces included on some pages, along with extra information for the pupil.In many instances the songs have been reworded as it was felt that the subject matter or use of language was a barrier for some pupils. There are a few pieces where this may still be true but we have decided against rewording because of the cultural or historical aspect of the song and the opportunity to educate children beyond the music (e.g. spirituals).Whilst every attempt has been made to source music in the public domain we would like to know if errors have been made. We hope that you enjoy the next step to becoming a Complete Instrumentalist.Jane Cutler Carl Herring 2012*stick notationThe purpose of stick notation is to build excellent inner hearing. You can't guess the intervals – they have to be known or learned via the solfa in order to hear the music from the page. Pupils can then translate and transfer this to their instrument and then onto a five-line stave.• We show the rhythm only - with solfa syllables under the relevant note• No note head used unless for a minim, dotted minim or semibreve• The home note or tonic of each piece is indicated by an emboldened solfa syllable e.g. d r m f s shows do as the tonic • Where notes fall under or above the home note or tonic, they are indicated thus: s, d’• A tick’( I ) has been used instead of bar lines.You can find more DaCapo pieces for young instrumentalists at DaCapo Music Shop
$7.99
Ev'ry Thorn a Rose / Two-Part Treble
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Elizabeth Mannhardt
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Ev'ry Thorn a Rose / Two-Part
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K.E.Mannhardt
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SheetMusicPlus
Piano and Keyboard,Vocal - Level 3 - Interactive Download SKU: A0.1081892 By Elizabeth Mannhardt. By Elizabeth Mannhardt. This edition: Interactive Downl...
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Piano and Keyboard,Vocal - Level 3 - Interactive Download SKU: A0.1081892 By Elizabeth Mannhardt. By Elizabeth Mannhardt. This edition: Interactive Download. Classical,Contest,Film/TV,Musical/Show. Score. 10 pages. Duration 239. K.E.Mannhardt #3oGUTJpwK4ZoeO8WcSnHZO. Published by K.E.Mannhardt (A0.1081892). Key: A major.Incorporating lines and themes from poems by Emily Dickinson, this two-part treble piece for choir, small ensemble, or female duet captures the soaring yet tender inner life of the poet through piano and voice.
$2.99
Insouciance (for two guitars)
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Contemporary
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Rick Alexander
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Rick Alexander
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Insouciance
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Rick Alexander
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SheetMusicPlus
Instrumental Duet Acoustic Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1197657 By Rick Alexander. By Rick Alexander. Arranged by Rick A...
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Instrumental Duet Acoustic Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1197657 By Rick Alexander. By Rick Alexander. Arranged by Rick Alexander. Classical,Contemporary. Score and parts. 12 pages. Rick Alexander #796838. Published by Rick Alexander (A0.1197657). Insouciance is a classical guitar duet. The title means happy, relaxed and without a care. The piece is a syncopated and upbeat with fast lines traded between the two guitarists. But it's also relaxed and languid in the centre as it builds up after a lull.
$9.99
Two Movements from String Quartet No. 1 for Trombone Quintet from iTromboni
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Classical
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Pytor Ilyich Tchaikovsky
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Andrew Poirier
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Two Movements from String Quar
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811175 Composed by Pytor Ilyich Tchaikovsky. Arranged by Andrew Poirier. Classical,Romantic ...
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811175 Composed by Pytor Ilyich Tchaikovsky. Arranged by Andrew Poirier. Classical,Romantic Period. Score and parts. 55 pages. Gordon Cherry #5850175. Published by Gordon Cherry (A0.811175). For trombonists, mentioning the great Russian composer Peter Ilyich Tchaikovsky usually conjures up thoughts of great orchestral works and grandiose symphonic playing. Here though, iTromboni’s Andrew Poirier has crafted a beautiful trombone quintet arrangement of two movements from one of Tchaikovsky’s more intimate chamber works, his: String Quartet No. 1 in D major, Op. 11. 1. Andante Cantabile 2. Scherzo The original second movement, Andante Cantabile, is one of the most famous pieces Tchaikovsky ever wrote and its marvelous melodic lines are delicately passed between each trombone voice. This is followed by the third movement which is an upbeat Scherzo, full of energy, rhythmic drive and syncopation. Each movement can be performed on its own or together as this beautiful 10-minute suite. This arrangement has been created to showcase each member of the quintet with both beautiful lyrical solos and demanding technical passages.
$37.50
Rarely Comest Thou, Spirit of Delight, for Soprano with Two Violins
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Contemporary
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Richard St
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Rarely Comest Thou, Spirit of
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Richard St. Clair
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SheetMusicPlus
Small Ensemble High Voice,Violin - Level 4 - Digital Download SKU: A0.939794 Composed by Richard St. Clair. 20th Century,Concert,Contemporary. Score and ...
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Small Ensemble High Voice,Violin - Level 4 - Digital Download SKU: A0.939794 Composed by Richard St. Clair. 20th Century,Concert,Contemporary. Score and parts. 4 pages. Richard St. Clair #3867521. Published by Richard St. Clair (A0.939794). This short song (ca. 1 minute) is a setting of lines by English Romantic poet, Percy Bysshe Shelley:
$5.99
BLAVET SONATA IN G MAJOR FOR TWO FLUTES OR OBOES OR VIOLINS
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Michel Blavet
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Edited by Pat Spence
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BLAVET SONATA IN G MAJOR FOR T
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Piper Publications
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SheetMusicPlus
Small Ensemble Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.811744 Composed by Michel Blavet (1700 - 1768). Arranged by Edited by Pat Spence. B...
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Small Ensemble Flute,Oboe,Violin - Level 3 - Digital Download SKU: A0.811744 Composed by Michel Blavet (1700 - 1768). Arranged by Edited by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 12 pages. Piper Publications #5739579. Published by Piper Publications (A0.811744). This is the fourth of a set of six sonatas for 2 transverse flutes published in Paris in 1728. The playing score has been edited the musical notation has been modernised. The original was printed using the soprano clef ( with g on the bottom line). All edits are shown in parentheses ( ) or dashed lines. The trill ( +) has been replaced by tr and the mordants signs have not altered. The five movements, Andante, Allegro, Aria - Affetuoso, Minuet & Giga are for equal players of intermediate ability or above. The sonata is equally suitable for pairs of oboes or violins or a mixed combination.
$7.50
Two Bassoon Quartets
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Fredrik Holm
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Two Bassoon Quartets
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Forton Music - Digital
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SheetMusicPlus
Bassoon Trio - Intermediate - Digital Download SKU: F2.FM158 Composed by Fredrik Holm. Score and parts. 23 pages. Forton Music - Digital #FM158. Publishe...
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Bassoon Trio - Intermediate - Digital Download SKU: F2.FM158 Composed by Fredrik Holm. Score and parts. 23 pages. Forton Music - Digital #FM158. Published by Forton Music - Digital (F2.FM158). ISBN 9790570480579.Two Bassoon Quartets by the Scandinavian composer Fredrik Holm. As a bassoon player, Fredrik fully understands the idiosyncrasies of this instrument, and has created two gems full of the lugubrious character of the instrument. Driving basslines, soaring melodies and some exciting jazzy rhythms make these two pieces essential playing, and a welcome addition to the repertoire.
$12.95
Jacara de fandanguillo - Villancico a 5 con violines de chanza - Score Only
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Arturo Escorza
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Arturo Escorza
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Jacara de fandanguillo - Villa
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Arturo Escorza
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SheetMusicPlus
Digital Download SKU: A0.1119483 By Arturo Escorza. By Juan Frances de Iribarren. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Religious,Sacre...
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Digital Download SKU: A0.1119483 By Arturo Escorza. By Juan Frances de Iribarren. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Religious,Sacred. 12 pages. Arturo Escorza #720894. Published by Arturo Escorza (A0.1119483). Jacara de Fandanguillo - Villancico a 5 con violines de chanza, by Juan Francés de Iribarren (1699 - 1767) was a late Baroque Spanish composer and organist, considered one of the greatest Spanish composers of the first two thirds of the eighteenth century. Instruments: Violin I, Violin II, Continuo, Solo tenor, choir (Soprano, Alto, Tenor, Bass).
$12.00
Wheels Duets
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Jordan Morrison
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Wheels Duets
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Jordan Morrison Music
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SheetMusicPlus
Instrumental Duet - Level 3 - Digital Download SKU: A0.1392905 Composed by Jordan Morrison. 21st Century,Chamber,Contemporary,Instructional,Multicultural...
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Instrumental Duet - Level 3 - Digital Download SKU: A0.1392905 Composed by Jordan Morrison. 21st Century,Chamber,Contemporary,Instructional,Multicultural,World. 4 pages. Jordan Morrison Music #976431. Published by Jordan Morrison Music (A0.1392905). These two alternative notation duets are geared towards making a duo communicate, listen, flex their creativity, focus on sounds, and make artistic choices. You can read more below from the performance notes for the series but the highlights include: Choice of open instrumentation, choice of paper orientation, choice of rotation (clockwise or counter-clockwise), and choice of speed. More info below!The outside of the wheel connects to the events which are to be played upon an instrument capable of producing the written chords, while the inside wheel connects to the events which are to be played upon an instrument capable of the range and 3 timbres (open, muted, and either a harmonic of a multiphonic)***. This piece is meant to begin at whichever musical event the performers agree upon and rotate in a clockwise or counter-clockwise motion which is also determined and agreed upon by the performers. The orientation of the page is also left to the players discretion but must be agreed upon. When the lines connecting the musical events to the wheel are staggered around the wheel then each musical event must be played in full before the other performer starts his or her next event. When the lines are directly across from one and other the events are to be played simultaneously. The musical events must stay in the order in which they occur around the wheel. When two lines connect a single musical event to the wheel, that event is to be vamped(repeated) until the completion of the other player's event which occurs within that time. The moments of locking in time(both performers playing the selected notes in time with one another) are indicated by parentheses around one or more notes in two simultaneous events***. Accidentals only apply to the note indicated and do not carry through the event. Feel free to connect with me on Instagram @jordan.morrison.music.
$15.00
Fantasy and Fugue in D minor BWV 905 for Euphonium Trio
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Classical
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Bach, J
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Sauer, Ralph
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Fantasy and Fugue in D minor B
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Euphonium - Level 5 - Digital Download SKU: A0.792085 Composed by Bach, J. S. Arranged by Sauer, Ralph. Baroque. Score and parts. 14 pages...
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Brass Ensemble Euphonium - Level 5 - Digital Download SKU: A0.792085 Composed by Bach, J. S. Arranged by Sauer, Ralph. Baroque. Score and parts. 14 pages. Gordon Cherry #3395291. Published by Gordon Cherry (A0.792085). Fantasy and Fugue in D minor BWV 905 is one of Bach's least known works originally written for keyboard. The Fantasy is of moderate tempo and relatively short. The top two lines have many suspensions while the bottom line (optionally performed on Tuba) is scalelike. The Fugue is more lengthy with the top lines trading off short repeated passages while the bass line winds around alternating scales and octave jumps. Mr. Sauer's excellent arrangement is appropriate for advanced performers and is about 6 minutes in length.
$20.00
I Saw My Lady Weeping for voice, guitar and cello
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Renaissance
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Thomas Morley
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Simon James
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I Saw My Lady Weeping for voic
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DML
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SheetMusicPlus
Small Ensemble Cello,Guitar,Voice - Level 4 - Digital Download SKU: A0.928276 Composed by Thomas Morley. Arranged by Simon James. Renaissance. Score and ...
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Small Ensemble Cello,Guitar,Voice - Level 4 - Digital Download SKU: A0.928276 Composed by Thomas Morley. Arranged by Simon James. Renaissance. Score and parts. 15 pages. DML #6866075. Published by DML (A0.928276). No 5 - I Saw My Lady WeepingTaken from Thomas Morley's First Book Of Ayres. This is the first verse of a well known Elizabethan poem (anon) which was also set by John Dowland with the slightly different title of I Saw My Lady Weep. Dowland set all three verses whereas Morley only the first, I have given the other two in the notes within the score for information. The song is through composed with the last two lines repeated, not uncommon at that time, and has quite an elaborate texture making it more challenging to play. Morley’s description of the publication was: Little short songs to sing and play to the lute with the base viole. I have substituted guitar for lute and cello for bass viole, chords have been re-voiced in places to better suit the guitar but no alteration has been made to the harmony. .
$5.99
Two Bransles Gays - Claude Gervaise - Cinquiesme Livre de Danseries 1550
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Claude Gervaise
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Alastair Lodge
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Two Bransles Gays - Claude Ger
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Wold Meridian
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1422155 Composed by Claude Gervaise. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Merid...
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Level 2 - Digital Download SKU: A0.1422155 Composed by Claude Gervaise. Arranged by Alastair Lodge. Chamber,Early Music,Renaissance. 10 pages. Wold Meridian #1003503. Published by Wold Meridian (A0.1422155). Renaissance Dance music provides some of the most simple yet satisfying pieces to play in ensemble on a wide range of instruments.  They are suitable for recorders, modern strings, woodwinds or brass, or where available, reproductions of 16th century instruments, such as crumhorns, viols or shawms to name but a few.Also appearing in the publication Chording to the Consort,  this individual piece is presented in full score and with separate parts for each of the lines.  Wold Meridian editions of these pieces have been created to make performing them as accessible as possible.  Chords have been provided so that the piece can be performed with just the melody line and a simple accompaniment.  Each piece can be heard in a video on YouTube with illustrations and historical background information.  Even more helpful for players who are less experienced in reading harmony lines, there is a YouTube video link featuring each part, where it is heard initially on its own with the chords, on repeats with the melody line added and finally together with all the parts in the whole ensemble.  If you have not had the pleasure of playing in consort with other people, you could not do better than start with these Wold Meridian editions.You can hear the piece in a linked YouTube video at  https://www.youtube.com/watch?v=QKDnsVK6-OkAs a help for players who are not so familiar with playing harmony and inner linesLine 2  is featured at  https://www.youtube.com/watch?v=xfptkJHD91sLine 3 is featured at  https://www.youtube.com/watch?v=fzefO3DwmQYLine 4 is featured at  https://www.youtube.com/watch?v=FNMq0aGzq_Y
$2.50
Whiskey Glasses
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Morgan Wallen
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Brian Streckfus
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Whiskey Glasses
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.1275532 By Morgan Wallen. By Ben Burgess and Kevin Kadish. Arranged by Brian Streckfus. Blues,Country,Instruc...
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Guitar - Level 1 - Digital Download SKU: A0.1275532 By Morgan Wallen. By Ben Burgess and Kevin Kadish. Arranged by Brian Streckfus. Blues,Country,Instructional,Pop. Chords/Lyrics. 4 pages. Brian Streckfus #867352. Published by Brian Streckfus (A0.1275532). Key: G MajorPages: 41. I decided to write the verses as mostly improvisation but then notate the chorus more specifically. Makes sense to me since verses are more spoken than sang. 2. I changed some harmonies. If you don't care for them, I would recommend just removing any alterations to the chord (in other words, simply play major or minor). Most of these changes happen in the last two lines to wind down the song. 3. I added some Bb grace notes to make it sound bluesier.
$1.99
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