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Two Little Girls
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You've selected:
Two Little Girls
SheetMusicPlus
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4 sheet music found
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1
Ariette Oubliée No 4 for clarinet and classical guitar (mp3)
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András Csáki
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Ariette Oubliée No 4 for clar
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David Warin Solomons
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SheetMusicPlus
Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506755 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Cent...
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Clarinet,Guitar - Level 4 - Digital Download SKU: A0.1506755 By András Csáki (guitar) and Péter Balázs (clarinet). By David Warin Solomons. 21st Century,Contemporary. Full Performance. Duration 178. David Warin Solomons #1082126. Published by David Warin Solomons (A0.1506755). Arrangement of Ariette Oubliée No 4 originally written for alto and guitar (also available on this site). The song is based on a poem by Paul Verlaine in which he imagines himself and his boyfriend Rimbaud as two innocent little girls.Original poem:Il faut, voyez-vous, nous pardonner les choses:De cette façon nous serons bien heureusesEt si notre vie a des instants moroses,Du moins nous serons, n`est-ce pas? deux pleureuses.Ô que nous mêlions, âmes soeurs que nous sommes,A nos voeux confus la douceur puérileDe cheminer loin des femmes et des hommes,Dans le frais oubli de ce qui nous exile !Soyons deux enfants, soyons deux jeunes fillesÉprises de rien et de tout étonnéesQui s`en vont pâlir sous les chastes charmillesSans même savoir qu`elles sont pardonnées.Paul Verlaine[literal translation into English]You see, you`ll have to forgive us a few thingsThen we`ll be two happy little girlsAnd if our life is a bit sad at timesat least there will be two of us sobbing together, won`t there?Oh sister souls that we are, wouldn`t we just mingleChildish sweetness with our embarassed vowsTo wander far from the world of adultsAnd forget our banishment in all our fresh innocenceLet`s be two children, two little girlsIn love with nought and astonished by allGoing pale-faced down innocent tree-lined pathsNot even aware that they`ve been forgiven.
$5.00
Ariette Oubliée for horn and guitar
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Contemporary
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David Warin Solomons
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Ariette Oubliée for horn and
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Guitar,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.576525 Composed by David Warin Solomons. 20th Century,Contemporary. ...
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Instrumental Duet Guitar,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.576525 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 11 pages. David Warin Solomons #35115. Published by David Warin Solomons (A0.576525). Arrangement of Ariette Oubliée No 4 originally written for alto and guitar (also available on this site). The song is based on a poem by Paul Verlaine in which he imagines himself and his boyfriend Rimbaud as two innocent little girls - qui s'en vont pâlir sous des chastes charmilles sans même savoir qu'elles sont pardonnées The pdf file contains score and parts. (Note the horn part uses accidentals only and no key signature, as per tradition) The sound sample is an electronic preview, but the original song can be heard on youtube at https://www.youtube.com/watch?v=s0fsSW7Dyrc.
$7.00
The Pop-Eyed Pirate (Piano Accompaniment Track)
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Carol Troutman Wiggins
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The Pop-Eyed Pirate
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Piano - Digital Download SKU: A0.1065361 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 109. Carol T...
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Choir,Piano - Digital Download SKU: A0.1065361 Composed by Carol Troutman Wiggins. Children,Instructional,Standards. Accompaniment. Duration 109. Carol Troutman Wiggins #3011161. Published by Carol Troutman Wiggins (A0.1065361). The Pop-Eyed Pirate (Piano Accompaniment Track)for Unison/2-Part arrangement A little something that the boys (and girls) will love to sing! The pirate with googly eyes always look like his eyes are going to pop out of his head! With lots of staccatos and syncopated rhythms, the fun, humorous lyrics make this a favorite for all ages! Optional use of wood blocks/two-tone blocks on the pops Nautical sounding accompaniment Suitable for upper elementary and middle school students.
$7.99
Jig
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transposing the piece one whol
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Gustav Holst
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Albert Loritz
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Jig
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Advance Music GmbH - Digital
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SheetMusicPlus
5 saxophones (SAATBar) - intermediate to advanced - Digital Download SKU: S9.Q40418 From St. Paul's Suite, op. 29. Composed by Gustav Holst. Arran...
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5 saxophones (SAATBar) - intermediate to advanced - Digital Download SKU: S9.Q40418 From St. Paul's Suite, op. 29. Composed by Gustav Holst. Arranged by Albert Loritz. This edition: score and parts. Saxophon - Quintett - Blasinstrument. Downloadable, Score and parts. Advance Music GmbH - Digital #Q40418. Published by Advance Music GmbH - Digital (S9.Q40418). The Jig is the first of the four movements of the “St Paul’s Suite†(op.29, No. 2) written by the British composer Gustav Holst in 1912. Holst composed this work for the string orchestra of the St Paul’s Girls’ School in Hammersmith where he had already been holding the position of Director of Music for seven years. The suite premiered in 1913. This vibrant and vivacious piece immediately captivates the listener. The folcloristic character of the theme and the playful use of the motivic material turn the Jig into a truly “catchy tuneâ€. Even meter and harmony both hold a whole series of charming little surprises. The original version of the composition is characterized by an exquisite setting for string orchestra, which draws the rich and mellow quality of its overall sound especially from those many double stops – mostly played as drones on open strings. Holst’s composition starts from the key of D dorian and finally ends in C mixolydian. The arrangement on hand converts the string setting into a five-part saxophone setting, translating the characteristic features of the original’s folcloristic style as best as possible to the new tone color. By transposing the piece one whole-tone down, the arrangement starts in a register which is very comfortable for saxophones to play in. The piece, however, would end up in a key and/or register in the last part (measure 170 of the original version), which could not be mastered by the saxophone instrumentation chosen for this arrangement. Therefore, the five-bar modulation leading from measure 165 to measure 169 in the original composition has been extended – true to Holst’s style – by two more bars (up to measure 171). This way, the Jig in its arrangement for saxophone quintet now starts in C dorian but finishes in G mixolydian.
$19.99
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