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27 sheet music found
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1
26
If You Could Go Back Piano Vocal Performance
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Pop music
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Voc
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publis...
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Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
If You Could Go Back Guitar Vocal Performance
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Rock
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Steven H
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If You Could Go Back Guitar Vo
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Boothe Publishing
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SheetMusicPlus
Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. ...
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Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
What Will We Say?
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Aaron Gage
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What Will We Say?
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Aaron Gage
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SheetMusicPlus
Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage...
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Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?
$19.99
Do You Remember Piano Vocal Performance
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Steven H
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Ashley Ivers
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Do You Remember Piano Vocal Pe
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - Digital Download SKU: A0.1069971 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 1...
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Piano,Voice - Digital Download SKU: A0.1069971 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 150. Boothe Publishing #4633709. Published by Boothe Publishing (A0.1069971). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99
Do You Remember Guitar Minus Vocal
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Steven H
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Do You Remember Guitar Minus V
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Boothe Publishing
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1069952 Composed by Steven H. Boothe. Christian,Pop,Sacred. Accompaniment. Duration 153. Boothe Publishing #4633637. Pu...
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Guitar - Digital Download SKU: A0.1069952 Composed by Steven H. Boothe. Christian,Pop,Sacred. Accompaniment. Duration 153. Boothe Publishing #4633637. Published by Boothe Publishing (A0.1069952). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99
Do You Remember Guitar Vocal Performance
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Steven H
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Do You Remember Guitar Vocal P
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Boothe Publishing
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SheetMusicPlus
Bass Guitar,Voice - Digital Download SKU: A0.1069970 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 153. Boothe Publishin...
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Bass Guitar,Voice - Digital Download SKU: A0.1069970 Composed by Steven H. Boothe. Christian,Pop,Sacred. Full Performance. Duration 153. Boothe Publishing #4633707. Published by Boothe Publishing (A0.1069970). When I was little I used to sit on Mom's lap while she read me Bible stories. We would read them and look at the pictures and then I had a lot of questions. I remember in particular once picture of Herod's soldiers killing little babies in Bethlehem. I was horrified by what I saw. They were trying to kill the baby Jesus by killing every child that could possibly be Him. The discussions I had with my mom in those formative years helped mold me into the person I am today. I treasure those moments.... I still remember them.... do you? It's never too late to start the tradition of reading and talking together.
$1.99
What do they matter? (for medium-high voice and harp)
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Contemporary
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pag...
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Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99
The Hammer and the Nail - in bass clef - A Good Friday Song
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Sacred music
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Connie Boss
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The Hammer and the Nail - in b
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Connie Boss
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SheetMusicPlus
Small Ensemble Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.801045 Composed by Connie Boss. Easter,Sacred. Score and parts. 4 pages....
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Small Ensemble Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.801045 Composed by Connie Boss. Easter,Sacred. Score and parts. 4 pages. Connie Boss #4285309. Published by Connie Boss (A0.801045). A song for Good Friday. I have one out there in treble clef. This one is in bass clef for men to sing it. It has piano accompaniment and guitar chords as well as written in duet. The ending is unique (my mp3 doesn't show it because I couldn't get it to play it right) but after Pound # 11 I'm no longer breathin', it ends in complete silence at that point.The attached video is in SA and cello. Questions or requests, email cdboss@cvalley.netLyrics:Refrain: How can it be, the pain that I feel, pounding through my hands be from the hammer and the nail? When as a child, so young, but aware, I watched Joseph use the hammer and the nail. To create things that were so beautiful. How can this pain be from the hammer and the nail? Verse Pound #1 What have I done Pound #2 They know not what they do Pound #3 I’m shaking in my knees Pound #4 Leads to many more Refrain: Verse Pound #5 I’m barely alive Pound #6 They poke me with a stick Pound #7 Soon I’ll be in heaven Pound #8 I’m feeling faint Refrain: Pound #9 I’m dying inside Pound #10 Father please forgive them Pound #11 I’m no longer breathin’.
$5.50
Love Wedding Engagement and Anniversary
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Wedding/Ballad
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Connie Boss
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Connie Boss
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Love Wedding Engagement and An
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1362623 Composed by Connie Boss. Arranged by Connie Boss. Wedding. 1...
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Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - Digital Download SKU: A0.1362623 Composed by Connie Boss. Arranged by Connie Boss. Wedding. 132 pages. Connie Boss #947050. Published by Connie Boss (A0.1362623). This is a book of 14 songs that can be used for weddings or engagement or anniversary or all three. They range from duets to trios, but can be sung as solo or duets instead. Parts are written in treble clef, but tenor or bass could sing as well. Almost all of them have an optional instrument part for either flute or violin or cello and with piano accompaniment. There are original songs as well as public domain songs in the book. No copyright music is allowed in a collection. It's a great deal to buy the whole book, but you can look on here for a specific song if you prefer just to purchase a song or two.I couldn't put all the songs on the mp3 - you can hear them all in the YouTube link below.For questions or requests, email cdboss@cvalley.netSongs included in this book are1. Ave Maria - both Latin and English lyrics included2. At Last, Our Day is Here - wedding reception song3. Beautiful Dreamer4. Bless Our Love5. Do You Remember - Anniversary6. For Always7. How Beautiful (is the Love Between the Two of Us)8. How Can I Keep From Singing - new lyrics in parts and melody in part9. Lost and Found10. My Love, Our Love11. Pachelbel Canon Wedding Version - lyrics for wedding added12. Some Day Soon - Engagement or Wedding13. The Lord’s Prayer14. What Wondrous Love is This - Wedding lyrics added.
$15.00
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
Stabat Mater - string ensemble parts
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Contemporary
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lusten...
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
Lovely
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Pop music
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Billie Eilish
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a do Ray me flute studio pro
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Lovely
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as do Ray meflute studio production
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SheetMusicPlus
Large Ensemble Choir,Flute,Orff Instrument,Voice - Level 3 - Digital Download SKU: A0.874274 By Billie Eilish. By Billie Eilish, Billie Eilish O'Connell,...
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Large Ensemble Choir,Flute,Orff Instrument,Voice - Level 3 - Digital Download SKU: A0.874274 By Billie Eilish. By Billie Eilish, Billie Eilish O'Connell, Finneas O'Connell, and Khalid Robinson. Arranged by a do Ray me flute studio production, Ray-Michael Kauffman. Pop. Score and parts. 41 pages. As do Ray meflute studio production #6865945. Published by as do Ray meflute studio production (A0.874274). LOVELYLovely by Billie Eilish, Khalid and Finneas O'Connell , from the tv show series 13 reasons Why arranged for flute choir by me, Ray-Michael Kauffman. This arrangement was written and dedicated to Professor Morgann E. Davis Parrish , Flute Professor at Millersville University, PA , and also dedicated to the Millersville University First Flute Day. This arrangement is also a special one in the fact that this is a Composition that Cares, meaning all money made from this goes to charity, for treatment of mental illness and trauma victims. To purchase and support this cause , please go to https://www.sheetmusicplus.com/publis... and check my website out at www.doRaymeflute.com ******* About the instrumental part scoring, this arrangement was created and intended for flutists of all ages and abilities, and levels , backgrounds and experience to be able to play this.Because of this musical arrangement being created and premiered for and at Millersville University’s First Flute Day on 4/2/2022 ( hosted and created by the incredible Flute Professor at Millersville U. Morgann E. Davis Parrish ), I knew I could enable and create parts for the instrumental scoring that could add more depth and texture, and interest to both the players and audience ( no matter what the flutist’s ability is – because every one should and can play in a flute ensemble and make great music with others and HAVE FUN!! =0)) The two added / extra special parts are Flute E-M and Flute H-C. Flute E-M or C flute part 6 stands for elementary or more beginner player. I have easy rhythms/ notes, key signature and note values and wanted them to experience some melody as reflected in the part. If there is something still tricky for the player, please modify their part so they can enjoy in performing. Flute H-C stands for high school and more advanced playing . High schoolers want more of a challenge, so I wanted to create something both with more complexity and interest, but with in their means of ability as hopefully I reflected here. https://youtu.be/dEz-6bZtzKk
$18.99
You Are My Salvation (Lead Sheet)
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Sacred music
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Rick Lee James
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Rick Lee James
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You Are My Salvation
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Voices In My Head Productions LLC
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SheetMusicPlus
Small Ensemble - Digital Download SKU: A0.942923 Composed by Rick Lee James. Arranged by Rick Lee James. Christian,Praise & Worship,Sacred,Spiritual. Sco...
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Small Ensemble - Digital Download SKU: A0.942923 Composed by Rick Lee James. Arranged by Rick Lee James. Christian,Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Voices In My Head Productions LLC #6418991. Published by Voices In My Head Productions LLC (A0.942923). You Are My SalvationVerse 1When the waves are crashing and the storm won’t calmWhen I’ve lost direction and I can’t find homeWhen my guiding stars are hidden by the cloudsAnd the waves are surging in to pull me downI will call on Him who calms the raging seasTrusting he’ll be stronger than the storms in meWhen my journey takes me to the great unknownsYou are my SalvationVerse 2When I’ve lost myself and fallen to my sinWhen my shame blinds me to all the grace you giveWhen I’ve placed my trust in lies that I’ve believedAnd I wonder how my God could still love meChrist is interceding when I cannot prayGroaning words unknown that I may still be savedMy lament for sin now turns to songs of praiseYou are my SalvationVerse 3When the night surrounds me and my fears beginWhen my grief is threatening to do me inWhen the pain is crushing and I can’t escapeWhen the strength I had is slowly drained awayEven in death’s shadow on the darkest nightThere is not one breath that you have not suppliedGive me faith my Lord that with the Son I’ll riseYou are my SalvationVerse 4When the dawn breaks through and we are truly healedWhen we climb the stairs to what will be revealedWhen our days are lighted by the Risen LambWhen our tears are wiped away by God’s own handWhen creation’s birth is finally made completeWhen the guests are seated at the Savior’s feastWhat a day of gladness when we join their songYou are my SalvationCCLI Song # 7171093Rick Lee James© 2020 James, Rick LeeFor use solely with the SongSelect® Terms of Use. All rights reserved. www.ccli.comCCLI License # 549412
$1.99
Always Thinking of You
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Michelle Kraak
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Always Thinking of You
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Michelle Kraak
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SheetMusicPlus
B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - Digital Download SKU: A0.1012600 Composed by Michelle Kraak. Contemporary,Pop...
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B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - Digital Download SKU: A0.1012600 Composed by Michelle Kraak. Contemporary,Pop,Rock,Standards. 44 pages. Michelle Kraak #6102861. Published by Michelle Kraak (A0.1012600). Instrumentation: flute, horn, flugelhorn, Bb trumpet 1, Bb trumpet 2, euphonium, amplified guitar, drum set, piano and voice (mezzo soprano)Always Thinking of You is a fusion of a few different styles, including aspects of pop and rock as well as hints to the brass chorale style. It has a unique combination of instruments. Amplification is recommended to get the best group balance. I originally wrote the lyrics as a poem and then set the poem to music. The piece should be sung in a pop-like style, as opposed to an operatic style. It could be programmed in a recital or ensemble concert. The piece has a unique instrumentation, which can be helpful for groupsthat don't have the standard instrumentations. It would work nicely for students or to showcase a vocalist.4 minutes 57 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/ Lyrics:I don't know what to do,Every step brings me closer to you.Every touch of your hand,This is not what I had planned. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you. Love come and gone.Like a snowflake that melts in the spring.My heart will grieve.So for you this song I'll sing. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you.
$32.95
Life's Persistent Questions
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Rory M
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Life's Persistent Questions
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New Horizons Music Studio, Inc.
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Voice - Level 3 - Digital Download SKU: A0.934085 Composed by Rory M. Thompson, music and lyrics. Contemporary,...
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Instrumental Duet Instrumental Duet,Piano,Voice - Level 3 - Digital Download SKU: A0.934085 Composed by Rory M. Thompson, music and lyrics. Contemporary,Pop. Score and parts. 6 pages. New Horizons Music Studio, Inc. #3574895. Published by New Horizons Music Studio, Inc. (A0.934085). I remember seeing the phrase, What do you do when your velcro loses its grip? I knew that it had to become a song. I just couldn't figure out what came before that. One day when I was cleaning out my Remington electric shaver, I saw the gray mass of hairs, and thought... that looks like Gumbo Filé! I had the inspiration for madness, then.
$4.50
Everlong
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Foo Fighters
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Brian Streckfus
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Everlong
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1486675 By Foo Fighters. By David Grohl. Arranged by Brian Streckfus. Contemporary,Pop,Rock. Chords/Lyrics. 2...
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Guitar - Level 2 - Digital Download SKU: A0.1486675 By Foo Fighters. By David Grohl. Arranged by Brian Streckfus. Contemporary,Pop,Rock. Chords/Lyrics. 2 pages. Brian Streckfus #1063740. Published by Brian Streckfus (A0.1486675). Key: B minorPages: 2The aim of this version was not historical accuracy. The aim was to create a great solo unplugged coffee-house version with no page turns, though it could still be really useful for any situation. The melody is left intact, some liberties with the harmonies were taken when there is singing. I'm very proud and happy with how it turned out, sometimes you get lucky and the sections fall perfectly into place (which is suprising since there are some odd 3 measure phrases in here). Features:1. Beginner friendly. The chords are so accurate to what the sheet music is doing, that you don't even really need to read sheet music to play this!2. Harmonies that take difficulty, style, voice leading, and melody into consideration3. Condensed lead sheet version that fits on 2 pages to avoid a page turn; yet it is packed with details and naunces.4. Beautifully engraved sections that visually make sense on the page.Tips:1. Measures 8-16 I named that chords as if both guitars were taken into consideration. I'm guilty of sometimes saying, Oh it's just a rock song with power chords, but then you look into the details, and the chords are actually quite jazzy.2. Maybe She sang needs a fermata?3. If a song is in B minor and never changes key, fret 1 will never happens! Be in position 2 for this song! That's why I didn't put fingerings in, they would have been as helpful as confusing.4. Maybe it's a given, but I recommend forcing melody notes on to the chord in one way or another. Sometimes I go on spurts of notating many complex chords to account for the melody, other times I just show one chord per measure but kind of assume that you'll make the guitar work more fancy with the melody notes. Maybe this is overthinking the arrangement, but there is great voicings I'm doing that I want to get across, but sometimes I won't do it because the score will get too busy looking. Just food for thought, depends on your agenda I suppose.
$2.99
Tell My Father
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Broadway
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Sol3 Mio
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Nicholas Garrett
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Tell My Father
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Nicholas Garrett
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1411273 By Sol3 Mio. By Frank Wildhorn and Jack Murphy. Arranged by Nicholas Garrett. Broadway,Musical/Show. Brass Band. 30 pages. Nicholas Garrett #993608. Published by Nicholas Garrett (A0.1411273). Arrangement of Tell My Father for Brass Band - featuring Euphonium, Trombone, and Eb Bass soloists.Tell My Father from the musical Civil War is a heartwrenching song sung by a soldier wishing to let his father know that he died a man.Lyrics:Tell my father that his sonDidn’t run or surrenderThat I bore his name with prideAs I tried to rememberYou are judged by what you doWhile passing throughAs I rest ‘neath fields of greenLet him lean on your shoulderTell him how I spent my youthSo the truth could grow olderTell my father, when you canI was a manTell him we will meet againWhere the angels learn to flyTell him we will meet as menFor with honour did I dieTell him I wore the blueProud and true, through the fireTell my father so he’ll knowI love him soTell him how I wore the blueJust the way that he taught meTell my father not to cryThen say goodbye
$25.00
Music Box Etudes (for Carillon)
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Adam Lenhart
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Music Box Etudes
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Adam Lenhart
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SheetMusicPlus
Carillon,Instrumental Solo - Level 1 - Digital Download SKU: A0.1495274 Composed by Adam Lenhart. 21st Century,Classical,Contemporary,Contest,Festival,In...
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Carillon,Instrumental Solo - Level 1 - Digital Download SKU: A0.1495274 Composed by Adam Lenhart. 21st Century,Classical,Contemporary,Contest,Festival,Instructional. Individual part. 5 pages. Adam Lenhart #1071793. Published by Adam Lenhart (A0.1495274). From the Composer “I was listening to a small music box one night–quite old–which spun the same 8 bars of music again and again. I listened for several minutes and amazingly never grew tired of the old tune. Between the percussive nature of the instrument and the unique intervals the out-of-tune comb robotically produced, I could not help but imagine what the tune would sound like when played by the large, rotating drum found on so many carillons. I remember visiting Belgium and seeing these extremely large automatic-playing drums. They resembled so much, on a larger scale, the music boxes I had been so intrigued by since I was a child. The human desire for and fascination in automatic music has long been a part of our musical tradition. While this dream has long since been achieved, these short etudes celebrate the bond between two past efforts to make this fascination a reality: the music box and the carillon.”Adam Lenhart, 2024Performance Notes These short etudes are written to be practiced and performed on any octave of your instrument. You may find certain etudes are even more effective when displaced, depending on the timbre of the carillon in question. Repeats may be executed indefinitely; upon repeating, you may choose to transpose to one octave higher/lower if desired. Let these short pieces provide a foundation to improvise upon, or as an exercise in ornamentation. After a final repeat or variation, some etudes provide a final bar or chord. Titles that do not should treat the repeat as a double bar line.
$4.99
Take Me Home
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Contemporary
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Pentatonix
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James Haynor
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Take Me Home
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James Haynor
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SheetMusicPlus
Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.782252 By Pentatonix. By Audra Mae, Kevin Olusola, and Kirstin Maldonado. Arranged by James ...
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Brass Ensemble Trombone - Level 3 - Digital Download SKU: A0.782252 By Pentatonix. By Audra Mae, Kevin Olusola, and Kirstin Maldonado. Arranged by James Haynor. Contemporary. Score and parts. 16 pages. James Haynor #4266071. Published by James Haynor (A0.782252). PTX vocal percussionist Kevin Olusola describes Take Me Home as a Boyz II Men-meets-Toto song: I was thinking, oh how do you write a song that kind of combines both of what they do? He brought the idea to Kirsten Maldonado, the group's soprano, and with the help of singer-songwriter Audra Mae. We just wanted it to be five-part harmony, really simple; just an easy melody that people could understand, he explains. Scored here for Trombone Quintet, the hymn-like nature of the piece is revealed. Duration 3:05
$12.99
Mini Suite for picc
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Denissa Rivas
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Mini Suite for picc
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Janice Malan
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SheetMusicPlus
Instrumental Solo - Level 5 - Digital Download SKU: A0.1351689 By Denissa Rivas. By Denissa Rivas. 21st Century,Contemporary. Individual part. 5 pages. J...
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Instrumental Solo - Level 5 - Digital Download SKU: A0.1351689 By Denissa Rivas. By Denissa Rivas. 21st Century,Contemporary. Individual part. 5 pages. Janice Malan #936518. Published by Janice Malan (A0.1351689). Mini Suite for Picc I had many ideas for a piccolo piece, but did not know how to tie them together. Then, while playing in a summer band, I heard several flute players say they don't like playing piccolo unless it is just for short passages. That gave me the idea of a suite with small movements where I could implement my musical ideas. Each movement in this mini suite is a little sample of what the piccolo can do: arpeggio passages, imitation of birds, sweet melodies, chromatic runs, and of course, super high notes while changing meter.
$10.00
Class President
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Contemporary
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Thalia Pitti
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Class President
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Thalia Pitti
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SheetMusicPlus
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1017705 Composed by Thalia Pitti. Contemporary. Score and parts. 2 pages. Thalia Pitti #62338...
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.1017705 Composed by Thalia Pitti. Contemporary. Score and parts. 2 pages. Thalia Pitti #6233897. Published by Thalia Pitti (A0.1017705). An original piece by Thalia Pitti. Written for a guitar trio (preferably for three electric guitars). I had titled the piece for a short film I had planned to write, but that project fell apart before it truly began. Luckily, the music remains! I hope this piece can be of use for you. Maybe it could be performed in a recital, or even used as a score for a short film of your own? Whatever you do, I would love to see the finishing project. You can get in touch with me via my website, thaliapitti.com.Key: D MajorTuning: Guitars 1 & 2 are in Standard Tuning; Guitar 3 is in DADGBE.Composed May, 2018.
$4.50
Better Days
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OneRepublic
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Kyle Pudenz
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Better Days
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ViolinVagabond Music
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SheetMusicPlus
Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - Digital Download SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathanie...
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Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - Digital Download SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 56 pages. ViolinVagabond Music #5739325. Published by ViolinVagabond Music (A0.845978). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this arrangement in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. To be clear, you do not have to perform this chart with bass and drums. I have gone to great pains to ensure that, with proper preparation, a string quartet performance will sound every bit as groovy as a full 7-piece band. So if you try to play this without a drummer and it doesn't go well, I don't want to hear about it. Go practice.Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$24.99
The First Vision Guitar Minus Vocal
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Steven H
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The First Vision Guitar Minus
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Boothe Publishing
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1069964 Composed by Steven H. Boothe. Children,Pop,Sacred. Accompaniment. Duration 215. Boothe Publishing #4633683. Pub...
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Guitar - Digital Download SKU: A0.1069964 Composed by Steven H. Boothe. Children,Pop,Sacred. Accompaniment. Duration 215. Boothe Publishing #4633683. Published by Boothe Publishing (A0.1069964). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$1.99
Treat People With Kindness
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Pop music
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Harry Styles
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Mark Harrison
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Treat People With Kindness
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Mark Harrison
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 1 - Digital Download SKU: A0.1160846 By Harry Styles. By Harry Styles, Ilsey Juber, and Jeff Bhasker. Arranged by Mark Harrison. Pop. Brass Band. 62 pages. Mark Harrison #761157. Published by Mark Harrison (A0.1160846). Treat People With Kindness The idea of this arrangement was to make it as accessible as possible for all playing standards, and singers, and lots of percussion! Treat People With Kindness is a song by British singer and songwriter Harry Styles, recorded for his second album Fine Line (2019). It was used in the 2022 M&S Christmas Advert, which my youth band, Kearsley Youth Brass Band was honoured to be part of, and inspired me to do this arrangement. This fun and easy arrangement is suitable for any ensemble, but a brass band is what I had in mind. The choir arrangement works alongside, or on its own too. There is an EASY part for beginners to play too, suitable for training band members to join the senior band perhaps? Letter G offers the chance for a big 4 bar percussion solo/breakdown, which of course could be repeated to make it longer!- 8 Part Ensemble - additional parts available on request- Bass Clef parts available on request.
$49.99
Summertime
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Jazz
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Dorothy Heyward, Du Bose Heywa
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Phil Thrift
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Summertime
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Phil Thrift
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.955721 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin,...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.955721 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by Phil Thrift. Jazz. Score and parts. 13 pages. Phil Thrift #5333957. Published by Phil Thrift (A0.955721). Everyone has heard the very evocative song Summertime from the opera Porgy and Bess many times. I hope you’ll enjoy my interpretation written for solo viola and string quintet: 2 violins, tutti viola, cello, and bass.After the introduction, the soloist is given plenty of space to make the most of the rich sound of the viola’s lowest octave. The accompaniment is thickened marginally when tutti viola and bass join in at letter B. At letter C the soloist repeats the melody but one octave higher, gradually adding more and more decoration as the accompaniment builds and reaches a climax in measure 36. That is followed by a strong statement from the quintet which ebbs away to give the soloist space again to take us into the concluding section (watch out for those 5/4 measures!) with long notes allowing the listener to fully appreciate the sound of the viola and a quasi-cadenza to round off this arrangement.This is a good chance for your viola player to step briefly into the limelight and show us what the viola can do! Although my version follows the original closely, the soloist should not feel constricted to the notes of the written part, should try to achieve a slightly more jazzy style, playing a little behind the time while the accompanying quintet sticks rigidly to the tempo.The quintet parts could be played by a small string orchestra instead of solo instruments.
$12.99
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