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Wind Quintet - Christmas Interlude
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Wind Quintet - Christmas Interlude
SheetMusicPlus
Sheetmusic to print
7 sheet music found
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Holst: Japanese Suite Op.33 I.Ceremonial Dance - wind dectet
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Classical
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Contemporary
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Gustav Holst
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Ray Thompson
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Holst: Japanese Suite Op.33 I.
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.1347202 Composed by Gustav Holst. Arranged by Ray Thompson. 2...
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A Clarinet,Bassoon,Double Bass,English Horn,Flute,Oboe - Level 3 - Digital Download SKU: A0.1347202 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century. 16 pages. RayThompsonMusic #932001. Published by RayThompsonMusic (A0.1347202). Gustav Holst: Japanese Suite Op.33Mvt.I Ceremonial DanceArranged wind dectet/bass (double wind quintet)2nd oboe plays cor anglaisClarinet parts are in AThe Japanese Suite was written at the request of the dancer Michio Ito, who was working in London in 1915.Most of the principal themes are traditional Japanese tunes, which Ito provided to Holst by whistling them.The lone exception is the “Dance of the Marionette,†which is original to Holst.Despite its origins, there is little that is “Japanese-sounding†about the resulting suite. Rather, Holst set these tunes in the same kinds of harmonies and textures that he was using in his other works, also taking the opportunity to experiment with other influences that were in the air at this time, an openness few of his British contemporaries shared. It is not known if the suite was ever used for Ito’s dance performances, but in September 1919 it did become the first of Holst’s works to be performed at a Promenade Concert, after which it received a handful of performances in the British provinces.The suite consists of six parts including a prelude and an interlude:Prelude: Song of the fishermanCeremonial dance (This arrangement)Dance of the marionettesInterlude: Song of the fishermanDance under the cherry treeFinale: Dance of the wolvesIt is unknown whether Ito did indeed use the music. The first concert performance  was during the Proms of September 1, 1919 under the direction of Holst himself.
$7.99
Bizet: A Carmen Medley - symphonic wind
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Classical
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Georges Bizet
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Ray Thompson
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Bizet: A Carmen Medley - symph
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553782 Composed by Georges Bizet. Arranged by Ray Thomps...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553782 Composed by Georges Bizet. Arranged by Ray Thompson. Concert,Opera,Romantic Period,Standards,Wedding. Score and parts. 70 pages. RayThompsonMusic #4354987. Published by RayThompsonMusic (A0.553782). A Medley of pieces from Bizet's Carmen Suites 1 and 2, arranged symphonic wind (double wind quintet) and bass.The Carmen Suites are two suites of orchestral music drawn from the music of Georges Bizet's 1875 opera Carmen and compiled posthumously by his friend Ernest Guiraud. They adhere very closely to Bizet's orchestration.This medley includes the following pieces:Prélude – Act I, prelude (fate motive)Aragonaise – Interlude (entr'acte) before act 4Habanera: Act 1, aria (Carmen) – L'amour est un oiseau rebelleSéguedille – Act 1, Carmen: Près des remparts de SévilleLes Toréadors – Theme from prelude to act 1 and Procession of the Toreadors from act 4: Les voici! voici la quadrille des Toreros!
$19.95
Intermezzo form Cavalleria Rusticana for Clarinet Quintet
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Classical
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Pietro Mascagni
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James Haynor
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Intermezzo form Cavalleria Rus
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James Haynor
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SheetMusicPlus
Woodwind Ensemble Clarinet - Digital Download SKU: A0.1076613 Composed by Pietro Mascagni. Arranged by James Haynor. Romantic Period. 9 pages. James Hayn...
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.1076613 Composed by Pietro Mascagni. Arranged by James Haynor. Romantic Period. 9 pages. James Haynor #436341. Published by James Haynor (A0.1076613). Cavalleria Rusticana is an opera in one act by Pietro Mascagni to an Italian libretto by Giovanni Targioni-Tozzetti and Guido Menasci, adapted from an 1880 short story of the same name and subsequent play by Giovanni Verga. This arrangement of the Intermezzo from this opera is scored for Clarinet Quintet and makes a lovely, lyrical interlude to any church service or wedding. ( Duration - 2:40 ).
$10.00
A Night In Tunisia
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Jazz
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Dizzy Gillespie
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Keith Terrett
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A Night In Tunisia
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Keith Terrett
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SheetMusicPlus
Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keit...
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Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.746991 By Dizzy Gillespie. By Dizzy Gillespie and Frank Paparelli. Arranged by Keith Terrett. Jazz. 13 pages. Keith Terrett #5827945. Published by Keith Terrett (A0.746991). A great sounding arrangement of A Night in Tunisia, your Wind Quintet will love it!A jazz solo is written out for you, if you wish you can improvise on the given chord symbols!A Night in Tunisia is a musical composition written by Dizzy Gillespie around 1941–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard.It is also known as Interlude. Gillespie called the tune Interlude and said some genius decided to call it 'Night in Tunisia'. He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. A Night in Tunisia was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame.On the album A Night at Birdland Vol. 1, Art Blakey introduced his 1954 cover version with this statement: At this time we'd like to play a tune [that] was written by the famous Dizzy Gillespie. I feel rather close to this tune because I was right there when he composed it in Texas on the bottom of a garbage can. The audience laughs, but Blakey responds, Seriously. The liner notes say, The Texas department of sanitation can take a low bow.The complex ostinato bass line in the A section is notable for avoiding the standard walking bass pattern of straight quarter notes, and the use of oscillating half-step-up/half-step-down chord changes (using the Sub V, a tritone substitute chord for the dominant chord) gives the song a unique, mysterious feeling. The B section is notable for having an unresolved minor II-V, since the chord progression of the B section is taken from the B section of the standard Alone Together, causing the V chord to lead back into the Sub V of the A section.Like many of Gillespie's tunes, it features a short written introduction and a brief interlude that occurs between solo sections - in this case, a twelve-bar sequence leading into a four-bar break for the next soloist.
$14.99
The Girl In The Green Bandanna
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Franklyn Grace
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The Girl In The Green Bandanna
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Franklyn Grace Creative Arts
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Download SKU: A0.1169176 By Franklyn Grace. By Franklyn Grace. Ch...
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Woodwind Ensemble,Woodwind Quintet Bass Clarinet,Bassoon,Flute,Oboe - Level 5 - Digital Download SKU: A0.1169176 By Franklyn Grace. By Franklyn Grace. Chamber,Contemporary. 39 pages. Franklyn Grace Creative Arts #769302. Published by Franklyn Grace Creative Arts (A0.1169176). The Girl In the Green Bandanna is a contemporary woodwind quintet for flute, oboe, clarinet, bass clarinet, and bassoon. It is based upon the classical Rondo Form, with this particular pattern of the form being ABACBA. These six sections that comprise the piece all focus in some capacity on two individual themes: the first, slower theme of the A Section and the contrastingly more lively theme that follows immediately afterward in the B Section.Below is a theoretical analysis of the parts and how they each have their own unique nod, whether big or small, to these two main themes. A1 (mm. 1-9): The opening section of the piece, which introduces Theme 1.B1 (mm. 10-22): Directly following the opening, this section introduces Theme 2.A2 (mm. 23-58): After a brief interlude from the bassoon part, the main motif from Theme 1 returns, presented as motivic manipulation in the clarinet part of this section, underneath the flute melody.C (mm. 59-123): A new, more jaunty section not yet heard in the piece, though which still contains occasional traces of the main motif from Theme 2.B2 (mm. 124-144): Theme 2 in a modulated key and with a more majestic energy. Here, the two themes merge together momentarily, as Theme 1 can be heard briefly in the Clarinet part during the first eight measures of this section, much akin to A2.A3 (mm. 145-149): The outro of the piece, which is a polytonal rendering of the modulated key from B2 and the original opening key.
$9.99
English Madrigal Suite No. 2 for Brass Trio
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Thomas Morley
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Richard Decker
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English Madrigal Suite No. 2 f
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Charles Decker Music Press
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SheetMusicPlus
Baritone Horn TC,Flugelhorn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1121043 Composed by Thomas Morley. Arranged by Richard Decker. Contest,...
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Baritone Horn TC,Flugelhorn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.1121043 Composed by Thomas Morley. Arranged by Richard Decker. Contest,Early Music,Festival,Multicultural,Renaissance,World. 36 pages. Charles Decker Music Press #722234. Published by Charles Decker Music Press (A0.1121043). These three lively madrigals arranged for brass trio provide an engaging interlude to any chamber concert, indoors or outdoors. As composer and organist, editor and publisher, Thomas Morley was a significant influence in the musical absorption of the Italian Madrigal style into English vocal music during the last decade of the 16th century. Trained by William Byrd, Morley and his early Three-Part Canzonets (1593) showed his remarkable ability to combine his own individual musical creativity with the essence of the popular Italian Madrigals, resulting in the golden era of the English Madrigal School. The trio is scored for trumpet in B-flat with an alternate C trumpet part, horn in F with an alternate flugelhorn part, and trombone with an alternate treble clef euphonium part. The recording is of the entire edition.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$12.99
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