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my only one
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You've selected:
my only one
Sheetmusic to print
568 sheet music found
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1
26
51
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551
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
Tenor Saxophone Duo.
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1270635 By Sebastian Yatra. By Alejandra Alberti, Andres Munera,...
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Instrumental Duet,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1270635 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 8 pages. Fabio Britto #863008. Published by Fabio Britto (A0.1270635). Arrangemet of the song My Only One (No Hay Nadie Mas) for Soprano Saxophone & Tenor Saxophone Duo.
$7.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
Horn,Trombone - Level 4 - Digital Download SKU: A0.1261167 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christo...
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Horn,Trombone - Level 4 - Digital Download SKU: A0.1261167 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 10 pages. Fabio Britto #854236. Published by Fabio Britto (A0.1261167). Arrangemet of the song My Only One (No Hay Nadie Mas) for Brass Trio (Horn in F 1, Horn in F 2 and. Trombone).
$12.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra Isabela Moner
#
Felipe Abel
#
My Only One
#
Felipe Abel
#
SheetMusicPlus
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1093021 By Sebastian Yatra Isabela Moner. By Alejandra...
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1093021 By Sebastian Yatra Isabela Moner. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Felipe Abel. Latin,Multicultural,Pop,Wedding,World. Score and parts. 9 pages. Felipe Abel #697118. Published by Felipe Abel (A0.1093021). String Quintet arrangement of the song My Only One (no Hay Nadie Mas) by Sebastian Yatra and Isabela Moner.
$12.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
Cello Duo.
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
Instrumental Duet - Level 4 - Digital Download SKU: A0.1270597 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Chr...
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Instrumental Duet - Level 4 - Digital Download SKU: A0.1270597 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 8 pages. Fabio Britto #862970. Published by Fabio Britto (A0.1270597). Arrangemet of the song My Only One (No Hay Nadie Mas) for Viola & Cello Duo.
$7.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
Bass Flute,Flute Solo - Level 4 - Digital Download SKU: A0.1275345 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace,...
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Bass Flute,Flute Solo - Level 4 - Digital Download SKU: A0.1275345 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. Individual part. 2 pages. Fabio Britto #867236. Published by Fabio Britto (A0.1275345). Arrangement of the song  My Only One (No Hay Nadie Mas) for Flute Solo.
$4.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
Horn,Trumpet - Level 4 - Digital Download SKU: A0.1270581 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christop...
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Horn,Trumpet - Level 4 - Digital Download SKU: A0.1270581 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 10 pages. Fabio Britto #862954. Published by Fabio Britto (A0.1270581). Arrangemet of the song My Only One (No Hay Nadie Mas) Â for Brass Trio (Trumpet in Bb 1, Trumpet in Bb 2 and Horn in F).
$12.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
Bass Flute,Piano - Level 4 - Digital Download SKU: A0.1271800 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Chri...
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Bass Flute,Piano - Level 4 - Digital Download SKU: A0.1271800 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. Score and part. 11 pages. Fabio Britto #864155. Published by Fabio Britto (A0.1271800). Arrangement of the song  My Only One (No Hay Nadie Mas) for Flute Solo and Piano Accompaniment.
$8.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
Horn - Level 4 - Digital Download SKU: A0.1261165 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wall...
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Horn - Level 4 - Digital Download SKU: A0.1261165 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 10 pages. Fabio Britto #854233. Published by Fabio Britto (A0.1261165). Arrangemet of the song My Only One (No Hay Nadie Mas)for Horn in F Trio.
$12.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Flute - Level 4 - Digital Download SKU: A0.1261118 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andre...
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Woodwind Ensemble,Woodwind Trio Bassoon,Flute - Level 4 - Digital Download SKU: A0.1261118 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 10 pages. Fabio Britto #854185. Published by Fabio Britto (A0.1261118). Arrangemet of the song My Only One (No Hay Nadie Mas for Woodwind Trio (Flute 1, Flute 2 and Bassoon).
$12.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Flute - Level 4 - Digital Download SKU: A0.1261120 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andr...
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Woodwind Ensemble,Woodwind Trio Clarinet,Flute - Level 4 - Digital Download SKU: A0.1261120 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 10 pages. Fabio Britto #854187. Published by Fabio Britto (A0.1261120). Arrangemet of the song My Only One (No Hay Nadie Mas) Â for Woodwind Trio (Flute 1, Flute 2 and Clarinet in Bb).
$12.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1261117 By Sebastian Yatra. By Alejandra Alberti, Andres M...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute - Level 4 - Digital Download SKU: A0.1261117 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 10 pages. Fabio Britto #854184. Published by Fabio Britto (A0.1261117). Arrangemet of the song My Only One (No Hay Nadie Mas) for Woodwind Trio.
$12.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
Bass Clarinet in Bb Duo.
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
Clarinet Duet A Clarinet,Bass Clarinet - Level 4 - Digital Download SKU: A0.1270621 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torre...
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Clarinet Duet A Clarinet,Bass Clarinet - Level 4 - Digital Download SKU: A0.1270621 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 2 scores. 8 pages. Fabio Britto #862994. Published by Fabio Britto (A0.1270621). Arrangemet of the song My Only One (No Hay Nadie Mas) for Clarinet in A & Bass Clarinet in Bb Duo.
$7.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
Bassoon Duo.
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
B-Flat Bass Clarinet,Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.1271755 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andr...
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B-Flat Bass Clarinet,Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.1271755 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 8 pages. Fabio Britto #864109. Published by Fabio Britto (A0.1271755). Arrangemet of the song My Only One (No Hay Nadie Mas) Â for Clarinet in Bb & Bassoon Duo.
$7.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.1261146 By Sebastian Yatra. By Alejandra Alberti, Andres M...
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Woodwind Ensemble,Woodwind Trio Bassoon,English Horn,Oboe - Level 4 - Digital Download SKU: A0.1261146 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 10 pages. Fabio Britto #854214. Published by Fabio Britto (A0.1261146). Arrangemet of the song My Only One (No Hay Nadie Mas)for Woodwind Trio.
$12.99
My Only One (no Hay Nadie Mas)
#
Sebastian Yatra
#
Ottirb Sage
#
My Only One
#
Fabio Britto
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet,Oboe - Level 4 - Digital Download SKU: A0.1261155 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andre...
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Woodwind Ensemble,Woodwind Trio Clarinet,Oboe - Level 4 - Digital Download SKU: A0.1261155 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 10 pages. Fabio Britto #854224. Published by Fabio Britto (A0.1261155). Arrangemet of the song My Only One (No Hay Nadie Mas)Â for Woodwind Trio (Oboe 1, Oboe 2 and Clarinet in Bb).
$12.99
My Only One (no Hay Nadie Mas)
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Sebastian Yatra
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Ottirb Sage
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English Horn Duo.
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My Only One
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Fabio Britto
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SheetMusicPlus
English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.1271777 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, ...
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English Horn,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.1271777 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 8 pages. Fabio Britto #864131. Published by Fabio Britto (A0.1271777). Arrangement of the song My Only One (No Hay Nadie Mas) Â for Oboe & English Horn Duo.
$7.99
My Only One (no Hay Nadie Mas)
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Sebastian Yatra
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Ottirb Sage
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My Only One
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Fabio Britto
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Bassoon,Oboe - Level 4 - Digital Download SKU: A0.1261149 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres...
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Woodwind Ensemble,Woodwind Trio Bassoon,Oboe - Level 4 - Digital Download SKU: A0.1261149 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 10 pages. Fabio Britto #854217. Published by Fabio Britto (A0.1261149). Arrangemet of the song My Only One (No Hay Nadie Mas) for Woodwind Trio (Oboe 1, Oboe 2 and Bassoon).
$12.99
My Only One (no Hay Nadie Mas)
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Sebastian Yatra
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Ottirb Sage
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My Only One
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Fabio Britto
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio English Horn,Oboe - Level 5 - Digital Download SKU: A0.1261159 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, A...
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Woodwind Ensemble,Woodwind Trio English Horn,Oboe - Level 5 - Digital Download SKU: A0.1261159 By Sebastian Yatra. By Alejandra Alberti, Andres Munera, Andres Torres, Chris Wallace, Christopher Wallace, Fernando Tobon, Isabela Moner, Mauricio Rengifo, Sebastian Obando, and Sebastian Yatra. Arranged by Ottirb Sage. Latin,Pop,Wedding. 10 pages. Fabio Britto #854227. Published by Fabio Britto (A0.1261159). Arrangemet of the song My Only One (No Hay Nadie Mas)Â for Woodwind Trio (Oboe 1, Oboe 2 and English Horn).
$12.99
Nebraska - My Heartland (CHORAL SCORE)
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Contemporary
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.799663 Composed by D. M. Gardner. Contemporary. Octavo. 34 pages. D. M. Gardner Music #3370301...
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Choral Choir (4-Part) - Level 4 - Digital Download SKU: A0.799663 Composed by D. M. Gardner. Contemporary. Octavo. 34 pages. D. M. Gardner Music #3370301. Published by D. M. Gardner Music (A0.799663). CHORAL SCORE***FULL SCORE and INSTRUMENTAL PARTS SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$2.50
Nebraska - My Heartland (INSTRUMENTAL PARTS)
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Contemporary
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #33...
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Large Ensemble Choir,Voice - Digital Download SKU: A0.799662 Composed by D. M. Gardner. Contemporary. Score and parts. 109 pages. D. M. Gardner Music #3370297. Published by D. M. Gardner Music (A0.799662). INSTRUMENTAL PARTS***SCORE and CHORAL SCORE SOLD SEPARATELY***Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine!INSTRUMENTATION1 Piccolo2 Flute 12 Flute 22 Flute 31 Oboe 11 Oboe 21 Bassoon 11 Bassoon 24 Bb Clarinet 14 Bb Clarinet 24 Bb Clarinet 32 Bb Bass Clarinet1 Eb Alto Saxophone 11 Eb Alto Saxophone 21 Bb Tenor Saxophone1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 42 Trombone 12 Trombone 22 Bass trombone3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSIONSuspended CymbalCrash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional),*Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$75.00
Nebraska - My Heartland (FULL SCORE)
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Contemporary
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D
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Nebraska - My Heartland
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D. M. Gardner Music
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SheetMusicPlus
Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner ...
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Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner Music #3370295. Published by D. M. Gardner Music (A0.799660). FULL SCORE***PARTS & CHORAL SCORE SOLD SEPARATELY*** Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope. Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind. Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine! INSTRUMENTATION 1 Piccolo 2 Flute 1 2 Flute 2 2 Flute 3 1 Oboe 1 1 Oboe 2 1 Bassoon 1 1 Bassoon 2 4 Bb Clarinet 1 4 Bb Clarinet 2 4 Bb Clarinet 3 2 Bb Bass Clarinet 1 Eb Alto Saxophone 1 1 Eb Alto Saxophone 2 1 Bb Tenor Saxophone 1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 4 2 Trombone 1 2 Trombone 2 2 Bass trombone 3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSION Suspended Cymbal Crash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional), *Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
$200.00
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00
You Are The Sunshine Of My Life
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Stevie Wonder
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Dan Jones www
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You Are The Sunshine Of My Lif
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DanJonesGuitarist
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SheetMusicPlus
Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.1103705 By Stevie Wonder. By Stevie Wonder. Arranged by Dan Jones www.danjonesguitarist.com. ...
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Guitar Ensemble Guitar - Level 4 - Digital Download SKU: A0.1103705 By Stevie Wonder. By Stevie Wonder. Arranged by Dan Jones www.danjonesguitarist.com. 20th Century,Funk,Jazz,Pop. Score and parts. 49 pages. DanJonesGuitarist #706980. Published by DanJonesGuitarist (A0.1103705). You Are the Sunshine of My Life by Stevie Wonder Arranged for Guitar Quartet (with Optional Bass) by Dan Jones (www.danjonesguitarist.com) The download of this arrangement offers: • A score in notes and TAB • A score with notes only • Parts with notes and TAB • Parts with notes only • An extra bass guitar part in notes and TAB which can be added or omitted as players wish. Guitar 3 also contains chord symbols for those wishing to have a greater understanding of the harmonic base of the song, or for jazz-style players wishing to play along or improvise. You Are the Sunshine of My Life was released in 1973, the second single from the artist’s iconic 1972 album, ‘Talking Book’. The song made it to number one of the Billboard charts and is a Grammy Award winner. It is, in my opinion, one of the finest pop songs ever written. Its subtle harmonies, seamless modulations and chromatically-altered chords sit easily under a whimsical lyric. It is harmonic genius disguised as a light pop song. I also believe it to be much misunderstood by writers who comment only on the qualities of the vocal performance and production. It deserves its place in any performance of serious art music. This arrangement is suitable for intermediate to advanced intermediate guitarists. A film of a performance will be available by the end of September 2022. For a wealth of arrangements, teaching material, books and much more, please visit: www.danjonesguitarist.com.
$8.95
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
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