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56 sheet music found
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51
Jazz variation on Fugue in G minor
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Classical
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New Tone Trombones Quartet
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Ruben Pompilio
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Jazz variation on Fugue in G m
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Ruben Pompilio's Music
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.1037856 By New Tone Trombones Quartet. By Johann Sebastian Bach. Arranged by Ruben Pompilio....
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.1037856 By New Tone Trombones Quartet. By Johann Sebastian Bach. Arranged by Ruben Pompilio. Baroque,Jazz. Score and parts. 18 pages. Ruben Pompilio's Music #642769. Published by Ruben Pompilio's Music (A0.1037856). This arrangment is made for 4 trombones (with bass trombone) and an optional drum kit line to enrich the jazz groove. This is a change in style arrangement with an open solos section in the middle and a ensemble special after solos. There are some modulations, so the chart is written with no key signature: it's start in G minor, the solos section is in D minor and the end is in B minor. The total duration is about 2 minutes + solos. The first trombone has high B as top note and bass trombone has D1 pedal as low note.
$15.00
Good King Wenceslas
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Christmas
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Piae Cantiones
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John Henry Sheridan
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Good King Wenceslas
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John Henry Sheridan Music
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SheetMusicPlus
Acoustic Guitar,Instrumental Solo - Interactive Download SKU: A0.484861 Composed by Piae Cantiones. Arranged by John Henry Sheridan. This edition: Intera...
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Acoustic Guitar,Instrumental Solo - Interactive Download SKU: A0.484861 Composed by Piae Cantiones. Arranged by John Henry Sheridan. This edition: Interactive Download. Children,Christmas,Classical,Folk,Holiday,Standards. Individual part. 2 pages. Duration 106. Published by John Henry Sheridan Music (A0.484861). Perfect for the Holiday season! This is a classical finger style version arranged in a theme and variation style. For solo guitar.
$3.00
THE HARMONIST
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Larry Williams
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variation style.
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THE HARMONIST
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Larry Andrew Williams
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SheetMusicPlus
Instrumental Duet Acoustic Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.1004414 Composed by Larry Williams. Contemporary,Jazz. Score and...
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Instrumental Duet Acoustic Guitar,Instrumental Duet - Level 5 - Digital Download SKU: A0.1004414 Composed by Larry Williams. Contemporary,Jazz. Score and parts. 18 pages. Larry Andrew Williams #3533675. Published by Larry Andrew Williams (A0.1004414). This is a Classical Guitar Duet. A very melodic and harmonically rich piece that involves counter point in theme & variation style.
$10.99
Suite No. 1
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Giorgio Mirto
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Suite No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Le...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4308 Composed by Giorgio Mirto. Score. 24 pages. Les Productions d'OZ - Digital #DZ 4308. Published by Les Productions d'OZ - Digital (ZZ.DZ-4308). Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture à laquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'œuvre m'a amené à trouver des titres qui invitaient l'interprète à approfondir l'inspiration esthétique de l'œuvre. J'ai donc suggéré à Giorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu à quatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée à la Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue à la manière de Buxtehude (qui vivait à Lübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né à Halle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait à Magdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'œuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'œil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des œuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'à celle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'œuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'à la fin de la Chaconne de Magdebourg. Je souhaite à Giorgio et à « notre » Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
$10.95
Nineteen Skeletal Duets for Euphoniums (in treble clef)
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Contemporary
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Gregory Fritze
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Nineteen Skeletal Duets for Eu
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Musica Nova USA
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SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - Level 2 - Digital Download SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructiona...
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Instrumental Duet Euphonium,Instrumental Duet - Level 2 - Digital Download SKU: A0.917407 Composed by Gregory Fritze. Classical,Contemporary,Instructional,Jazz. Score and parts. 44 pages. Musica Nova USA #5997955. Published by Musica Nova USA (A0.917407). Nineteen Skeletal Duets for Euphoniums is a set of duets of easy to moderate difficulty specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Trombones are the same duets but in bass clef. Twenty-two Skeletal Duets for Horns uses the first 19 as in the euphonium set with three additional duets added. Some of the euphonium and horn duets are in the same key so they can be played together.1. CraniumThis duet presents the cantabile singing style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.2. StirrupThis duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo where the less skilled students work best in the slower tempos – a common choice for all of the duets.3. HumerusThis waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.4. VertebraThis is in a rock style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.5. AxisLegato scales and syncopated rhythms are the features of this duet.6. TibiaThis duet alternates in rock style and swing. Articulations and manipulation of swing rhythms are important.7. ClavicleThe key of A for this duet provides variation for the students.
$20.00
Variations in Db
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Joe Strachan
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Variations in Db
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Joseph Strachan
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1254186 Composed by Joe Strachan. 21st Century,Blues,Classical,Jazz,Traditional. Brass Band. 37 pages. Joseph Strachan #847781. Published by Joseph Strachan (A0.1254186). I intend to compose using the structure of theme and variations, scored for a brass band which consists of an Eb Soprano cornet, Bb cornets, Flugelhorn, Eb Tenor horns, Bb Baritones, Tenor Trombones, Bass trombone, Bb Euphonium, Bb Tuba, Eb tuba and percussion. I intend to convey multiple moods and brass band techniques throughout my piece by creating blended harmony, jazzy rhythm, and modulation. With the theme, I intend to make the band blend in harmony with the music. Into the first variation to create different rhythms and to create a jazz mood. To create the theme, I intend to establish the key of Db major in 4/4 time with a homophonic texture. For Example, to establish the key of Db in bb.1-8. I intend to use the primary and secondary chords Db, Eb, Db, Bb, Eb, Bb, Db, Bb, Eb, Fm, Gm, Bb, Eb, Fm, Ab, Db. To strengthen the chords, I use the root note in the bass lines (e.g. Bb bass).  With creating the theme I also take into consideration having a structured flowing catchy melody to show the audience a clear statement that this is the theme. The Rhymtic features in the theme are crotchets and quavers. But which are soon to be embellished in the variations. The dynamic in the theme is mf (mezzo-forte)  and mp (mezzo-piano)  in the higher instruments.  And forte in the lower voices for balancing. The tempo marking is crotchet equals 60 beats per minute. In variation 1, I intend to maintain the original melody from the theme (solo cornet)  whole creating contrast with the inclusion of jazz-styled rhythms and dissonant chords. For example, I use a jazz-styled drum ostinato (bb. 9-61) Featuring dotted quavers and semiquavers. In addition to this, I feature dissonance with the use of 7th chords which can be seen at bb.18-26, 31-39, and bars  54-62 For example, in bars 18-26 the cornets are playing the melody in a four-part harmony only using 7th chords. The rhythmic features are more embellished using crotchets and quavers. But also using dotted quavers and semiquavers to show that this melody this a variation. The dynamics in the variation are extended with more instruments having a forte dynamic to have a strong expressive dynamic. Inspiration of this variation comes from people like (Maynard Ferguson, and Gordon Goodwin).
$40.00
Brass Band - Variations on "O Hear The Lord"
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Contemporary
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Mike Lyons
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Brass Band - Variations on "O
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.767213 Composed by Mike Lyons. Contemporary. Brass Band. 85 pages. Lyons Music Services #3077015. Published by Lyons Music Services (A0.767213). This is a set of variations for British brass band on an original hymn tune. The hymn tune itself is stated at the start and again at the end. Each variation is distinct and in a different musical style or genre, covering a wide range of musical styles from jazz to classical.Parts are supplied for full British brass band with extra parts for the percussion to allow easier positioning of the instruments as there is a lot of percussion, including a Xylophon/Marimba solo.This would make a great piece for an entertainments contest.
$50.00
Arirang Variations (Downloadable)
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Stanley M
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Arirang Variations
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Galaxy Music Corporation - Digital
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SheetMusicPlus
2 flutes of the Same Kind - Medium - Digital Download SKU: MQ.7.0663-E Composed by Stanley M. Hoffman. Score. 6 pages. Galaxy Music Corporation - Digital...
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2 flutes of the Same Kind - Medium - Digital Download SKU: MQ.7.0663-E Composed by Stanley M. Hoffman. Score. 6 pages. Galaxy Music Corporation - Digital #7.0663-E. Published by Galaxy Music Corporation - Digital (MQ.7.0663-E). This work, first scored for piano solo, was composed for the 2008 Sejong Music Composition Competition. Although it did not win a prize, having entered the competition left me with a neat little piano piece to show for it, as well as the present transcription which I created for flutist Peter Sheridan in 2015. The set of variations opens with the traditional Korean theme accompanied by arpeggios. This is followed by Variation 1, a sad waltz in the style of a Chopin waltz. Next comes Variation 2, a funeral march in the manner of Chopin’s Funeral March from the Piano Sonata in B-flat Minor, Op. 35. Variation 3 is a Tango written in tribute to one of my favorite composers, Astor Piazzolla. Variation 4 combined the Korean tune with motifs from the slow movement of Beethoven’s Symphony No. 6, The Pastoral. The set of variations closes with a repeat of the opening passage. -Stanley M. Hoffman.
$10.50
A Quiet Summer Night
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Samuel Livingston
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A Quiet Summer Night
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Imagine Music - Digital
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SheetMusicPlus
Clarinet & string quartet - Digital Download SKU: IZ.CMF183 Composed by Samuel Livingston. Score and Parts. 88 pages. Imagine Music - Digital #CMF183. Pu...
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Clarinet & string quartet - Digital Download SKU: IZ.CMF183 Composed by Samuel Livingston. Score and Parts. 88 pages. Imagine Music - Digital #CMF183. Published by Imagine Music - Digital (IZ.CMF183). 9 x 12 in inches.The clarinet is my instrument, and I think the two greatest works in its repertory (and two of the greatest of all chamber works) are the quintets for clarinet and strings by Mozart and Brahms. In writing for this combination of instruments, I borrowed ideas shamelessly from both.I would describe the style as folk-inspired classical chamber music. The melodies are song-like or dance-like; the harmonies are simple, modal, and consonant. The time signatures of the three movements are 7/8, 5/4, 7/8 - unusual in classical music but common in the folk music of some eastern European countries. The texture is homophonic in some places and contrapuntal in others, always with at least one melody, often with more than one. The clarinet is not treated as a solo instrument but is integrated into the ensemble.The first movement is in sonata form. As in the Mozart and Brahms quintets, it begins in the strings, with the clarinet entering a few bars later on a rising arpeggio. The first theme is song-like; the second theme is dance like. The movement ends quietly on a phrase from the second theme. The form of the second movement begins with a song for the cello, repeated in the clarinet. The next section features a dance-like melody in the second violin, repeated in the clarinet with a descant in the first violin. Then a brief section in the minor, featuring the viola, leads to a repetition of the song that opened the movement, this time in the viola, repeated in the violins and the clarinet.The third movement is a set of variations on a brisk, dance-like theme. After several variations, including two in the minor mode, the tempo slows to adagio for the next-to-last variation (as in the last movement of the Mozart quintet). That variation features a duet for the first violin and the clarinet (as in the slow movement ofthe Brahms quintet). The final variation returns to the brisk tempo and brings back the melodic figure that ends the first movement. A brief coda on this melodic figure concludes the piece.
$48.00
Largo from Winter - Full Score
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Christmas
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Antonio Vivaldi and Martha Lyn
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Antonio Vivaldi and Martha Lyn
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Largo from Winter - Full Score
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Chorister's Guild - Digital
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SheetMusicPlus
2, 3, 4, 5 or 6 octaves handbells, Conductor's Score - Level 2 - Digital Download SKU: C7.CGB455 Composed by Antonio Vivaldi and Martha Lynn Thompson. Ar...
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2, 3, 4, 5 or 6 octaves handbells, Conductor's Score - Level 2 - Digital Download SKU: C7.CGB455 Composed by Antonio Vivaldi and Martha Lynn Thompson. Arranged by Antonio Vivaldi and Martha Lynn Thompson. Christmas. With Handchimes and/or 2 or 3 handchimes or handbells. Full score. 12 pages. Chorister's Guild - Digital #CGB455. Published by Chorister's Guild - Digital (C7.CGB455). UPC: 749193011164.The optional brass quintet may substitute for organ, if desired. When both brass and organ are used, suggestions are offered for the brass to tacet during parts of the piece. The setting may be played in its entirety, or sections may be used separately in various ways. The fanfare introduction and first variation may accompany congregational singing. The second variation modulates and is written in 6/8 time, including the use of handchimes on the melody. The rhythm and texture build on the third variation. A return to the original key and style features the organ trumpet on melody with handbells malleting the accompaniment. The fanfare returns to close the arrangement. Additional suggestions for use are offered. The piece is a festive, challenging and versatile addition to the Christmas celebration.
$10.95
Largo from Winter - 2-6 octave Score
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Christmas
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Antonio Vivaldi and Martha Lyn
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Antonio Vivaldi and Martha Lyn
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Largo from Winter - 2-6 octave
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Chorister's Guild - Digital
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SheetMusicPlus
2, 3, 4, 5 or 6 octaves handbells - Level 2 - Digital Download SKU: C7.CGB456 Composed by Antonio Vivaldi and Martha Lynn Thompson. Arranged by Antonio V...
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2, 3, 4, 5 or 6 octaves handbells - Level 2 - Digital Download SKU: C7.CGB456 Composed by Antonio Vivaldi and Martha Lynn Thompson. Arranged by Antonio Vivaldi and Martha Lynn Thompson. Christmas. With 2, 3, 4, 5, or 6 octaves handchimes. Score. 4 pages. Chorister's Guild - Digital #CGB456. Published by Chorister's Guild - Digital (C7.CGB456). UPC: 749193011171.The optional brass quintet may substitute for organ, if desired. When both brass and organ are used, suggestions are offered for the brass to tacet during parts of the piece. The setting may be played in its entirety, or sections may be used separately in various ways. The fanfare introduction and first variation may accompany congregational singing. The second variation modulates and is written in 6/8 time, including the use of handchimes on the melody. The rhythm and texture build on the third variation. A return to the original key and style features the organ trumpet on melody with handbells malleting the accompaniment. The fanfare returns to close the arrangement. Additional suggestions for use are offered. The piece is a festive, challenging and versatile addition to the Christmas celebration.
$3.95
Heidenröslein: Variations on a Theme by Franz Schubert
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Classical
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Franz Schubert, Kayla Roth
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Heidenröslein: Variations on
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Kayla Roth
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SheetMusicPlus
Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20...
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Instrumental Duet,Piano Euphonium,Instrumental Duet,Piano,Trombone - Level 3 - Digital Download SKU: A0.927030 Composed by Franz Schubert, Kayla Roth. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 27 pages. Kayla Roth #3373343. Published by Kayla Roth (A0.927030). From the composer's program notes included with this purchase:I have taken Schubert’s famous setting and arranged it in a set of musical homages to other composers. I have also included Schubert’s original theme, transposed down to F, and I would recommend playing it twice in the beginning to give your audience a good idea of it.For most of the pieces, I tried to capture the composer’s overall style; however, there are a few particular pieces that are either quoted or used as the stylistic basis, as follows: Mozart - I based this variation, stylistically, on Piano Concerto No. 21 in C major (K.467), specifically movement two (Andante), as well as some of his earliest childhood piano compositions. Symphony 40 in G minor (K.550) is quoted rhythmically. Strauss, Jr. - For inspiration, I used Du und Du, Op. 367, a waltz that is derived from various parts of his beloved operetta, Die Fledermaus. I quoted rhythms from this, as well as from Frühlingsstimmen, Op. 410. Joplin - I didn’t base this on any particular piece of Joplin’s; I tried to include elements that are common in his rags (a short introduction, arpeggiated diminished seventh chords, chromaticism, syncopation over a boom-chuck). Perhaps the best advice comes from Joplin himself: Don’t play this piece fast. It is never right to play ragtime fast. Porter - I had to include an offering from the Great American Songbook! Frank Sinatra recorded several of Porter’s well-known tunes in the 1940s, such as Easy To Love, Night and Day, and I Love You; his renditions of these songs are heavy on the schmaltz and sentimentality, which is exactly what I was trying to achieve in this variation.Bach - The minor variation! I had Fugue in G minor, BWV 578 (Little Fugue) in mind when writing this.der Jodelkönig - As Heidenröslein is a strophic, folk-songesque German piece, I thought it fitting to end the variations with an imitation of traditional Alpine yodeling. It is named in honor of Franzl Lang, the Yodelking.
$20.00
Thank You Very Much
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Contemporary
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Leslie Bricusse
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Ted Samuels
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Thank You Very Much
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Theodore A. Samuels
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.828670 Composed by Leslie Bricusse. Arranged by Ted Samuels. Contemporary. Score. 16 pages....
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Choral Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.828670 Composed by Leslie Bricusse. Arranged by Ted Samuels. Contemporary. Score. 16 pages. Theodore A. Samuels #6053843. Published by Theodore A. Samuels (A0.828670). This arrangement was created to commemorate both the 50th anniversary of the 1970 Christmas movie musical SCROOGE & the 250th anniversary of the birth of Ludwig van Beethoven. A more detailed description of this piece & the story & imaginings behind it is included in its covering pages. However, it may be summarized by its subtitle, What If Liszt Played Beethoven While Scrooge & the Londoners Celebrated?  (Franz Liszt was performing in a European concert tour at the same time that Charles Dickens was writing A Christmas Carol in 1843. Liszt's purpose for the tour was to raise money for constructing a statue of Beethoven in his hometown of Bonn, Germany.) The piece begins in the key of Bb for the first 3 verses of the song. The 3rd verse consists of a variation on the melody in the style of Beethoven, perhaps as Liszt might have written & performed it. The key is raised to C major for the final verse, which includes a few quotes from Beethoven's Symphony No. 5, and concludes with some final lines from his Choral Symphony No. 9 as well as The 5th. The full time of performance by piano/keyboard, solo voice and/or choir is approximately 4 minutes, which may be shortened & simplified by skipping the 3rd variation verse as indicated.
$6.99
The Calm
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Contemporary
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Elizabeth Biondolillo
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The Calm
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Elizabeth Biondolillo
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Marimba,Tenor Saxophone - Level 4 - Digital Download SKU: A0.993024 Composed by Elizabeth Biondolillo. 20th Century. ...
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Instrumental Duet Instrumental Duet,Marimba,Tenor Saxophone - Level 4 - Digital Download SKU: A0.993024 Composed by Elizabeth Biondolillo. 20th Century. Score and parts. 11 pages. Elizabeth Biondolillo #3677103. Published by Elizabeth Biondolillo (A0.993024). The Calm is a duet I wrote to be performed by a college friend and I for our senior recitals. Composed for tenor saxophone and marimba, it starts with a simple theme on the marimba. The tenor sax adds a countermelody, and the listener begins to hear variation upon variation of the original theme. I decided on a more classical form and style because of the amount of jazz repertoire already written for saxophone, and I love the kind of blend the tenor saxophone can get with marimba notes. Matthew 6:25-34
$9.99
Betty Lee
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Classical
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Euphonium/Baritone Solo with B
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Richard Jones
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Betty Lee
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Richard Jones
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1488841 By Euphonium/Baritone Solo with Band. By Herman Bellstedt. Arranged by Richard Jones. Classical. Brass Band. 61 pages. Richard Jones #1065695. Published by Richard Jones (A0.1488841). Betty Lee is an example of a theme and variation or fantasia style of writing that was popular at the end of the 19th century and the fists quarter of the 20th century. In most instances the piece would involve a folk or national tune that becomes more complicated as it progresses. Whislt many British composers such as Round and Hartmann were renowned for writing these style of pieces, American virtuoso players were equally adept, including Herbert Clarke, Frank Simon and others. Herman Bellstedt was amongst these virtuoso player/cpmposer combinations. He was born in Bremen in Germany, but moved to Cincinnati, Ohio when he was 9. He quickly gained a reputation as a fine cornet player, playing as a soloist with most bands in his area and beyond, earning him the title 'Boy Wonder'. Soon he was performing with the top bands in the US, including the Patrick Gilmore and John Philip Sousa Band, in the latter sharing solos with cornet sensations Herbert L. Clarke and Walter B. Rodgers. During this period he also started as Professor of Wind Instruments at Cincinnati Conservatory, where he continued to work on his composition projects. The most famous of these composition are Napoli, Fantasie No.1, Capriccio Brilliante and a version of Carnival of Venice; Betty Lee is a lesser known piece to these but equally provides a technical challenge.It is a must for all intermediate to advanced performers.
$20.99
Christmas Trio No. 1
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Christmas
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Franz Xaver Gruber, John Mason
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Graham Yates
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Christmas Trio No. 1
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Graham Yates
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SheetMusicPlus
Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.887962 Composed by Franz Xaver Gruber, John Mason Neale, Lowell Mason, and attr. Handel. ...
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Piano Trio,String Ensemble - Level 4 - Digital Download SKU: A0.887962 Composed by Franz Xaver Gruber, John Mason Neale, Lowell Mason, and attr. Handel. Arranged by Graham Yates. Christian,Christmas,Classical,Latin,Romantic Period. Score and parts. 23 pages. Graham Yates #3895675. Published by Graham Yates (A0.887962). Trio for violin, cello and piano incorporating the following melodies: Good King Wenceslaus in a classical and polyphonic style (including imitation and inversion), O Come, O Come, Emmanuel, Silent Night recast as a cha-cha, and Joy to the World in the style of Rachmaninov's Paganini Variation no. 18. Suitable for seasonal recitals and church service preludes/postludes. Duration: 8 minutes. For more information, email graham.yates@gmail.com
$14.99
The Wooded Blur
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Jose Luis Arellano Jr
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Jose Luis Arellano Jr
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The Wooded Blur
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Arellano, Jose Luis Jr
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SheetMusicPlus
Flute Solo - Level 4 - Digital Download SKU: A0.1515510 Composed by Jose Luis Arellano Jr. Arranged by Jose Luis Arellano Jr. 21st Century,Contemporary. ...
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Flute Solo - Level 4 - Digital Download SKU: A0.1515510 Composed by Jose Luis Arellano Jr. Arranged by Jose Luis Arellano Jr. 21st Century,Contemporary. Individual part. 4 pages. Arellano, Jose Luis Jr #1089863. Published by Arellano, Jose Luis Jr (A0.1515510). Wooded Blur was based on the ideas of an impressionist style painting that if you take a closer look at a piece art you could only see blurriness.However, if you took a step back you could see the whole context. The main idea that you hear in the piece is the “closer look” that is so blurred that you don’tunderstand the context until you see the big picture. You hear this repeating pattern (the main idea) becoming home and the root of this atonal piece. The variation around thismain idea becomes the context and helps create the bigger picture. It allows youas the listener to see the character of the piece. The piece is the forest itself who isplayful, a trickster, and a guardian of his own home. The sections that take you on this strangejourney will give you glimpses of imagery that you can picture that gets you involved.Building you a perception of this Wooded Blur.
$7.99
Desconcertante
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Antonio Monteiro
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Antonio Monteiro
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Desconcertante
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Antonio Quixada
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SheetMusicPlus
Strings Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1450932 By Antonio Monteiro. By Antonio Monteiro. Arranged by Antonio Monteiro. Baroque,C...
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Strings Cello,Viola,Violin - Level 5 - Digital Download SKU: A0.1450932 By Antonio Monteiro. By Antonio Monteiro. Arranged by Antonio Monteiro. Baroque,Classical,Film/TV,Sacred,Spiritual. Full Performance. Duration 297. Antonio Quixada #1030382. Published by Antonio Quixada (A0.1450932). Powerful and melodic rich Baroque style song for string orchestra using counterpoint, fugue and variation technics, useful for several musical scenarios like film intros, epic secnes, background music for ads or video games etc. Because of its theme and rich melodic texture may be divided into sections and used as pleased. Also, of course, may be enjoyed the way it is, from the beginning to the end, providing a relax and meditative ambience.
$9.99
Tullyhogue Fort / If I was a Tinker - Score Only
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Alan Wagstaff
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Alan Wagstaff
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Tullyhogue Fort / If I was a T
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Alan Wagstaff
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.1392403 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Singer/Songwriter,Traditional...
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Level 4 - Digital Download SKU: A0.1392403 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Singer/Songwriter,Traditional. 10 pages. Alan Wagstaff #975923. Published by Alan Wagstaff (A0.1392403). Tullyhogue Fort / If I was a Tailor - is a new, Irish style jig arranged for whistle, banjo, flute, fiddle, accordion, and bass.It is first played in a minor mode and then in a major mode. (Aeolian and Ionian)The song is a variation of the 2nd tune.Form: (AA BB) X2  (CC DD) X2  (EF) X5Here are the song lyrics:If I was a tinker you’d  not want for kettles. IfI was a jeweller, the  truth to be told, I’dgive you fine trinkets of rare precious metals, andmake you a ring out of African Gold. ButChorusI’m just a rambler who sings for his supper. Ijog County Antrim – astride this old nag.All that I own is my  saddle and crupper, awhistle, a drum and this old carpet bag.If I was a miller you’d not want for flour. If I was a tailor I’d sew you fine clothes.If I was a gardener I’d build you a bower,and bring you each morning a single red rose. ChorusI’m just a…Can you imagine the hedgerows beside us,travelling the byways with you on the mare,with only the thought of the next inn to guide us,where folks want a tune and have coppers to spare?ChorusI’m just a… If you can imagine the open road calling,the feel of the breeze underneath a clear sky;the stars bright at night and the gentle rain falling,then jog along too, bid your old life goodbye.ChorusI’m just a….
$6.00
Christmas Flex Quartets - C Instruments bass clef
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Christmas
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Various
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Chriss Scherer
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Christmas Flex Quartets - C In
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Chriss Scherer
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1324823 By Various. By Various. Arranged by Chriss Scherer. Christmas. 35 pages. Chriss Scherer #913033. Published by ...
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Level 2 - Digital Download SKU: A0.1324823 By Various. By Various. Arranged by Chriss Scherer. Christmas. 35 pages. Chriss Scherer #913033. Published by Chriss Scherer (A0.1324823). This collection of 33 songs was created to provide quartet arrangements for nearly any ensemble you can form. Mostly built in choral-style, all books are arranged in standard SATB voicing. The soprano part (top line) is always the melody. Because all books have all parts transposed, players can shift parts as desired to pass the melody around, regardless of the instrument mix. For example, have the tenor voice take the melody on the second time. The other voices can swap or move around to cover all the parts. The C book was the foundation for all the variation books. In some cases, parts have been shifted to eliminate a great number of ledger lines, but the chord structure is the same.There are six books in the series: C (treble clef top, bass clef bottom), C treble clef, C bass clef, Bb treble clef, Eb treble clef, F treble clef.This is the C bass clef version.
$24.99
Christmas Flex Quartets - C Instruments treble clef
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Christmas
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Various
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Chriss Scherer
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Christmas Flex Quartets - C In
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Chriss Scherer
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1324821 By Various. By Various. Arranged by Chriss Scherer. Christmas. 35 pages. Chriss Scherer #913031. Published by ...
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Level 2 - Digital Download SKU: A0.1324821 By Various. By Various. Arranged by Chriss Scherer. Christmas. 35 pages. Chriss Scherer #913031. Published by Chriss Scherer (A0.1324821). This collection of 33 songs was created to provide quartet arrangements for nearly any ensemble you can form. Mostly built in choral-style, all books are arranged in standard SATB voicing. The soprano part (top line) is always the melody. Because all books have all parts transposed, players can shift parts as desired to pass the melody around, regardless of the instrument mix. For example, have the tenor voice take the melody on the second time. The other voices can swap or move around to cover all the parts. The C book was the foundation for all the variation books. In some cases, parts have been shifted to eliminate a great number of ledger lines, but the chord structure is the same.There are six books in the series: C (treble clef top, bass clef bottom), C treble clef, C bass clef, Bb treble clef, Eb treble clef, F treble clef.This is the C treble clef version.
$24.99
Christmas Flex Quartets - Eb Instruments treble clef
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Christmas
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Various
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Chriss Scherer
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Christmas Flex Quartets - Eb I
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Chriss Scherer
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1324825 By Various. By Various. Arranged by Chriss Scherer. Christmas. 35 pages. Chriss Scherer #913035. Published by ...
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Level 2 - Digital Download SKU: A0.1324825 By Various. By Various. Arranged by Chriss Scherer. Christmas. 35 pages. Chriss Scherer #913035. Published by Chriss Scherer (A0.1324825). This collection of 33 songs was created to provide quartet arrangements for nearly any ensemble you can form. Mostly built in choral-style, all books are arranged in standard SATB voicing. The soprano part (top line) is always the melody. Because all books have all parts transposed, players can shift parts as desired to pass the melody around, regardless of the instrument mix. For example, have the tenor voice take the melody on the second time. The other voices can swap or move around to cover all the parts. The C book was the foundation for all the variation books. In some cases, parts have been shifted to eliminate a great number of ledger lines, but the chord structure is the same.There are six books in the series: C (treble clef top, bass clef bottom), C treble clef, C bass clef, Bb treble clef, Eb treble clef, F treble clef.This is the Eb treble clef version.
$24.99
Aria detta la frescobalda for carillon
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Girolamo Frescobaldi
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Mary Jo Disler
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Aria detta la frescobalda for
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MJD Editions
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SheetMusicPlus
Carillon,Instrumental Solo - Level 4 - Digital Download SKU: A0.1280836 Composed by Girolamo Frescobaldi (1583-1643). Arranged by Mary Jo Disler. Baroque...
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Carillon,Instrumental Solo - Level 4 - Digital Download SKU: A0.1280836 Composed by Girolamo Frescobaldi (1583-1643). Arranged by Mary Jo Disler. Baroque,Classical,Early Music,Historic. Individual part. 7 pages. MJD Editions #872151. Published by MJD Editions (A0.1280836). The Aria is a partita with variation & dance form sections. Arrangement includes unique notation practices of early Baroque. Frescobaldi was a Vatican organist / musician whose music mixed modes with hints of tonality during a period of transition to full modern tonality. The Aria is in Dorian mode, with score reading from C. His style described by scholar David Schulenberg as one of the most eccentric and baffling repertories of Western music. A beautiful concert piece for carillon. (Youtube link on harpsichord, not carillon.).
$3.99
Christmas Flex Quartets - C Score
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Christmas
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Various
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Chriss Scherer
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Christmas Flex Quartets - C Sc
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Chriss Scherer
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1324817 By Various. By Various. Arranged by Chriss Scherer. Christmas. 35 pages. Chriss Scherer #913025. Published by ...
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Level 2 - Digital Download SKU: A0.1324817 By Various. By Various. Arranged by Chriss Scherer. Christmas. 35 pages. Chriss Scherer #913025. Published by Chriss Scherer (A0.1324817). This collection of 33 songs was created to provide quartet arrangements for nearly any ensemble you can form. Mostly built in choral-style, all books are arranged in standard SATB voicing. The soprano part (top line) is always the melody. Because all books have all parts transposed, players can shift parts as desired to pass the melody around, regardless of the instrument mix. For example, have the tenor voice take the melody on the second time. The other voices can swap or move around to cover all the parts. The C book was the foundation for all the variation books. In some cases, parts have been shifted to eliminate a great number of ledger lines, but the chord structure is the same.There are six books in the series: C Score (treble clef top, bass clef bottom), C treble clef, C bass clef, Bb treble clef, Eb treble clef, F treble clef.This is the C Score version.
$24.99
Christmas Flex Quartets - Bb Instruments treble clef
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Christmas
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Various
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Chriss Scherer
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Christmas Flex Quartets - Bb I
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Chriss Scherer
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1324827 By Various. By Various. Arranged by Chriss Scherer. Christmas. 35 pages. Chriss Scherer #913037. Published by ...
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Level 2 - Digital Download SKU: A0.1324827 By Various. By Various. Arranged by Chriss Scherer. Christmas. 35 pages. Chriss Scherer #913037. Published by Chriss Scherer (A0.1324827). This collection of 33 songs was created to provide quartet arrangements for nearly any ensemble you can form. Mostly built in choral-style, all books are arranged in standard SATB voicing. The soprano part (top line) is always the melody. Because all books have all parts transposed, players can shift parts as desired to pass the melody around, regardless of the instrument mix. For example, have the tenor voice take the melody on the second time. The other voices can swap or move around to cover all the parts. The C book was the foundation for all the variation books. In some cases, parts have been shifted to eliminate a great number of ledger lines, but the chord structure is the same.There are six books in the series: C (treble clef top, bass clef bottom), C treble clef, C bass clef, Bb treble clef, Eb treble clef, F treble clef.This is the Bb treble clef version.
$24.99
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