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1,337
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Organ, Trumpet (duet)
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Piano Quartet: piano, 2 violins, cello
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1 Piano, 6 hands
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+ 16 instrumentations
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Guitar Tab, Voice, Bass, Drum
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Band Scores
1
2 Ukuleles
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Banjo
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+ 13 instrumentations
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Voice
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799
Choral 3-part
279
Choral TTBB
239
Choral 2-part
136
Choral SSAA
122
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71
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29
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6
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Choral SSATTB
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Choral SSATB
2
Choral SSAATTBB
2
Medium voice, Piano
1
Tenor voice
1
Choral SSAATB
1
Choral SSAB a cappella
1
+ 20 instrumentations
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Woodwind
Clarinet Quartet: 4 clarinets
120
Saxophone Quartet: 4 saxophones
105
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98
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94
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91
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87
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80
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69
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68
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64
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62
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58
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53
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52
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46
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43
Clarinet (band part)
39
Flute Quartet: 4 flutes
37
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32
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32
Soprano Saxophone and Piano
31
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29
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26
Oboe (band part)
25
2 Flutes (duet)
22
3 Saxophones (trio)
20
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18
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17
Flute ensemble
17
English horn, Piano
16
Flute (band part)
16
Oboe, Clarinet (duet)
13
Baritone Saxophone, Piano
13
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12
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11
2 Oboes (duet)
11
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10
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10
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10
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10
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9
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8
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8
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7
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7
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6
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6
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6
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6
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4
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4
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3
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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2
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1
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1
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1
2 Saxophones, Piano
1
Oboe, Cello
1
2 Flutes, Piano
1
2 English horns and Pianoforte
1
Clarinet, trumpet and piano
1
Piccolo
1
Clarinet, Bassoon, Piano (trio)
1
3 Recorders (trio)
1
Clarinet, Guitar (duet)
1
English Horn, Guitar (duet)
1
Flute, trombone and piano
1
Oboe, Clarinet, Bassoon (trio)
1
3 Oboes
1
Saxophone and Organ
1
Flute, Cello, Piano (trio)
1
Bagpipe
1
4 Oboes
1
Flute, Violin and Violoncello
1
+ 89 instrumentations
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Retract
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Trumpet
92
Brass Quintet: 2 trumpets, horn, trombone, tuba
86
Trombone (band part)
81
Trumpet (band part)
74
Trombone
66
Brass quartet : 2 trumpets, trombone, tuba
54
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45
French horn
42
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42
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25
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25
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18
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16
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16
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15
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15
Trumpet, Trombone (duet)
15
2 Trombones (duet)
13
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11
Brass Quartet
11
Tuba
9
Brass Quartet: 2 trumpets, horn, trombone
9
Tuba and Piano
7
Brass Quartet: 4 horns
7
Brass Quartet: 4 trumpets
6
4 Tubas
5
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5
Euphonium
5
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5
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2
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2
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1
Trombone, Tuba (duet)
1
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1
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1
English Horn, Guitar (duet)
1
Trumpet, Euphonium (duet)
1
Trumpet, Cello, Piano
1
Trumpet, Tuba (duet)
1
+ 45 instrumentations
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Retract
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String Quartet: 2 violins, viola, cello
241
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96
Violin
93
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82
Cello
68
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61
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53
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50
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47
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36
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35
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28
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25
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23
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20
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19
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17
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16
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16
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9
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8
4 Cellos
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4
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4
String quartet: 4 violins
4
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3
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3
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3
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3
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2
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2
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2
Harp, Voice
2
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1
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1
String Trio: 3 violas
1
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1
String Trio: 2 violins, viola
1
String Quartet : 4 violas
1
Viola ensemble
1
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1
String Quintet: 2 violins, viola, 2 cellos
1
Violin, Guitar (duet)
1
Cello Ensemble
1
String Quintet: 2 violins, viola, cello, bass
1
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988
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222
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166
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Brass Quartet: 2 trumpets, horn, trombone
Sheetmusic to print
9 sheet music found
<
1
Just a Closer Walk with Thee (Brass Trio): Trumpet, Horn in F and Trombone
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Sacred music
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Traditional Hymn Melody, Scott
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John A
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Just a Closer Walk with Thee
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John A. Dempsey
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524248 Composed by Traditional Hymn Melody, Scott Joplin. Arranged by John A. D...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524248 Composed by Traditional Hymn Melody, Scott Joplin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and parts. 16 pages. John A. Dempsey #5044449. Published by John A. Dempsey (A0.524248). In this brass trio for Bb trumpet, French horn and trombone, the reverential mood of Just a Closer Walk with Thee is sustained and enhanced, as it's paired with and in the style of Solace, one of Scott Joplin's slower, more contemplative rags. Â Recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, special music or silent prayer accompaniment. Â Also popular as a performance piece for recitals and concerts. Â 12 pages of music (that includes the score and separate two-page parts for each instrument). Â Concert Key: F major. Â Trumpet Key: G major. Â Horn Key: C major. Â Trombone Key: F major.
$9.99
Just a Closer Walk with Thee (Brass Quartet): Two Trumpets, Horn in F and Trombone
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
#
Sacred music
#
Traditional Hymn, Scott Joplin
#
John A
#
Just a Closer Walk with Thee
#
John A. Dempsey
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524250 Composed by Traditional Hymn, Scott Joplin. Arranged by John A. Dempsey....
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.524250 Composed by Traditional Hymn, Scott Joplin. Arranged by John A. Dempsey. Christian,Easter,Praise & Worship,Sacred,Spiritual. Score and parts. 20 pages. John A. Dempsey #5045507. Published by John A. Dempsey (A0.524250). In this brass quartet for two Bb trumpets, French horn and trombone, the reverential mood of Just a Closer Walk with Thee is sustained and enhanced, as it's paired with and in the style of Solace, one of Scott Joplin's slower, more contemplative rags. Â Recommended for traditional church services and other worship events, as a prelude, postlude, an offertory, silent prayer accompaniment or special music. Â Also popular as a performance piece for recitals and concerts. Â 16 pages of music (that includes the score and separate two-page parts for trumpet 1, trumpet 2, French horn and trombone). Â Concert Key: F major. Â Trumpet Key: G major. Â Horn Key: C major. Â Trombone Key: F major.
$12.99
Closer
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Brass Quartet: 2 trumpets, horn, trombone
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BEGINNER
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Contemporary
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The Chainsmokers
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Paulo Galvao Filho
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Closer
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Paulo Galvao Filho
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 1 - Digital Download SKU: A0.710065 By The Chainsmokers. By Andrew Taggart, Ashley Frangipane, Frederic Kenn...
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Brass Ensemble Horn,Trombone,Trumpet - Level 1 - Digital Download SKU: A0.710065 By The Chainsmokers. By Andrew Taggart, Ashley Frangipane, Frederic Kennett, Isaac Slade, Joseph King, and Shaun Frank. Arranged by Paulo Galvao Filho. Contemporary. Score and parts. 9 pages. Paulo Galvao Filho #6371249. Published by Paulo Galvao Filho (A0.710065).
$12.99
Lean On Me
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Soul/R&B
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Club Nouveau
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Jim Bicigo
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Lean On Me
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Polar Publications
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.757942 By Club Nouveau. By Bill Withers. Arranged by Jim Bicigo. Soul. Score an...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.757942 By Club Nouveau. By Bill Withers. Arranged by Jim Bicigo. Soul. Score and parts. 10 pages. Polar Publications #5828535. Published by Polar Publications (A0.757942). This tune never loses its popularity, and it is more and more relevant every day. You'll want this to be in your gig book.
$18.00
Grandma's Feather Bed
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Rock
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John Denver
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Jim Bicigo
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Grandma's Feather Bed
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Polar Publications
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.757811 By John Denver. By Jim Connor. Arranged by Jim Bicigo. Rock. Score and p...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.757811 By John Denver. By Jim Connor. Arranged by Jim Bicigo. Rock. Score and parts. 17 pages. Polar Publications #4615215. Published by Polar Publications (A0.757811). A favorite from John Denver. Perfect for children's concerts or just a fun closer. optional second trumpet part as substitute for horn included.
$20.00
Deck the Hall
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE/ADVANCED
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Christmas
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Traditional Welsh Carol
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Ryan Putt
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Deck the Hall
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Brasswood Publishing, LLC
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.944199 Composed by Traditional Welsh Carol. Arranged by Ryan Putt. Christmas. S...
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Brass Ensemble Horn,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.944199 Composed by Traditional Welsh Carol. Arranged by Ryan Putt. Christmas. Score and parts. 10 pages. Brasswood Publishing, LLC #4726129. Published by Brasswood Publishing, LLC (A0.944199). This arrangement of the classic Christmas carol for brass quintet is a three section showcase piece. The opening is lilting and harmonically open. The middle section picks up the pace with the first trumpet holding the melody. In the last section the ensemble becomes more full and adds an ornamental line in the first trumpet, now playing Piccolo Trumpet in A. This would be a great opener or closer for a holiday concert.
$8.99
Horn Trios, Nb. 24 - FINALE
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Antonin Rejcha
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Josef STASTNY
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Horn Trios, Nb. 24 - FINALE
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Josef STASTNY
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.743152 Composed by Antonin Rejcha. Arranged by Josef STASTNY. Classical,World. ...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.743152 Composed by Antonin Rejcha. Arranged by Josef STASTNY. Classical,World. Score and parts. 9 pages. Josef STASTNY #3068115. Published by Josef STASTNY (A0.743152). The very nice piece of classic music to close your chamber concert. Some other brass arrangements: trios: http://www.sheetmusicplus.com/search?Ntt=+josef+stastny+brass+trioquartets: http://www.sheetmusicplus.com/search?Ntt=+josef+stastny+brass+quartet
$9.99
Gabrieli: Canzon in Echo a 12 Ch. 192 for Triple Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon in Echo a 12
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226321 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 48 pages. Jmsgu3 #822323. Published by jmsgu3 (A0.1226321). Minimum instrumentation: 3 Brass Quartets - 6 trumpets in C (or cornets) 3 French Horns in F, and 3 trombones. InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
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Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzona in Echo Ch.
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
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