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Brass quartet : 2 trumpets, trombone, tuba
Sheetmusic to print
4 sheet music found
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1
Brass Quintet - Three Pastoral Sketches
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Contemporary
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Ly...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
The Impossible Dream (the Quest)
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Contemporary
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Rouvaun
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Peet du Toit
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The Impossible Dream
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802555 By Rouvaun. By Joe Darion and Mitch Leigh. Arranged by Peet du Toit...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802555 By Rouvaun. By Joe Darion and Mitch Leigh. Arranged by Peet du Toit. Contemporary. Score and parts. 11 pages. Peet du Toit #5790463. Published by Peet du Toit (A0.802555). 'The Impossible Dream' is the most popular song from the 1965 Broadway musical Man of La Mancha and is also featured in the 1972 film of the same name starring Peter O'Toole.The complete song is first sung by Don Quixote as he stands vigil over his armor, in response to Aldonza (Dulcinea)'s question about what he means by following the quest. Many recording artists have included this song on their albums. The song meant much to them as well as to significant leaders during almost modern times.This brass rendition - with the Trombone as main soloist - attests to the singer's vision and endeavour. Enjoy!
$13.50
Slave To The Rhythm
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Contemporary
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Bruce Woolley, Simon Darlow, S
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Jeff Tincher
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Slave To The Rhythm
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.584445 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. ...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.584445 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. Arranged by Jeff Tincher. Contemporary. Score and parts. 23 pages. Jeff Tincher #5754955. Published by Jeff Tincher (A0.584445). This is the song that turned me onto Grace Jones music. I borrowed the Slave To The Rhythm LP from the library, put it on the turntable, and thought this is different. This track was the last track on the A-side. As I further listened to the LP I realized that the album used the same song in different genres, format, and keys. You wouldn't know it unless you really listened to the LP. This arrangement, however, is in the original key from her Island Life LP. This song has funk all over it. Grace is a strange character but has a great voice. What made me pick this song is I was searching through youtube to find a song to arrange and I found Grace doing this song live. Again, Grace surprised me. You think female stars today has energy. She sang the song while hula hooping. She was 64 when she did this. She still does this on her concerts. Here is the link to amaze you...https://www.youtube.com/watch?v=vSa5EvWqB7g. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99
Moonlight Sonata by Beethoven for Brass Quartet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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Ander
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Moonlight Sonata by Beethoven
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Woods Only, Arrangements
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SheetMusicPlus
Brass Quartet - Level 3 - Digital Download SKU: A0.1261906 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Ro...
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Brass Quartet - Level 3 - Digital Download SKU: A0.1261906 Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Christmas,Classical,March,Romantic Period. 14 pages. Woods Only, Arrangements #854990. Published by Woods Only, Arrangements (A0.1261906). This arrangement adapted for brass quartet was designed to make its listeners weep with emotion, because the adaptation preserves the original essence of the work, keeping its integrity faithful to what Beethoven wanted to transmit, with only a slight change in tone and addition of harmonic resources in the structure of the arrangement. Even though it is a funeral march, it is well suited for any musical performance occasion, being intended for beginner students who want to immerse themselves in the universe of romantic music, and nothing better than starting with the transitional composer of this period, which also does not prevent professional teachers from using it for recitals, academic presentations or didactic material in their classes as an ensemble practice. Ludwig van Beethoven's Piano Sonata No. 14 in C minor sharp, Op. 27, No. 2, is one of his most popular compositions and was an audience favorite even in his day. Written when Beethoven was 31, the Moonlight Sonata (Mondscheinsonate in German) was composed after he finished some commissioned works, but there is no evidence that he was hired to write this work. It did not receive its nickname until 1832, five years after Beethoven's death. It was the critic Ludwig Rellstab who compared the music to a moonlighting on Lake Lucerne. This comparison was adopted as a nickname for the work. Called Quasi una fantasia by the author - like its companion Op. 27, No. 1 - the piece was completed in 1801 and dedicated the following year to one of the composer's pupils. Beethoven chose to open the sonata with a slow, hypnotic arpeggio movement, the best known of the entire work. The dotted rhythm of its minimal melody evokes the tradition of 'Trauermusik' (funeral music).
$7.99
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