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You've selected:
Little Pieces
Brass quartet : 2 trumpets, trombone, tuba
Sheetmusic to print
7 sheet music found
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1
Songs of a little Bear for brass sextet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Songs of a little Bear for bra
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David Warin Solomons
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.576759 Composed by David Warin Solomons. 20th Century,Contemporary. Score and p...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.576759 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 25 pages. David Warin Solomons #237859. Published by David Warin Solomons (A0.576759). The melodies in this work are based on my unpublished 1979 setting of The expotition to the North Pole from A A Milne's book Now we are six in the Winnie the Pooh series (under the title The Poohratorio). Clearly the Poohratorio itself cannot yet be published due to copyright on the text, but the melodies that it inspired have led to various pieces including a Magnificat and Nunc Dimittis (Canticula Ursae Minoris) and various sextets (Songs of a little Bear) including this brass sextet (2 trumpets, 2 trombones and 2 tubas) As suggested in the score, the ideal positioning would be to have all instruments in choir 1 on one side of the stage and all instuments in choir 2 on the other side (ie antiphonally). The pdf file contains score and parts. The sound sample is an electronic preview.
$15.00
Twinkle Twinkle Little Star (For BEGINNER and kids) (brass quintet)
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Brass quartet : 2 trumpets, trombone, tuba
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BEGINNER
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Unknown
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Duda Oriontte
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Twinkle Twinkle Little Star
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Duda Oriontte
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.942309 Composed by Unknown. Arranged by Duda Oriontte. Children,Classical,...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.942309 Composed by Unknown. Arranged by Duda Oriontte. Children,Classical,Instructional,Standards,Traditional. Score and parts. 6 pages. Duda Oriontte #548113. Published by Duda Oriontte (A0.942309). Twinkle Twinkle Little Star (For BEGINNER and kids) (brass quintet) For a beginner group to start to play together Can be one of the first pieces use with your kids A great arrangement to use in class You can play with.
$14.50
A Billings Triptych - for 8-Part Brass Choir
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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William Billings
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Mike Allsen
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A Billings Triptych - for 8-Pa
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Aaron Hettinga
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,P...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,†where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.†He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,†Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league†of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunesâ€â€”a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand†though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.†I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.
$34.99
Bach: Siciliano from BWV 1031 for Brass Quintet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Darrell Goforth
#
i
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Bach: Siciliano from BWV 1031
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Darrell Harrison Goforth
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.747403 Composed by Johann Sebastian Bach. Arranged by Darrell Goforth. Bar...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.747403 Composed by Johann Sebastian Bach. Arranged by Darrell Goforth. Baroque,Graduation,Instructional,Wedding. Score and parts. 12 pages. Darrell Harrison Goforth #2162765. Published by Darrell Harrison Goforth (A0.747403). One of Bach's most familiar pieces, the Siciliano from the Flute Sonata in E flat (BWV 1031) is here set for Brass Quintet.This arrangement features the lower voices; i.e. Tuba, Horn and Trombone, which makes it a little different from the usual setting for this piece. There is still work for the trumpets, so no one is left out.At only 2 minutes in length, this arrangement can be inserted into almost any performance setting, such as weddings, graduations and just general performances.Comments or questions are always welcome at dgoforth2@comcast.netLike me on Facebook at https://www.facebook.com/goforthmusic/ and visit my YouTube channel at https://www.youtube.com/user/dgoforth2 .
$19.99
Galop for Brass Quintet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Classical
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Anton Strelezki
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James Haynor
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Galop for Brass Quintet
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James Haynor
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782211 Composed by Anton Strelezki. Arranged by James Haynor. Romantic Per...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.782211 Composed by Anton Strelezki. Arranged by James Haynor. Romantic Period. Score and parts. 15 pages. James Haynor #3520253. Published by James Haynor (A0.782211). Little is known about Anton Strelezki other than the existence of several piano pieces, of which Galop in one. A delightful romp, this piece is arranged for brass quintet. It would make a nice encore selection. ( Duration - 1:20 )
$10.00
Albeniz - Espana Op.165 No. 2 Tango (for Brass Quintet)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Tango
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Isaac Albeniz
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Kenneth Abeling
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Albeniz - Espana Op.165 No. 2
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.514771 Composed by Isaac Albeniz. Arranged by Kenneth Abeling. Classical,R...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.514771 Composed by Isaac Albeniz. Arranged by Kenneth Abeling. Classical,Romantic Period,Wedding. Score and parts. 9 pages. LINCOLN MUSIC PUBLICATIONS #3566777. Published by LINCOLN MUSIC PUBLICATIONS (A0.514771). This Tango by Isaac Albéniz is the second in the suite of six pieces originally written for piano entitled España Op. 165 transcribed here for Brass Quintet by Kenneth Abeling. It is a charming little piece of an advanced intermediate level difficulty but programmable for advanced ensembles as well. Playing time 2:00 To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com Preview this score on YouTube: https://www.youtube.com/watch?v=fStwwynmV0o
$9.99
Brass Quintet - Three Pastoral Sketches
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Contemporary
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Ly...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
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