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Brass quartet : 2 trumpets, trombone, tuba
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1
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contempo...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporar...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporar...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
Nimrod from The Enigma Variations by Edward Elgar - BRASS QUINTET
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Classical
#
Edward Elgar
#
Matt Smith
#
Nimrod from The Enigma Variati
#
Matt Smith
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.789766 Composed by Edward Elgar. Arranged by Matt Smith. Romantic Period. ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.789766 Composed by Edward Elgar. Arranged by Matt Smith. Romantic Period. Score and parts. 10 pages. Matt Smith #6134685. Published by Matt Smith (A0.789766). Edward Elgar composed his Variations on an Original Theme for Orchestra (Enigma), Op. 36, commonly referred to as the Enigma Variations, in 1898–99. It is a set of fourteen variations on a hidden theme that is, in Elgar's words, not played. It is Elgar's best-known large-scale composition, for both the music itself and the enigma behind it. Nimrod is the 9th variation from this.Duration: About 3 minutes 30 secondsYouTube demo video: https://www.youtube.com/watch?v=AShsGNErGx8Visit www.mattsmithmusic.co.uk for more!Also available for Trombone Quartet.
$29.99
Entry Of The Gladiators for Brass Quartet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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J
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Diego Marani
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Entry Of The Gladiators for Br
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527600 Composed by J. Fucik. Arranged by Diego Marani. 20th Century,Classi...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.527600 Composed by J. Fucik. Arranged by Diego Marani. 20th Century,Classical,Concert,Instructional,Standards. Score and parts. 17 pages. Diego Marani #3003951. Published by Diego Marani (A0.527600). Entrance of the Gladiators op. 68 or Entry of the Gladiators is a military march composed in 1897 by the Czech composer Julius FucÃk. He originally titled it Grande Marche Chromatique, reflecting the use of chromatic scales throughout the piece, but changed the title based on his personal interest in the Roman Empire.In 1901, American publisher Carl Fischer published a version of this march, arranged for American wind bands by Canadian composer Louis-Philippe Laurendeau, under the title Thunder and Blazes. It was during this period that the song gained lasting popularity as a screamer march for circuses, often used to introduce clowns. Today it is known mainly by this association, even though the title and composer are relatively obscure. The march receives the occasional concert hall performance, such as at the 2007 Last Night of the Proms.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.
$16.90
A Virgin Most Pure (English carol) - brass quintet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Christmas
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Traditional English Carol
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Todd Marchand
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A Virgin Most Pure
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726016 Composed by Traditional English Carol. Arranged by Todd Marchand. C...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.726016 Composed by Traditional English Carol. Arranged by Todd Marchand. Christmas,Sacred. Score and parts. 15 pages. Con Spirito Music #2957889. Published by Con Spirito Music (A0.726016). A Virgin Most Pure is an English traditional carol that appeared in Davies Gilbert's A Collection of Ancient Christmas Carols, with the Tunes to which they were formerly sung in the West of England (London, 1822). The first verse and refrain are as follows:A virgin most pure, as the prophets do tell, / Hath brought forth a baby, as it hath befell; / To be our Redeemer from death, hell, and sin, / Which Adam's transgression had wrapped us in.[Refrain] Aye, and therefore be merry; / Rejoice, and be you merry; / Set sorrow aside; / Christ Jesus our Saviour was born on this tide.The tune is built upon the Mixolydian scale (seventh mode), having the same sequence of tones and semitones as a major scale but with a lowered seventh degree. In this arrangement, the occasional addition of the flat seventh to the tonic chord and its use as a leading tone in some harmonic progressions emphasizes the modal quality of the tune.©Copyright 2013 Todd Marchand / ConSpiritoMusic. Visit www.conspiritomusic.com
$15.00
Four Five - for Brass Quintet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Contemporary
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Ronald F
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Four Five - for Brass Quintet
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R. Schardt
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.941502 Composed by Ronald F. Schardt. Contemporary. Score and parts. 8 pag...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.941502 Composed by Ronald F. Schardt. Contemporary. Score and parts. 8 pages. R. Schardt #3885233. Published by R. Schardt (A0.941502). Four Five is a 5-part piece for brass (quintet: 2 trumpets, trombone, horn, tuba), based on the Pentatonic Scale, but is in 4/4 time. Thus the name. It is short and rather simple, but enjoyable to play and to hear. It is suitable for any occasion.Individual instrument parts can be obtained from the composer at no extra cost. Contact elrons62@gmail.com.
$8.00
William Tell Overture - Brass Quartet (Full Score) - Score Only
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gioachino Rossini
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César Madeira
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William Tell Overture - Brass
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Sheet Music To Play Editions
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SheetMusicPlus
Brass Quartet - Level 4 - Digital Download SKU: A0.1232051 Composed by Gioachino Rossini. Arranged by César Madeira. Chamber,Contest,Festival,Film/TV,...
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Brass Quartet - Level 4 - Digital Download SKU: A0.1232051 Composed by Gioachino Rossini. Arranged by César Madeira. Chamber,Contest,Festival,Film/TV,Multicultural,Romantic Period,World. 12 pages. Sheet Music To Play Editions #827725. Published by Sheet Music To Play Editions (A0.1232051). William Tell Overture by Rossini. Arrangement for Brass Quartet - Bb Trumpet 1, 2, French Horn and Trombone. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$9.99
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