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--INSTRUMENTS--
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BOOKS
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BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
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They Can
Sheetmusicplus
Not classified
1,714
Piano & keyboards
Piano solo
827
Easy Piano
323
Piano, Voice
288
Piano, Vocal and Guitar
139
Organ
74
C Instruments
71
1 Piano, 4 hands
28
2 Pianos, 4 hands
23
Piano Accompaniment
17
Big Note Piano
9
Piano Quartet: piano, violin, viola, cello
6
Organ, Piano (duet)
5
Piano Trio: piano, violin, cello
5
Piano (band part)
3
Piano Quintet: piano, 2 violins, viola, cello
2
Piano Quartet: piano, 2 violins, cello
2
Organ, Trumpet (duet)
2
Accordion
1
+ 13 instrumentations
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Retract
Guitars
Piano, Guitar (duet)
114
Guitar
103
Guitar notes and tablatures
42
Ukulele
18
Melody line, (Lyrics) and Chords
16
Bass guitar
10
Banjo
6
2 Guitars (duet)
6
Dulcimer
5
3 Guitars (trio)
5
4 Guitars (Quartet)
4
Mandolin
3
Guitar (band part)
3
Lyrics and Chords
3
Guitar, Violin, Cello (trio)
2
Guitar Ensemble
1
Baritone Ukulele
1
Mandolin, Guitar (duet)
1
+ 13 instrumentations
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Retract
Voice
Choral SATB
358
Choral 3-part
98
Choral 2-part
82
Choral Unison
67
Soprano voice, Piano
66
Alto voice, Piano
58
Tenor voice, Piano
55
Choral TTBB
40
Choral SSAA
38
Vocal duet
10
Vocal duet, Piano
9
High voice
8
Voice solo
5
Medium voice, Piano
4
Baritone voice, Piano
4
Soprano voice
3
Tenor voice
2
Choral SSAATTBB
2
Choral SSATTB
2
Soli, Mixted choir and accompaniment
1
Low voice
1
+ 16 instrumentations
-
Retract
Woodwind
Oboe, Piano (duet)
238
Clarinet and Piano
210
Flute and Piano
205
Alto Saxophone and Piano
157
Tenor Saxophone and Piano
146
2 Saxophones (duet)
98
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
87
Saxophone Quartet: 4 saxophones
82
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69
Flute
59
Clarinet
50
Oboe (band part)
46
2 Clarinets (duet)
46
Clarinet Quartet: 4 clarinets
45
Saxophone Quintet: 5 Saxophones
45
Flute, Oboe, Clarinet, Bassoon
42
Flute Quartet: 4 flutes
30
Flute Quintet : 5 flutes
30
3 Saxophones (trio)
26
Clarinet Quintet: 5 clarinets
25
Saxophone, Clarinet (duet)
24
Clarinet, Violin (duet)
23
Flute, Oboe, Clarinet (trio)
23
Clarinet Ensemble
23
Descant (Soprano) Recorder
21
Saxophone (band part)
21
Alto Saxophone
20
Flute, Clarinet (duet)
20
3 Clarinets (trio)
19
Flute, Oboe, Bassoon
18
Oboe, Bassoon (duet)
18
Flute, Violin and Violoncello
17
Saxophone ensemble
15
Flute ensemble
15
Clarinet, Trumpet (duet)
14
Soprano Saxophone and Piano
14
2 Oboes (duet)
13
2 Recorders (duet)
13
Flute, Clarinet and Bassoon.
13
Flute, Violin
13
Flute Trio: 3 flutes
13
Oboe, Clarinet (duet)
12
Recorder
12
2 Clarinets, Bassoon
11
Clarinet and Viola
10
Flute, Viola (duet)
10
Tenor Saxophone
10
Flute, Saxophone (duet)
9
Recorder Quartet
9
Flute and Guitar
8
Baritone Saxophone, Piano
8
Flute (band part)
7
Oboe, Flute
7
Oboe, Clarinet, Bassoon (trio)
7
Clarinet (band part)
5
Flute, Violoncello
5
Flute, Trumpet (duet)
5
Flute, Oboe (duet)
5
Clarinet, Bassoon (duet)
5
Clarinet, Cello (duet)
4
Treble (Alto) Recorder
4
Bass Clarinet, Piano
4
Clarinet, Guitar (duet)
4
Descent (Soprano) Recorder, Piano
4
Ocarina
3
Oboe, Cello
3
Oboe
3
Soprano Saxophone
2
Flute, Trombone (duet)
2
Treble (Alto) Recorder, Piano
2
2 English horns and Pianoforte
2
Saxophone
2
2 Flutes, Piano
2
English Horn, Guitar (duet)
2
English Horn
2
Oboe, Violin (duet)
2
English horn, Piano
2
Flute, Basso continuo
2
Clarinet, Cello, Piano (trio)
2
Baritone Saxophone
2
Saxophone, Violin (duet)
2
Oboe ensemble
1
Oboe, Bassoon and Piano
1
Oboe and viola (duet)
1
2 Oboes and Basson
1
Tenor Recorder
1
3 Recorders (trio)
1
Flute and Strings Trio
1
Melodica
1
Flute, Oboe, Piano (trio)
1
5 Recorders
1
Pennywhistle
1
Piccolo
1
2 Clarinets, Piano
1
Oboe, Guitar (duet)
1
Piccolo, Piano
1
Flute and String Quartet
1
Treble (Alto) Recorder, Basso continuo
1
+ 93 instrumentations
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Retract
Woodbrass
Trombone and Piano
183
Trumpet
118
Brass Quintet: 2 trumpets, horn, trombone, tuba
100
Trumpet, Piano
90
Brass quartet : 2 trumpets, trombone, tuba
60
Trumpet ensemble
39
Trombone
33
French Horn and Piano
32
Trombone ensemble
26
Trumpet (band part)
25
2 Trumpets (duet)
23
Brass Quartet: 4 trombones
22
2 Trombones (duet)
19
Trumpet, Saxophone (duet)
18
Trumpet, Trombone (duet)
18
Tuba and Piano
17
French horn
17
Tuba
15
Trombone (band part)
15
Euphonium, Piano (duet)
14
Brass Quartet
10
Brass Quartet: 2 trumpets, horn, trombone
9
2 Tubas (duet)
8
2 French horns (duet)
7
2 Euphoniums and 2 Tubas
5
Brass Quartet: 4 horns
4
2 Euphoniums (duet)
4
French horn (band part)
3
Euphonium
3
Brass Trio
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Brass Quartet: 4 trumpets
2
Trumpet, violin (duet)
2
3 Trumpets (trio)
2
Euphonium, Tuba (duet)
2
Bass Trombone
2
2 English horns and Pianoforte
2
Trumpet, Horn (duert)
2
English Horn, Guitar (duet)
2
English Horn
2
English horn, Piano
2
Trumpet, Cello (duet)
2
Trumpet, Tuba (duet)
1
Tuba (band part)
1
Horn, Cello (duet)
1
Horn Ensemble
1
Bass Clef Instruments
1
3 Trombones (trio)
1
Bass Trombone and Piano
1
Tuba ensemble
1
4 Tubas
1
Trombone, Horn (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
+ 48 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
363
Violin
218
Violin, Cello (duet)
217
Violin and Piano
214
Viola, Piano
187
String Trio: violin, viola, cello
172
Cello, Piano
162
Cello
55
Harp
52
2 Violins (duet)
40
String Quintet: 2 violins, viola, cello, bass
31
Viola
29
Violin, Viola (duet)
28
2 Cellos (duet)
25
2 Violas (duet)
24
2 Harps (duet)
19
Double bass, Piano (duet)
14
Double Bass
14
String Trio: 2 violins, cello
13
Viola (band part)
13
4 Cellos
10
Violin, Guitar (duet)
8
Violin (band part)
8
Flute, Doublebass (duet)
5
Doublebass (band part)
5
String Quintet: 2 violins, 2 violas, cello
5
Viola, Cello (duet)
5
Violin ensemble
4
String Trio: 3 cellos
4
String Trio: 3 violins
3
Cello, Guitar (duet)
3
String Quartet : 4 violas
2
5 Harps
2
Cello, String Bass (duet)
2
String Trio: 2 violins, viola
2
Viola, Guitar (duet)
2
Harp, Violin (duet)
2
Violin, Bassoon (duet)
2
4 Double Basses
2
Viola ensemble
2
Cello (band part)
2
3 Harps
2
String quartet: 4 violins
2
2 Double basses (duet)
1
Viola and Bassoon
1
Violin, Clarinet, Piano (trio)
1
Harp and Piano
1
Piano Trio: Violin, Viola, Piano
1
Harp, Flute (duet)
1
Autoharp
1
+ 45 instrumentations
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523
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196
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124
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69
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48
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47
Chamber Orchestra
33
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25
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20
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18
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17
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16
Xylophone, Piano
5
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
3
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3
Vibraphone
3
Percussion (band part)
2
Piano and Orchestra
1
Xylophone
1
Orchestra, Violin
1
School Ensemble
1
+ 16 instrumentations
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Musical course - Solfege
6
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--INSTRUMENTS--
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SheetMusicPlus
Brass quartet : 2 trumpets, trombone, tuba
Sheetmusic to print
60 sheet music found
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1
26
51
Cantus
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Brass quartet : 2 trumpets, trombone, tuba
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Gary Gazlay
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Cantus
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Imagine Music - Digital
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SheetMusicPlus
Brass Quartet - Digital Download SKU: IZ.CMS193 Composed by Gary Gazlay. Score and Parts. 11 pages. Imagine Music - Digital #CMS193. Published by Imagine...
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Brass Quartet - Digital Download SKU: IZ.CMS193 Composed by Gary Gazlay. Score and Parts. 11 pages. Imagine Music - Digital #CMS193. Published by Imagine Music - Digital (IZ.CMS193). 9 x 12 inches.The composition Cantus was written for brass quartet. The title is Latin for “song and is dedicated to my wife and best friend, Betty. Cantuswas inspired by Psalm 40:3.It is my hope that Cantus will provide musicians with a song that they will enjoy learning to play, and provide other music educators with a teaching tool that can be used to motivate and encourage their students.
$14.00
Were You There (When They Crucified My Lord) (for Brass Quintet)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gospel/Spiritual
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African American Spiritual
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Kenneth Abeling
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Were You There
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.514584 Composed by African American Spiritual. Arranged by Kenneth Abeling...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.514584 Composed by African American Spiritual. Arranged by Kenneth Abeling. Easter,Sacred. Score and parts. 16 pages. LINCOLN MUSIC PUBLICATIONS #3444997. Published by LINCOLN MUSIC PUBLICATIONS (A0.514584). Were You There (When They Crucified My Lord) arranged for Brass Quintet. This is a contemporary arrangement of timeless African American Spiritual. It is an Intermediate Advanced to easier advanced arrangement and is appropriate for all contemporary religious services, many traditional services and of course general performance. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 3:40 Â Preview this score on YouTube: https://www.youtube.com/watch?v=i0wK_S0mCAoÂ
$14.99
Sagebrush Blues
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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James C
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Sagebrush Blues
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Jim Ivy
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.981673 Composed by James C. Ivy. Blues,Jazz,R & B,Rock. Score and parts. 2...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.981673 Composed by James C. Ivy. Blues,Jazz,R & B,Rock. Score and parts. 24 pages. Jim Ivy #6457627. Published by Jim Ivy (A0.981673). A funky blues blast from the past! Grab you fedora and shades and get ready for a Blues Brothers groove straight from the '80s. Arranged for brass quintet. It begins with a funky blues riff that soon leads to the 'bone and horn playing a lead line that sets up the tuba solo. There are written blues solos for both trumpets, or they can ad-lib their own version if they prefer. This is a perfect crowd pleaser when you want a little fun for your audience. .
$18.99
We Are Young
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Fun
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Emily Mitchell
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We Are Young
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Emily Mitchell Brass Arrangements
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1129878 By Fun. Featuring Janelle Monae. By Andrew Dost, Jack Antonoff, Je...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1129878 By Fun. Featuring Janelle Monae. By Andrew Dost, Jack Antonoff, Jeff Bhasker, and Nate Ruess. Arranged by Emily Mitchell. Pop,Rock,Wedding. Score and parts. 20 pages. Emily Mitchell Brass Arrangements #730285. Published by Emily Mitchell Brass Arrangements (A0.1129878). Arranged for Brass Ensemble with drum kit (Difficulty: Grades 1-4). Emily Mitchell is a professional trumpet player with over 10 years of arranging and teaching experience. Her arrangements are designed to make every level of ensemble sound the best that they can, and will often include advanced parts for teachers within the ensemble to unlock repertoire which would otherwise be inaccessible.
$14.99
Come On Eileen
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Contemporary
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Dexys Midnight Runners
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Tim Olt
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Come On Eileen
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Olt Music
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.759068 By Dexys Midnight Runners. By James Patterson, Kevin Adams, and Kev...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.759068 By Dexys Midnight Runners. By James Patterson, Kevin Adams, and Kevin Rowland. Arranged by Tim Olt. Contemporary. Score and parts. 28 pages. Olt Music #3894333. Published by Olt Music (A0.759068). Whenever someone thinks of the music of the 80s they can't help but remember this classic. This arrangement is fun for the group and audience alike.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporar...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contempo...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporar...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00
Let The Lower Lights Be Burning (BQ)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Philip P
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Joseph Pugh
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Let The Lower Lights Be Burnin
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Joseph Pugh
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855268 Composed by Philip P. Bliss(1838-1876). Arranged by Joseph Pugh. Ch...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.855268 Composed by Philip P. Bliss(1838-1876). Arranged by Joseph Pugh. Christian,Contemporary,Sacred,Standards. Score and parts. 7 pages. Joseph Pugh #6519003. Published by Joseph Pugh (A0.855268). This is an arrangement of the Hymn my Mother told about as our Church Choir rehearsed, years ago.  At the mouth of Cleveland harbor, there were two lights, one at each side of the bay, called the upper and lower lights; and to enter the harbor safely by night, vessels must sight both of the lights. A ship can try to make for the harbor, but they may crash against the rocks if they don't see the lights upon the shore. Very few escape. The great majority find a watery grave. Why? Simply because the lower lights going out. Now, with us the upper lights are all right. Christ Himself is the upper light, and we are the lower lights, and the cry to us is, keep the lower lights burning; that is what we have to do. He will lead us safe to the sunlit shore of Canaan, where there is no more night._ D.L. Moody.
$9.99
(ghost) Riders In The Sky (a Cowboy Legend)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Contemporary
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Johnny Cash
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Arthur Jesse & Peet du Toit
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(ghost) Riders In The Sky
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du T...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du Toit. Contemporary. Score and parts. 9 pages. Peet du Toit #6023995. Published by Peet du Toit (A0.802616). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. The story has been linked with old European myths of the Wild Hunt, in which a supernatural group of hunters passes the narrator in wild pursuit.Stan Jones stated that he had been told the story when he was 12 years old by an old Native American who resided north-east of the Douglas, Arizona border town, a few miles behind D Hill, north of Agua Prieta, Sonora. The Native Americans, possibly Apache, who lived within Cochise County, believed that when souls vacate their physical bodies, they reside as spirits in the sky, resembling ghost riders. He related this story to Wayne Hester, a boyhood friend (later owner of the Douglas Cable Company). As both boys were looking at the clouds, Stan shared what the old Native American had told him, looking in amazement as the cloudy shapes were identified as the ghost riders that years later, would be transposed into lyrics. The melody is based on the song When Johnny Comes Marching Home.
$15.00
Machaut: La Messe de Nostre Dame for Brass Quartet - Score Only
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Guillaume de Machaut, 1300-137
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James M
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2 Trombones 1
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Cont...
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Brass Quartet - Level 2 - Digital Download SKU: A0.1257202 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #850533. Published by jmsgu3 (A0.1257202). INSTRUMENTATION: Cornet, French Horn & 2 Trombones 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Â Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. Â The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Â Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
Machaut: Le Messe de Nostre Dame for 2 Horns & 2 Trombones - Score Only
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Guillaume de Machaut, 1300-137
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James M
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Machaut: Le Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Ear...
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Brass Quartet - Level 2 - Digital Download SKU: A0.1258043 Composed by Guillaume de Machaut, 1300-1377. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 38 pages. Jmsgu3 #851281. Published by jmsgu3 (A0.1258043). 1. Kyrie2. Gloria3. Credo4. Sanctus5. Agnus dei6. Ite missa estGuillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon, a permanent clergy member. According to a rubric found at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Guillaume de Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are quite lengthy, and therefore Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, both ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for the sake of uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. The Gloria and Credo have no apparent chant basis, although they are stylistically related to one another. The mass is a unified mass, meaning that the composer selected relevant chants for each section as the borrowed tenor. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was an important part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval music and of all religious music.
$49.95
Brass Quintet - Three Pastoral Sketches
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Contemporary
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Mike Lyons
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Brass Quintet - Three Pastoral
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Ly...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.767578 Composed by Mike Lyons. Contemporary. Score and parts. 81 pages. Lyons Music Services #6422239. Published by Lyons Music Services (A0.767578). These three pieces form a small suite, linked by the idea of ‘pastoral’ or rustic situations and places. The first piece to be written now forms the middle movement, though at first it was the starting point. This is not easy music. It travels through several keys with large numbers of sharps and flats and in places the time signature shifts constantly. The first movement is modal, being based on the mixolydian and dorian modes. I took for this movement the idea of ancient Celts celebrating a victory and dancing and getting drunk around a smoky fire. Their chieftain strikes up a song, accompanied by a double drone. This melody is initially stated on the horn, with just two other instruments providing the accompaniment. At 4 before B, the remaining instruments join in, providing a rhythmic pulse and the melody moves to the Euphonium/Baritone/Trombone. Subtle variations shape the melody anew, leading to letter C. Here the complex overlapping rhythms provide a more dance-like feel to the music. Also, countermelodies start to appear which build the excitement. At letter E, the music becomes louder and the rhythmic pulse more insistent (perhaps they are dancing on the tables?) The mode changes to the more major sounding mixolydian. But from here on in, the revellers are starting to wend their way home, still singing and dancing and they gradually fade into the distance. At letter G, we’re back to three players, but with the trumpet 1 playing a rhythmic melody over the top of the original tune. The second movement is called The Aesthetes. The aesthetic movement was formed in the 19th century, but had been around before that in less formal garb. Their ideal was to emulate the Ancient Greeks and Romans – or at least their perception of what the ancients were like as found in statues, paintings and friezes. They adopted studied poses and were very effete in their mannerisms. Gilbert and Sullivan parodied the aesthetic movement in their operettas – particularly Princess Ida (but also in the Mikado and various others). So, here is a movement with classical lines in the style of a minuet, but in 6/8 rather than ¾ so that it can be more languid. All the melodies are ‘studied’ and ‘formal’ with long, languid notes and rhythms which don’t quite fit to the beat as the aesthetes pose and ponder and languidly look, studied and pale and wan. Because of the long notes in the melody, there’s an almost dream-like quality to the music as if they are seeing through a haze of Wormwood or Absinthe (a favourite drink of the aesthetes when they weren’t high on themselves or opiates). The third and final movement is called The Bohemians. This was also a movement at the end of the 19th Century. Where the aesthetes were ruled by rules, the Bohemians lived by none. They were considered wild and unconventional to say the least. The Bohemians movement owed much to the supposed free life and style of the gypsies and wanderers of Europe. Our piece starts with a gypsy violin style opening, including a cadenza, and then moves into the rapidly time shifting and gyrating gypsy dance. This section is in alternating bars of 5/8 and 6/8 with occasional 11/8 thrown in to keep you off balance. The frantic and frenetic movement continues up to letter F where things calm down a little – but not for long as the intensity increases again from Letter H to the quite sudden ending. This is tuneful yet challenging music which will take a lot of effort, but which will give a lot back in return.
$28.00
16 Favourite Easter Hymns for Brass Quartet, two Trumpets, Trombone and Tuba.
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Sacred music
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.587860 Composed by Various. Arranged by David McKeown. Christian,Easter,Praise ...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.587860 Composed by Various. Arranged by David McKeown. Christian,Easter,Praise & Worship,Sacred. Score and parts. 64 pages. David McKeown #5031035. Published by David McKeown (A0.587860). 16 Favourite Easter Hymns for Brass Quartet is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for two Trumpets, Trombone and Tuba. Separate parts are included with the score in one single pdf file. You can watch and listen to two of these hymns (the Saxophone Quartet version), via the youtube link above. 16 Favourite Easter Hymns for Brass Quartet are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Brass Quartet useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99
Sweet Caroline
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Film/TV
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Neil Diamond
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Paul Kirk
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Sweet Caroline
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Paul Stephen Kirk
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.945713 By Neil Diamond. By Neil Diamond. Arranged by Paul Kirk. Film/TV. S...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.945713 By Neil Diamond. By Neil Diamond. Arranged by Paul Kirk. Film/TV. Score and parts. 25 pages. Paul Stephen Kirk #6104461. Published by Paul Stephen Kirk (A0.945713). With Flexible Brass, anybody can play any part they wish! If you want to have a quartet of Trombones who read a mixture of Bass clef and Treble clef... You can!
$14.99
You're Never Fully Dressed Without A Smile
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Broadway
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Charles Strouse
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Peet du Toit
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You're Never Fully Dressed Wit
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802539 Composed by Charles Strouse. Arranged by Peet du Toit. Broadway. Sc...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802539 Composed by Charles Strouse. Arranged by Peet du Toit. Broadway. Score and parts. 8 pages. Peet du Toit #5770965. Published by Peet du Toit (A0.802539). The musical Annie was filmed in New York City in 2014 and shows the cast as they spread cheer to the citizens of NYC by dancing, performing random acts of kindness and holding signs with the word smile written on them. This song did exceptionally well on Polish charts. An early intermediate quintet can really do well with this one and can make your crowds SMILE. Enjoy!
$13.00
Silent Night (Bb) (Brass Octet - 3 Trp, 2 Hrn, 2 Trb, 1 Tuba)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813980 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christm...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813980 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636611. Published by Regis Bookshar (A0.813980). Brass Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Octet, consisting of 3 Trumpets, 2 French Horns, 2 Trombones and 1 Tuba, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Silent Night (Bb) (Brass Octet - 4 Trp, 1 Hrn, 2 Trb, 1 Tuba)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813983 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christm...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813983 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 11 pages. Regis Bookshar #6636615. Published by Regis Bookshar (A0.813983). Brass Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (11 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Octet, consisting of 4 Trumpets, 1 French Horn, 2 Trombones and 1 Tuba, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00
Silent Night (Bb) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813961 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christm...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813961 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 7 pages. Regis Bookshar #6632967. Published by Regis Bookshar (A0.813961). Brass Quintet Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Brass Quinet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
The 12 Days of Christmas - brass ensemble
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Brass quartet : 2 trumpets, trombone, tuba
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ADVANCED
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Christmas
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Traditional
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Austin Ralphson
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The 12 Days of Christmas - bra
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Austin Ralphson
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.562950 Composed by Traditional. Arranged by Austin Ralphson. Christmas. Sc...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.562950 Composed by Traditional. Arranged by Austin Ralphson. Christmas. Score and parts. 42 pages. Austin Ralphson #432273. Published by Austin Ralphson (A0.562950). This is a unique arrangement of The 12 Days of Christmas. Each instrument features in the piece - it can be very amusing for anyone playing a solo to stand up whilst they do so - you end up with various players bobbing up and down throughout the performance! It is scored for 4 trumpets, horn, 2 trombones, tuba and keyboard/piano.** Also check out the mega Christmas bundle with great savings on price at https://preview.tinyurl.com/ya3zul8p **
$6.99
Prelude 17 from Well-Tempered Clavier, Book 1 (Brass Quartet)
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Brass quartet : 2 trumpets, trombone, tuba
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Classical
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Johann Sebastian Bach
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Richard Byrnes
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Prelude 17 from Well-Tempered
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Richard Byrnes
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Digital Download SKU: A0.830035 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score and ...
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Brass Ensemble Trombone,Trumpet,Tuba - Digital Download SKU: A0.830035 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score and parts. 9 pages. Richard Byrnes #2877739. Published by Richard Byrnes (A0.830035). The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. These pieces often use ornaments. The recording will demonstrate to you how they should sound.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$19.99
Prelude 22 from Well-Tempered Clavier, Book 1 (Brass Octet)
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Brass quartet : 2 trumpets, trombone, tuba
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Classical
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Johann Sebastian Bach
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Richard Byrnes
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Prelude 22 from Well-Tempered
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Richard Byrnes
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.830179 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.830179 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. Score and parts. 11 pages. Richard Byrnes #2918211. Published by Richard Byrnes (A0.830179). The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. These pieces often use ornaments. The recording will demonstrate to you how they should sound.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
$19.99
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