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All Over Again
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All Over Again
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
13 sheet music found
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1
Now Thank We All Our God (Nun Danket), for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Johann Cruger
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Nigel Williams
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Now Thank We All Our God
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Nigel Williams
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.763332 Composed by Johann Cruger. Arranged by Nigel Williams. Holiday,Multicultural,Sacre...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.763332 Composed by Johann Cruger. Arranged by Nigel Williams. Holiday,Multicultural,Sacred,World. 11 pages. Nigel Williams #4800764. Published by Nigel Williams (A0.763332). This great Chorale melody Nun Danket Alle Gott is arranged for Brass Quintet in the key of E flat major in the Renaissance style of Monteverdi. After an eight bar introduction with rising trumpet eighth notes, the chorale is stated in block chords by the horn, trombone and tuba with the two trumpets repeating the phrases. The five instruments come together at the point where the chorale modulates to B flat Major/G minor, and again at the conclusion with the two trumpets repeating their eighth note running passages. This festive style arrangement is ideal for both church and college at any time during the year, and especially during Thanksgiving. The performance duration is over two minutes and the full score has five individual parts attached.
$11.99
Bach: Wachet auf for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Qui
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jmsgu3
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages...
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Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95
Against the Current
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Blue Apollo Music
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Against the Current
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George Henry Williams III
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1270625 Composed by Blue Apollo Music. 20th Century,21st Century,Chamber,Cl...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1270625 Composed by Blue Apollo Music. 20th Century,21st Century,Chamber,Classical,New Age. 28 pages. George Henry Williams III #862998. Published by George Henry Williams III (A0.1270625). The song begins with a steady rhythm, mimicking the waves of the ocean. The melody flows with the waves, mimicking the sway of the ship. The Brass Quintet creates a powerful and dramatic sound that matches the intensity of the situation. The climax of the song is marked by a triumphant horn and trumpet, signifying the ship's eventual victory over the current. Overall, the instrumental piece is a beautiful and emotional tribute to the perseverance of sailors facing difficult challenges on the open sea.
$10.99
Stille Trilogie
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Various
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Helmut Kogler
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Stille Trilogie
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Pentharmonics
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1252444 Composed by Various. Arranged by Helmut Kogler. 19th Century,Advent...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1252444 Composed by Various. Arranged by Helmut Kogler. 19th Century,Advent,Christian,Christmas,Traditional. 20 pages. Pentharmonics #846416. Published by Pentharmonics (A0.1252444). Christmas Carols - Grade 3 - Total duration 8:10 min.The Silent Trilogy is a compilation of three traditional European Advent and Christmas carols arranged for various quintet ensembles (brass-, saxophone- and horn-quintet) and finally also for wind band. The trilogy consists of the songs Alle Jahre wieder, Es wird scho 'glei' dumpa and Stille Nacht. The colorful arrangements represent harmonic variations around the ever-present melody of the original songs.Alle Jahre wieder (Every year again, Audio-Demo from the beginning) is a well-known Christmas carol from the German-speaking area. The melody comes from Friedrich Silcher, the text was written by Wilhelm Hey in 1837.Es wird scho 'glei' dumpa (It will be dark soon, Audio-Demo from minute 2:15) is an Austrian nativity scene song based on the melody of a traditional Marian song. The text was written by Anton Reidinger in relation to a historical nativity play in Bad Ischl and published around 1884.Stille Nacht (Silent Night, Audio-Demo from minute 4:55) is one of the most famous Christmas carols. It was performed for the first time on December 24, 1818 with the melody by Franz Xaver Gruber and the text by Joseph Mohr in Salzburg. Since then, the song has been translated into countless languages and sung all over the world.The PDF contains the score and all parts. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the arranger: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com
$24.99
Toot, Toot, Tootsie!
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gus Kahn, Ernie Erdman and Dan
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Le...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
''Risen from Ruins'' - "Auferstanden aus Ruinen"
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Haans Eisler
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Keith Terrett
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''Risen from Ruins'' - "Aufers
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Keith Terrett
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eisler. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Tradi...
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Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eisler. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Traditional,World. 10 pages. Keith Terrett #758783. Published by Keith Terrett (A0.1158495). The former East German National Anthem arranged for Brass Quintet. In 1949, the Soviet occupation zone of Allied-occupied Germany became a socialist state under the name of the German Democratic Republic (GDR). For the nascent state's national anthem, the poet Johannes Becher, who later became the East German Minister of Culture, wrote the lyrics. Two musicians, Ottmar Gerster and Hanns Eisler, proposed music to Becher's lyrics, and Eisler's version was selected. History Written in 1949, the East German national anthem reflects the early stages of German separation, in which continuing progress towards reunification of the occupation zones was seen by most Germans as appropriate and natural. Consequently, Becher's lyrics develop several connotations of unity and combine them with fatherland (einig Vaterland), meaning Germany as a whole. However, this concept soon would not conform to an increasingly icy Cold War context, especially after the Berlin Wall had been erected in 1961 by the East German government.[1] In September 1973, East and West Germany were admitted to the United Nations simultaneously, following talks between the two governments that conferred a degree of mutual recognition. The term Germany was later removed from the East German constitution, and only the national anthem's tune was played on official occasions. No new lyrics were ever written to replace Becher's, which continued to be used unofficially, especially after die Wende in late 1989: once it became clear that the countries were actually moving towards reunification, East German television Deutscher Fernsehfunk reinstated the work and signed off every night with a joyous symphonic rendition of the vocal arrangement, with accompanying picturesque footage of East Germany's main tourist attractions. Auferstanden aus Ruinen ceased to be a national anthem when the German Democratic Republic dissolved and its states joined the Federal Republic of Germany as a result of German reunification in 1990. Deutschlandlied, composed in 1841, became the national anthem of a united Germany again. East German Premier Lothar de Maizière had proposed that Becher's lyrics be added to the united German national anthem, but this was rejected by his West German counterpart, chancellor Helmut Kohl. At the end of its last broadcast on 2 October 1990, the East German international radio broadcaster Radio Berlin International signed off with a vocal version of the East German national anthem. In November 1995, Auferstanden aus Ruinen was played again when German President Roman Herzog visited Brazil. This was the first event at which the anthem had been played since the German reunification.
$7.99
Airpower! (for Brass Quintet & Optional Percussion)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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Airpower!
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158198 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical. 28 pages. Http...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158198 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical. 28 pages. Https://gildedmusicpress.com/ #758475. Published by https://gildedmusicpress.com/ (A0.1158198). An extremely artistic and challenging composition, fit to feature on any concert, both for the general public and academic circles, Airpower! is cleverly titled to honor MSgt Alex Serwatowski, an Air Force tuba player, upon his retirement. Overall, “Airpower!†is light-hearted with a comedic but dignified feel, intended to be happy and celebratory. There are moments of a more serious nature, such as the transitions in measures 19-22 and 74-77, and a slower contemplative section (51-68) with a particularly dramatic moment in measures 55-56, where the listener wants to rise up with honor and respect. There is a healthy spectrum of emotions in this work. One remarkable feature of this composition is that it does not end in the same key in which it starts. In fact, it ends in D major, a tritone away from its opening key of A-flat major—as distantly related as two keys can be. Throughout the entire piece, the harmonic rhythm is intense, primarily exploring chromatic mediants and relative keys, wandering from A-flat to C to F to D minor and then several rapid tonicizations leading to G major, then to E minor to E major to G, E-flat, C minor, C major, A minor, tonicizations again, finally ending in D major. Although it is highly unified thematically (with essentially one theme that varies and develops, symbolically), this unique harmonic feature symbolizes the change that a person undergoes through a 23-year career. “Airpower!†is about 4’30†in duration, which is a fairly substantial single-movement work for brass quintet. The tempo never varies through the entire work, though with rhythmic augmentation and mutation the effect of tempo changes is present. The technical demands are difficult for all the players. This piece works the tuba into the melody and technical passages as much as any other player.
$24.95
Kids in the Corner
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Matthew Nunes
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Kids in the Corner
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1263847 Composed by Matthew Nunes. Chamber,Classical,Hip-Hop,Pop,R & B,Rock...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1263847 Composed by Matthew Nunes. Chamber,Classical,Hip-Hop,Pop,R & B,Rock. 107 pages. Matthew Nunes Music #856760. Published by Matthew Nunes Music (A0.1263847). Listen to this piece hereKids in the Corner is a piece especially composed for Thomas Smith, a family friend and former trumpeter, as a personal thank you for his generous donation to my “ Get Matt to Maryland†Rally via rally.org.With this work I aimed to explore some dance styles that don’t tend to be invited to other suites. I wanted to challenge myself with these various styles while infusing the quirkiness of Thomas into the heart of the piece.I. HipThis summer I was able to pass through New York City on my way to a graduate school audition. On the train ride there I ended up next to a kid who was grooving to music I could hear snippets of through his headphones. This movement reflects characteristics of the sounds I heard on my way into the city.II. One for the lovebirds…It’s time to cuddle up next to your partner and take a trip down memory lane. This movement is an ode to the slow songs one may have experienced from a dance in the 1950’s.III. SwungFor quite some time I have been intrigued with early instrumental dances and this movement explores their defining characteristics while hinting at this work’s overall structure.IV. Posh, Prim, and ProperThis axiomatic propinquity of the Minuet and Trio is a coruscating combination of tonal and temporal creation. A suite as brilliant as this is but an inchoate one without homage to music’s finest moment. It is propitious that I elucidated an exposition featuring a Bach cello suite with motives from the Brahms Requiem in fugal counterpoint set against themes by Mahler.V. JigA trumpet player I was performing with was warming up before a concert and cascading a peculiar series of long tones in to the hall. After he finished I approached him and asked him what he was playing. What he revealed to me was hilarious and this movement is homage to that occurrence.- Matthew NunesWindsor, December 2014.
$24.99
Excerpts from The Nutcracker for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Classical
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Pytor Ilych Tchaikovsky
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James Haynor
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Excerpts from The Nutcracker f
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Gordon Cherry
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.811266 Composed by Pytor Ilych Tchaikovsky. Arranged by James Haynor. Romantic Period. 46 pages. Gordon Cherry #671587...
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Level 5 - Digital Download SKU: A0.811266 Composed by Pytor Ilych Tchaikovsky. Arranged by James Haynor. Romantic Period. 46 pages. Gordon Cherry #6715877. Published by Gordon Cherry (A0.811266). Tchaikovsky's Nutcracker is the most performed ballet by far of any other work and its melodies are universally loved. There is no other work that captures the imagination and turns us all into children again.James Haynor has done a great job with his arrangement A Night at the Ballet - Excerpts from The Nutcracker1. Overture, 2. March, 3. Dance of the Sugar Plum Fairy, 4. Trepak, 5. Arabian Dance, 6. Chinese Dance, 7. Dance of the Reed Flutes, and 8. The Waltz of the Flowers as the grand finale to conclude this wonderful arrangement.Instrumentation is for 2 Trumpets in B-flat, Horn, Trombone, and Tuba.
$47.50
Brighten The Corner Where You Are
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Folkloric/Traditional
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Ina D
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Dana F
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Brighten The Corner Where You
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quintet - Grade 3 - Digital Download SKU: DX.145533 Composed by Ina D. Ogden. Arranged by Dana F. Everson. Traditional. Key of Eb, Ab. Sacred Instr...
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Brass Quintet - Grade 3 - Digital Download SKU: DX.145533 Composed by Ina D. Ogden. Arranged by Dana F. Everson. Traditional. Key of Eb, Ab. Sacred Instrumental Music. Score and Parts. 12 pages. David E. Smith - Digital Sheet Music #145533. Published by David E. Smith - Digital Sheet Music (DX.145533). A standard brass quintet with optional trumpet for horn. As one might expect the piece is cheerful from beginning to end. After a bright intro, the trumpet carry the tune until handed over to the middle voices with flourishes in the trumpets. After a transition that leads upward to an exciting climax. The piece abruptly shits to a quiet and expressive section lead by the trombone on the theme where it all builds to another zenith and once again abruptly goes quiet. A modulation and meter shift and the piece becomes countrapuntally gentle.. A meter shift back to the beginning and an exuberant building to a joyous conclusion.
$12.00
The Carioca
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Film/TV
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Caetano Velosa
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Peet du Toit
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The Carioca
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1410576 By Caetano Velosa. By Edward Eiscu, Gus Kahn, and Vincent Youmens. ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1410576 By Caetano Velosa. By Edward Eiscu, Gus Kahn, and Vincent Youmens. Arranged by Peet du Toit. Folk,Pop. 9 pages. Peet du Toit #992996. Published by Peet du Toit (A0.1410576). (The) Carioca is a 1933 popular song with music by Vincent Youmans and lyrics by Edward Eliscu and Gus Kahn, as well as the name of the dance choreographed to it for the 1933 film Flying Down to Rio. It was sung in the film by Alice Gentle, Movita Castaneda and Etta Moten and danced by Fred Astaire and Ginger Rogers as part of an extended production dance number illustrating the ballroom dance. The dance, which was choreographed by the film's dance director, Dave Gould, assisted by Hermes Pan, was based on an earlier stage dance with the same name by Fanchon and Marco.The word Carioca refers to inhabitants of Rio de Janeiro.Astaire and Roger's short dance has historical significance, as it was their first screen dance together. Though billed fourth and fifth, many felt they stole the film, which became a big hit for RKO. The song was nominated for the Academy Award for Best Original Song at the 7th Academy Awards, but lost to an even bigger Astaire and Rogers production number, The Continental from The Gay Divorcee (1934), their next film together and their first starring vehicle. They were billed by RKO as The King and Queen of 'The Carioca.'While the song has become a jazz standard, the dance did not have longevity. Following the success of Flying Down to Rio, an attempt was made to propagate it as a new ballroom dance, without much success. It was a mixture of samba, maxixe, foxtrot and rhumba. The distinctive feature of the dance â?? at least as portrayed in the movie â?? was that it was to be danced with the partners' foreheads touching.A French cover of the song was introduced in the comedy movie La Cité de la Peur (1994) along with a dance, also meant in a humoristic way. Both the song and the dance appear in the film that takes place in Cannes during the Cannes film festival in France, and have become a reference for a whole generation in France. 25 years later, in May 2019, the Carioca scene of the movie was celebrated in Cannes with a flashmob dance and by the actors themselves who danced again the mythic scene included in La Cité de la Peur.
$15.00
Iko Iko
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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The Dixie Cups
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Will Corbin
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Iko Iko
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461185 By The Dixie Cups. By Barbara Ann Hawkins, Joan Marie Johnson, and ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1461185 By The Dixie Cups. By Barbara Ann Hawkins, Joan Marie Johnson, and Rosa Lee Hawkins. Arranged by Will Corbin. Jazz,Pop. 24 pages. Will Corbin #1040044. Published by Will Corbin (A0.1461185). This song has roots in a Mardi Gras chant that ostensibly came from some unspecified Native American language. James Sugar Boy Crawford turned it into a song, and his band, Sugar Boy and his Cane Cutters (southern Louisiana had a lot of that) recorded it in 1953 as Jock-a-Mo, which may mean kiss my ass or a defiant response to that effect. It was recorded again, as kind of a whim, in 1964 by the girl trio The Dixie Cups, who made it a hit. It has since been endlessly covered by everyone from Cyndi Lauper to The Grateful Dead.This arrangement is essentially solo variations on the main melody backed by horn rhythms. If you want to make it go on endlessly, it's a simple three-chord tune (actually, mostly two chords) that lends itself to simple improv. It's arranged for two trumpets, horn, trombone and tuba.If you require alternative instrumentation, I'm happy to help. Contact me at wilcor@aol.com.
$15.00
Lighthouse Suite
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Daniel Baldwin
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Lighthouse Suite
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Imagine Music - Digital
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SheetMusicPlus
Composed by Daniel Baldwin. Score and parts. 89 pages. Published by Imagine Music - Digital (IZ.IMS1511). - score and parts - - Imagine Music - Digital...
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Composed by Daniel Baldwin. Score and parts. 89 pages. Published by Imagine Music - Digital (IZ.IMS1511). - score and parts - - Imagine Music - Digital
In the spring of 2010, my minister put me in touch with his nephew, the trombonist of the Gaudete Brass Quintet of Chicago. A brief conversation resulted in a commission for an expansive four movement work written over the course of three years. Lighthouses have always been a fascination of mine; all of the things they must see! The piece begins with a call to the high seas. In this you will hear the introduction of the lighthouse dynamic, a large dynamic sweep, representing the lighthouse light swinging by and out of sight again. The second movement depicts adventures on the open sea. In the third movement, darkness falls. The finale represents daybreak and the excitement of the new day. A dramatic moment leads to a heroic moment, followed by a moment of silence for those who have fallen (the second theme of the fourth movement is presented in the style of taps). A return of the call to the high seas leads to an energetic conclusion. Lighthouse Suite is dedicated to the Gaudete Brass Quintet who premiered the piece in the fall of 2014.
$24.00
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