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Alla Marcia
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
6 sheet music found
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1
Rachmaninoff: Prelude in G minor (Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Sergei Rachmaninoff
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Patti Rudisill
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Rachmaninoff: Prelude in G min
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Patti Rudisill
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.744665 Composed by Sergei Rachmaninoff. Arranged by Patti Rudisill. 20th Century,Concert,Romantic Per...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.744665 Composed by Sergei Rachmaninoff. Arranged by Patti Rudisill. 20th Century,Concert,Romantic Period. Score and parts. 23 pages. Patti Rudisill #4349059. Published by Patti Rudisill (A0.744665). This is a brass quintet arrangement of Sergei Rachmaninoff's Prelude in G minor (op. 23 no. 5, Alla Marcia) originally written for piano. The arrangement is transposed to C minor to better suit the ensemble type. For advanced level players.Download contains score and parts. Written for 2 Trumpets in Bb, Horn in F, Tenor Trombone, and Tuba.Listen to a FULL PERFORMANCE here: https://www.youtube.com/watch?v=35uiKxn8IxU
$14.99
Suite for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Contemporary
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Thomas Joseph
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Suite for Brass Quintet
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.792529 Composed by Thomas Joseph. 20th Century,Contemporary. Score and parts. 31 pages. Gordon Cherry...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792529 Composed by Thomas Joseph. 20th Century,Contemporary. Score and parts. 31 pages. Gordon Cherry #5008339. Published by Gordon Cherry (A0.792529). Suite for Brass Quintet by American composer Thomas Joseph is a three movement work loosely inspired by both Holst's First Suite for Military Band and Robert Jager's Third Suite. The first movement, Alla Marcia is a bombastic march with a folk-like vibe. Boisterous gestures are juxtaposed with moments of agility. Even the tuba is featured in the fray. The Adagio introduces an expressive theme emanating from the tuba. This theme becomes the cohesive framework of the movement and is passed around nearly throughout. The atmosphere around it changes drastically as the opening moves from a sweet cantabile to bright, frenzied and celebratory. Lastly, the movement retreats to a reverent quality. The finale Allegro con Spirito is quite frivolous being comprised mostly of humorous gestures and rhythmic focus. This 7-minute work is appropriate for advanced performers.
$27.50
Il Canto degli Italiani - Inno di Mameli
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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BEGINNER
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Alessandro Macrì
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Alessandro Macrì
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Il Canto degli Italiani - Inno
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Music Macri Editions
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1389750 By Alessandro Macrì. By G. Mameli and M. Novaro. Arranged by Ale...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1389750 By Alessandro Macrì. By G. Mameli and M. Novaro. Arranged by Alessandro Macrì. Film/TV,Historic,March,Patriotic. 11 pages. Music Macri Editions #973346. Published by Music Macri Editions (A0.1389750). Il Canto degli Italiani, conosciuto anche come Fratelli d'Italia, Inno di Mameli, Canto nazionale o Inno d'Italia, è un canto risorgimentale scritto da Goffredo Mameli e musicato da Michele Novaro nel 1847, inno nazionale della Repubblica Italiana. Il testo si compone di sei strofe e un ritornello, che si alterna alle stesse; l'inno è musicato in tempo di 4/4 nella tonalità di si bemolle maggiore. La sesta strofa riprende, con poche variazioni, il testo della prima.Il canto fu molto popolare durante il Risorgimento e nei decenni seguenti, sebbene dopo l'unità d'Italia (1861) come inno del Regno d'Italia fosse stata scelta la Marcia reale, brano ufficiale di Casa Savoia. Il Canto degli Italiani era infatti considerato inadatto alla situazione politica dell'epoca: Fratelli d'Italia, di chiara connotazione repubblicana e giacobina, mal si conciliava con l'esito del Risorgimento, che fu di stampo monarchico.Dopo la seconda guerra mondiale l'Italia diventò una repubblica e il Canto degli Italiani fu scelto, il 12 ottobre 1946, come inno nazionale provvisorio, ruolo che ha conservato anche in seguito rimanendo inno de facto della Repubblica Italiana. Nei decenni si sono susseguite varie iniziative parlamentari per renderlo inno nazionale ufficiale, fino a giungere alla legge nº 181 del 4 dicembre 2017, che ha dato al Canto degli Italiani lo status di inno nazionale de iure.
$9.00
Turkish March by Beethoven for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Classical
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Classical
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Ludwig van Beethoven
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Ander
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Turkish March by Beethoven for
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Woods Only, Arrangements
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SheetMusicPlus
Brass Quintet - Level 3 - Digital Download SKU: A0.1243611 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Perio...
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Brass Quintet - Level 3 - Digital Download SKU: A0.1243611 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #838578. Published by Woods Only, Arrangements (A0.1243611). This arrangement adapted for brass quintet was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions.Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.
$9.99
Drunken Sailor
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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BEGINNER
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Traditional
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Alessandro Macrì
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Drunken Sailor
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Music Macri Editions
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1226165 Composed by Traditional. Arranged by Alessandro Macrì. Broadway,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1226165 Composed by Traditional. Arranged by Alessandro Macrì. Broadway,Celtic,Classical,Film/TV,Irish,Musical/Show,Traditional. 11 pages. Music Macri Editions #822193. Published by Music Macri Editions (A0.1226165). Drunken Sailor (letteralmente: Marinaio ubriaco) è un canto marinaresco, conosciuto anche come What Shall We Do with a/the Drunken Sailor? (letteralmente: Cosa faremo con un/il marinaio ubriaco?).Questo canto di lavoro nacque per accompagnare certi lavori a bordo di velieri, specialmente quelli che richiedevano un passo svelto e vivace. Si pensa che il canto risalga ai primi del XIX secolo o anche prima, in un periodo nel quale le ciurme delle barche, specialmente quelle dei vascelli militari, erano sufficientemente numerose da poter tirare una corda semplicemente marciando lungo il ponte. Con l'avvento delle navi postali e i clipper e le loro ciurme ridotte, che richiedevano differenti metodi di lavoro, l'uso di questo canto è progressivamente scemato o è passato all'accompagnamento di lavori meno faticosi.Drunken Sailor è poi divenuta una canzone popolare fra i non-marinai nel XX secolo, fino a essere considerata uno dei canti marinareschi più conosciuti dal pubblico. Numerosi artisti ne hanno proposto la loro versione in registrazioni e/o esibizioni e i media hanno contribuito alla sua popolarità . Anche se non esiste una versione univoca del testo, esso contiene costantemente la domanda What shall we do with a drunken sailor, early in the morning? (letteralmente: Cosa faremo con un marinaio ubriaco, la mattina presto?). In alcune versioni, i versi successivi suggeriscono metodi per alleviare la sbornia o punire il marinaio ubriaco. Altre versioni, invece, prevedono il susseguirsi di ulteriori domande e risposte relative ad altri personaggi.
$8.00
Beethoven: Turkish March (Ruins of Athens Op.113) - brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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Ray Thompson
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Beethoven: Turkish March
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RayThompsonMusic
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Ray Thompson. Classical Period, Repertoire, Wedding, Graduation, Recital. Score, Set of Parts. 7 pages...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Ray Thompson. Classical Period, Repertoire, Wedding, Graduation, Recital. Score, Set of Parts. 7 pages. Published by RayThompsonMusic (S0.190935). - Score,Set of Parts - Classical Period,Repertoire,Wedding,Graduation,Recital - RayThompsonMusic
Turkish March (Ruins of Athens) Op.113 - brass quintet Arranged for standard brass quintet of 2 trumpets, horn. trombone and tuba. The Turkish March (Marcia alla turca) is a well-known classical march theme by Ludwig van Beethoven. It was written in the Turkish style popular in music of the time. The theme was first used in Beethoven's "6 Variations on an Original Theme", Op. 76, of 1809. In 1811 Beethoven wrote an overture and incidental music to a play by August von Kotzebue called The Ruins of Athens (Op. 113), which premiered in Pest in 1812. The Turkish March appears as item No. 4 of the incidental music. Many music lovers associate the theme with The Ruins of Athens, although that was not its original appearance. The original march is in B flat major, tempo vivace and 2/4 time. Its dynamic scheme is highly suggestive of a procession passing by, starting out pianissimo, poco a poco rising to a fortissimo climax and then receding back to pianissimo by the coda. Unlike much of Beethoven's other orchestral music, the woodwinds are the dominant voice rather than the strings. I have transposed it to Eb major to suit the brass instruments' ranges. In my arrangement the melody is held by the three "top" instruments. The tuba takes the bass line, and the trombone adds harmony It is quite short and is tutti throughout.
$7.95
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