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Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
2 sheet music found
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Higher Ground ("I'm pressing on the upward way") — brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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Charles H
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Todd Marchand
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Higher Ground
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Con Spirito Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Cen...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.†Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00
''Risen from Ruins'' - "Auferstanden aus Ruinen"
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Haans Eisler
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Keith Terrett
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''Risen from Ruins'' - "Aufers
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Keith Terrett
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eisler. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Tradi...
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Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1158495 Composed by Haans Eisler. Arranged by Keith Terrett. Historic,Multicultural,Patriotic,Traditional,World. 10 pages. Keith Terrett #758783. Published by Keith Terrett (A0.1158495). The former East German National Anthem arranged for Brass Quintet. In 1949, the Soviet occupation zone of Allied-occupied Germany became a socialist state under the name of the German Democratic Republic (GDR). For the nascent state's national anthem, the poet Johannes Becher, who later became the East German Minister of Culture, wrote the lyrics. Two musicians, Ottmar Gerster and Hanns Eisler, proposed music to Becher's lyrics, and Eisler's version was selected. History Written in 1949, the East German national anthem reflects the early stages of German separation, in which continuing progress towards reunification of the occupation zones was seen by most Germans as appropriate and natural. Consequently, Becher's lyrics develop several connotations of unity and combine them with fatherland (einig Vaterland), meaning Germany as a whole. However, this concept soon would not conform to an increasingly icy Cold War context, especially after the Berlin Wall had been erected in 1961 by the East German government.[1] In September 1973, East and West Germany were admitted to the United Nations simultaneously, following talks between the two governments that conferred a degree of mutual recognition. The term Germany was later removed from the East German constitution, and only the national anthem's tune was played on official occasions. No new lyrics were ever written to replace Becher's, which continued to be used unofficially, especially after die Wende in late 1989: once it became clear that the countries were actually moving towards reunification, East German television Deutscher Fernsehfunk reinstated the work and signed off every night with a joyous symphonic rendition of the vocal arrangement, with accompanying picturesque footage of East Germany's main tourist attractions. Auferstanden aus Ruinen ceased to be a national anthem when the German Democratic Republic dissolved and its states joined the Federal Republic of Germany as a result of German reunification in 1990. Deutschlandlied, composed in 1841, became the national anthem of a united Germany again. East German Premier Lothar de Maizière had proposed that Becher's lyrics be added to the united German national anthem, but this was rejected by his West German counterpart, chancellor Helmut Kohl. At the end of its last broadcast on 2 October 1990, the East German international radio broadcaster Radio Berlin International signed off with a vocal version of the East German national anthem. In November 1995, Auferstanden aus Ruinen was played again when German President Roman Herzog visited Brazil. This was the first event at which the anthem had been played since the German reunification.
$7.99
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