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Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
6 sheet music found
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1
El Condor Pasa (If I Could)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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BEGINNER
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Daniel Alomia Robles, Jorge Mi
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Alan Frazer (arranger) & Peet
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00
That's A Plenty (brass quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Lew Pollack
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Betsy Bright
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That's A Plenty
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Bright Music Company
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.964573 Composed by Lew Pollack. Arranged by Betsy Bright. Concert,Graduation,Jazz. Score and parts. 1...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.964573 Composed by Lew Pollack. Arranged by Betsy Bright. Concert,Graduation,Jazz. Score and parts. 16 pages. Bright Music Company #6247241. Published by Bright Music Company (A0.964573). 2 Trumpets in BbHorn in FTromboneTubaThere are already a couple of awesome quintet arrangements of this piece out there. So why have our own? Well…this was originally written specifically for one of our education shows (Sailing the High Seas), but we decided it’s worth putting out into the world because it’s shorter and substantially less taxing than the standard editions. This particular arrangement has been reduced to under 2 minutes, making it perfect for education shows when you want some Dixieland, but you don’t have all day. There’s enough written-in-improv lines (inspired by the Louis Armstrong recordings) to make it feel right, but without requiring actual improvisation. And, as always, there’s ample rest for the higher brass players. This piece is so painless to play that it could be put at the end of any recital, no matter how tiring, and everyone can get through this last piece while taking the audience out with some Dixieland fun.We also have a trio version of this piece!Duration: just under 2 minutes
$15.00
Toot, Toot, Tootsie!
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gus Kahn, Ernie Erdman and Dan
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Le...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
Western Suite (Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Betsy Bright
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Western Suite
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Bright Music Company
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.964566 Composed by Betsy Bright. Children,Concert,Folk,Holiday,Patriotic. Score and parts. 55 pages. ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.964566 Composed by Betsy Bright. Children,Concert,Folk,Holiday,Patriotic. Score and parts. 55 pages. Bright Music Company #6247007. Published by Bright Music Company (A0.964566). This original, 3 movement brass quintet composed by Betsy Bright conjures images of the Wild West. The first movement opens with a nod to the Copland Americana sound, and then quickly dives into an adventurous theme that feels like a hero racing on horseback. Every instrument gets some solo features throughout the movement. The second movement, Lonesome paints the picture of a sorrow that can sink even through the most beautiful desert landscape, casting forlorn shadows in every direction. And finally, the third movement, Rowdy depicts a wild rodeo! This movement is in Rondo form, and with every return of the theme, we have the sensation of another rider bursting through the gate taking a ride on another bucking bronco.This piece is a major crowd pleaser, whether on a standard recital or a pops program. And any individual movement works perfectly for education shows. Every player has great solo features, yet at no point is this piece tiring or physically painful in any way, so it’s super fun to play too!Duration: 8 minutes
$30.00
Tumbalalaika & Raisins and Almonds (Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Klezmer
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Betsy Bright
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Tumbalalaika & Raisins and Alm
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Bright Music Company
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.964570 Arranged by Betsy Bright. Concert,Hanukkah,Jewish,Wedding. Score and parts. 18 pages. Bright M...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.964570 Arranged by Betsy Bright. Concert,Hanukkah,Jewish,Wedding. Score and parts. 18 pages. Bright Music Company #6247231. Published by Bright Music Company (A0.964570). One of Bright Music Company's most popular pieces! This is a fun and impressive sounding arrangement of the Jewish folksong, Tumbalalaika. A Jewish lullaby, Raisins and Almonds is heard in the middle of the piece, and the two tunes are woven together at the end, giving the impression of a baby who just wants to play instead of going to sleep.This piece is a lot of fun to play, and audiences are thrilled by it.This is the original arrangement, but we also have it arranged as a quartet and as a trio.Scored for Brass Quintet:2 Trumpets in BbHorn in FTromboneTubaDuration: 4 minutes
$20.00
Hello, Dolly!
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Louis Armstrong
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Keith Terrett
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Hello, Dolly!
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Keith Terrett
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blue...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132). A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.History:Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.The Sunflower controversy:Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.
$15.99
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