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May H
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
9 sheet music found
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1
Tochter Zion - Choral and Shuffle - Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Classical
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G
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Thomas Graf
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Tochter Zion - Choral and Shuf
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Composed by G.F.Händel. Arranged by Thomas Graf. Classical Period, Jazz, Funk Jazz, Christmas. Score, Set of Parts. 48 pages. Published by Thomas Graf - the-hi...
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Composed by G.F.Händel. Arranged by Thomas Graf. Classical Period, Jazz, Funk Jazz, Christmas. Score, Set of Parts. 48 pages. Published by Thomas Graf - the-hit-factory.com (S0.268281). - Score,Set of Parts - Classical Period,Jazz,Funk Jazz,Christmas - Thomas Graf - the-hit-factory.com
This concert piece starts with a classic choral auf Händel?s masterpiece, then comes the big surprise: A funky Back Beat with jazzy chords starts and will make your whole audience clap and dance. All parts are feature and even a solo for the bass part is included. It ends up in a cool finale. Drums are optional and may be substituted by a Cachon or even only clapping. A must for your upcoming concerts during holiday season!
$18.99
Bridges, Op. 136 (for Brass Quintet and Chimes)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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Bridges, Op. 136
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World...
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Brass Quintet - Level 4 - Digital Download SKU: A0.1489487 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Historic,Multicultural,World. 28 pages. Https://gildedmusicpress.com/ #1066350. Published by https://gildedmusicpress.com/ (A0.1489487). One of my last assignments as an Air Force musician before being stationed in Japan was to perform music in support of the 50th commemoration of what has become known in America as “Vietnam Memorial Day.” It is observed on March 29 every year, the date when the last U.S. troops withdrew from Vietnam in 1973. After the memorable ceremony in 2023, I lingered to talk with those mature veterans and to hear some of their experiences. It was a strange feeling when I told them that my first assignment at my new duty station in Japan would be a series of cultural exchange performances in Vietnam. What a somber generational bridge.I was only in Japan for a matter of days, including some intense rehearsals, before Pacific Brass (the brass quintet from the U.S. Air Force Band of the Pacific) packed up and headed to Hanoi to start our brief musical outreach in three cities. My reflections were sobering as I contrasted my military service in Vietnam with the veterans whom I had just honored three months prior. During some off-duty time, all five of the Pacific Brass military musicians found our way to the well-known Hòa Ló Prison, infamously known as the “Hanoi Hilton.” Indeed, how vastly different was my brief military service in Vietnam!To the Vietnamese people, the “American War,” as they call it, is ancient history. They are extremely forward-thinking, putting those dark years far from them, looking to the bright future that is theirs. What an educational bridge of paradigms. Although it was important for us as U.S. Servicemembers to witness the Hòa Ló Prison firsthand, our lot was to experience the beautiful present-day Vietnam with its rich culture of food, street shops, temples, dance, music, and other wonders that awed us all—including gongs!Our trombone player purchased a gong in a shop that sold little else besides gongs of all sizes and pitches. That struck me as quintessentially Vietnamese, and the sights and sounds of that modest shop lingered in my imagination. As we absorbed the extraordinary majesty of the Temple of Literature in Hanoi, ideas for this musical composition started to formulate as a bridge connecting American musical culture with Vietnamese traditional gongs. For practicality in both notation and live performance, I scored the consort of 18 glorious “gongs” in my head for orchestral tubular bells. It is a passionate hope that someday in a video presentation, a masterful cultural bridge of the two diverse countries will be crafted. Better yet, what an experience it would be to have a legitimate gong consort perform live with Pacific Brass!The year of our visit, as we were coached many times by the Embassy’s Attaché, was a milestone landmark between the two nations, worthy of praise and celebration: the ten-year anniversary of the U.S.-Vietnam Comprehensive Partnership, signed by Presidents Obama and Sang in July 2013. This bilateral relationship has bridged both nations’ commitment to economic engagement, cultural exchange, tourism, education, and human rights. This composition is in celebration of this Comprehensive Partnership and a gift to the wonderful people of Vietnam. May this music contribute to a continuing growth of positive relations bridging the two nations.
$24.95
Alleluia, Alleluia! Hearts to Heaven and Voices Raise — brass, organ hymn accompaniment
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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Sir Arthur Seymour Sullivan
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Todd Marchand
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Alleluia, Alleluia! Hearts to
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Con Spirito Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1362360 Composed by Sir Arthur Seymour Sullivan. Arranged by Todd Marchand....
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1362360 Composed by Sir Arthur Seymour Sullivan. Arranged by Todd Marchand. Christian,Easter,Sacred. 21 pages. Con Spirito Music #946819. Published by Con Spirito Music (A0.1362360). Perhaps most often associated with Christopher Wordsworth’s Easter hymn text, “Alleluia, Alleluia! Hearts to Heaven and Voices Raise,†and his All Saints Day text, “Hark! The Sound of Holy Voices,†Arthur S. Sullivan's tune LUX EOI may be used with any hymn in 8.7.8.7 D meter.Best known for his Victorian-era collaborations with dramatist and librettist W.S. Gilbert on comic operas including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado, Sullivan (1842-1900) displayed prodigious musical talent early in life, writing his ï¬rst anthem at age eight, joining the Chapel Royal as a chorister at age 12, and earning a scholarship to the Royal Academy of Music at age 14. He later studied at the Leipzig Conservatory, and while still in his teens began building a reputation as a promising young composer. Among Sullivan’s works are 24 operas, 11 full orchestral works, 10 choral works and oratorios, and more than 70 hymns and anthems, including the hymn tunes ST. GERTRUDE (“Onward, Christian Soldiersâ€), FORTUNATUS (“Welcome, Happy Morningâ€), ST. KEVIN (“Come, Ye Faithful, Raise the Strainâ€), and the tune that is the basis for this arrangement.Following an opening fanfare by brass which is answered by organ, the verses proceed as follows: organ accompaniment verse (may be repeated as needed), brass accompaniment verse, penultimate verse (organ accompaniment with countermelody by trumpets), interlude, and ï¬nal verse (organ with brass punctuations and conclusion).©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00
Graf Zeppelin Marsch - The Conqueror - Brass Quintet - Db
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Thomas Graf
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Thomas Graf
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Graf Zeppelin Marsch - The Con
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1291874 By Thomas Graf. By Carl Albert Hermann Teike (5 February ...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1291874 By Thomas Graf. By Carl Albert Hermann Teike (5 February 1864 – 28 May 1922). Arranged by Thomas Graf. Classical,Multicultural,Patriotic,Pop,Traditional,World. 17 pages. Thomas Graf - the-hit-factory.com #882484. Published by Thomas Graf - the-hit-factory.com (A0.1291874). German military march, written by military music composer Carl Teike. The name refers to Count Ferdinand von Zeppelin. It was originally composed in 1903 under the title March of the Teutons (March of the Teutons). The march was published by Carl Fischer Music in the United States under the name The Conqueror in 1912.It was sometimes called March of the Air Fleet. It was once used as the Swedish navy's parade march.About this arrangement: Composed by: Carl Albert Hermann Teike (5 February 1864 – 28 May 1922)Arranged by: Thomas H. Graf for Brass QuintetInstrumentation: Full Score and Parts as listed below:Trumpet 1 in BbTrumpet 2 in BbHorn in FTromboneTubaAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$18.00
Graf Zeppelin Marsch - The Conqueror - Brass Quintet - Eb
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Thomas Graf
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Thomas Graf
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Graf Zeppelin Marsch - The Con
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1291873 By Thomas Graf. By Carl Albert Hermann Teike (5 February ...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1291873 By Thomas Graf. By Carl Albert Hermann Teike (5 February 1864 – 28 May 1922). Arranged by Thomas Graf. Classical,Multicultural,Patriotic,Pop,Traditional,World. 17 pages. Thomas Graf - the-hit-factory.com #882483. Published by Thomas Graf - the-hit-factory.com (A0.1291873). German military march, written by military music composer Carl Teike. The name refers to Count Ferdinand von Zeppelin. It was originally composed in 1903 under the title March of the Teutons (March of the Teutons). The march was published by Carl Fischer Music in the United States under the name The Conqueror in 1912.It was sometimes called March of the Air Fleet. It was once used as the Swedish navy's parade march.About this arrangement: Composed by: Carl Albert Hermann Teike (5 February 1864 – 28 May 1922)Arranged by: Thomas H. Graf for Brass QuintetInstrumentation: Full Score and Parts as listed below:Trumpet 1 in BbTrumpet 2 in BbHorn in FTromboneTubaAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$18.00
Patricia: A Ragtime Composition
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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1900 ragtime was
the
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Joseph Lamb
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F
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Patricia: A Ragtime Compositio
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1401614 Composed by Joseph Lamb. Arranged by F. Leslie Smith. 20th Century,Classical,Historic,Ragtime. 32 pages. Sweetwater Brass Press #984793. Published by Sweetwater Brass Press (A0.1401614). Ragtime was originally and primarily piano music. The Library of Congress traces the origin and wellspring of ragtime to St. Louis, Missouri.  The Britannica website explains, “Ragtime evolved in the playing of honky-tonk pianists along the Mississippi and Missouri rivers in the last decades of the 19th century. It was influenced by minstrel-show songs, African American banjo styles, and syncopated (off-beat) dance rhythms of the cakewalk, and also elements of European music.â€Â    But it wasn’t until the mid-1890s, when music publishers started printing ragtime scores, making the music available to the public at large, that ragtime’s popularity began to soar.  By 1900 ragtime was the popular music.  It stayed that way until about 1917 when the rise of jazz began to overtake it.  By 1920, ragtime was nearly forgotten.    Thirty years later, a ragtime revival began.  And one Patricia Lamb-Conn found out that her father, Joseph F. Lamb, was a well-known composer of ragtime.  In fact, the “Big Three†composers of classical ragtime are considered to be Scott Joplin, James Scott and the only non-African American, Joseph Lamb.    Lamb was born in 1887 in New Jersey, taught himself to play piano and was very much influenced by Joplin’s early ragtime publications.  From there, Lamb went on to develop into a master of classic ragtime.    One of Lamb’s most popular works was a 1916 composition he titled “Patricia Rag.†(The title apparently had nothing to do with his daughter, who was born in 1924.)  It consists of four themes in five sections, with the first theme repeated after sections 1 and 2.  Lamb pitched the opening in E-flat Major, changing to A-flat Major at the Trio.      This brass quintet arrangement, completed in 2024, consists of 150 measures, approximately five minutes, ten seconds in length.  It retains the basic structure of the original piano score but modifies the pitches to B-flat Major and E-flat Major, respectively, to accommodate the normal playing range of the brass instruments.  Possible exceptions for some players include:  (1) Trumpet 1 plays its A-above-the-staff a number of times and its B above-the-staff once; (2) Trombone plays several E above-the-staff notes; (3) Tuba plays several way-below-the-staff F notes and one high G note. Throughout the arrangement, the original melody is maintained and featured, but in some sections the background and harmony are altered to feature one or more of the five instruments.  In the Trio, the sections designated by rehearsal marks F and G are slowed and treated as a serenade; the original tempo is restored at H.  In performing this arrangement, players should pay particular attention to dynamics.  Additionally, because of the nature of ragtime, this piece may require more-than-usual practice and rehearsal.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99
Bach: Wachet auf for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Brass Qui
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jmsgu3
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages...
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Level 3 - Digital Download SKU: A0.549857 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Sacred,Wedding. 17 pages. Jmsgu3 #3556935. Published by jmsgu3 (A0.549857). Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Program this for church services during Easter or as a recital encore. Also great for Weddings. Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the prelude, and a four-part chorale. He casts the new lyrics as recitatives – like the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the guards singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears; it catches the listener off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, most notable are the St. John Passion and, indeed, the Christmas Oratorio.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first of all pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here, he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here, he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his unique style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach's works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV. Â
$39.95
It Had To Be You For Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Frank Sinatara
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Bud Caputo
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It Had To Be You For Brass Qui
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Bud Caputo
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1077549 By Frank Sinatara. By Isham Jones. Arranged by Bud Caputo. 20th Century,Film/TV,Jazz. Score a...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1077549 By Frank Sinatara. By Isham Jones. Arranged by Bud Caputo. 20th Century,Film/TV,Jazz. Score and parts. 20 pages. Bud Caputo #681750. Published by Bud Caputo (A0.1077549). It Had to Be You is a popular song composed by Isham Jones, with lyrics by Gus Kahn.[5] It was published on May 9, 1924 by Jerome H. Remick & Co. of New York. Isham Jones Orchestra recorded it on April 24, 1924 . Athough is has been covered many fine pop artists, the song regained a new popularity in 1989 when it was used in the movie When Harry Met sally..
$18.00
Three Renaissance Dances for Antiphonal Brass Choir
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Tielman Susato
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Charles Decker
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Three Renaissance Dances for A
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.817168 Composed by Tielman Susato. Arranged by Charles Decker. Class...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.817168 Composed by Tielman Susato. Arranged by Charles Decker. Classical,Contest,Festival,Historic,Instructional,Renaissance. 29 pages. Charles Decker Music Press #6644309. Published by Charles Decker Music Press (A0.817168). They may be 500 years old, but these three Renaissance instrumental dances from Tillman Susato's 1551 collection The Third Little Music Book, prefaced with to be played on all types of musical instruments, remain appealing music for audiences and performers. These lively popular dances of the day feature homophonic setting, root position chords, primary beat stresses, and individual parts that encompass an octave or less which makes them very accessible for young or inexperienced musicians. Scoring them for two antiphonal brass quartets, each with two B-flat trumpets and two trombones with alternate substitute horn parts, creates a memorable aural and visual performance experience. Beyond brass programs or special events, feature the brass section of your band or orchestra with this lively work on your next concert. The recording is of the entire edition.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$14.95
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