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Brass Quintet: 2 trumpets, horn, trombone, tuba
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8 sheet music found
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1
Mozart: Requiem in D minor K626 III.Sequenz No.2 Tuba Mirum - brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classica...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1111962 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Christian,Classical,Religious,Sacred. 10 pages. RayThompsonMusic #714140. Published by RayThompsonMusic (A0.1111962). Arranged standard brass quintet Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♠major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the horn, and the vocal entries are given to the trombone, horn and two trumpets. . Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95
Mozart: Requiem in D minor K626 III.Sequenz No.5 Confutatis Maledictus - brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Requiem in D minor K62
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RayThompsonMusic
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1108344 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religiou...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1108344 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 11 pages. RayThompsonMusic #710984. Published by RayThompsonMusic (A0.1108344). Arranged standard brass quintet. Transposed from A minor down to G minor to suit brass instrumentation The Requiem in D minor, K. 626, is a requiem mass by Wolfgang Amadeus Mozart (1756–1791). Mozart composed part of the Requiem in Vienna in late 1791, but it was unfinished at his death on 5 December the same year. A completed version dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who commissioned the piece for a requiem service on 14 February 1792 to commemorate the first anniversary of the death of his wife Anna at the age of 20 on 14 February 1791. This is my arrangement of No.5 Confutatis (From the accursed).It begins with a rhythmic and dynamic sequence of strong contrasts and surprising harmonic turns on tuba and horn the tenors and basses (Trumpets and trombone) burst into a forte vision of the infernal, on a dotted rhythm. The accompaniment then ceases , and trumpet 1 and tbn enter softly and sotto voce, (Voca me cum benedictis ()Call upon me with the blessed) with an arpeggiated accompaniment on horn and trumpet 2. Finally, in the following stanza (Oro supplex et acclinis), there is a striking modulation from G minor to Gb minor. This music suits the brass quintet. Section III of the requiem is titled “Sequenz†(sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa. I have also arranged Mozarts Motet “Ave Verum Corpus†K618.
$4.95
Blue Boar Blue for brass quintet with euphonium instead of trombone
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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David Warin Solomons
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Blue Boar Blue for brass quint
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David Warin Solomons
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SheetMusicPlus
Brass Ensemble Euphonium,Trombone - Level 5 - Digital Download SKU: A0.576163 Composed by David Warin Solomons. Blues,Contemporary. Score and parts. 37 p...
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Brass Ensemble Euphonium,Trombone - Level 5 - Digital Download SKU: A0.576163 Composed by David Warin Solomons. Blues,Contemporary. Score and parts. 37 pages. David Warin Solomons #2034167. Published by David Warin Solomons (A0.576163). A jaunty and bluesy number for brass quintet based on my song Blue Boar Blue This arrangement is available for both types of brass quintet: - one with euphonium as 4th instrument and one with trombone as 4th instrument The sound sample is an electronic preview. The pdf file contains score and parts.
$19.00
Three Renaissance Dances for Antiphonal Brass Choir
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Tielman Susato
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Charles Decker
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Three Renaissance Dances for A
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Charles Decker Music Press
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SheetMusicPlus
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.817168 Composed by Tielman Susato. Arranged by Charles Decker. Class...
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.817168 Composed by Tielman Susato. Arranged by Charles Decker. Classical,Contest,Festival,Historic,Instructional,Renaissance. 29 pages. Charles Decker Music Press #6644309. Published by Charles Decker Music Press (A0.817168). They may be 500 years old, but these three Renaissance instrumental dances from Tillman Susato's 1551 collection The Third Little Music Book, prefaced with to be played on all types of musical instruments, remain appealing music for audiences and performers. These lively popular dances of the day feature homophonic setting, root position chords, primary beat stresses, and individual parts that encompass an octave or less which makes them very accessible for young or inexperienced musicians. Scoring them for two antiphonal brass quartets, each with two B-flat trumpets and two trombones with alternate substitute horn parts, creates a memorable aural and visual performance experience. Beyond brass programs or special events, feature the brass section of your band or orchestra with this lively work on your next concert. The recording is of the entire edition.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  For more brass quintet editions by Charles Decker use these links to Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$14.95
C Jam Blues for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Keith Terrett
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Keith Terrett
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Bb Trombone/Euphonium in TC
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C Jam Blues for Brass Quintet
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Keith Terrett
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SheetMusicPlus
Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arra...
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Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$12.99
Can't Stop The Feeling!
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Film/TV
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Justin Timberlake
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Kayleigh Huelin
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Can't Stop The Feeling!
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Kayleigh Huelin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1396219 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Mar...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1396219 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by Kayleigh Huelin. Film/TV,Pop. 10 pages. Kayleigh Huelin #979604. Published by Kayleigh Huelin (A0.1396219). A great pop song from the movie Trolls, Justin Timberlake's Can't Stop the Feeling is a fun, up-tempo number that will get your audience's toes tapping and put a smile on players and listeners alike! Suitable for any type of performance, from concert hall to light-hearted informal gigs. Arranged for brass quintet.Like this? Why not check out my website for more arrangements: www.khuelinmusic.co.uk.
$24.99
Believe Me, If All Those Endearing Young Charms
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Celtic/Irish
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Folkloric/Traditional
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Irish Traditional
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Frank Stubbs
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Believe Me, If All Those Endea
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Frank Stubbs
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1074493 Composed by Irish Traditional. Arranged by Frank Stubbs. Celtic,Folk,Irish,Multicultural,Pop,Traditional,World...
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Level 3 - Digital Download SKU: A0.1074493 Composed by Irish Traditional. Arranged by Frank Stubbs. Celtic,Folk,Irish,Multicultural,Pop,Traditional,World. 8 pages. Frank Stubbs #678784. Published by Frank Stubbs (A0.1074493). The beautiful Irish Traditional popular song 'Believe Me, If All Those EndearingYoung Charms' arranged for brass Quintet. The song can be traced back to 1808 when Thomas Moore published it as 'My Lodging is on the Cold Ground', but the melody goes back before then. This arrangement will suite players of Grade 6 and above and for Professional Ensembles looking for a simply arranged piece for any type of engagement.
$16.99
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