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Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
14 sheet music found
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1
Four Early Jazz Classics for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Jazz
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Keith Terrett
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Keith Terrett
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Four Early Jazz Classics for B
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Keith Terrett
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.911345 By Keith Terrett. By Various. Arranged by Keith Terrett. Jazz,Spiritual,Traditional. 43 pages. Keith Terrett #5...
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Level 3 - Digital Download SKU: A0.911345 By Keith Terrett. By Various. Arranged by Keith Terrett. Jazz,Spiritual,Traditional. 43 pages. Keith Terrett #517391. Published by Keith Terrett (A0.911345). Four Early Jazz Classics from the USA for Brass Quintet includes: 1)Little Brown Jug:It was originally a drinking song. It remained well known as a folk song into the early 20th century. Like many songs which make reference to alcohol, it enjoyed new popularity during the Prohibition era. In 1939, bandleader Glenn Miller recorded and broadcast his swing instrumental arrangement of the tune with great success, and the number became one of the best known orchestrations of the American Big Band era. 2)Frankie & Johnny:Frankie and Johnny (sometimes spelled Frankie and Johnnie; also known as Frankie and Albert or just Frankie) is a traditional American popular song. It tells the story of a woman, Frankie, who finds that her man Johnny was making love to another woman and shoots him dead. Frankie is then arrested; in some versions of the song she is also executed. 3)Tin Roof Blues:Tin Roof Blues is a jazz composition by the New Orleans Rhythm Kings first recorded in 1923. It was written by band members Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo. The tune has become a jazz standard and is one of the most recorded and often played New Orleans jazz compositions. 4)Battle Hymn of the Republic:The Battle Hymn of the Republic, also known as Mine Eyes Have Seen the Glory outside of the United States, is a song by American writer Julia Ward Howe using the music from the song John Brown’s Body. Howe’s more famous lyrics were written in November 1861, and first published in The Atlantic Monthly in February 1862. The song links the judgment of the wicked at the end of time (Old Testament, Isaiah 63; New Testament, Rev. 19) with the American Civil War. Since that time, it has become an extremely popular and well-known American patriotic song. Arranged here for Brass Quintet, this arrangement is available for most ensembles of your choice, e-mail for other arrangements. An excellent selection for your next concert!
$18.00
The Lord's Prayer (for Brass Quintet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Dr
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The Lord's Prayer
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https://gildedmusicpress.com/
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SheetMusicPlus
Euphonium,Flugelhorn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1158153 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Christian,Classic...
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Euphonium,Flugelhorn,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1158153 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Christian,Classical,Religious. 25 pages. Https://gildedmusicpress.com/ #758458. Published by https://gildedmusicpress.com/ (A0.1158153). Originally set for SATB choir with brass accompaniment, the creative setting that was performed in 2000 was for four flugelhorns and euphonium without choir. Although it was effective, and the premiere was a success, Dr. Thrower revised the work for the established instrumentation of the brass quintet. Even in this publication, though, he strayed from this belief by calling for euphonium in place of the trombone, if available. If not, trombone is perfectly acceptable. The trumpeters should perform their parts on flugelhorns if possible.
$24.95
The Liberty Bell-March for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Contemporary
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John Philip Sousa
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Jari A
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The Liberty Bell-March for Bra
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JV MUSIC
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SheetMusicPlus
Composed by John Philip Sousa (1854-1932). Arranged by Jari A. Villanueva. Romantic Period, Fourth of July, Patriotic, Americana. Score, Set of Parts. 29 pages....
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Composed by John Philip Sousa (1854-1932). Arranged by Jari A. Villanueva. Romantic Period, Fourth of July, Patriotic, Americana. Score, Set of Parts. 29 pages. Published by JV MUSIC (S0.308429). - Score,Set of Parts - Romantic Period,Fourth of July,Patriotic,Americana - JV MUSIC
The Liberty Bell March for Brass Quintet by John Philip Sousa Arranged by Jari Villanueva Score 2 Trumpets in Bb Horn in F (Eb Alto Horn) Trombone (Baritone TC) Tuba Drums (optional) Substitute parts provided It may be associated with Monty Python's Flying Circus but "The Liberty Bell" was written for Sousa's unfinished operetta The Devil's Deputy in 1893. Financing for the show fell through and shortly afterwards, Sousa and his band manager George Hinton attended the Columbian Exposition in Chicago. As they watched the spectacle "America", in which a backdrop depicting the Liberty Bell was lowered, Hinton suggested "The Liberty Bell" as the title of Sousa's recently completed march. Coincidentally, Sousa received a letter from his wife, saying their son had marched in a parade in honor of the Liberty Bell which had been on a nation-wide tour. Sousa agreed. He sold "The Liberty Bell" to the John Church Company for publication, and it was an immediate success. The origin of the tune comes from the time Sousa heard Marcella Lindh, one of his soprano soloists, whistling a tune of her own creation. Sousa couldn?t get the melody out of his head and asked his soprano if he might use it in a march. She agreed, but didn?t know that her tune had been used until several years later when she happened to hear a European band perform the march.
$12.99
The Man Behind the Gun
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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John Philip Sousa
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Matthew Nunes
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The Man Behind the Gun
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1285482 Composed by John Philip Sousa. Arranged by Matthew Nunes....
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1285482 Composed by John Philip Sousa. Arranged by Matthew Nunes. 19th Century,Chamber,Historic,March,Patriotic. 22 pages. Matthew Nunes Music #876587. Published by Matthew Nunes Music (A0.1285482). The Spanish War had a profound effect on Sousa, as did military life, evidenced in his march titles. Sousa is quoted as saying “A composition in march tempo must have the military instinct, and that is one reason why so few of the great composers have written successful marches. They lived in an atmosphere of peace. The roll of musketry had no meaning for them, so that quality is entirely absent from their work. The Spanish War was an inspiration to me. “The Man Behind the Gun†was a musical echo of it.â€Â This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Man Behind the Gun was composed in 1899, and the referenced edition was made Public Domain in 2018. The piece is catalogued as Volume 4, No. 57.Section titles (such as “First Strain†and “Trioâ€) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.
$1.99
The Carioca
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Film/TV
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Caetano Velosa
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Peet du Toit
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The Carioca
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1410576 By Caetano Velosa. By Edward Eiscu, Gus Kahn, and Vincent Youmens. ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1410576 By Caetano Velosa. By Edward Eiscu, Gus Kahn, and Vincent Youmens. Arranged by Peet du Toit. Folk,Pop. 9 pages. Peet du Toit #992996. Published by Peet du Toit (A0.1410576). (The) Carioca is a 1933 popular song with music by Vincent Youmans and lyrics by Edward Eliscu and Gus Kahn, as well as the name of the dance choreographed to it for the 1933 film Flying Down to Rio. It was sung in the film by Alice Gentle, Movita Castaneda and Etta Moten and danced by Fred Astaire and Ginger Rogers as part of an extended production dance number illustrating the ballroom dance. The dance, which was choreographed by the film's dance director, Dave Gould, assisted by Hermes Pan, was based on an earlier stage dance with the same name by Fanchon and Marco.The word Carioca refers to inhabitants of Rio de Janeiro.Astaire and Roger's short dance has historical significance, as it was their first screen dance together. Though billed fourth and fifth, many felt they stole the film, which became a big hit for RKO. The song was nominated for the Academy Award for Best Original Song at the 7th Academy Awards, but lost to an even bigger Astaire and Rogers production number, The Continental from The Gay Divorcee (1934), their next film together and their first starring vehicle. They were billed by RKO as The King and Queen of 'The Carioca.'While the song has become a jazz standard, the dance did not have longevity. Following the success of Flying Down to Rio, an attempt was made to propagate it as a new ballroom dance, without much success. It was a mixture of samba, maxixe, foxtrot and rhumba. The distinctive feature of the dance â?? at least as portrayed in the movie â?? was that it was to be danced with the partners' foreheads touching.A French cover of the song was introduced in the comedy movie La Cité de la Peur (1994) along with a dance, also meant in a humoristic way. Both the song and the dance appear in the film that takes place in Cannes during the Cannes film festival in France, and have become a reference for a whole generation in France. 25 years later, in May 2019, the Carioca scene of the movie was celebrated in Cannes with a flashmob dance and by the actors themselves who danced again the mythic scene included in La Cité de la Peur.
$15.00
Ben Hur Chariot Race March
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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1894, he was the manager of th
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Edward Taylor Paull
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Judith Katz
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one in 1907, 1925, and 1959
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Ben Hur Chariot Race March
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Imagine Music - Digital
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SheetMusicPlus
Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digi...
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Brass quintet - Digital Download SKU: IZ.CMS164 Composed by Edward Taylor Paull. Arranged by Judith Katz. Score and Parts. 24 pages. Imagine Music - Digital #CMS164. Published by Imagine Music - Digital (IZ.CMS164). 9 x 12 in inches.While doing some research on pre-20th Century American composers, I came across the name of Edward Taylor Paull. In all of my years as a flutist, conductor, and now writer, I never heard of Paull before, but I was curious enough to look for any sound files of his music, and came across both live piano performances and piano roll performances of the Ben HurChariot Race March on YouTube.Edward Taylor Paul, known in some circles as The Other March King was born on February 16th, 1858. In Gerrardstown, Virginia, now West Virginia. While not too much is known about his early years, we do know that his adult years were spent as itinerant musician, instrument sales person, selling pianos and organs, composer, as well as publisher.The Civil War era had Patrick Sarsfield Gillmore as the most famous bandleader and composer. As children of this era, John Philip Sousa and Edward Taylor Paull, were destined to follow in Gillmore's footsteps. While Sousa became successful through his work as both conductor and composer, even attaining the moniker of March King, the road to success and fame was more difficult for Paull. We do know, that by 1878, he was the manager of a music store that sold pianos and organs, eventually going bankrupt, and having to be bailed out by his own father. By 1894, he was the manager of the Richmond Music Publishing Company, and this was the same year that he was issued his first copyright on the Ben Hur Chariot Race March This was originally written for piano, particularly, the parlour piano. This was to become one of many marches and parlour piano compositions by 'E.T, Paull. He may not have been the most skilled musician of his era, but he was wise enough to realize how popular marches became in 1880's and '90's.Paull's compositions were also associated with beautiful color covers. He was fortunate to live in Richmond, Virginia, and the lithography company of A. Hoen & Company, provided him the highest quality and richly-colored art work for his compositions. This company was unique, in that they used a five- color process, which added depth to the color. Thepopularity of marches, plus the great covers, both contributed to the 60,000 copies that the Ben Hur Chariot Race March sold in its first printing. Not bad, for a first composition.Paull found inspiration for his march from the novel Ben Hur, written and published by General Lew Wallace in 1880. Paull dedicated his composition to Wallace, who sold many copies of his book. Eventually, there was a stage play and three film renditions; one in 1907, 1925, and 1959. Some time in the 1920's, the Sousa Band recorded the Ben Hur Chariot Race March, and of course, the MGM, 1925 film version, helped in a renewed popularity of Paull's composition.Edward Taylor Paull died in 1924, and his wife retained the copyright, until it went into public domain. What remains today are a few music examples in the Library of Congress collection, as well as some 78's and piano rolls. While I did my research on this piece, I tried to find any applicable Sousa manuscripts of a possible arrangement, but I could not findany. I usually write for woodwinds, but in this case, I thought that a brass quintet would sound far better. I also chose a moderate tempo, so as not to lose some of the nuances of the original composition.
$12.00
Tico Tico (Tico Tico No Fuba)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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The Andrews Sisters
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Peet du Toit & Sam Harrill (Pe
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Tico Tico
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Peet du Toit
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1495930 By The Andrews Sisters. By Aloysio Oliveira, Ervin D...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1495930 By The Andrews Sisters. By Aloysio Oliveira, Ervin Drake, and Zequinha Abreu. Arranged by Peet du Toit & Sam Harrill (Percussion). Traditional. 20 pages. Peet du Toit #1072461. Published by Peet du Toit (A0.1495930). Tico-Tico no fubá (rufous-collared sparrow in the cornmeal) is a Brazilian choro song written by Zequinha de Abreu in 1917. Its original title was Tico-Tico no farelo (sparrow in the bran), but since Brazilian guitarist Américo Jacomino Canhoto (1889–1928) had a work with the same title, Abreu's work was given its present name in 1931, and sometime afterward Aloysio de Oliveira wrote the original Portuguese lyrics.Outside Brazil, the song reached its peak popularity in the 1940s, with successful recordings by Ethel Smith, The Andrews Sisters (with English-language lyrics by Ervin Drake), Carmen Miranda and others.The Philip Jones Brass Ensemble (PJBE) arrangement and recording inspired me many years ago to also do something with this fantastic music. Enjoy with me.
$22.00
Hello, Dolly!
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Louis Armstrong
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Keith Terrett
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Hello, Dolly!
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Keith Terrett
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SheetMusicPlus
Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blue...
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Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1149132 By Louis Armstrong. By Jerry Herman. Arranged by Keith Terrett. 20th Century,Blues,Film/TV,Jazz. 15 pages. Keith Terrett #749261. Published by Keith Terrett (A0.1149132). A classic arranged for Brass Quintet with optional drums. The chart features a fully written Louis style Trumpet solo. Enjoy!Hello, Dolly! is the title song of the popular 1964 musical of the same name. Louis Armstrong's version was inducted into the Grammy Hall of Fame in 2001.The music and lyrics were written by Jerry Herman, who also wrote the scores for many other popular musicals including Mame and La Cage aux Folles.History:Hello, Dolly! was first sung by Carol Channing, who starred as Dolly Gallagher Levi in the original 1964 Broadway cast. In December 1963, at the behest of his manager, Louis Armstrong made a demonstration recording of Hello, Dolly! for the song's publisher to use to promote the show. Hello, Dolly! opened on January 16, 1964, at the St. James Theatre in New York City, and it quickly became a major success.The same month, Kapp Records released Armstrong's publishing demo as a commercial single. His version reached No. 1 on the U.S. Billboard Hot 100, ending the Beatles' streak of 3 chart-topping hits in a row over 14 consecutive weeks. Hello Dolly! became the most successful single of Armstrong's career, followed by a Gold-selling album of the same name.[2] The song also spent nine weeks atop the adult contemporary chart shortly after the opening of the musical. The song also made Armstrong the oldest artist ever to reach No. 1 on the Hot 100 since its introduction in 1958. Billboard ranked the record as the No. 3 song of 1964, behind the Beatles' I Want to Hold Your Hand and She Loves You.Hello, Dolly! won the Grammy Award for Song of the Year in 1965, and Armstrong received a Grammy for Best Vocal Performance, Male. Louis Armstrong also performed the song (together with Barbra Streisand) in the popular 1969 film Hello, Dolly!.Lyndon B. Johnson, often referred to by the moniker LBJ, used the tune, rechristened Hello, Lyndon!, as a campaign song for his run in the 1964 U.S. presidential election. This version of the song was performed by Carol Channing at that year's Democratic National Convention, and a recording was made by Ed Ames for distribution at the convention.The Sunflower controversy:Hello, Dolly! became caught up in a lawsuit which could have endangered plans for filming the musical. Mack David, a composer, sued for infringement of copyright, because the first four bars of Hello, Dolly! were the same as those in the refrain of David's song Sunflower from 1948. As he recounts in his memoirs, Herman had never heard Sunflower before the lawsuit, and wanted a chance to defend himself in court, but, for the sake of those involved in the show and the potential film, he reluctantly agreed to pay a settlement before the case would have gone to trial.
$15.99
The Gladiator
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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John Philip Sousa
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Matthew Nunes
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The Gladiator
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1213033 Composed by John Philip Sousa. Arranged by Matthew Nunes....
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1213033 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 22 pages. Matthew Nunes Music #810212. Published by Matthew Nunes Music (A0.1213033). Sousa’s first commercial success. It was initially rejected by publishers Stopper and Fisk but sold well under Harry Coleman. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. The Gladiator was composed in 1886, and the referenced edition was made Public Domain in 2015. The piece is catalogued as Volume 2, No. 28.
$1.99
Old May Day (arr. for Brass Quartet)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Jules Benedict
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Andrew Lamb
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Old May Day
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Andrew Lamb
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1325347 By Jules Benedict. By Jules Benedict. Arranged by Andrew Lamb. 19th...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1325347 By Jules Benedict. By Jules Benedict. Arranged by Andrew Lamb. 19th Century,Chamber. 19 pages. Andrew Lamb #913588. Published by Andrew Lamb (A0.1325347). 🎺 Elevate your brass ensemble performance with the compelling Brass Quartet arrangement of Jules Benedict's Old May Day by Andrew Lamb! 🎶 Scored for 2 Trumpets (or Cornets), French Horn (or Tenor Horn in Eb), and Trombone in bass clef (with Euphonium in Treble Clef), this adaptation brings a new dimension to Benedict's classic composition. 🌟 Level of Difficulty: Medium - Hard 🎓 Potential Uses: Ideal for concerts or recitals, this arrangement allows each brass instrument to shine, creating a powerful and resonant musical experience. Explore the musical journey of Sir Julius Benedict, a German-born composer who found a home in England. From his tutelage under Hummel and Weber to operatic success in Vienna and Naples, Benedict's legacy is honored in this exquisite Brass Quartet adaptation.Don't miss the chance to enrich your repertoire! 🎺✨ Like and subscribe to stay updated on more captivating arrangements and musical treasures.
$8.00
Transit of Venus
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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John Philip Sousa
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Matthew Nunes
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Transit of Venus
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1214537 Composed by John Philip Sousa. Arranged by Matthew Nunes....
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1214537 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 20 pages. Matthew Nunes Music #811517. Published by Matthew Nunes Music (A0.1214537). Written for the unveiling of a statue of the first secretary of the Smithsonian Institution, Joseph Henry, who successfully observed the transit of Venus in 1874. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Transit of Venus was composed in 1883, and the referenced edition was made Public Domain in 2016. The piece is catalogued as Volume 2, No. 22.
$1.99
Swanee by Gershwin for Brass Quintet with Optional Drums
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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George Gershwin
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Jari A
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Swanee by Gershwin for Brass Q
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.722766 Composed by George Gershwin. Arranged by Jari A. Villanueva. 20th C...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.722766 Composed by George Gershwin. Arranged by Jari A. Villanueva. 20th Century,Broadway,Folk,Ragtime. Score and parts. 26 pages. JV MUSIC #4297713. Published by JV MUSIC (A0.722766). Swanee by George Gershwin for Brass Quintet with Optional Drums and optional parts for Eb Horn and Baritone TC Arranged by Jari Villanueva Score2 Trumpets in BbHorn in FTromboneTubaEb Alto Horn Substitute part for Horn in FTreble Clef Baritone Substitute part for Trombone Swanee was George Gershwin’s first big song hit written in 1919. The song was written for a New York City revue called Demi-Tasse, which opened in October 1919 in the Capitol Theater. Caesar and Gershwin, who was then aged 20, claimed to have written the song in about ten minutes riding on a bus in Manhattan, finishing it at Gershwin's apartment. It was written partly as a parody of Stephen Foster's Old Folks at Home. It was originally used as a big production number, with 60 chorus girls dancing with electric lights in their slippers on an otherwise darkened stage. The song had little impact in its first show, but not long afterwards Gershwin played it at a party where Al Jolson heard it. Jolson then put it into his show Sinbad, already a success at the Winter Garden Theatre, and recorded it for Columbia Records in January 1920. After that, said Gershwin, Swanee penetrated the four corners of the earth. The song was charted in 1920 for 18 weeks holding the No. 1 position for nine. It sold a million sheet music copies, and an estimated two million records. It became Gershwin's first hit and the biggest-selling song of his career; the money he earned from it allowed him to concentrate on theatre work and films rather than writing further single pop hits.https://www.youtube.com/watch?v=nYVgQDl6G3g
$15.00
Trail of Tears, Op. 144
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Dr
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Trail of Tears, Op. 144
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https://gildedmusicpress.com/
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SheetMusicPlus
Brass Quintet - Level 3 - Digital Download SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,W...
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Brass Quintet - Level 3 - Digital Download SKU: A0.1489498 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Historic,Instructional,Multicultural,World. 17 pages. Https://gildedmusicpress.com/ #1066363. Published by https://gildedmusicpress.com/ (A0.1489498). Rounding out the “American Trails” with the fifth composition in the collection, “Trail of Tears” is in reference to the heart-wrenching dark history of over 60,000 American Indians being expelled from their lands. During the period between 1830 and 1850, natives from five tribes were forcibly displaced from their homelands in what later became known as the American Deep South. These “Five Civilized Tribes” included the Cherokee, Chickasaw, Choctaw, Muscogee, and Seminole nations. Under the leadership of President Andrew Jackson, Congress passed the “Indian Removal Act” in 1830 which revoked all land ownership from all Native Americans in the Southeast. Although Jackson was not the originator of the movement to remove the Indians, it was his top legislative priority upon taking office. In his mind, they were a primary obstacle for the fulfillment of the Manifest Destiny and American national success. There were many opponents to the violent legislation, such as David Crockett of Tennessee and Catherine Beecher.The most brutal year of the Trail of Tears occurred in 1838 among the Cherokee who had resisted the Treaty of New Echota of 1836 through petitions and pleas to the US government. Despite their efforts, the expulsive treaty was ratified and the resistant Cherokee were compelled by militia to vacate all lands east of the Mississippi River. The heaviest death tolls occurred in the summer and winter months of 1838 after the deadline to depart had passed in May. Disease, exposure, starvation, and harassment by frontiersman compounded the physical exertion of the “death marches” that killed many.This composition extensively borrows the four-note motif from Beethoven’s Symphony No. 5. That symphony was composed in the early 1800s in Europe at the same time as the growth of the anti-Indian sentiment across the American frontier. Rather than primary thematic material, “Trail of Tears” uses the motif as a morose, plodding accompanimental pattern that adds depth of sorrow to the musical homage.
$19.95
I Want to Go Back to Michigan
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Contemporary
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Irving Berlin
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Bill Wilson
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I Want to Go Back to Michigan
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - Digital Download SKU: A0.775229 Composed by Irving Berlin. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #4...
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Brass Quintet - Level 2 - Digital Download SKU: A0.775229 Composed by Irving Berlin. Arranged by Bill Wilson. 20th Century. 11 pages. Alexander Wilson #4366990. Published by Alexander Wilson (A0.775229). Master songwriter Irving Berlin's I Want to Go Back to Michigan achieved moderate commercial success when it was first published in 1914. It gained additional popularity when Judy Garland sang it in the 1948 movie Easter Parade. Our arrangement spreads lead responsibilities across the top four parts. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:24. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
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