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That's It! - Aux Percussion
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You've selected:
That's It! - Aux Percussion
Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
18 sheet music found
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1
Memorial (for Brass Quintet & Percussion)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Dr
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Memorial
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patrio...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #758679. Published by https://gildedmusicpress.com/ (A0.1158398). Composed to commemorate the 20th year of the 9-11 terrorist attacks. This somber, gorgeous piece of music draws tears when presented correctly, and is an extraordinarily important contribution to the brass quintet repertoire. The Jewish “feast†(or “appointed timeâ€) of trumpets, as outlined in Leviticus 23:24-25, prescribes the observance: “Speak unto the children of Israel, saying, In the seventh month, in the first day of the month, shall ye have a sabbath, a memorial of blowing of trumpets, an holy convocation. Ye shall do no servile work therein: but ye shall offer an offering made by fire unto the Lord.†According to the Jewish calendar, the feast of trumpets in 2001 coincided exactly with the 9-11 attacks, which could indeed be thought of as “an offering made by fire.†Effectively no servile work was done on that day throughout the attacked nation, and it has indeed become a somber type of “sabbath†to observe every year. It seemed extraordinarily appropriate—perhaps even requisite—that a somber composition with trumpets be composed for the 20th annual observance of the horrific attacks on American soil, as a “Memorial†to those lost that day, and those who since perished in the Global War on Terror. “Where were you when you first heard about the 9-11 attacks?†This common question is posed to those who were of age to comprehend what had happened in 2001. Personally, I had just listened to an emotional rendition of Maurice Ravel’s “Pavane to a Dead Princess.†Elements of that musical memory influenced this present work “Memorial.†Other sources of inspiration—whether intended or subconscious—include Samuel Barber’s heart-wrenching “Adagio for Strings,†Michael Kamen’s “Quintet†for brass, and John Williams’ “Hymn to the Fallen.†The harmonies are thick and often dissonant, including many suspensions. The players get little rest, symbolic of the constant state of alertness of a shocked nation after being so brutally attacked. Perhaps of greatest symbolic import is the fact that there are exactly 911 notes in this composition. Because of this, it is crucial that the percussion part be performed, and that great care be taken by all performers to refrain from altering the notes or rhythms in any way. A comment on the interpretation of notation: all long notes that are tied to a staccato note on the downbeat are to be held to the downbeat and gently released, not held over.
$24.95
Valor (for Brass Quintet & Percussion)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 p...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95
Nutcracker Suite (for Brass Quintet and opt. Percussion)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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Craig Garner
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Nutcracker Suite
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.740270 Composed by Peter Ilyich Tchaikovsky. Arranged by Craig Garner. Christmas,Romantic Period. Sco...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.740270 Composed by Peter Ilyich Tchaikovsky. Arranged by Craig Garner. Christmas,Romantic Period. Score and parts. 85 pages. Dorm 40 Music #3246113. Published by Dorm 40 Music (A0.740270). 2017 Holiday Contest Entry Tchaikovsky’s Nutcracker is universally popular and has become one of his most famous compositions. The ballet tells the story of a young girl who receives a nutcracker (in the form of a soldier) for Christmas. She falls asleep and dreams that all the Christmas presents come to life. Since the music of the Suite is so familiar, there is hardly any need to offer any additional description beyond the titles of each movement: March, Dance of the Sugar Plum Fairy, Russian Dance (Trepak), Chinese Dance (Tea), Spanish Dance (Chocolate) and Waltz of the Flowers. This arrangement has been carefully edited and abridged to insure that the music is idiomatic for brass. Your quintet may perform just one movement, all 6, or any combination you wish. And, for the price, 6 movements is a real bargain!! The Chinese Dance has been scored for B-flat piccolo trumpet, but it may also be played on a muted trumpet. This arrangement comes with both B-flat and C trumpet parts, as well as an optional timpani/percussion part (suspended cymbal, tambourine, castanets and triangle). The timpani/percussion part may easily be played by one performer. Performance time: 10:00. Published by Dorm 40 Music, www.dorm40music.com.
$20.00
Lewis & Clark Trail (for Brass Quintet & Optional Percussion)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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Lewis & Clark Trail
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158189 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 40 p...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158189 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 40 pages. Https://gildedmusicpress.com/ #758465. Published by https://gildedmusicpress.com/ (A0.1158189). The majority of the composition is boisterous, upbeat, exciting, and western! Though perhaps overly romanticized, those thrilling impressions are brought to the modern observer in the monuments and tributes all along the Lewis and Clark Trail. Indeed, from the Gateway Arch in Saint Louis to Floyd’s obelisk; from numerous visitors’ centers to historic markers throughout the more than 7000 miles traversed, Lewis and Clark and the others are kept in grateful memory for their inspiring work of opening the gateway to the west. Many working brass quintets throughout the nation joined a consortium of performances for the fall of 2019—particularly near September 23, as that was the date the expedition ended in Saint Louis, Missouri, where it also began. With the images of the Lewis and Clark Expedition in mind, the compositional process occurred quickly, and a draft of the full-length work was printed for a reading with Offutt Brass one week after it was begun. A final product was to be delivered to the consortium members by the end of April for enough time to bring the work to life in the fall. Within the music itself are several hidden meanings which, though imperceptible upon listening, are significant nonetheless. It will be noted that there is little rest for the players. For the span of 4’40â€, out of nearly 1000 measures of collective music, there is a total of 99 complete measures of rest shared between the performers. Throughout the expedition 33 key personnel participated, three of whom famously ring in the ears of all Americans: Meriwether Lewis, William Clark, and the well-known Shoshone guide, Sacagawea. To acknowledge the arduous nature of this enormous undertaking, what little rest there is in this composition multiplies the number of explorers with the three most famous names.
$29.95
The Fightin' 55th (for Brass Quintet & Percussion)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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The Fightin' 55th
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95
Pièce Symphonique, Finale from Organ Symphony No. 1 (for Organ, Brass Quintet and Percussion)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Vierne, Louis
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Craig Garner
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Pièce Symphonique, Finale fro
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.740286 Composed by Vierne, Louis. Arranged by Craig Garner. Romantic Period,Sacred. Score and parts. ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.740286 Composed by Vierne, Louis. Arranged by Craig Garner. Romantic Period,Sacred. Score and parts. 63 pages. Dorm 40 Music #6232753. Published by Dorm 40 Music (A0.740286). This arrangement is part of the Chicago Gargoyle Brass and Organ Ensemble Signature Series.Vierne’s First Symphony for organ is a youthful, yet mature work that clearly follows in the footsteps of Franck and Widor. The Finale, in particular, is both noble and heroic. It has become one of Vierne's most famous and performed works. This arrangement is scored for organ, brass quintet and one percussionist (3 timpani, triangle, tambourine, suspended cymbal). Perfect for any concert, recital or church service. Trumpet parts are provided in both B-flat and C. Performance time, 6:30. Published by Dorm 40 Music, www.dorm40music.com
$20.00
El Condor Pasa (If I Could)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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BEGINNER
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Daniel Alomia Robles, Jorge Mi
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Alan Frazer (arranger) & Peet
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00
Automatic
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Pop music
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The Pointer Sisters
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Will Corbin
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Automatic
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Will Corbin
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1457446 By The Pointer Sisters. By Brock Walsh and Mark Goldenberg. Arrange...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1457446 By The Pointer Sisters. By Brock Walsh and Mark Goldenberg. Arranged by Will Corbin. Pop. 22 pages. Will Corbin #1036470. Published by Will Corbin (A0.1457446). From the Department of Don't Do It: A brass quintet take on the Pointer Sisters' version of Automatic. Their original had lots of electronic background stuff going on, plus a load of percussion. What's left without that is a lot of tricky rhythms, since the horns have to carry the rhythmic load. A hint: Count it in 8/8 to work it out. That's what I had to do.If you require alternative instrumentation, I'm happy to accommodate. Contact me at wilcor@aol.com.
$15.00
Chattanooga Choo Choo
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Jazz
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Floyd Cramer
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Peet du Toit
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Chattanooga Choo Choo
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1377195 By Floyd Cramer. By Harry Warren and Mack Gordon. Arranged by Peet du Toit. Jazz. 18 pages. Peet du Toit #961811. Published by Peet du Toit (A0.1377195). Chattanooga Choo Choo is a 1941 song written by Mack Gordon and composed by Harry Warren. It was originally recorded as a big band/swing tune by Glenn Miller and His Orchestra and featured in the 1941 movie Sun Valley Serenade. It was the first song to receive a gold record, presented by RCA Victor in 1942, for sales of 1.2 million copies.The song opens up with the band, sounding like a train rolling out of the station, complete with the trumpets and trombones imitating a train whistle, before the instrumental portion comes in playing two parts of the main melody. This is followed by the vocal introduction of four lines before the main part of the song is heard.The main song opens with a dialog between a passenger and a shoeshine boy:Pardon me, boy, is that the Chattanooga Choo Choo?Yes, yes, Track 29!Boy, you can give me a shine.Can you afford to board the Chattanooga Choo Choo?I've got my fare, and just a trifle to spare.The singer describes the train's route, originating from Pennsylvania Station in New York and running through Baltimore to North Carolina before reaching Chattanooga. He mentions a woman he knew from an earlier time in his life, who will be waiting for him at the station and with whom he plans to settle down for good. After the entire song is sung, the band plays two parts of the main melody as an instrumental, with the instruments imitating the WHOO WHOO of the train as the song ends.Here's my representation thereof with Sam Harrill's nifty percussion score supporting it.
$17.00
Captain America March
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Film/TV
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Alan Silvestri
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Trevor Wilson
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Captain America March
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Trevor's Music Studio
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1279471 By Alan Silvestri. By Alan Silvestri. Arranged by Trevor Wilson. Ch...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1279471 By Alan Silvestri. By Alan Silvestri. Arranged by Trevor Wilson. Chamber,Film/TV,Patriotic. 25 pages. Trevor's Music Studio #870954. Published by Trevor's Music Studio (A0.1279471). Brass quintet…. assemble! Dive into the Marvel Cinematic Universe with this amazing fanfare march for Captain America: The First Avenger written by the one, the only, you know him, you love him, Alan Silvestri. Perfect for a Disney themed concert, Americana celebration, Movie themed program, or just an impressive fanfare to open a concert with, this arrangement is suitable for the slightly more advanced brass quintet. The fast modal- and scale-like runs in the trumpet parts lie on the fingers well.This arrangement for brass quintet has optional percussion parts that add just that extra zing. Don’t know anyone who plays percussion? No problem! Play it with just the brass parts and it works great! Only know one drummer who plays set? Perfect! The parts are flexible enough to be played by one person on drum set (the cymbal part might be tricky though). Percussion parts are included.Download comes with full score and set of parts.
$19.99
Jambalaya (On The Bayou)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Country
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Hank Williams
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Peet du Toit
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Then
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Jambalaya
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1405315 By Hank Williams. By Hank Williams. Arranged by Peet du Toit. Count...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1405315 By Hank Williams. By Hank Williams. Arranged by Peet du Toit. Country. 26 pages. Peet du Toit #988363. Published by Peet du Toit (A0.1405315). Jambalaya (On the Bayou) is a song written and recorded by American country music singer Hank Williams that was first released in July 1952. Named for a Creole and Cajun dish, jambalaya, it spawned numerous cover versions and has since achieved popularity in several different music genres.Since the original melody of the song was from Grand Texas, the song is a staple of Cajun culture. However, although Williams kept a Louisiana theme, the song is not a true cajun song, which helped the song gain widespread popularity:Ethnic music is usually unpalatable for a mass market unless it is diluted in some way (Harry Belafonte's calypsos, Paul Simon's Graceland… the list is endless). The broader audience related to 'Jambalaya' in a way that it could never relate to a true cajun two-step led by an asthmatic accordion and sung in patois.The Carpenters featured the song, in an up-tempo pop version with country flourishes, on their 1973 album Now & Then. Their version was released as a single outside the United States in 1974 and sold well in the UK (peaking at number 12 in the charts) and Japan.Presented here as a brass quintet with up-tempo percussion, there is some resemblance of the Carpenters' cover, but also demands spectacular playing from all the players. Enjoy!
$22.00
Spanish Flea
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Herb Alpert & The Tijuana Bras
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Peet du Toit
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Spanish Flea
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1392201 By Herb Alpert & The Tijuana Brass. By Julius Wechter. Arranged by ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1392201 By Herb Alpert & The Tijuana Brass. By Julius Wechter. Arranged by Peet du Toit. Multicultural,World. 6 pages. Peet du Toit #975691. Published by Peet du Toit (A0.1392201). Spanish Flea is a popular song written by Julius Wechter in the 1960s with lyrics by his wife Cissy Wechter. The original version was recorded by Herb Alpert and the Tijuana Brass. Cover versions of the song have been recorded by dozens of artists worldwide.Julius Wechter was a percussionist in Herb Alpert and the Tijuana Brass, most notably on marimba. Spanish Flea was one of several songs he wrote for the group. It was released as an instrumental on the B-side to the single What Now My Love from their 1965 album Going Places. The album was a No. 1 hit in the U.S., and the single peaked at No. 27 on the Billboard Hot 100. Spanish Flea featured Alpert's trumpet over a Latin rhythm backing.The original version was recorded on August 13, 1965 at Gold Star Studios in Hollywood, Los Angeles, California. Two other songs were recorded during that session, those being And I Love Her and More And More Amor. In the United States, the song is closely associated with the long-running game show The Dating Game, for which it was played when the bachelor entered into the stage to ask questions to learn and choose which bachelorette had best suited the needs of that bachelor.Here's your Brass Quintet version with Percussion to enjoy!
$17.00
Portals
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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BEGINNER
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Film/TV
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Alan Silvestri
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Alessandro Macrì
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Portals
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Music Macri Editions
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1329725 Composed by Alan Silvestri. Arranged by Alessandro Macrì. Contes...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1329725 Composed by Alan Silvestri. Arranged by Alessandro Macrì. Contest,Festival,Film/TV,Video Game. 13 pages. Music Macri Editions #917710. Published by Music Macri Editions (A0.1329725). Avengers: Endgame (Original Motion Picture Soundtrack) is the film score for the Marvel Studios film Avengers: Endgame composed and conducted by Alan Silvestri.In June 2016, Alan Silvestri, who composed the score for The Avengers, was revealed to be returning to score both Infinity War and Endgame. Discussing the tone of the film, Silvestri said that the Russos wanted it to be operatic for both films, with Endgame needing an aggressive musical approach. He stated that he found the film's pace to be invigorating, after having thunderous percussion and powerful brass propelling the massive battle sequences. Silvestri reprises his themes from the previous Avengers (2012) films and Captain America: The First Avenger (2011), as well as several other MCU themes, including Christophe Beck's Ant-Man theme, Michael Giacchino's Doctor Strange (2016) theme, and Pinar Toprak's Captain Marvel (2019) theme. Silvestri also reassured fans that Thanos's theme from Infinity War was present in the film.The score was recorded at Abbey Road Studios in London with the London Symphony Orchestra consisting of about 95 musicians with Silvestri and orchestrator Mark Graham conducting the sessions. Scoring concluded in late March 2019.
$14.00
De facto Anthems of the Confederate States of America
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Charles W
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Keith Terrett
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De facto Anthems of the Confed
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Keith Terrett
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.746742 Composed by Charles W.A Ellerbrook, Daniel Adams Butterfield, Daniel Decatur Dan Emmett ( 1815 – 1904), and Valentine Vousden. Arranged by Keith Terrett. Contemporary,Multicultural,Patriotic,Traditional,World. 39 pages. Keith Terrett #2941995. Published by Keith Terrett (A0.746742). De facto Anthems of the Confederate States of America ''I Wish I Was in Dixie & Taps''- ''God Save the South No. 1'' - The Bonnie Blue Flag, ''God Save the South No. 2'', arranged for Brass Quintet & Percussion.The Confederate States of America (also referred to as The Confederacy or simply The South) had, like the United States at the time, several patriotic songs in use which could have been considered anthems, like Dixie, The Bonnie Blue Flag, and God Save the South, none of which were officially declared (possibly because declaring an official anthem wasn’t as important to a new nation then as it is now). God Save the South does have more of an anthemaic quality in the music and lyrics, and several publications of the song refer to it as a (or the) anthem, and was also the first song to be published in the Confederacy (which was subsequently published in at least nine editions).God Save the South was written by George H. Miles under the pseudonym Earnest Halphin, soon after the war started. Miles was a Marylander, a state that did not officially secede and join the confederacy, but, being a border state, had several citizens with sympathies for the south. An interesting thing to note about the song is the reference to George Washington (the first president of the United States) in the song’s fifth verse. Apparently, the author of the song meant to tie in Washington’s stance as a rebel against the British in the American revolution with the South’s rebellion against the northern United States in the civil war.The music was written by C. W. A. Ellerbock, but another tune by C. T. De Cœniél was also popular at the time as well. (Ellerbock’s version, however, seems to be the original.)For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://musicforalloccasions.org.ukhttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$19.99
Black Coffee
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Blues
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Bobby Darin
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Peet du Toit
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Black Coffee
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1373864 By Bobby Darin. By Paul Francis Webster and Sonny Burke. Arranged b...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1373864 By Bobby Darin. By Paul Francis Webster and Sonny Burke. Arranged by Peet du Toit. Blues. 17 pages. Peet du Toit #958338. Published by Peet du Toit (A0.1373864). Black Coffee is a song with music by Sonny Burke and words by Paul Francis Webster. The song was published in 1948.It's first two measures are nearly identical to Mary Lou Williams' 1938 piece What's Your Story Morning Glory, and both songs share melodic motifs drawn from blues (including a strong melodic emphasis on the flat third and flat seventh intervals, known as blue notes). Williams felt that Burke and Webster plagiarized her composition, and reportedly considered taking legal action over the matter. The two songs have significant melodic and rhythmic differences after the first two measures of their respective 'A' sections, and Black Coffee has a unique bridge section that has no parallel in Morning Glory. However, during her piano solo, Williams plays both the identical feel and harmonies that appear on Black Coffee, with dominant chords moving up and down by half steps in lieu of staying on the tonic chord. While not a carbon copy, Burke and Webster arguably picked sections of What's Your Story Morning Glory to string together to create a new song. Coincidentally, jazz trumpeter Paul Webster (no relation to lyricist Paul Francis Webster) was given co-writer credit for Morning Glory by Williams when she published her song in 1938.My dear friend, Sam Harrill, has added his percussion magic some years later, and I am re-posting this for greater effect. Nothing in the brass parts changed. Thank you, Sam!
$17.00
Chorando Se Foi (Lambada)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Gonzalo Hermosa and Ulises Her
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R
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Chorando Se Foi
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SBQUSA. Publications
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1394629 Composed by Gonzalo Hermosa and Ulises Hermosa. Arranged by R. R. C...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1394629 Composed by Gonzalo Hermosa and Ulises Hermosa. Arranged by R. R. Cardp. Latin,Multicultural,World. 45 pages. SBQUSA. Publications #978116. Published by SBQUSA. Publications (A0.1394629). World famous Forbidden Dance : Lambada for Brass Quintet! and Percussion. Now here's an arrangement that'll grow hair on your chest (unless your a female). Written in the style of a latin band as opposed to a classic Brass Quintet, it is challenging, it's fast, in the high register, no room for catching a breath, this is great stuff for building chops. So, if you got the marracas to play this, enjoy!
$20.00
Basin Street Blues
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Blues
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Spencer Williams
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Peet du Toit
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Basin Street Blues
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1373862 Composed by Spencer Williams. Arranged by Peet du Toit. Blues. 21 p...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1373862 Composed by Spencer Williams. Arranged by Peet du Toit. Blues. 21 pages. Peet du Toit #958336. Published by Peet du Toit (A0.1373862). Basin Street Blues is a song often performed by Dixieland jazz bands, written by Spencer Williams in 1928 and recorded that year by Louis Armstrong. The verse with the lyric Won't you come along with me / To the Mississippi... was later added by Glenn Miller and Jack Teagarden.The Basin Street of the title refers to the main street of Storyville, the red-light district of early 20th-century New Orleans, north of the French Quarter. It became a red light district in 1897.Here's a laid back arrangement by the brilliant Erich Siebert, adapted for a brass quintet and percussion to be enjoyed by the players and the audience!
$17.00
2nd Movement from Beethoven Symphony No.7 for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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G L Harvey
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2nd Movement from Beethoven Sy
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G L Harvey
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1043406 Composed by Ludwig van Beethoven. Arranged by G L Harvey. Classical,Contest,Festival,Instruct...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1043406 Composed by Ludwig van Beethoven. Arranged by G L Harvey. Classical,Contest,Festival,Instructional,Romantic Period,Traditional. Score and parts. 45 pages. G L Harvey #648082. Published by G L Harvey (A0.1043406). This haunting piece of music from Beethoven's 7th Symphony has been abridged and carefully arranged for Brass Quintet. It is sympathetic to the original music and should be easily accessible for intermediate to advanced players. Parts are also included for non standard Brass Band instruments such as Tenor Horn in Eb, Euph/Trom in treble clef, plus Eb and Bb Bass also in treble clef. All parts are written with consideration of typical range and technique. Some ensembles might prefer to opt for Trumpet 1 in Eb rather than 2 trumpets in Bb. There is also an optional percussion part on Timpani (G & D) that can easily be played on old fashioned hand tuned instruments, and will lend a bit more gravitas to any performance. The piece is very musically satisfying to play and will sit well on any concert or recital programme. The duration of the piece is about 4:50 minutes. The PDF is 45 pages long (A4 portrait) containing a full score and parts. Printing guidance - Score (pages1-24 print A4 double sided), all parts p25-45 (with the exception of Timpani p45) are designed to fit 2 x A4 pages on A3). Look out for other similar works and arrangements by the same publisher.
$17.99
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