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Brass Quintet: 2 trumpets, horn, trombone, tuba
Sheetmusic to print
7 sheet music found
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1
Toot, Toot, Tootsie!
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gus Kahn, Ernie Erdman and Dan
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F
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Toot, Toot, Tootsie!
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Le...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1251231 Composed by Gus Kahn, Ernie Erdman and Dan Russo. Arranged by F. Leslie Smith. 20th Century,Comedy,Pop,Standards,Traditional. 37 pages. Sweetwater Brass Press #845507. Published by Sweetwater Brass Press (A0.1251231). This song starts with the narrator/lyricist saying that he overheard a guy at the train station trying to say farewell to his girl.  The guy would kiss her, bid her adieu, get on the train, then get off and do the whole thing over again.  And, he did this seven times!  What would he say to her each time?  He’d tell her that he’s leaving, that she shouldn’t cry, that he’ll write and that if she does not hear from him she should assume he’s been arrested.  What a romantic line!   Anyway, that’s the gist of the “Toot, Toot, Tootsie!†lyrics.  Credited to Gus Kahn, Ernie Erdman and Dan Russo, New York City’s Leo Feist, Inc. first published this upbeat, leave-taking song in 1922.  It had been one of 29 numbers featured in the 1921 Broadway production Bombo, a vehicle designed to showcase the talent of Al Jolson.  Six years later Jolson sang it in The Jazz Singer, generally recognized as the first sound feature film.  Additionally, all three composers, plus Ted Fio Rito and Eddie Cantor, also made early and very popular recordings.  This bubbly, cheerful arrangement opens in the key of F major with a suggested tempo of 120 BPM.  After an 8-measure introduction, the piece goes right to the familiar chorus with Trumpet 1 and Trombone switching leads and ending with a wonderful Fillmore-style smear.  The tempo then slows dramatically for a somewhat pensive interpretation of the verse, the narrator’s observations, Horn and Trumpet 1 alternating the lead.  At measure 67 the chorus repeats faster than ever, a recommended 132 BPM, as Trombone and the two Trumpets take turns with the melody.  This leads right into a repeat of the verse—this time played at full speed—and a change of key to D-flat major.  Trombone and Tuba play in unison, exchanging the melody with Trumpets, right on into the third go-round of the chorus.  The piece wraps up with a vaudeville-style conclusion and eventually fades away.  (But don’t miss Trombone's four-measure reference to “Charlottetown Is Burning Down/Goodbye, Liza Jane†at measure 141.)Lots of fun!  Completed in 2023, performance time at the suggested tempo runs about 2 minutes, 47 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99
The Peanut Vendor (el Manisero)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Stan Kenton & His Orchestra
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F
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The Peanut Vendor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshin...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1221432 By Stan Kenton & His Orchestra. By L. Wolfe Gilbert, Marion Sunshine, and Moises Simons. Arranged by F. Leslie Smith. Jazz,Latin,Multicultural,Pop,World. 39 pages. Sweetwater Brass Press #817754. Published by Sweetwater Brass Press (A0.1221432). Can a brass quintet sound like Stan Kenton’s 19-piece big band? No, not really:  no saxophones, no rhythm section, no Milt Bernhart, no Maynard Ferguson, no Bill Russo, no Conte Candoli, no . . .  Well, you get the picture.  But five brass instruments can play in the Kenton style.  And that’s what this is:  “The Peanut Vendor†in the style of the Stan Kenton Orchestra.   Moisés Simons’ “El Manisero†(“The Peanut Vendorâ€) was first recorded in the late 1920s.  The melody was relatively simple yet exotic sounding; the lyrics, a Cuban street vendor’s pitch for selling his bags of peanuts.  Consumers bought more than a million copies of the sheet music, and the song supposedly led to a “rumba craze†in the U.S. and Europe (although the song is not really a rumba!).     Don Azpiazú and his Havana Casino Orchestra recorded the song for RCA Victor in 1930 with Antonio MachÃn on the vocal; its sales may well have been more than the million-plus sheet music copies sold.     English lyrics were added by L. Wolfe Gilbert and Marion Sunshine and the song became “The Peanut Vendor.† One estimate is that nearly 200 recordings have been made.  That’s a lot of peanuts.    Stan Kenton revived “The Peanut Vendor†in 1947 when he first recorded it for Capitol Records.  His version was completely instrumental.  Rhythm and saxophones opened the number and established the background; later the trombone section added emphasis.  A trombone solo first stated the melody but eventually the five-person trumpet section took over with what one writer referred to as “shrieking dissonances.† “The Peanut Vendor†subsequently became one of Kenton’s most requested numbers and he recorded it at least three more times.   This brass quintet arrangement, of course, has access to only two trumpets.  So the good news is that all five players get a chance with the melody.  Kenton’s extended opening trombone solo is shared by Trombone and Tuba.  The “shrieking dissonances†are performed not only by Trumpets but also by Horn in F and Trombone.  The bad news is that all five players have to take a turn with the continuing rhythmic background melody.  Written in 4/4 time, the suggested tempo is 184 BPM in a Latin style.  Kenton’s version is in B-flat major; this arrangement lowers it to A-flat major so that most notes are within the normal playing range of the instruments.  (Don’t worry; the “shrieking dissonances†are still there!)     Completed in 2023, performance time runs about 3 minutes, 37 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.  (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$12.99
Once In Love With Amy
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Contemporary
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Frank Loesser
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F
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 page...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808700 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 16 pages. Sweetwater Brass Press #5020113. Published by Sweetwater Brass Press (A0.808700). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy, particularly its chorus, seems to lend itself to performance by musical instruments in the lower registers. And that’s what inspired this arrangement in which bass tuba carries the load with strong support from euphonium and tuba. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features euphonium and tuba playing melody while bass tuba provides tempo and pulse. Then comes the familiar chorus-Once in love with Amy, always in love with Amy-and bass tuba takes over. The first time through, bass tuba plays melody with the other two providing accompaniment; the second time, bass tuba plays an intricate counterpoint while euph and tuba do a rather smooth swing version of the melody. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 75 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for euphonium and bass tuba should be within normal playing range. Tuba, on the other hand, plays quite a few G and A notes at the top of the treble clef. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for brass quintet. This arrangement was completed in 2020, and performance time runs about 3 minutes, 1 second. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for euphonium) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
Good-bye Alexander
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Patriotic
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Henry Creamer, John Turner Lay
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Bill Wilson
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Good-bye Alexander
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 3 - Digital Download SKU: A0.775089 Composed by Henry Creamer, John Turner Layton. Arranged by Bill Wilson. Patriotic. 12 pages. Al...
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Brass Quintet - Level 3 - Digital Download SKU: A0.775089 Composed by Henry Creamer, John Turner Layton. Arranged by Bill Wilson. Patriotic. 12 pages. Alexander Wilson #3415825. Published by Alexander Wilson (A0.775089). Master Tin Pan Alley songwriting team Henry Creamer and John Turner Layton teamed up to write the World War I patriotic song Good-bye Alexander. Your ensemble and audience alike will enjoy the somewhat unusual syncopations in this piece, presenting at both the quarter/eighth note and eighth/sixteenth note level. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 1:35. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
El Condor Pasa (If I Could)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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BEGINNER
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Daniel Alomia Robles, Jorge Mi
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Alan Frazer (arranger) & Peet
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El Condor Pasa
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Peet du Toit
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 1 - Digital Download SKU: A0.1402823 Composed by Daniel Alomia Robles, Jorge Milchberg, and Paul Simon. Arranged by Alan Frazer (arranger) & Peet du Toit (orchestrator). Folk. 10 pages. Peet du Toit #986049. Published by Peet du Toit (A0.1402823). This song started out as an Andean folk melody that Paul Simon came across in 1969 when he played a week-long engagement at a theater in Paris along with the South American group Los Incas, who played an instrumental version of the song called Paso Del Condor. Said Simon: I used to hang around every night to hear them play that. I loved it and I would play it all the time, and then I thought, Let's put words to it.The Peruvian songwriter Daniel Robles recorded this song in 1913, and copyrighted it in the United States in 1933 during his travels in America. When Simon recorded it with his added lyrics, he thought it was a traditional song, as that's what Los Incas told him. When Robles' son filed a lawsuit, Simon had to give Robles a composer credit on the song, with his estate getting those royalties.In discussing the song, Simon always talks about it as being based on a traditional Peruvian song, and we've never heard him mention Robles. This wasn't the first time Simon got tangled over songwriting credits on traditional melodies: Simon & Garfunkel's Scarborough Fair / Canticle was based on a folk song, but his arrangement came from a singer named Martin Carthy. Simon was always clear on his influences, but legal misunderstandings were a problem in these cases.Los Incas, who were the group that introduced Simon to the song, provided the instrumentation when they recorded it in Paris with Simon. Their leader, Jorge Milchberg, played a charango, which is an Andean string instrument made from the shell of an armadillo. Simon played acoustic guitar, and other members of Los Incas played flutes and percussion. When Simon brought the track to America, he added his lyrics. This was one of the easier songs to record for the Bridge Over Troubled Water album, since the backing track was already mixed together - it was just a matter of adding the vocals.The title translates to English as The Condor Passes. The lyrics Robles wrote to the song in 1913 are about returning home to his native Peru.Los Incas leader Jorge Milchberg got a composer credit on this song along with Simon and Robles. Milchberg later became the head of the group Urubamba and remained friends with Simon, who toured with them and produced their first American album. >>The Wainwright Sisters covered this for their 2015 Songs in the Dark album. Lucy Wainwright Roche explained to The Sun: I chose 'El Condor Pasa' because it was one of the first songs I ever learned to play on it guitar and it has a childlike quality to it, but it also has a darkness and sadness that fit in well with the album.Paul Simon performed this on both Sesame Street (in 1977) and The Muppet Show (in 1980).
$15.00
It's You I Like from MISTER ROGERS' NEIGHBORHOOD
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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EASY
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Film/TV
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Fred Rogers
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Bill Wilson
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It's You I Like from MISTER RO
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Alexander Wilson
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SheetMusicPlus
Brass Quintet - Level 2 - Digital Download SKU: A0.775162 Composed by Fred Rogers. Arranged by Bill Wilson. Film/TV. 18 pages. Alexander Wilson #3578023....
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Brass Quintet - Level 2 - Digital Download SKU: A0.775162 Composed by Fred Rogers. Arranged by Bill Wilson. Film/TV. 18 pages. Alexander Wilson #3578023. Published by Alexander Wilson (A0.775162). Fred Rogers and jazz pianist John Costas teamed up to write a number of classic songs for Mister Rogers' Neighborhood. Rogers wrote the lyrics and melodies and Costas wrote amazing accompaniments with lush yet subtle jazz harmonizations for them. It's You I Like is a heartfelt song aimed at children, but the Costas arrangement and Rogers' somewhat generic lyrics turned this into a work that could as easily be interpreted as a torch song. Melodic responsibilities are shared between both trumpets and the French horn. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:10. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$12.99
Brass Quintet - Ding Dong Merrily on High
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Christmas
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Anon
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Mike Lyons
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Brass Quintet - Ding Dong Merr
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.767377 Composed by Anon. Arranged by Mike Lyons. Children,Christian,Christmas,Contemporary. Score and...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.767377 Composed by Anon. Arranged by Mike Lyons. Children,Christian,Christmas,Contemporary. Score and parts. 43 pages. Lyons Music Services #3586111. Published by Lyons Music Services (A0.767377). A brand new and somewhat quirky arrangement of the well-known Christmas Carol. The Trombone and Tuba are given a fair crack of the whip, rather than it being left up to the trumpets all the time!At letter D the music slips into a Jazz Waltz style and it is important to swing the quavers to gt the full effect, which produces some interesting results. and at letter F, we find ourselves creating a little Hocket, with fragments of the tune passed around the enemble - but without it losing any of its cohesion.At letter G the music returns (almost) to normal. and this reprise leads to the end.Please pay attention to all te articulations and slurs, which are very specific to create the effects.If you are bored with the traditional setting s, then this is for you.Parts supplied:Trumpet/Cornet 1Trumpet/Cornet 2Horn in F/EbTrombone/Euphonium/Baritone (Bass/Treble)Tuba/Eb Bass (Bass/Treble)
$10.99
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