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Dance Suite - Passacaglia Easy
Guitar notes and tablatures
Sheetmusic to print
2 sheet music found
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Dance of the Sugar Plum Fairy
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Guitar notes and tablatures
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BEGINNER
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Classical
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Peter Ilyich Tchaikovsky
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Bronson Ferdinand Wright
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Dance of the Sugar Plum Fairy
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Bronson Ferdinand
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1375702 Composed by Peter Ilyich Tchaikovsky. Arranged by Bronson Ferdinand Wright. 19th Cent...
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1375702 Composed by Peter Ilyich Tchaikovsky. Arranged by Bronson Ferdinand Wright. 19th Century,Christmas,Classical,Holiday,Instructional. Tablature. 2 pages. Bronson Ferdinand #960247. Published by Bronson Ferdinand (A0.1375702). Easy guitar arrangement of this classic from The Nutcracker Suite for beginnersThis version includes tab and guitar chord grids.
$1.99
Fugue Study in Em
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Guitar notes and tablatures
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INTERMEDIATE/ADVANCED
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Oliver Waterman
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Fugue Study in Em
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Oliver Waterman
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1017653 Composed by Oliver Waterman. 20th Century,Baroque,Contemporary. Guitar Tab. 5 pages. Oliver Waterman ...
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Guitar - Level 4 - Digital Download SKU: A0.1017653 Composed by Oliver Waterman. 20th Century,Baroque,Contemporary. Guitar Tab. 5 pages. Oliver Waterman #6212365. Published by Oliver Waterman (A0.1017653). My Fugue Study in Em, is a sneak peak into a collection of studies for guitar that I've composed called Classically Different. They are not meant for the beginner student, but they are pedagogical. They are the result of imagining what it would have been like to have the 6 string guitar a common place instrument during the 18th century. Would there have been powerhouse guitarist/composers like Sor and Giuliani of the 19th century? Would they have performed and composed like Bach Vivaldi and Weiss? Would Bach have composed a suite for it? I originally composed this Fugue for keyboard in my counterpoint class. As I started to arrange it for guitar and learn to play it, I realized that I was running into similar problems that guitarists have experienced since Tarrega first started transcribing Bach. I coincidentally rewrote a number of sequences and entrances of the subject to make it more guitar logical. There are still leaps by a 7th sprinkled in to continue a low melody an octave higher due to the range limitations of the 6 string guitar. I wonder if perhaps this would have been a useful mechanism for the hypothetical guitarists of the 18th century, or if they would have just composed for the instruments range. It is quite apparent to me that a great deal of Baroque music arranged for guitar makes great use of this without degradation to the original line. I use both tablature and standard notation for my scores with perhaps an overabundance of fingerings. I want to make it as easy as possible to understand the music for as many players as possible. .
$1.99
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