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What's My Name
SheetMusicPlus
Guitar notes and tablatures
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6 sheet music found
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1
3 Sheets to the Wind (What's My Name)
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Guitar notes and tablatures
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Rock
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Kid Rock
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Ritchie
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3 Sheets to the Wind
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Kid Rock. By R.J. ''Kid Rock'' Ritchie. For Guitar TAB. Pop/Rock. 5 pages. Published by Alfred Music - Digital Sheet Music ...
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By Kid Rock. By R.J. ''Kid Rock'' Ritchie. For Guitar TAB. Pop/Rock. 5 pages. Published by Alfred Music - Digital Sheet Music
$2.99
Waltz Op 69 No 2 (Arranged for Guitar)
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Guitar notes and tablatures
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INTERMEDIATE
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Classical
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Frederic Chopin
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Brian Streckfus
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Waltz Op 69 No 2
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Brian Streckfus
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,C...
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Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By FreÌdeÌric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy. Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.
$1.99
Famous 5 Types of Chords
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Guitar notes and tablatures
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BEGINNER
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Brian Streckfus
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Famous 5 Types of Chords
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Brian Streckfus
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1370027 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 6 pages. Bri...
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Easy Guitar (with TAB) - Level 1 - Digital Download SKU: A0.1370027 Composed by Brian Streckfus. Instructional,Singer/Songwriter. Tablature. 6 pages. Brian Streckfus #954402. Published by Brian Streckfus (A0.1370027). I created this to make learning the most common chords on guitar easier. Learning chords on guitar is quite difficult; fret numbers are quite arbitary to what the chord is. There are patterns to follow, but they are buried in a convoluted foggy swamp. The tuning of guitar strings essentially puts the music theory in a blender and one has to study for a long time to decode it. It is my hope that this PDF will shine some light on how chords are built, and why some of them have a lot of clarity in how they are working, and why others seem completely random. This PDF shows chords that commonly happen in pop music, so it is by no means an exhaustive list. For knowing how to use chords, see my chord progression generator uploads.Tips:1. There is redundacy for a reason; this pdf shows multiple ways of playing the same chord.2. The first two pages are for the music theory purists in that there is hardly ever an uneccesary note to mantain the name of the chord. This is useful for understanding what notes are needed for a chord (it's a cliche for guitarists to have overly large chords).3. Pages 3 and 4 are the famous voicings. 4. Pages 5 and 6 are the bar chord versions. These versions are physically harder to play, but they can add a lot of clarity and simplicity to your playing (the famous voicings on pages 3 and 4 are seemingly random). They are much easier to slide to any key you want and much easier to see similiarities and patterns between chords.
$1.99
Twistedstalk
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Guitar notes and tablatures
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INTERMEDIATE
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Dan Hopson
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Twistedstalk
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Dan Hopson
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.906596 Composed by Dan Hopson. Contemporary,Instructional,Standards. Guitar Tab. 2 pages. Dan Hopson #18279. ...
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Guitar - Level 3 - Digital Download SKU: A0.906596 Composed by Dan Hopson. Contemporary,Instructional,Standards. Guitar Tab. 2 pages. Dan Hopson #18279. Published by Dan Hopson (A0.906596). This quirky piece resulted from a day hike with my daughter and our encounter with a common plant called twistedstalk or wild cucumber. I commented that the name would be a cool one for a band, but later wondered what a twistedstalk guitar piece would sound like. Hence, the twisted nature of this piece. The plant itself is quite attractive, though, so I worked in a more melodic middle section for contrast. Other than a couple of right hand harmonics, it's not difficult to play - actually quite fun if the tabulature and fingerings are followed closely.
$3.99
Mattonya
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Guitar notes and tablatures
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Fingerstyle/Fingerpicking
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Michael Mccabe
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Mattonya
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Published by Jjam Music ASCAP
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SheetMusicPlus
Guitar Tab - Digital Download Composed by Michael Mccabe. Contemporary Classical, Neo- Classical, Celtic, Recital, New Age. Score, Tablature. 6 pages. P...
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Guitar Tab - Digital Download Composed by Michael Mccabe. Contemporary Classical, Neo- Classical, Celtic, Recital, New Age. Score, Tablature. 6 pages. Published by Published by Jjam Music ASCAP
“Mattonya” is a soloacoustic finger-style guitar composition. Like “Krisomas”, “Mattonya” was composed for Mattand Tonya’s wedding, hence the name. “Mattonya” is from my release “BeyondWords” and included in my newest compilation. “Together As One” which is songsI composed for weddings as “Mattonya” created this theme. “Mattonya” opens with no intro, gets right to the theme. The theme is in 4/4 and switches elegantly to 6/8, a delightful change. “Mattonya” could be a welcome part of your show and is appropriate for schools, students, and church services for special events or concerts. "Mattonya" is an easy flowing piece which needs compassion. The 6/8 section does need to be steady and aggressive. Practice this section with a metronome starting out about 90 BPM's or what's comfortable. Then build up to 125 BPM's, the original tempo. It's important to adhere to the fingering, it works really well. Standard tuning. I've had a lot of success with "Mattonya" and I'm confident you will too! Enjoy and please share your comments. I can help with questions and or concerns. I've included the studio recording as well as a live performance.
$5.00
(That's What You Get) For Lovin' Me/Did She Mention My Name
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Guitar notes and tablatures
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Gordon Lightfoot
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Adult Contemporary
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(That's What You Get) For Lovi
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Gordon Lightfoot. By Gordon Lightfoot. Folk; Adult Contemporary; Pop/Rock. 11 pages. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0002351). - -...
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By Gordon Lightfoot. By Gordon Lightfoot. Folk; Adult Contemporary; Pop/Rock. 11 pages. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0002351). - - Folk; Adult Contemporary; Pop/Rock - Alfred Music - Digital Sheet Music
$2.99
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