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You've selected:
Blowin
Jazz Ensemble
Sheetmusic to print
9 sheet music found
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1
Blue All Over, from the Michael BB Quartet CD " Guided Tour"
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Michael Bomier
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Blue All Over, from the Michae
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Michael Butkus-Bomier
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862507 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and ...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862507 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 61 pages. Michael Butkus-Bomier #2032065. Published by Michael Butkus-Bomier (A0.862507). Here is a blues in C minor, a staple of jazz groups both large and small. This chart has several unusual aspects, all set within this familiar format. The theme is stated by the trumpets, then, the saxes take a one-chorus interlude on a pentatonic figure. The first (and ONLY) soloist on the audio track is the tenor sax. BUT, the chart is designed to have the alto, tenor, bari, and finally All THREE saxes blowing their blues away at once! A similar treatment follows with the trumpets. Three blues choruses from the piano give the horns a break, and a SampleSolo is included for this instrument ONLY, due to the nature of the group improv that is structured into the piece. Then the trombones have their 12-bar interlude, and the lead trombone plays three more 12-bar sets, but just the one horn, as we've had enough group enthusiasm at this point! At the conclusion, the three interlude sections all come back, but simultaneously, as they have been designed to fit together. Then the final statement of the theme is played in hocket or stretto, whichever term you choose, with one voice starting and the other two choirs following behind. This chart can be played using only one soloist per section, or with the entire group solos, or anything in between, for that matter! If you have a blowing band, you'll want to show them off! Running time with a single soloist per section is 3 mins 45 secs. considerably longer with the multiple and group solos. MBB.
$20.00
Ain't No Thang
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Jazz Ensemble
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ADVANCED
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Blues
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Jazz
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James Gagne
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Ain't No Thang
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Jams Engage Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1382432 Composed by James Gagne. Blues,Jazz. 59 pages. Jams Engage Music #966915. Publis...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1382432 Composed by James Gagne. Blues,Jazz. 59 pages. Jams Engage Music #966915. Published by Jams Engage Music (A0.1382432). This epic charts starts off as a low key, demented blues and works its way into a wild double time with plenty of blowing space for a tenor sax solo. Evenetually it kicks back to its original groove to finish off its journey. But it Ain't No Thang.
$60.00
Work Song
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Jazz Ensemble
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INTERMEDIATE
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Jazz
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Julian Cannonball Adderley
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Daryl McKenzie
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Work Song
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Daryl McKenzie
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.718096 By Julian Cannonball Adderley. By Nat Adderley. Arranged by Daryl McKenzie. Jazz....
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.718096 By Julian Cannonball Adderley. By Nat Adderley. Arranged by Daryl McKenzie. Jazz. Score and parts. 24 pages. Daryl McKenzie #4745577. Published by Daryl McKenzie (A0.718096). Arranged for Four Horns and Rhythm Section - Head, Blowing chorus with background figures.Trumpet, Alto Sax, Tenor Sax, Trombone, Piano, Guitar, Bass, Drums.More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$19.99
Misfit The Second
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Jazz Ensemble
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Jazz
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Matt Belzer
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Misfit The Second
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Matobelu Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.483324 Composed by Matt Belzer. Jazz. Score and parts. 93 pages. Published by Matobelu Music (A0.4...
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.483324 Composed by Matt Belzer. Jazz. Score and parts. 93 pages. Published by Matobelu Music (A0.483324). Misfit The Second was originally written for the Johns Hopkins University Jazz Ensemble. A challenging and intense work, it includes aleatoric sections based on Morse code, a fast 3/4 section with occasional 2/4's and an open pedal point blowing section. Solos for 2nd trumpet (opt. flugelhorn) and 1st Tenor. 5 saxes (AATTB), 8 Brass, 4 Rhythm. There is a small group recording available on Matt Belzer’s Connections.
$44.99
Watermelon Man
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Jazz Ensemble
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EASY
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Jazz
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Herbie Hancock
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Daryl McKenzie
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Watermelon Man
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Daryl McKenzie
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.718095 By Herbie Hancock. By Herbie Hancock. Arranged by Daryl McKenzie. Jazz. Score and...
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.718095 By Herbie Hancock. By Herbie Hancock. Arranged by Daryl McKenzie. Jazz. Score and parts. 5 pages. Daryl McKenzie #4745233. Published by Daryl McKenzie (A0.718095). Straight ahead arrangement - harmonised head and blowing changes. Trumpet, Sax 1 Tenor, Sax 2 Alto (opt.), Trombone, Rhythm Section. No Score included.More arrangements by Daryl McKenzie: https://www.sheetmusicplus.com/publishers/daryl-mckenzie/6128
$13.99
They Came Here to Dance (Swing Band Arrangement)
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Mike Strand, ASCAP
T
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Mike Strand
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They Came Here to Dance
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Michael M. Strand
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Mich...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00
Popular Culture For Jazz Ensemble. from the Michael BB Quartet CD "Popular Culture"
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Michael Bomier
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Popular Culture For Jazz Ensem
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Michael Butkus-Bomier
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862526 Composed by Michael Bomier. Contemporary,Jazz,Standards. Score and parts. 58 page...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.862526 Composed by Michael Bomier. Contemporary,Jazz,Standards. Score and parts. 58 pages. Michael Butkus-Bomier #2032953. Published by Michael Butkus-Bomier (A0.862526). Popular Culture is a most interesting tune. The melody is all in 4ths, over some altered and minor chords. Each of the scales required for the improvisers is a melodic minor-derived scale, giving the whole piece an air of both openness, with the wide melodic intervals, and also a darker color, with those chords and scales in play. There are SampleSolos for the piano and 4th trumpet. Changes are included for an additional trombone solo, if desired, no sample provided. The main statement segues directly into a mixed soli that alternates tutti and mixed soli sections. Then, it's on to the blowing choruses, each with the background. No soloists will be required to play in the background, so everyone stays fresh. The melody returns, in a layered and stretto sort of way, with the final theme's second half returning to the altered voicings that are so characteristic the piece. Approx running time is one minute per chorus. Audio clip is just the piano solo, with backgrounds, so as to be able to hear those backgrounds clearly. Ranges are conservative, high and low. Rhythm section Uni-Part for bass, optional guitar, and even piano and drums if you wish, for simplicity's sake. All parts are two pages, rhythm section are three. MBB.
$20.00
Don't Work Too Hard GateWay Editions Jazz Ensemble Series
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Jazz Ensemble
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Michael Bomier
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Don't Work Too Hard GateWay Ed
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Michael Butkus-Bomier
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.862528 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 75 ...
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.862528 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 75 pages. Michael Butkus-Bomier #2033003. Published by Michael Butkus-Bomier (A0.862528). The IImin7-V7-IMaj7 chord progression is the first and most basic set of chords in tonal jazz. So, let's see how far they can be layered, stretched, and interwoven to create some nicely contrasting harmonic and melodic colors. OK, it Might take a BIT more work that the title suggests. Irony is IN right now... The saxes state the theme in octave unison, while the brass comment and accompany. Then the saxes take over for a full chorus of soli. None of the phrases is more than three measures in length, so the players can blow through without blowing themselves out. The soloists are the trumpet, accompanied by a trombone background, and the piano, with saxophones behind it. SampleSolos are provided. The trumpet shows how Woody Shaw might have played this piece with pentatonic scales, a bit of a contrast to the tonal nature of the changes. The piano has a rapid, multi-noted solo with lots of chromatics, with fingerings, to show what the Tatum-style of pianistic technique is all about. Running time is just over 4 mins at suggested tempo. The rhythm section Uni-Part is included with every GateWay Edition Jazz Ensemble Series chart. Drum part is notated as heard on the audio clip. MBB.
$20.00
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