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Chor-Express
Not classified
659
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354
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212
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161
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112
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85
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9
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8
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7
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3
Piano Quartet: piano, violin, viola, cello
2
Piano Quartet: piano, 2 violins, cello
1
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+ 10 instrumentations
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139
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2 Ukuleles
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153
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114
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104
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75
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28
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15
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13
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12
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7
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6
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5
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3
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1
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High voice
1
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73
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71
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67
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65
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64
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62
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42
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41
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39
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37
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36
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33
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32
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28
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26
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25
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19
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18
English Horn
17
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15
Baritone Saxophone
15
2 Recorders (duet)
13
3 Clarinets (trio)
12
2 Oboes (duet)
10
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9
Recorder
9
English horn, Piano
9
Saxophone, Clarinet (duet)
8
Flute, Clarinet and Bassoon.
6
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6
3 Saxophones (trio)
6
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6
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5
Bass Clarinet
5
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5
Oboe, Clarinet (duet)
4
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4
Tenor Recorder
4
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4
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3
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3
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3
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3
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2
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2
Flute ensemble
2
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2
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2
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2
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2
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1
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1
Saxophone and Guitar
1
+ 60 instrumentations
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60
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56
Trumpet
53
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51
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48
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48
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40
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38
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34
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18
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18
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17
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14
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13
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10
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9
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8
Euphonium
8
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8
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6
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6
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6
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5
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2
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2
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1
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1
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1
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136
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87
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68
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57
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26
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18
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14
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7
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94
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21
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Chor-Express
Jazz Ensemble
Sheetmusic to print
4 sheet music found
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1
Blues For Lester
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Jazz Ensemble
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ADVANCED
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Roger Aldridge
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Blues For Lester
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979625 Composed by Roger Aldridge. Blues,Contemporary,Jazz. Score and parts. 17 pages. R...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979625 Composed by Roger Aldridge. Blues,Contemporary,Jazz. Score and parts. 17 pages. Roger Aldridge #118877. Published by Roger Aldridge (A0.979625). Blues For Lester (for jazz soloist, 5 wind instruments, and rhythm section) is an extended piece with an eclectic blend of jazz, funk, contemporary classical, and blues. It is an expression of my admiration for Lester Young, the great tenor saxophonist, who had many quirky qualities in his music. This piece draws upon aspects of Lester Young's playing that I admire and have internalized: His horizontal approach to harmony, how he played around with time in his phrasing, used wrong notes (from a vertical chord perspective) at times, and had an audacious sense of humor. These are expressed in Blues For Lester in my own style. The score was originally conceived for woodwind quintet (with alto flute). Alternate parts are provided for an assortment of commonly-used wind instruments. In this way, the piece can be performed by various combinations of instruments. As another possibility, two (or more) musicians can be used on each wind instrument part. This option of having doubled parts -- with either same or different instruments on a part -- is an easy way for larger ensembles to perform this music. PARTS: The set of parts is available at BLUES FOR LESTER PARTS (S0.84819). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ VIDEO: https://youtu.be/8_FuaZBGJ5Y DURATION: around 4:00 YEAR OF RELEASE: 2012 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00
Connecticut Avenue SUVs
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Jazz Ensemble
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ADVANCED
#
Roger Aldridge
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Connecticut Avenue SUVs
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979653 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 10 pages. Roger A...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979653 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 10 pages. Roger Aldridge #441219. Published by Roger Aldridge (A0.979653). Shifting time funk (for 5 wind instruments and rhythm section)! The title expresses my disdain for contending with monster SUVs when driving on Connecticut Avenue in Washington, DC. As I envision this music, it is funky and adventurous. The piece is a minimalist composition -- the melody is only 16 bars. However, it has expanded improvisation concepts for the soloist and the ensemble. The ensemble's collective improvisation is to sound like music coming out of car windows in traffic. The sounds change quickly. Different kinds of music come, go, and overlap. Radios (or electronics) may be used for additional layers of sound. The soloists use four chord progression patterns. Each soloist determines which patterns to play and their sequence. The patterns can be played in any order. Ideally, the patterns are determined within a performance instead of before. The soloist communicates the patterns, and when to shift to a new pattern, to the ensemble by hand signals. The ensemble (including horn players) can improvise backgrounds and interactions with the soloist. Music styles can also shift within a solo. Performers can take the music in any creative direction they want to go with it. Note: There are differences between the score and the demo recording. The small group recording was made (from a lead sheet) several years before my mid-size ensemble score was written. For this new recording, the horn parts from my score were added to the earlier recording. The video syncs the pages of the score with the recording as closely as possible. PARTS: The set of parts is available at CONNECTICUT AVENUE SUVS PARTS (S0.84821). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/82TWCuIcjso WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00
And I Love Her
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,L...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
flowers for the shadows
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Jazz
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Denin Koch and beta particle
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Denin Slage-Koch
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flowers for the shadows
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Denin Slage-Koch
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.547149 By Denin Koch and beta particle. By Denin Slage-Koch. Arranged by Denin Slage-Koc...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.547149 By Denin Koch and beta particle. By Denin Slage-Koch. Arranged by Denin Slage-Koch. Jazz. Score and parts. 58 pages. Denin Slage-Koch #157043. Published by Denin Slage-Koch (A0.547149). A moving, expressive ballad with folklike qualities for big band, featuring trombone. Written as a tone poem honoring the victims of the atomic bombings of Hiroshima and Nagasaki, the piece also has moments for piano, 1st alto, and guitar. The piece starts softly, with piano and first alto playing in duet as the rest of the band slowly enters. As the trombone states the theme and then improvises, the piece crescendos into a massive, Kenton-esque release before winding back down towards an unresolved, tense, final chord, reminding listeners that the threat of war still looms over humanity.
$50.00
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