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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Come As You Are
Not classified
1,448
Piano & keyboards
Piano solo
498
Piano, Vocal and Guitar
486
Piano, Voice
229
Easy Piano
156
Organ
68
Big Note Piano
57
C Instruments
47
1 Piano, 4 hands
29
Piano Trio: piano, violin, cello
18
Piano Accompaniment
15
2 Pianos, 4 hands
14
Organ, Piano (duet)
5
Piano Quartet: piano, 2 violins, cello
5
Piano Quartet: piano, violin, viola, cello
3
Piano Quintet: piano, 2 violins, viola, cello
3
Accordion
3
Keyboard
2
2 Pianos, 8 hands
2
1 Piano, 6 hands
1
+ 14 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
459
Piano, Guitar (duet)
117
Guitar
70
Bass guitar
67
Ukulele
17
Melody line, (Lyrics) and Chords
15
2 Guitars (duet)
12
4 Guitars (Quartet)
8
3 Guitars (trio)
6
Dulcimer
5
Banjo
2
Lyrics and Chords
2
Mandolin
2
Guitar (band part)
2
+ 9 instrumentations
-
Retract
Voice
Choral SATB
200
Choral 3-part
57
Choral 2-part
48
Choral Unison
31
Choral TTBB
22
Choral SSAA
16
Vocal duet, Piano
13
Vocal duet
8
High voice
6
Soprano voice, Piano
4
Alto voice, Piano
3
Tenor voice, Piano
2
Voice solo
2
Medium voice, Piano
1
Soprano voice
1
Low voice
1
Tenor voice
1
Baritone voice
1
+ 13 instrumentations
-
Retract
Woodwind
Oboe, Piano (duet)
250
Clarinet and Piano
240
Flute and Piano
222
Alto Saxophone and Piano
174
Tenor Saxophone and Piano
150
2 Saxophones (duet)
147
Saxophone Quintet: 5 Saxophones
106
Saxophone ensemble
100
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
80
Saxophone Quartet: 4 saxophones
56
Flute, Oboe, Clarinet, Bassoon
56
2 Flutes (duet)
56
Clarinet
48
Oboe (band part)
47
Clarinet Ensemble
41
2 Clarinets (duet)
41
Flute
39
Saxophone, Clarinet (duet)
38
Soprano Saxophone and Piano
31
Flute ensemble
30
Alto Saxophone
28
2 Flutes, Piano
26
Clarinet, Violin (duet)
23
Flute Quintet : 5 flutes
22
Flute, Clarinet (duet)
22
Clarinet Quartet: 4 clarinets
21
3 Saxophones (trio)
19
2 Oboes (duet)
19
Clarinet, Trumpet (duet)
18
Baritone Saxophone, Piano
17
3 Clarinets (trio)
14
Flute and Guitar
14
Flute, Saxophone (duet)
13
Oboe, Clarinet (duet)
13
Oboe, Bassoon (duet)
13
Flute, Violin
13
Clarinet and Viola
12
English horn, Piano
12
Oboe, Flute
10
Flute, Violin, Piano
9
Tenor Saxophone
9
Flute, Trumpet (duet)
9
Bass Clarinet, Piano
9
Flute, Clarinet and Bassoon.
8
Flute Trio: 3 flutes
8
Clarinet, Bassoon (duet)
8
Clarinet Quintet: 5 clarinets
7
Flute, Oboe, Clarinet (trio)
7
Flute, Bassoon, and Piano
6
Flute Quartet: 4 flutes
6
Clarinet, Cello (duet)
6
Oboe
5
Descant (Soprano) Recorder
4
Soprano Saxophone
4
Recorder Quartet
4
Clarinet (band part)
4
Baritone Saxophone
4
Flute (band part)
4
Saxophone (band part)
4
Descent (Soprano) Recorder, Piano
3
Saxophone
3
Clarinet, Guitar (duet)
3
2 Recorders (duet)
3
Flute, Viola (duet)
3
Clarinet, Trombone (duet)
2
Flute, Clarinet, Piano (trio)
2
Flute, Violoncello
2
3 Recorders (trio)
2
Harmonica
2
Treble (Alto) Recorder
2
Saxophone and Guitar
2
Ocarina
2
English Horn, Guitar (duet)
2
Treble (Alto) Recorder, Piano
2
Oboe, Guitar (duet)
2
Oboe, Clarinet, Bassoon (trio)
2
Oboe, Cello
2
Clarinet, Tuba
1
Clarinet, Double bass (duet)
1
Bass Clarinet
1
Pennywhistle
1
Flute, Cello, Piano (trio)
1
Oboe ensemble
1
Flute and String Quartet
1
2 Clarinets, Piano
1
5 Recorders
1
Wind ensemble
1
Recorder Ensemble
1
+ 83 instrumentations
-
Retract
Woodbrass
Trombone and Piano
179
Brass Quintet: 2 trumpets, horn, trombone, tuba
113
Trumpet
104
Brass quartet : 2 trumpets, trombone, tuba
92
Trumpet, Piano
88
Trumpet ensemble
58
Brass Quartet: 2 trumpets, horn, trombone
43
Trombone
36
Trombone ensemble
35
French Horn and Piano
32
2 Trumpets (duet)
28
Trumpet, Saxophone (duet)
22
Brass Quartet
21
2 Trombones (duet)
21
Tuba and Piano
20
Trumpet (band part)
20
French horn
18
Tuba
18
Trumpet, Trombone (duet)
18
Brass Quartet: 4 trombones
18
English horn, Piano
12
Euphonium, Piano (duet)
11
Brass Trio
7
Horn Ensemble
7
2 French horns (duet)
6
Trumpet, Horn (duert)
4
Brass Quartet: 4 trumpets
4
2 Tubas (duet)
3
3 Trumpets (trio)
2
Horn, Tuba (duet)
2
4 Tubas
2
Brass Quartet: 4 horns
2
English Horn, Guitar (duet)
2
Euphonium, Tuba (duet)
2
Tuba (band part)
1
3 French horns (trio)
1
French horn (band part)
1
French horn and Basson (duet)
1
Trumpet, Euphonium (duet)
1
Tuba ensemble
1
Trumpet, Cello (duet)
1
Bass Clef Instruments
1
Trombone (band part)
1
3 Trombones (trio)
1
Trumpet, Bassoon (duet)
1
2 Trumpets, Keyboard (piano or organ)
1
Brass Quartet: 2 trumpets, 2 trombones
1
+ 42 instrumentations
-
Retract
Strings
Violin and Piano
247
Viola, Piano
224
Cello, Piano
186
String Quartet: 2 violins, viola, cello
157
Violin
62
Violin, Cello (duet)
56
String Trio: violin, viola, cello
49
Cello
49
2 Violins (duet)
46
2 Cellos (duet)
31
Viola
31
Violin, Viola (duet)
27
2 Violas (duet)
26
Viola ensemble
20
Double bass, Piano (duet)
19
Violin ensemble
19
String Quintet: 2 violins, viola, cello, bass
18
Harp
17
String Trio: 2 violins, cello
15
Double Bass
14
Viola (band part)
13
Piano Trio: Violin, Viola, Piano
8
String Trio: 3 violas
6
Harp, Voice
5
Violin, Guitar (duet)
5
Viola, Cello (duet)
5
4 Cellos
4
Violin, Clarinet, Piano (trio)
3
String quartet: 4 violins
3
2 Harps (duet)
3
String Quintet: 2 violins, 2 violas, cello
3
2 Violins, Piano
3
Cello, Guitar (duet)
3
2 Double basses (duet)
2
String Trio: 3 cellos
2
String Quartet : 4 violas
2
Violin (band part)
2
Cello Ensemble
1
Doublebass (band part)
1
Violin, Cello, Clarinet
1
String Trio: 3 violins
1
Harp, Cello (duet)
1
Cello, String Bass (duet)
1
Violin, Tuba (duet)
1
Viola and Harp
1
Viola, Guitar (duet)
1
4 Double Basses
1
Violin, Bassoon (duet)
1
Flute, Doublebass (duet)
1
+ 44 instrumentations
-
Retract
Orchestra & Percussion
Concert band
159
Orchestra
81
String Orchestra
79
Brass ensemble
53
Handbells
46
Chamber Orchestra
41
Jazz Ensemble
27
Drums
19
Jazz combo
14
Marching band
10
Percussion Ensemble
6
Drum (band part)
2
Vibraphone
2
Marimba
2
School Ensemble
1
Percussion (band part)
1
Brass Quintet: other combinaisons
1
Orchestra, Violin
1
+ 13 instrumentations
-
Retract
Others
Musical course - Solfege
1
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Come As You Are
Jazz Ensemble
Sheetmusic to print
27 sheet music found
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1
26
I Thought It Was You
#
Jazz Ensemble
#
INTERMEDIATE/ADVANCED
#
Herbie Hancock
#
Johan Verhey
#
I Thought It Was You
#
DaimlerMusic
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1225926 By Herbie Hancock. By Herbie Hancock, Jeffrey Cohen, and Melvin Ragin. Arranged ...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1225926 By Herbie Hancock. By Herbie Hancock, Jeffrey Cohen, and Melvin Ragin. Arranged by Johan Verhey. Disco,Funk,Jazz,Rock. 83 pages. DaimlerMusic #821963. Published by DaimlerMusic (A0.1225926). Step into a world of musical enchantment as the talented Johan Verhey invites you to experience a mesmerizing big band reimagining of Herbie Hancock's 'I Thought It Was You.' Prepare to be swept away by the magic of Johan's artistry, where classic jazz meets contemporary brilliance.Johan Verhey's arrangement takes this jazz-funk gem to new heights, infusing it with a dynamic energy that's impossible to resist. Every note, every instrument, and every moment in this rendition is a testament to the passion and expertise of a true musical visionary.As you listen, you'll find yourself transported to a realm where the boundaries between the past and the present blur, all thanks to Johan's extraordinary craftsmanship. With a fusion of groovy rhythms, scintillating brass, and the sheer power of a big band, 'I Thought It Was You' comes to life in ways you've never imagined.This is more than music; it's an experience that transcends time and genre, a journey into the heart of jazz's future. Johan Verhey's arrangement encapsulates the essence of innovation and artistry, a testament to the enduring power of Herbie Hancock's timeless composition.Prepare to groove, be amazed, and let your soul dance to the rhythm of 'I Thought It Was You.' Johan Verhey's arrangement promises to leave you spellbound and craving for more. It's a musical transformation that you won't want to miss.Join Johan Verhey on this sonic adventure, where the past and the present converge, and the future of jazz shines brightly. Don't just listen; immerse yourself in the brilliance of 'I Thought It Was You.More music from Johan Verhey, see: www.bestarrangementsforbands.com.
$60.00
Why You Blues
#
Jazz Ensemble
#
Jazz
#
John Philips
#
Why You Blues
#
John Philips Music Service
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867...
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published by John Philips Music Service (A0.947277). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
Come Dance With Me
#
Jazz Ensemble
#
INTERMEDIATE/ADVANCED
#
James Van Heusen
#
Brad Esbensen
#
Come Dance With Me
#
Brad Esbensen Music Services
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.774484 Composed by James Van Heusen. Arranged by Brad Esbensen. Contemporary,Jazz,Standa...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.774484 Composed by James Van Heusen. Arranged by Brad Esbensen. Contemporary,Jazz,Standards. Score and Parts. 71 pages. Brad Esbensen Music Services #6318549. Published by Brad Esbensen Music Services (A0.774484). Arranged as a big band vocal feature with the first chorus in G major and second chorus in Ab major (a semitone lower than originally recorded by Sinatra), this arrangement follows a similar form to a version originally recorded by Frank Sinatra with the Billy May Orchestra on the Grammy Award winning album Come Dance With Me. A straight ahead swing chart requiring a solid lead trumpet (F6 required) and trombone (Ab4 required). Piano voicings and a notated bass part are provided. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$60.00
Here Comes The Big Parade
#
Jazz Ensemble
#
INTERMEDIATE
#
Harry Connick Jr
#
Brad Esbensen
#
Here Comes The Big Parade
#
Brad Esbensen Music Services
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774381 Composed by Harry Connick Jr. and Ramsey McLean. Arranged by Brad Esbensen. Conte...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774381 Composed by Harry Connick Jr. and Ramsey McLean. Arranged by Brad Esbensen. Contemporary,Jazz,Pop. Score and Parts. 96 pages. Brad Esbensen Music Services #4265263. Published by Brad Esbensen Music Services (A0.774381). This chart follows the same form as the version recorded by Harry Connick Jr. on his album She. The chart features a funky groove and solo space to feature the pianist and drummer. Brass ranges are moderate with 1st Trumpet requiring D6 at the very end, although this could be played 8vab. The arrangement is in the key of C major as on the original recording. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$60.00
Here Comes The Big Parade
#
Jazz Ensemble
#
INTERMEDIATE
#
Harry Connick Jr
#
Brad Esbensen
#
Here Comes The Big Parade
#
Brad Esbensen Music Services
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774382 Composed by Harry Connick Jr. and Ramsey McLean. Arranged by Brad Esbensen. Conte...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.774382 Composed by Harry Connick Jr. and Ramsey McLean. Arranged by Brad Esbensen. Contemporary,Jazz,Pop. Score and Parts. 84 pages. Brad Esbensen Music Services #4265269. Published by Brad Esbensen Music Services (A0.774382). This chart follows fairly closely the same form as recorded by Harry Connick Jr on his album She, although it is a cut down version, omitting the piano solo to only feature the drummer. Brass ranges are generally moderate with 1st Trumpet requiring D6 at the very end of the chart, although this could be played 8vab. The arrangement is in the key of C major as on the original recording. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$60.00
Welcome
#
Jazz Ensemble
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Rock
#
Justin Hurwitz
#
Ryan Hudson
#
Welcome
#
Ryan Hudson
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1489336 By Justin Hurwitz. By Justin Hurwitz. Arranged by Ryan Hudson. Jazz,Rock. 77 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1489336 By Justin Hurwitz. By Justin Hurwitz. Arranged by Ryan Hudson. Jazz,Rock. 77 pages. Ryan Hudson #1066196. Published by Ryan Hudson (A0.1489336). 'Welcome' is a fantastically unique composition that accompanies the opening party scene from the film 'Babylon'. Born in the mind of composer Justin Hurwitz (composer of La La Land, Whiplash and First Man) he set out to create a soundtrack inspired by both rock and jazz. By using the instrumentation of jazz bands of the late 1920's and techniques found in rock songs of the early 80's - his work culminated to produce music that could only be described as 'riff-based jazz'. This arrangement aims to capture the essence of the composition 'Welcome' with punchy, in-your-face tutti sections and crazy melodic motifs; this piece will undeniably excite listeners and get the audience dancing.This PDF Includes the Full Conductor's score and all the instrumental parts. The First Trumpet and Saxophone Solo are transcribed.
$49.99
They Came Here to Dance (Swing Band Arrangement)
#
Jazz Ensemble
#
INTERMEDIATE/ADVANCED
#
Mike Strand, ASCAP
T
#
Mike Strand
#
They Came Here to Dance
#
Michael M. Strand
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Mich...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00
Should I Stay Or Should I Go
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Jazz
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The Clash
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Michael Pilley
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Should I Stay Or Should I Go
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Michael Pilley Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. S...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. 51 pages. Michael Pilley Music #3535709. Published by Michael Pilley Music (A0.746167). Written specifically for Swing Punks, the amazing London big band who play punk tunes in a jazz style, this vocal arrangement has all the bells and whistles. Starting in a bluesy swing style, see if you can pick up all the quotes as you progress through the chart. When it kicks into double time, it'll get your audiences toes tapping just enough for you to snap them back to a languid blues atmosphere. With an open solo section this chart comes alive, allowing for soloists to take the tune where they want to. Double time ensues after that, with a big ending to finish this cracking chart.THE SONGReleased in 1981, Should I Stay became The Clash's only UK number 1 single, albeit 10 years after in a reissued single. It made 228 in Rolling Stones Top 500 and features Spanish backing vocals, in a strange twist.THE BANDSwing Punks (www.swingpunks.com) are an exciting big band based in London, UK who take the best punk music and turn it into swinging big band music. Featuring 3 vocalists and a full complement of horns, their shows are full of energy and pizzazz. I've been lucky enough to play with them a few times since moving closer to London, and I always enjoy mixing it up with such great musicians.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
Hop Off
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Jazz Ensemble
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ADVANCED
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Fletcher Henderson And His Orc
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Peter Stöve
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Hop Off
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Peter Stove
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1130066 By Fletcher Henderson And His Orchestra. By Clarence Williams. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 84 pages. Peter Stove #730446. Published by Peter Stove (A0.1130066). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 3! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). As jazz history books like Gunther Schuller’s tell us, Benny Goodman’s rendition of Jelly Roll Morton’s ‘King Porter Stomp’ in the arrangement of Fletcher Henderson ‘ushered in the Swing Era’. That this tune already had a long and venerable career was obvious to every jazz lover: starting with Morton’s own recording from 1923, it was revived on a regular basis by Fletcher Henderson for his orchestras of the ‘twenties and ‘thirties. He then adapted the tune for the Benny Goodman Orchestra, which made it a hit in 1935. And from that moment on, the tune stayed popular: in 1975 it was recorded by the Gil Evans Orchestra for the album ‘There Comes A Time’. But during the ‘twenties, Henderson picked up more ‘jazz and stomp’-tunes (as opposed to the Tin Pan Alley/Broadway fare) and had them arranged for his orchestra. One such example is a tune credited to pianist/bandleader/businessman Clarence Williams (although other sources state that it was actually written by Joseph Joe Jordan, one of the early ragtime ‘professors’). That is the composition ‘Hop Off’, a very swinging, hard-driving multi-strain tune. Henderson recorded it in 1927. However, unlike ‘King Porter Stomp’, Henderson never chose to ‘adapt’ this tune for his ‘thirties swing-style orchestra, and so it never became a part of the Goodman Orchestra’s band book. What if Henderson had done so, and in 1935 had handed over the tune to Goodman as an addition for his ‘Let’s Dance’-library? ‘Hop Off’ is presented here as a piece that could have been a cornerstone of the Goodman band library. Based on the 1927 Henderson arrangement, it juxtaposes the two main strains of the original composition for maximum variety. Plenty of breaks, stoptime-sections and other ‘hot’ stuff. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Solo’s for clarinet, tenor sax 1, tpt 2, trb 1 and a brief four-bar spot for the drummer at the end. If your band is able to play ‘King Porter Stomp’, this tune should cause no problems. The only exception is the presence of a solo clt part. The clarinet soloist must be a first-class ‘BG-wannabe’: fluent soloist, comfortable in the upper register. Must be able to be heard over a shouting ensemble chorus. If your band has such a player: have fun!
$49.99
What A Wonderful World
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Jazz Ensemble
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INTERMEDIATE
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Jazz
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Louis Armstrong With Kenny G
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Thomas Graf
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What A Wonderful World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.567838 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged b...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.567838 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Thomas Graf. Jazz. Score and parts. 54 pages. Thomas Graf - the-hit-factory.com #1932847. Published by Thomas Graf - the-hit-factory.com (A0.567838). What a Wonderful World was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom. Her it comes as a trumpet feature with or without vocals. The arrangement give the right orchestral background for this world famous melody and will be a highlight of your upcoming concerts. Reed doublings are optional - any substitute part are available so that the arrangement can be performed with different orchestrations. www.the-hit-factory.com. Visit us on Facebook: http://www.facebook.com/hitfactorymusic.
$40.00
What A Wonderful World - Score Only
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Jazz Ensemble
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INTERMEDIATE
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Louis Armstrong
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Thomas Graf
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What A Wonderful World - Score
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1111083 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Thomas Gra...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1111083 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Thomas Graf. Blues,Film/TV,Jazz. Score and parts. 8 pages. Thomas Graf - the-hit-factory.com #713359. Published by Thomas Graf - the-hit-factory.com (A0.1111083). What a Wonderful World was first recorded by Louis Armstrong and released in 1967 as a single, which topped the pop charts in the United Kingdom. Her it comes as a trumpet feature with or without vocals. The arrangement give the right orchestral background for this world famous melody and will be a highlight of your upcoming concerts. About this arrangement: Instrumentation: Full Score 5 Saxes (opt. Flute Clar. 1/2) 3+1 Trumpets (Trumpet. solo) 4 Trombones (incl. Bass Trombone) Guitar Piano Bass Drums Vocals (opt.) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$5.00
"Flight Of The Bumble Bee" for Violin (with Background Track)-Jazz/Pop Version-Video
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Contemporary
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Nikolay Andreyevich Rimsky-Kor
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Fishel Pustilnik
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"Flight Of The Bumble Bee" for
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F & N Enterprise
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.633526 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Fishel Pustilnik. Fi...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.633526 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Score and parts. 4 pages. F & N Enterprise #3428163. Published by F & N Enterprise (A0.633526). An excellent arrangement of famous Flight Of The Bumble Bee by Nikolai Rimsy-Korsakov for Violin with Background Track (Jazz/Pop Version). https://www.youtube.com/watch?v=GluziM0y9x8The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic
$2.99
And I Love Her
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,L...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
Long Lost Love----Bossa Nova
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Jazz Ensemble
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Jazz
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Latin/World Music
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John Philips
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Long Lost Love----Bossa Nova
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John Philips Music Service
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947276 Composed by John Philips. Jazz,Latin. Score and parts. 32 pages. John Philips Music Service...
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Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947276 Composed by John Philips. Jazz,Latin. Score and parts. 32 pages. John Philips Music Service #3867665. Published by John Philips Music Service (A0.947276). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.
$15.00
I Say A Little Prayer
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Diana King
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Daryl McKenzie
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I Say A Little Prayer
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Daryl McKenzie
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1501175 By Diana King. By Burt Bacharach and Hal David. Arranged by Daryl McKenzie. Disc...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1501175 By Diana King. By Burt Bacharach and Hal David. Arranged by Daryl McKenzie. Disco,Film/TV,Pop,Soul. 58 pages. Daryl McKenzie #1077128. Published by Daryl McKenzie (A0.1501175). I Say a Little Prayer - Vocal with Big Band ArrangementChannel the soulful energy of Diana King with this vibrant Big Band arrangement of I Say a Little Prayer, designed for Vocal with full Big Band. Set in the key of Em, this arrangement captures the upbeat, dance-infused style that made King's version a hit, while offering the rich, full sound of a Big Band.In 1997, Jamaican singer Diana King released a cover of I Say a Little Prayer as the first single from her second album, Think Like a Girl. The song gained widespread popularity after being featured prominently in the hit comedy My Best Friend's Wedding. The Love to Infinity dance remix of King's cover further popularized the song on radio, and it is this infectious, high-energy version that serves as the basis for this arrangement.Instrumentation includes 5 Saxes, 4 Trumpets, 4 Trombones, Piano, Keyboards (Strings), Guitar, Bass, Drums, and Percussion, providing a dynamic and versatile accompaniment for the vocalist. The arrangement is also playable with reduced instrumentation, making it adaptable to different band sizes without sacrificing its lively feel.Full audio demo (Sibelius sounds): Click HereAretha Franklin version also available: Search HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkHPlease share any audio or video performances of this work.Instagram tag: @darylmckenziejazzorchestraFacebook tag: @McKenzieMusicProductionsYoutube tag: @mckenziemusicproductions144.
$79.99
Connecticut Avenue SUVs
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Jazz Ensemble
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ADVANCED
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Roger Aldridge
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Connecticut Avenue SUVs
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979653 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 10 pages. Roger A...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979653 Composed by Roger Aldridge. Contemporary,Jazz. Score and parts. 10 pages. Roger Aldridge #441219. Published by Roger Aldridge (A0.979653). Shifting time funk (for 5 wind instruments and rhythm section)! The title expresses my disdain for contending with monster SUVs when driving on Connecticut Avenue in Washington, DC. As I envision this music, it is funky and adventurous. The piece is a minimalist composition -- the melody is only 16 bars. However, it has expanded improvisation concepts for the soloist and the ensemble. The ensemble's collective improvisation is to sound like music coming out of car windows in traffic. The sounds change quickly. Different kinds of music come, go, and overlap. Radios (or electronics) may be used for additional layers of sound. The soloists use four chord progression patterns. Each soloist determines which patterns to play and their sequence. The patterns can be played in any order. Ideally, the patterns are determined within a performance instead of before. The soloist communicates the patterns, and when to shift to a new pattern, to the ensemble by hand signals. The ensemble (including horn players) can improvise backgrounds and interactions with the soloist. Music styles can also shift within a solo. Performers can take the music in any creative direction they want to go with it. Note: There are differences between the score and the demo recording. The small group recording was made (from a lead sheet) several years before my mid-size ensemble score was written. For this new recording, the horn parts from my score were added to the earlier recording. The video syncs the pages of the score with the recording as closely as possible. PARTS: The set of parts is available at CONNECTICUT AVENUE SUVS PARTS (S0.84821). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/82TWCuIcjso WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00
Bad, Bad Leroy Brown
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Frank Sinatra
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Brad Esbensen
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Bad, Bad Leroy Brown
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.774378 By Frank Sinatra. By Jim Croce. Arranged by Brad Esbensen. Contemporary,Jazz,Pop,...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.774378 By Frank Sinatra. By Jim Croce. Arranged by Brad Esbensen. Contemporary,Jazz,Pop,Standards. Score and Parts. 85 pages. Brad Esbensen Music Services #3926331. Published by Brad Esbensen Music Services (A0.774378). This chart follows the same form as the version recorded by Frank Sinatra on Some Nice Things I've Missed. The energetic shuffle feel and punchy horn lines will ensure this arrangement is sure to become a crowd favourite in your program. Brass ranges are generally fairly moderate although there are a few E6 and F6s written in the lead trumpet part, although these parts could be played 8vab if required. The arrangement opens in G major and modulates to Ab major for the final verse and chorus. I hope you enjoy performing this chart and if you would like it transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au
$60.00
Easy Does It
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Jazz Ensemble
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BEGINNER
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Blues
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Jazz
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Brad Esbensen
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Brad Esbensen
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Easy Does It
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.774327 Composed by Brad Esbensen. Arranged by Brad Esbensen. Blues,Jazz. Score and Parts...
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Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.774327 Composed by Brad Esbensen. Arranged by Brad Esbensen. Blues,Jazz. Score and Parts. 70 pages. Brad Esbensen Music Services #3361895. Published by Brad Esbensen Music Services (A0.774327). EASY DOES IT is an original composition for big band and featured as a set piece for the 2001 Australian Academy Festival of Music B Grade Jazz Ensemble division. This arrangement will work equally with a reduced ensemble, as indicated on title page of the score. The arrangement begins with a short intro from the rhythm section followed by a unison statement of the head from the sax section with the brass section taking it up later in the arrangement. This gives the players a chance to become familiar with the tune and provides an opportunity to work on intonation and to tighten up phrasing and articulation. Rhythm section parts are fully notated to assist younger players. An open solo section, with changes marked on every part, is included. Use this space to feature soloists in the group and encourage all to try their hand at improvising. Encourage students to listen to the great jazz players to help them learn the language of jazz and develop their own ideas. Solo sheets containing written solos along with a guitar chord shapes chart are also included. www.bemus.com
$60.00
Blues For Mr. Bump
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Jazz Ensemble
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BEGINNER
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Blues
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Jazz
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Brad Esbensen
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Brad Esbensen
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Blues For Mr. Bump
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.774328 Composed by Brad Esbensen. Arranged by Brad Esbensen. Blues,Jazz. Score and Parts...
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Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.774328 Composed by Brad Esbensen. Arranged by Brad Esbensen. Blues,Jazz. Score and Parts. 63 pages. Brad Esbensen Music Services #3245847. Published by Brad Esbensen Music Services (A0.774328). BLUES FOR MR. BUMP is an original composition for big band and featured as a set piece for the 2002 Australian Academy Festival of Music C Grade Jazz Ensemble division. This arrangement will work equally with a reduced ensemble, as indicated on title page of the score.The arrangement begins with a short intro from the rhythm section followed by a unison statement of the head from the full ensemble. This gives the players a chance to become familiar with the tune and provides an opportunity to work on intonation and to tighten up phrasing and articulation. Rhythm section parts are fully notated to assist younger players. An open solo section, with changes marked on every part, is included at measure 41. Use this space to feature soloists in the group and encourage all to try their hand at improvising. Encourage students to listen to the great jazz players to help them learn the language of jazz and develop their own ideas. Solo sheets containing written solos along with a guitar chord shapes chart are also included. www.bemus.com
$60.00
Reet Petite (the Sweetest Girl In Town)
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Jazz Ensemble
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INTERMEDIATE
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Contemporary
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Jackie Wilson
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Joseph Hasper
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Reet Petite
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734917 By Jackie Wilson. By Berry Gordy and Billy Davis. Arranged by Joseph Hasper. Cont...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734917 By Jackie Wilson. By Berry Gordy and Billy Davis. Arranged by Joseph Hasper. Contemporary. Score and parts. 26 pages. Joseph Hasper #5033973. Published by Joseph Hasper (A0.734917). Jackie Wilson's biggest hit made available for Little Big Band: vocal solo, 2 alto saxes, tenor sax, trombone, guitar, piano, bass, and drums. Optional section for a sax solo. Background vocals cued in the horn parts. Key of D major. Includes a full score and complete set of parts.Reet Petite (The Sweetest Girl in Town) (originally subtitled The Finest Girl You Ever Want to Meet) is a song made popular by Jackie Wilson. It was his first solo hit after leaving the Dominoes and, over the years, has become one of his biggest international chart successes.The song was written by Berry Gordy, Gwen Gordy Fuqua, and Wilson's cousin Roquel Billy Davis (though credited under his pseudonym Tyran Carlo on the record) and produced by Dick Jacobs, and its title was taken from the Louis Jordan song Reet, Petite and Gone. It was Jackie Wilson's first recording as a solo artist. The song peaked at #62 on the Billboard Hot 100 in September 1957 and reached #6 on the UK Singles Chart. With the success of the song, Gordy was able to fund the launch of Motown Records. The song was reissued in 1986 following the showing of a clay animation video on the BBC Two documentary series Arena. The video was directed by Giblets, a London-based animation studio. The reissued version proved so popular that in December 1986, almost three years after Wilson's death, the song became a No. 1 in the UK for four weeks (selling over 700,000 copies), some 29 years after its chart debut. -- Wikipedia
$18.99
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