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Expression for Flute
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13 sheet music found
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1
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
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Jazz Ensemble
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INTERMEDIATE
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Classical
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Joe Procopio These arrangement
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Johann Sebastian Bach
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Joe Procopio
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THE BACH JAZZ SONATA FROM THE
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JoeCopio Music LLC
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score ...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417). THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance.
$5.99
Blues For Lester
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Jazz Ensemble
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ADVANCED
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Roger Aldridge
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Blues For Lester
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979625 Composed by Roger Aldridge. Blues,Contemporary,Jazz. Score and parts. 17 pages. R...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.979625 Composed by Roger Aldridge. Blues,Contemporary,Jazz. Score and parts. 17 pages. Roger Aldridge #118877. Published by Roger Aldridge (A0.979625). Blues For Lester (for jazz soloist, 5 wind instruments, and rhythm section) is an extended piece with an eclectic blend of jazz, funk, contemporary classical, and blues. It is an expression of my admiration for Lester Young, the great tenor saxophonist, who had many quirky qualities in his music. This piece draws upon aspects of Lester Young's playing that I admire and have internalized: His horizontal approach to harmony, how he played around with time in his phrasing, used wrong notes (from a vertical chord perspective) at times, and had an audacious sense of humor. These are expressed in Blues For Lester in my own style. The score was originally conceived for woodwind quintet (with alto flute). Alternate parts are provided for an assortment of commonly-used wind instruments. In this way, the piece can be performed by various combinations of instruments. As another possibility, two (or more) musicians can be used on each wind instrument part. This option of having doubled parts -- with either same or different instruments on a part -- is an easy way for larger ensembles to perform this music. PARTS: The set of parts is available at BLUES FOR LESTER PARTS (S0.84819). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ VIDEO: https://youtu.be/8_FuaZBGJ5Y DURATION: around 4:00 YEAR OF RELEASE: 2012 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00
Professor M & M's Jive Detector (C lead sheet, with piano & tenor sax melody)
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Blues
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Jazz
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Mark S
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Professor M & M's Jive Detecto
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Geofonica Artistworks
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.948697 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artis...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.948697 Composed by Mark S. Massey. Blues,Jazz. Score and parts. 3 pages. Geofonica Artistworks #6038029. Published by Geofonica Artistworks (A0.948697). Professor M & M's Jive Detector is a super cool, very bluesy instrumental jazz hit (in lead sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. (NOTE: A Bb leadsheet is also available.) The piano and tenor sax interact, with sax and piano doubling the main melody (performed by guest saxophonist Plas Johnson--famed Wrecking Crew sax/woodwind player who was featured on The Pink Panther Theme), plus sax and piano in blues interplay and counterpoint. It's a great vehicle for musical interplay, blues/jazz improvisation, and laid-back bluesy rhythm section grooves. The API track features Plas Johnson on sax backed by the Mark Massey trio, with Eric Stiller on acoustic bass and Aldo Bentivegna on drums.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Professor M&M's Jive Detector, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been released. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, bop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and .
$3.99
It Don't Mean A Thing (If It Ain't Got That Swing)
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Jazz Ensemble
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INTERMEDIATE
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Jazz
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Duke Ellington
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Joseph Hasper
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It Don't Mean A Thing
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Joseph Hasper
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734674 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper....
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.734674 By Duke Ellington. By Duke Ellington and Irving Mills. Arranged by Joseph Hasper. Jazz. Score and parts. 51 pages. Joseph Hasper #2059717. Published by Joseph Hasper (A0.734674). Jazz combo arrangement for Flute, Sax Section (2 Alto Saxes, 2 Tenor Saxes, Baritone Sax) and Rhythm Section (Piano, Bass, and Drums).Includes a full score and all parts. It Don't Mean a Thing (If It Ain't Got That Swing) is a 1931 Duke Ellington composition now accepted as a jazz standard. The music was written and arranged by Ellington in August 1931 during intermissions at Chicago's Lincoln Tavern and was first recorded by Ellington and his orchestra on February 2, 1932. The song became famous, Ellington wrote, as the expression of a sentiment which prevailed among jazz musicians at the time. Probably the first song to use the phrase swing in the title, it introduced the term into everyday language and presaged the swing era by three years. The Ellington band played the song continually over the years and recorded it numerous times, most often with trumpeter Ray Nance as vocalist.
$12.99
When the Saints Go Marching In: Cello
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Jazz Ensemble
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Jazz
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James M
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Mike Lewis
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When the Saints Go Marching In
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017544_VC1 Cello. Composed by James M. Black. Arranged by Mike Lewis. Jazz. Part. 2 pages. Alfred ...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017544_VC1 Cello. Composed by James M. Black. Arranged by Mike Lewis. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017544_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017544_VC1). UPC: 654979058007.New in the Jazz Expressionsa,,C/ Series, When the Saints Go Marching In is well-known as a jazz classic. The focus in this chart is on melodic improvisation and the second-line New Orleans style at the medium-easy level. This arrangement begins with a slow funeral-like march then breaks into a spirited swing. Mike Lewis has crafted this chart to include the following: modest ranges, easy rhythms, plenty of section and ensemble work, a solo section for all wind players, optional parts for flute, clarinet, horn, baritone horn, and tuba. And check this out: STRING PARTS include violin (2), viola, and cello. The jazz band can include everyone!
$3.00
When the Saints Go Marching In: Viola
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Jazz Ensemble
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Jazz
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James M
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Mike Lewis
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When the Saints Go Marching In
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017544_VA1 Viola. Composed by James M. Black. Arranged by Mike Lewis. Jazz. Part. 2 pages. Alfred ...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017544_VA1 Viola. Composed by James M. Black. Arranged by Mike Lewis. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017544_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017544_VA1). UPC: 654979058007.New in the Jazz Expressionsa,,C/ Series, When the Saints Go Marching In is well-known as a jazz classic. The focus in this chart is on melodic improvisation and the second-line New Orleans style at the medium-easy level. This arrangement begins with a slow funeral-like march then breaks into a spirited swing. Mike Lewis has crafted this chart to include the following: modest ranges, easy rhythms, plenty of section and ensemble work, a solo section for all wind players, optional parts for flute, clarinet, horn, baritone horn, and tuba. And check this out: STRING PARTS include violin (2), viola, and cello. The jazz band can include everyone!
$3.00
When the Saints Go Marching In: 1st Violin
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Jazz Ensemble
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Jazz
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James M
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Mike Lewis
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When the Saints Go Marching In
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017544_VN1 1st Violin. Composed by James M. Black. Arranged by Mike Lewis. Jazz. Part. 2 pages. Al...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017544_VN1 1st Violin. Composed by James M. Black. Arranged by Mike Lewis. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017544_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017544_VN1). UPC: 654979058007.New in the Jazz Expressionsa,,C/ Series, When the Saints Go Marching In is well-known as a jazz classic. The focus in this chart is on melodic improvisation and the second-line New Orleans style at the medium-easy level. This arrangement begins with a slow funeral-like march then breaks into a spirited swing. Mike Lewis has crafted this chart to include the following: modest ranges, easy rhythms, plenty of section and ensemble work, a solo section for all wind players, optional parts for flute, clarinet, horn, baritone horn, and tuba. And check this out: STRING PARTS include violin (2), viola, and cello. The jazz band can include everyone!
$3.00
And I Love Her
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,L...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
Firebird, BMI Work #17075594 (Piano Part)
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Jazz Ensemble
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INTERMEDIATE
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Jazz
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Latin/World Music
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Christopher Burnett
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Roger Wilder – piano
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Firebird, BMI Work #17075594
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BurnettPublishing.COM
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.953988 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 4 pages. BurnettPub...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.953988 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 4 pages. BurnettPublishing.COM #1939503. Published by BurnettPublishing.COM (A0.953988). Firebird, BMI Work #17075594 (This product is one element of a Bundle – Score and Parts) Great combo chart for medium advanced groups. Latin jazz groove. Flutes, Alto Saxophone, Piano, Bass, Drums … all parts annotated. DOWNLOAD BUNDLE INCLUDES SCORE AND PARTS NOTATED IN FINALE Firebird (BMI Work #17075594), is the first single from the latest album of music by Christopher Burnett, BMI. The commercial recording was released on the Artists Recording Collective (ARC) label and available at the top music stores like: iTunes, Amazon Music, Google Play and CD Baby. STUDIO RECORDING NOTES The provided MP3 Audio Clip contains an excerpt of the commercial recording and features: Christopher Burnett – alto saxophone/composition; Roger Wilder – piano; Jeff Harshbarger – bass; Clarence Smith – drums; with Terri Anderson Burnett and Freda Proctor – flutes. The final mastering and mix by Craig Rettmer at C.R. Sound in Kansas City is truly amazing. ABOUT THE COMPOSER How are jazz careers made? Many have remarked on the big historical shift: musicians used to apprentice on the road with masters and learn the language firsthand, but those cultural conditions are fading, and the bandstand has been replaced by the graduate degree. There’s truth in that narrative, and yet it fails to account for the full variety of paths that players are taking as they strive to find their voice in this music.For alto saxophonist Christopher Burnett, the journey involved spending 22 years as a musician in the U.S. Army. He left the service in 1996 - I’ve been out nearly as long as I was in, he says - and resettled in 2001 in his native Kansas City metropolitan area. Two years earlier, in 1999, he had released his debut recording, Time Flies, and in 2008 he followed up with Theme Music, both on the Artists Recording Collective (ARC) label that he cofounded with saxophonist Erica Lindsay and pianist Sumi Tonooka. Now at age 58, Burnett reaches another level of achievement with Firebird, showcasing a fine working quartet and a set of compositions rich in beauty, subtlety and sophistication. There’s a remarkable lyrical ease and harmonic savvy in the compositions that make up Firebird, not least of all on the title track with its layered flutes and Latin-tinged rhythmic feel. Burnett’s legato eloquence and depth of expression on the slow 4/4 Ballad for An Optimist is another highlight. His choice of the inspired, metrically shifting A Risk I Take, by French horn virtuoso and colleague Mark Taylor, tells us much about his refined taste and interpretive abilities. Excerpt from the liner notes by: David R. Adler, New York, New York Also see: www.BurnettMusic.com.
$3.99
Firebird, BMI Work #17075594 (Alto Saxophone Part)
#
Jazz Ensemble
#
INTERMEDIATE
#
Jazz
#
Latin/World Music
#
Christopher Burnett
#
Roger Wilder – piano
#
Firebird, BMI Work #17075594
#
BurnettPublishing.COM
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.953987 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 2 pages. BurnettPub...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.953987 Composed by Christopher Burnett. Jazz,Latin. Score and parts. 2 pages. BurnettPublishing.COM #1939501. Published by BurnettPublishing.COM (A0.953987). Firebird, BMI Work #17075594 (This product is one element of a Bundle – Score and Parts) Great combo chart for medium advanced groups. Latin jazz groove. Flutes, Alto Saxophone, Piano, Bass, Drums … all parts annotated. DOWNLOAD BUNDLE INCLUDES SCORE AND PARTS NOTATED IN FINALE Firebird (BMI Work #17075594), is the first single from the latest album of music by Christopher Burnett, BMI. The commercial recording was released on the Artists Recording Collective (ARC) label and available at the top music stores like: iTunes, Amazon Music, Google Play and CD Baby. STUDIO RECORDING NOTES The provided MP3 Audio Clip contains an excerpt of the commercial recording and features: Christopher Burnett – alto saxophone/composition; Roger Wilder – piano; Jeff Harshbarger – bass; Clarence Smith – drums; with Terri Anderson Burnett and Freda Proctor – flutes. The final mastering and mix by Craig Rettmer at C.R. Sound in Kansas City is truly amazing. ABOUT THE COMPOSER How are jazz careers made? Many have remarked on the big historical shift: musicians used to apprentice on the road with masters and learn the language firsthand, but those cultural conditions are fading, and the bandstand has been replaced by the graduate degree. There’s truth in that narrative, and yet it fails to account for the full variety of paths that players are taking as they strive to find their voice in this music.For alto saxophonist Christopher Burnett, the journey involved spending 22 years as a musician in the U.S. Army. He left the service in 1996 - I’ve been out nearly as long as I was in, he says - and resettled in 2001 in his native Kansas City metropolitan area. Two years earlier, in 1999, he had released his debut recording, Time Flies, and in 2008 he followed up with Theme Music, both on the Artists Recording Collective (ARC) label that he cofounded with saxophonist Erica Lindsay and pianist Sumi Tonooka. Now at age 58, Burnett reaches another level of achievement with Firebird, showcasing a fine working quartet and a set of compositions rich in beauty, subtlety and sophistication. There’s a remarkable lyrical ease and harmonic savvy in the compositions that make up Firebird, not least of all on the title track with its layered flutes and Latin-tinged rhythmic feel. Burnett’s legato eloquence and depth of expression on the slow 4/4 Ballad for An Optimist is another highlight. His choice of the inspired, metrically shifting A Risk I Take, by French horn virtuoso and colleague Mark Taylor, tells us much about his refined taste and interpretive abilities. Excerpt from the liner notes by: David R. Adler, New York, New York Also see: www.BurnettMusic.com.
$3.99
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