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You've selected:
Let Us Go
Jazz Ensemble
Sheetmusic to print
2 sheet music found
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1
Never Gonna Leave You
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Jazz Ensemble
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INTERMEDIATE
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Michael Drake
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Kevin Carberry
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Never Gonna Leave You
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Michael Gene Drake
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1420957 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Blues,Contempora...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1420957 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Blues,Contemporary,Film/TV,Funk,Jazz. 176 pages. Michael Gene Drake #1002366. Published by Michael Gene Drake (A0.1420957). The song “Never Gonna’ Leave You†is from my CD “Welcome To My Island†from 1991.                    LyricsIt’s been a long time since we’ve been there,It’s been a long time since we cared,It’s “  “  “  “  “  “ “  we’ve had each other like before, We’re lookin’ forward to the new time,We’re lookin’ forward to it all,You know we can’t wait any longer, now it’s time to be together.Never gonna leave you….let you go….lose you….give you up….I’m gonna make it showI’ll be home before too long, We’ll be back together,A mountain was our love,  and this will last forever! It’s been a long time since we’ve been there, It’s been a long time since we cared,But now we know it’s all behind us, We’ve got tomorrow we can share. michaeldrakemusic@outlook.com  www.drakemusic.com.
$35.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
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