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You've selected:
Think About Me
Jazz Ensemble
Sheetmusic to print
3 sheet music found
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1
Still In Love With You
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Jazz Ensemble
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INTERMEDIATE
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Michael Drake
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Kevin Carberry
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Still In Love With You
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Michael Gene Drake
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1463817 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Film/TV...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1463817 By Michael Drake. By Michael Drake. Arranged by Kevin Carberry. Broadway,Film/TV,Jazz,Latin,Musical/Show,Singer/Songwriter. 84 pages. Michael Gene Drake #1042526. Published by Michael Gene Drake (A0.1463817). “Still In Love With You” is a composition from my CD “Welcome to my Island”This is a Big band version which features a Vocal and a trumpet solo.Lyrics:“I’m still in love with you, are you still in love with me.The times we called our own, will be in our hearts for now and ever.I’m still in love, still in love, still in love with you.I’m still in love, still in love, still in love with you.We sang our songs of love; we loved the songs we sang together.We hoped our love would last; we thought our love could last forever.I’m still in love, still in love, still in love with you.And now that we’re alone I think about your eyes and remember,The times we called our own, will be in our hearts for now and ever.” www.drakemusic.com
$35.00
Nearer, My God, to Thee
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Lowell Mason
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Adam Jensen
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Nearer, My God, to Thee
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Adam Jensen
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.904092 Composed by Lowell Mason. Arranged by Adam Jensen. Blues,Christian,Jazz. Score an...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.904092 Composed by Lowell Mason. Arranged by Adam Jensen. Blues,Christian,Jazz. Score and parts. 46 pages. Adam Jensen #35315. Published by Adam Jensen (A0.904092). The classic hymn Nearer, My God, to Thee is often used in solemn circumstances, most notably (at least according to rumor) during the sinking of the Titanic. The text, however, captures a balance between solemnity and celebration, suffering and mercy, death and new life. In adapting it for jazz big band, I found myself thinking about New Orleans jazz funeral parades, which also feature that same odd contradiction between grief and joy, through the use of the blues. I won't claim this is in any way authentic New Orleans jazz, but it does try to say some of the same things, and I hope you enjoy it. Written for standard jazz big band, with lots of room for open solos by the blues-inclined. Roughly 6 minutes, longer with additional solos. For more works, please visit http://jazzslider.org/store/composition/nmg, or follow me on Facebook at http://facebook.com/adamjensenjazz. Thanks!
$50.00
And I Love Her
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,L...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
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