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--INSTRUMENTS--
ACCORDION
AUTOHARP
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BUGLE
CHORAL - VOCAL…
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CORNET
DIDGERIDOO
DJ GEAR
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Who We Are
Sheetmusicplus
Not classified
464
Piano & keyboards
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440
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277
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143
Easy Piano
82
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49
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23
Organ
17
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12
2 Pianos, 4 hands
4
Piano Trio: piano, violin, cello
4
Piano Quartet: piano, violin, viola, cello
2
Piano Quartet: piano, 2 violins, cello
1
Organ, Trumpet (duet)
1
Big Note Piano
1
Piano (band part)
1
+ 10 instrumentations
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Retract
Guitars
Guitar notes and tablatures
31
Guitar
29
Bass guitar
7
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Melody line, (Lyrics) and Chords
3
Guitar (band part)
2
Ukulele
2
3 Guitars (trio)
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Piano, Guitar (duet)
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+ 4 instrumentations
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Voice
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278
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58
Choral 2-part
21
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20
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17
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14
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12
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11
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10
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6
High voice
4
Vocal duet, Piano
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2
Vocal duet
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Baritone voice, Piano
1
Voice solo
1
Soprano voice
1
Mezzo-Soprano voice, Piano
1
Low voice, Piano
1
+ 14 instrumentations
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Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
41
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35
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25
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24
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23
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23
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22
Flute and Piano
22
2 Saxophones (duet)
21
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20
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19
Alto Saxophone and Piano
18
Clarinet and Piano
17
Tenor Saxophone and Piano
16
Saxophone Quintet: 5 Saxophones
16
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14
Soprano Saxophone and Piano
14
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14
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12
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12
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11
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8
2 Oboes (duet)
8
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7
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7
Flute and Guitar
5
Clarinet Ensemble
5
English horn, Piano
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4
Clarinet and Viola
4
Recorder
4
Baritone Saxophone
4
Clarinet, Guitar (duet)
4
Soprano Saxophone
4
Flute, Violin
4
Recorder Quartet
4
Oboe, Bassoon (duet)
4
Oboe, Clarinet (duet)
4
Oboe, Flute
4
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3
Flute, Clarinet (duet)
3
Clarinet (band part)
3
Clarinet, Trumpet (duet)
3
Flute, Violoncello
3
Bass Clarinet, Piano
3
Descent (Soprano) Recorder, Piano
3
Flute ensemble
3
Flute, Viola (duet)
3
Clarinet Quintet: 5 clarinets
2
Flute, Saxophone (duet)
2
3 Clarinets (trio)
2
Flute Quintet : 5 flutes
2
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1
Tenor Recorder
1
Treble (Alto) Recorder, Piano
1
2 English horns and Pianoforte
1
Clarinet, Trombone (duet)
1
Bass Clarinet
1
Descant (Soprano) Recorder
1
Oboe, Guitar (duet)
1
English Horn
1
Clarinet, Cello (duet)
1
Clarinet, Harp (duet)
1
Flute (band part)
1
5 Recorders
1
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1
English horn, Harp (duet)
1
Saxophone ensemble
1
Flute, harp and violin
1
Flute Trio: 3 flutes
1
Saxophone and Organ
1
+ 66 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
30
Trombone
21
Tuba
20
Trumpet
19
French horn
18
Trumpet, Piano
16
French Horn and Piano
14
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13
Trombone and Piano
12
Brass quartet : 2 trumpets, trombone, tuba
12
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9
2 Trumpets (duet)
9
Trumpet, Saxophone (duet)
8
Trumpet (band part)
6
Brass Quartet: 2 trumpets, horn, trombone
5
English horn, Piano
5
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4
Brass Trio
4
Euphonium, Piano (duet)
3
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3
2 Trombones (duet)
3
Trumpet ensemble
3
Tuba (band part)
2
Brass Quartet: 4 trombones
2
2 Euphoniums and 2 Tubas
2
Brass Quartet
2
Horn Ensemble
1
2 English horns and Pianoforte
1
Euphonium
1
English Horn
1
2 Tubas (duet)
1
4 Tubas
1
English horn, Harp (duet)
1
+ 28 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
78
Violin
37
Violin and Piano
36
Cello
32
Viola
27
Cello, Piano
26
Viola, Piano
24
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19
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18
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15
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14
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13
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12
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12
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10
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9
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6
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6
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6
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6
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4
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4
String quartet: 4 violins
4
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3
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3
String Trio: 3 cellos
3
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3
String Quartet : 4 violas
3
Doublebass (band part)
3
2 Harps (duet)
2
Harp, Flute (duet)
2
String Trio: 3 violas
2
String Trio: 2 violins, cello
2
Harp, Violin (duet)
1
String Trio: 2 violins, viola
1
Violin, Clarinet, Piano (trio)
1
2 Cellos, Piano
1
Violin, Guitar (duet)
1
4 Double Basses
1
Viola and Harp
1
+ 35 instrumentations
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Retract
Orchestra & Percussion
Concert band
106
Orchestra
47
String Orchestra
23
Brass ensemble
21
Handbells
18
Chamber Orchestra
12
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11
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2
Piano and Orchestra
1
2 Marimbas
1
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1
Xylophone, Piano
1
Drum (band part)
1
+ 13 instrumentations
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Retract
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11 sheet music found
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1
They Came Here to Dance (Swing Band Arrangement)
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
#
Mike Strand, ASCAP
T
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Mike Strand
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They Came Here to Dance
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Michael M. Strand
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Mich...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Jazz
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Charles Tenet
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Tobi Crawford
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Beyond The Sea *INSTRUMENTAL P
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Tobi Crawford
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00
Broke - Chose Money Over Me
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Jazz Ensemble
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ADVANCED
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Gbērē Dodoh
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Broke - Chose Money Over Me
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Holyone Tombari Dodoh
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Rom...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.518631 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Blues,Jazz,Pop,Romantic Period. Score and parts. 100 pages. Holyone Tombari Dodoh #129341. Published by Holyone Tombari Dodoh (A0.518631). The broken hearted. Lyrics performed by an Open Source Virtual Singer Software (bot). Score and parts included. Lyrics No, no, no, no, no! Can't hide it anymore, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! She has no hope in me making it big, She saw no future in me becoming rich, She chose luxury over me; Baby I'm so sorry! She saw no happiness with me so soon, She chose money over me Because I was broke; We ate together, We laughed together; We loved each other: She said she love me I am everything to her, She said I meant the world and the life in her, But she chose luxury over me, Baby I'm so sorry! Luxury so sweet; the life she feels I cannot give, She chose money over me Because I was broke; I was out in the colds Just to gist with you, I know my failures Made me look senseless And my path rejections Made me look worthless; I buried my labour just to make you so happy And sweet smile on your face gave me joy and hope on my dreams I will never forget you, I will always remember, For the memory of you Had consumed my thoughts, Baby I'm so sorry! Baby I'm so sorry! I thought I was the one for you all this while, I hope your luxury will love and care for you More than the way I would love and care for you, Because I thought my little love was just enough She chose money over me Because I was broke; No, no, no, no, no! Can't hide it any more, She's happy but I'm hurt, I want to be her joy; She said I'm so annoy'ng, Baby I'm so sorry! Baby I'm so sorry! My dreams of promises to her is gone with her For it never became a reality, I told her to never leave me. She said I'm giving her tough times. I called her my Belov'd the one in whom I am well pleased, I told her it will be all right for one day we Will make it to the top of the World together, But she never believed me Because I was broke; She started feeling bored for texting and chatting with me; She started laying False accusations against me; I denied pleasure and Distance just to be with her And made her so happy But she could not do same for me, Baby I'm so sorry! Baby I'm so sorry! She suspects me for what I do not know, I had to let it go For her to be happy Because that's what she wants! Baby I'm so sorry! Baby I'm so sorry! It's hard to say the word Because I was broke; Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry! Baby I'm so sorry!
$6.70
Cherry Street Jaunt
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Blues
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Jazz
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George Willson
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Cherry Street Jaunt
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George Willson
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.927181 Composed by George Willson. Blues,Jazz. Score and parts. 46 pages. George Willson...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.927181 Composed by George Willson. Blues,Jazz. Score and parts. 46 pages. George Willson #6359467. Published by George Willson (A0.927181). Written for the T-Town Jazz Band and named for a Tulsa landmark, this is a big band swing tune in F minor blues with solos and exposure aplenty most notably in the third trombone part. The piece follows a chap who is happily walking (or jaunting) down Cherry Street. Three other guys come in and pick up his melody as a unison trio. This moves into a quick verse in the ensemble before the four players each take a solo turn almost like a combo. The party then takes off with the full band before it moves back to the trio wandering off while crowd bids them farewell and the original soloist takes a final turn. The reason there is such a focus on the third trombone is because this piece is dedicated to Dale Turner who was the third trombone player in the T-Town Jazz Band and a founding member of the band. We tried to get him to improv a solo here and there, but he wouldn't do it. We figured if we wrote it into his part, he would play it, and so the next piece I was writing was Cherry Street Jaunt, so the 3rd trombone got a lot of love. Unfortunately, the band had to shut down for a time due to COVID-19, and during that time, Dale passed due to complications from it. As a result, he never saw the part I wrote to trick him into a solo. The MP3 is generated from the composition program, but the video link is a live performance.
$35.00
Should I Stay Or Should I Go
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Jazz
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The Clash
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Michael Pilley
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Should I Stay Or Should I Go
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Michael Pilley Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. S...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.746167 By The Clash. By Joe Strummer and Mick Jones. Arranged by Michael Pilley. Jazz. Score and parts. 51 pages. Michael Pilley Music #3535709. Published by Michael Pilley Music (A0.746167). Written specifically for Swing Punks, the amazing London big band who play punk tunes in a jazz style, this vocal arrangement has all the bells and whistles. Starting in a bluesy swing style, see if you can pick up all the quotes as you progress through the chart. When it kicks into double time, it'll get your audiences toes tapping just enough for you to snap them back to a languid blues atmosphere. With an open solo section this chart comes alive, allowing for soloists to take the tune where they want to. Double time ensues after that, with a big ending to finish this cracking chart.THE SONGReleased in 1981, Should I Stay became The Clash's only UK number 1 single, albeit 10 years after in a reissued single. It made 228 in Rolling Stones Top 500 and features Spanish backing vocals, in a strange twist.THE BANDSwing Punks (www.swingpunks.com) are an exciting big band based in London, UK who take the best punk music and turn it into swinging big band music. Featuring 3 vocalists and a full complement of horns, their shows are full of energy and pizzazz. I've been lucky enough to play with them a few times since moving closer to London, and I always enjoy mixing it up with such great musicians.PRINTING TIPSBeautifully laid out, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
Hello, Young Lovers
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Jazz Ensemble
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INTERMEDIATE
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Jazz
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Stevie Wonder
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Michael Pilley
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Hello, Young Lovers
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Michael Pilley Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.746235 By Stevie Wonder. By Richard Rodgers. Arranged by Michael Pilley. Jazz. Score and...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.746235 By Stevie Wonder. By Richard Rodgers. Arranged by Michael Pilley. Jazz. Score and parts. 77 pages. Michael Pilley Music #5453455. Published by Michael Pilley Music (A0.746235). The first track on The Temptations in a Mellow Mood, an album released as a crossover to white audiences, this classic Rodgers & Hammerstein tune is a great example of The Temptations close harmony skills. This is an arrangement for Big Band with Solo Male Vocal and TTBB, playable by intermediate ensembles and transcribed note for note from the recording. Starting in a Latin style reminiscent of Manteca, this arrangement is mainly in a big band swing style and briefly transitions to a jazz waltz in the middle section. Due to the vocals being featured, the horns are used sparsely and there are few sections where extended rehearsal is needed. Although the album itself doesn't break down who arranged this initially, it more than likely is an Oliver Nelson creation. Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
Hunting Wabbits 3 (Get Off My Lawn): Auxiliary Percussion
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Jazz Ensemble
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Jazz
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Gordon Goodwin
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Hunting Wabbits 3
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017238_APC Auxiliary Percussion. Composed by Gordon Goodwin. Jazz. Part. 3 pages. Alfred Music - D...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017238_APC Auxiliary Percussion. Composed by Gordon Goodwin. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017238_APC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017238_APC). UPC: 038081439006.Whoa, this is the next Hunting Wabbits chart in the trilogy. As recorded by the Big Phat Band on the Goodwin CD That's How We Roll, this HW3 is fairly challenging, but well worth the effort. There are parts for soprano sax lead (alternate alto 1) and 2nd alto with piccolo (alternate 2nd alto sax-only) and solo space for soprano (alto), alto, tenor 1, trumpet 4, and trombone 1. Lead trumpet range is to written high F-sharp. This title is available in SmartMusic.
$3.00
Hunting Wabbits 3 (Get Off My Lawn): Score
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Jazz Ensemble
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Jazz
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Gordon Goodwin
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Hunting Wabbits 3
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PR-0005522 Score. Composed by Gordon Goodwin. Jazz. Score. 40 pages. Alfred Music - Digital Sheet Musi...
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Jazz Ensemble - Digital Download SKU: AX.00-PR-0005522 Score. Composed by Gordon Goodwin. Jazz. Score. 40 pages. Alfred Music - Digital Sheet Music #00-PR-0005522. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005522). UPC: 038081439006.Whoa, this is the next Hunting Wabbits chart in the trilogy. As recorded by the Big Phat Band on the Goodwin CD That's How We Roll, this HW3 is fairly challenging, but well worth the effort. There are parts for soprano sax lead (alternate alto 1) and 2nd alto with piccolo (alternate 2nd alto sax-only) and solo space for soprano (alto), alto, tenor 1, trumpet 4, and trombone 1. Lead trumpet range is to written high F-sharp. This title is available in SmartMusic.
$11.00
Hunting Wabbits 3 (Get Off My Lawn): B-flat Soprano Saxophone
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Jazz Ensemble
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Jazz
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Gordon Goodwin
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Hunting Wabbits 3
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017238_SX B-flat Soprano Saxophone. Composed by Gordon Goodwin. Jazz. Part. 5 pages. Alfred Music ...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017238_SX B-flat Soprano Saxophone. Composed by Gordon Goodwin. Jazz. Part. 5 pages. Alfred Music - Digital Sheet Music #00-PC-0017238_SX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017238_SX). UPC: 038081439006.Whoa, this is the next Hunting Wabbits chart in the trilogy. As recorded by the Big Phat Band on the Goodwin CD That's How We Roll, this HW3 is fairly challenging, but well worth the effort. There are parts for soprano sax lead (alternate alto 1) and 2nd alto with piccolo (alternate 2nd alto sax-only) and solo space for soprano (alto), alto, tenor 1, trumpet 4, and trombone 1. Lead trumpet range is to written high F-sharp. This title is available in SmartMusic.
$3.00
Hunting Wabbits 3 (Get Off My Lawn): Optional Alto Sax
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Jazz Ensemble
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Jazz
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Gordon Goodwin
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Hunting Wabbits 3
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017238_OAX1 Optional Alto Sax. Composed by Gordon Goodwin. Jazz. Part. 5 pages. Alfred Music - Dig...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017238_OAX1 Optional Alto Sax. Composed by Gordon Goodwin. Jazz. Part. 5 pages. Alfred Music - Digital Sheet Music #00-PC-0017238_OAX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017238_OAX1). UPC: 038081439006.Whoa, this is the next Hunting Wabbits chart in the trilogy. As recorded by the Big Phat Band on the Goodwin CD That's How We Roll, this HW3 is fairly challenging, but well worth the effort. There are parts for soprano sax lead (alternate alto 1) and 2nd alto with piccolo (alternate 2nd alto sax-only) and solo space for soprano (alto), alto, tenor 1, trumpet 4, and trombone 1. Lead trumpet range is to written high F-sharp. This title is available in SmartMusic.
$3.00
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