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3 sheet music found
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1
Minuet in G (violin duet)
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2 Violins (duet)
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EASY
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Classical
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Johann Sebastian Bach, Christi
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Daniel C
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Minuet in G
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Daniel C. M.
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SheetMusicPlus
Violin Duet Violin - Level 2 - Digital Download SKU: A0.810224 Composed by Johann Sebastian Bach, Christian Petzold. Arranged by Daniel C. M. Baroque,Con...
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.810224 Composed by Johann Sebastian Bach, Christian Petzold. Arranged by Daniel C. M. Baroque,Concert,Standards,Wedding. 4 pages. Daniel C. M. #5797317. Published by Daniel C. M. (A0.810224). This work is attributed to Johann Sebastian Bach. It is used the name of the now attributed composer Christian Petzold for there is new information about him. This arrangement is written for violin duet. The difficulty level is basically easy as the original for both parts. The articulations are meticulously written to help to get a better approach to the style but, of course, it's only a guide that can be changed.
$2.99
Silent Night for Violin Duet and Piano (F. X. Gruber)
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2 Violins (duet)
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EASY
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Christmas
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Franz Xaver Gruber
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Robert Debbaut
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Silent Night for Violin Duet a
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ROBERT DEBBAUT
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SheetMusicPlus
Violin Duet Violin - Level 2 - Digital Download SKU: A0.939410 Composed by Franz Xaver Gruber. Arranged by Robert Debbaut. Christian,Christmas,Classical....
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.939410 Composed by Franz Xaver Gruber. Arranged by Robert Debbaut. Christian,Christmas,Classical. 13 pages. ROBERT DEBBAUT #6342783. Published by ROBERT DEBBAUT (A0.939410). Franz Gruber's Silent Night is a timeless classic for which he never received a dime. Gruber and his parish priest (and lyricist Josef Mohr) performed the premiere at Christmas Mass 1818. The organ had broken down, so Gruber (the local choirmaster and school teacher) wrote this for guitar and played and sang with Father Mohr at mass. This violin duet with piano can be performed with choir or without. It would be perfect as an offertory during the Christmas season, or at midnight mass. The performance level is intermediate for both violins and piano. Three verses are included but, of course, feel free to repeat as necessary. Text is contained for unison singing.
$4.99
Highlands [2 violins]
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2 Violins (duet)
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EASY
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John Winstead and Miguel Angel
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,...
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00
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