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You've selected:
Flute Tune
2 Violins (duet)
Sheetmusic to print
7 sheet music found
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1
Marching Tune
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2 Violins (duet)
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EASY
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Lawrence H
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Marching Tune
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Lawrence H Underwood
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SheetMusicPlus
Violin Duet Violin - Level 2 - Digital Download SKU: A0.967904 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. 5 pages. ...
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.967904 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. 5 pages. Lawrence H Underwood #6251551. Published by Lawrence H Underwood (A0.967904). All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass.
$4.99
Brother James' Air Duet for Violin Duet - Music for Two Violins
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2 Violins (duet)
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INTERMEDIATE/ADVANCED
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James Leith MacBeth Bain
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Daniel Kelley
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Flute, Violin &
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Brother James' Air Duet for Vi
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble,Strings Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530535 Composed by James Leith MacBeth Bain. Arranged by Daniel Kelley. 20t...
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Small Ensemble,Strings Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530535 Composed by James Leith MacBeth Bain. Arranged by Daniel Kelley. 20th Century,Easter,Sacred,Standards. Score and parts. 4 pages. Last Resort Music Publishing #3861507. Published by Last Resort Music Publishing (A0.530535). Brother James’ Air is a beautiful setting of a familiar Scottish hymn tune. Written by James Leith MacBeth Bain, or ‘Brother James,’ as an accompaniment for the 23rd Psalm (The Lord is My Shepherd), it was first printed in London in 1915. Originally titled Marosa to honour the seventh daughter of a friend whom he had christened, the melody eventually came to be known by its present name. Playable by Two Violins, Two Flutes, Two Oboes, Violin & Flute, Violin & Oboe, Flute & Oboe, Violin Duet, Oboe Duet, Flute DuetEach duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com.
$5.95
Quantz: Duetto Op. 2 No. 2 for Violin Duo
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2 Violins (duet)
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INTERMEDIATE/ADVANCED
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Johann Joachim Quantz 1697-177
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James M
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Quantz: Duetto Op. 2 No. 2 for
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jmsgu3
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SheetMusicPlus
Violin Duet Violin - Level 4 - Digital Download SKU: A0.552515 Composed by Johann Joachim Quantz 1697-1773. Arranged by James M. Guthrie. Baroque,Holiday...
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Violin Duet Violin - Level 4 - Digital Download SKU: A0.552515 Composed by Johann Joachim Quantz 1697-1773. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. 24 pages. Jmsgu3 #6365545. Published by jmsgu3 (A0.552515). Duetto Op. 2 No. 2 - I. Allegro assai II. Andantino III. Presto Johann Joachim Quantz, a German flutist and composer, occupies an intermediate position between the Baroque and Classical periods. His Sei Duetti, op. 2, composed in 1759, is an excellent example of his position between the two eras, showcasing elegance, lightness, and tenderness. They illustrate Quantz's craftsmanship and influence on transitioning from the Baroque to the Classical style. Thus, Quantz's music reflects an essential link in the evolution of musical styles from the Baroque to the Classical era.Here are the most essential facts to know about his music:Compositions: Quantz composed about 300 concerti and 200 other flute pieces for Frederick the Great. His works are for the transverse flute, including sonatas, concertos, trio sonatas, quartets, duets, trios, and unaccompanied caprices and fantasias for the flute.Treatise on Flute Playing: His treatise Versuch einer Anweisung die Flöte traversiere zu spielen (1752) is a valuable source of information on ornamentation and performance practices of the 18th century.Innovations in Flute Design: Quantz made significant contributions to the development of the flute. He added a second key to the flute and invented the sliding end used to tune the instrument. He also experimented with different woods and configurations to improve the instrument's sound and versatility.Teaching and Influence: Quantz was a renowned flute teacher who significantly influenced the development of flute playing and composition during the 18th century.In summary, Johann Joachim Quantz was a prolific composer, an influential flute teacher, and a key figure in the evolution of the flute and its music during the Baroque period.
$32.95
O Sing A Song Of Bethlehem (Kingsfold) - Violin solo (opt. duet)
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2 Violins (duet)
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INTERMEDIATE
#
Brian Buda
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Brian Buda
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O Sing A Song Of Bethlehem
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budaful music
#
SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1101520 By Brian Buda. By Traditional English Tune. Arranged by Brian Buda. Christmas,Folk,Holida...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1101520 By Brian Buda. By Traditional English Tune. Arranged by Brian Buda. Christmas,Folk,Holiday,Sacred,Traditional. 17 pages. Budaful music #704899. Published by budaful music (A0.1101520). The beautiful tune of Kingsfold adds a festive flare to any recital, concert, or church program. Arranged for violin solo or duet, this arrangement is sure to be a favorite among players and listeners alike. The PDF comes with a 7-page accompaniment score, a 2 2 page parts for both solo and duet, as well as a 4-page combined duet part (for sharing on a single music stand). This tune is in a unique situation. The duet part is less advanced, making it a great option for an intermediate level student, or a less experienced player. While the duet part has been written for its corresponding solo instrument, the duet part can be purchased for other instruments as well. Separate duet parts available for: Flute, Oboe, Soprano sax, Clarinet in Bb, Alto Sax, Horn in F, Trumpet in Bb, Trombone, Baritone (T.C.), Violin, Viola, and Cello. Search for this arrangement and its 'supplemental' parts. Although it was designed with the holidays in mind, this arrangement can also work well throughout the calendar year. An alternate text that is commonly paired with Kingsfold is, I Heard The Voice of Jesus Say.
$5.99
Little Friend
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2 Violins (duet)
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INTERMEDIATE/ADVANCED
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Mick Davis
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Mick Davis
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Little Friend
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Mick Davis
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SheetMusicPlus
Violin Duet Violin - Level 4 - Digital Download SKU: A0.1515108 By Mick Davis. By Mick Davis. Arranged by Mick Davis. Folk,Traditional. 2 pages. Mick Dav...
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Violin Duet Violin - Level 4 - Digital Download SKU: A0.1515108 By Mick Davis. By Mick Davis. Arranged by Mick Davis. Folk,Traditional. 2 pages. Mick Davis #1089609. Published by Mick Davis (A0.1515108). A country dance tune composed in the style of a French waltz with piano and a descant on flute.
$5.00
Six Violin Duets, Op. 1
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2 Violins (duet)
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INTERMEDIATE
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Classical
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 1
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Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Edit...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
Six Violin Duets, Op. 2
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2 Violins (duet)
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INTERMEDIATE
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Classical
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William Shield
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Robert Hoskins
#
Six Violin Duets, Op. 2
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Artaria Editions
#
SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Edit...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
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