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OBOE century
2 Violins (duet)
Sheetmusic to print
3 sheet music found
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Happy Birthday to You Duet for Violin Duet - Music for Two Violins
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2 Violins (duet)
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INTERMEDIATE/ADVANCED
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Patty Hill and Mildred J
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Daniel Kelley
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Flute, Violin &
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Happy Birthday to You Duet for
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Last Resort Music Publishing
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SheetMusicPlus
Small Ensemble,Strings Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530564 Composed by Patty Hill and Mildred J. Hill. Arranged by Daniel Kelle...
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Small Ensemble,Strings Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530564 Composed by Patty Hill and Mildred J. Hill. Arranged by Daniel Kelley. 20th Century,Holiday,Standards. Score and parts. 4 pages. Last Resort Music Publishing #4309245. Published by Last Resort Music Publishing (A0.530564). Perform this masterful medley/mash-up for Duet that features Happy Birthday as the main theme, along with For He's a Jolly Good Fellow and a playful dash of The Old Gray Mare as well. Playable by Two Violins, Two Flutes, Two Oboes, Violin & Flute, Violin & Oboe, Flute & Oboe, Violin Duet, Oboe Duet, Flute DuetEach duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com.
$5.95
Brother James' Air Duet for Violin Duet - Music for Two Violins
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2 Violins (duet)
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INTERMEDIATE/ADVANCED
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James Leith MacBeth Bain
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Daniel Kelley
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Flute, Violin &
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Brother James' Air Duet for Vi
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Last Resort Music Publishing
#
SheetMusicPlus
Small Ensemble,Strings Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530535 Composed by James Leith MacBeth Bain. Arranged by Daniel Kelley. 20t...
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Small Ensemble,Strings Flute,Oboe,Violin - Level 4 - Digital Download SKU: A0.530535 Composed by James Leith MacBeth Bain. Arranged by Daniel Kelley. 20th Century,Easter,Sacred,Standards. Score and parts. 4 pages. Last Resort Music Publishing #3861507. Published by Last Resort Music Publishing (A0.530535). Brother James’ Air is a beautiful setting of a familiar Scottish hymn tune. Written by James Leith MacBeth Bain, or ‘Brother James,’ as an accompaniment for the 23rd Psalm (The Lord is My Shepherd), it was first printed in London in 1915. Originally titled Marosa to honour the seventh daughter of a friend whom he had christened, the melody eventually came to be known by its present name. Playable by Two Violins, Two Flutes, Two Oboes, Violin & Flute, Violin & Oboe, Flute & Oboe, Violin Duet, Oboe Duet, Flute DuetEach duet book is published in score form (both parts on the same page) so that the players can play from the same part. Don't miss our other arrangements - available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com.
$5.95
Highlands [2 violins]
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2 Violins (duet)
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EASY
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John Winstead and Miguel Angel
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,...
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00
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