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2 Violins (duet)
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3 sheet music found
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Beach Spring, (May the Grace of Christ our Savior), for Violin Duet
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2 Violins (duet)
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INTERMEDIATE
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1844, B
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Nigel Williams
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Beach Spring,
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Nigel Williams
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SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.763830 Composed by 1844, B. F. White, and from Sacred Harp. Arranged by Nigel Williams. Christian...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.763830 Composed by 1844, B. F. White, and from Sacred Harp. Arranged by Nigel Williams. Christian,Folk,Instructional,Sacred. 6 pages. Nigel Williams #6531303. Published by Nigel Williams (A0.763830). Popular American hymn tune arranged for two players, each sharing the melody and accompaniment. Score downloads with parts. Enjoy browsing my extensive selection of string solos, duets, trios and quartets on SMP; many of which are early intermediate and intermediate level in difficulty.
$3.99
Highlands [2 violins]
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2 Violins (duet)
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EASY
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John Winstead and Miguel Angel
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,...
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Violin Duet Violin - Level 2 - Digital Download SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00
Nocturne. Original For Violin Duet and Piano.
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2 Violins (duet)
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INTERMEDIATE
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Grant Horsley
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Grant Horsley
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Nocturne. Original For Violin
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Grant Horsley
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SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1255062 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival...
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Violin Duet Violin - Level 3 - Digital Download SKU: A0.1255062 By Grant Horsley. By Grant Horsley. Arranged by Grant Horsley. Classical,Contest,Festival,Film/TV,Romantic Period,Wedding. 19 pages. Grant Horsley #848656. Published by Grant Horsley (A0.1255062). The name Nocturne (meaning of the night) was originally an ensemble piece in the 18th century in several movements used for for evening parties. Later In the 19thc it's one movement form, it was adopted by John Field and later popularised by Chopin. It generally has a tranquil lyrical melody and is very romantic and expressive. I have tried to keep these elements in this Nocturne. Written here for Violin Duet and Piano, the parts are equally divided. Highest note top F sharp, violin 1 (once). Bowing has been left to the performer. It is written in the key of concert B minor it has a very gentle opening with harmonies evolving around a cycle of 5th's in places. The piece has three definite sections- the lyrical melody to begin with, a middle section building to a climax before a return to the 1st section. This is followed by a transitional contrasting section (poco piu mosso) wandering through a few keys to settle on an inner pedal tonic note chime. Gentle chords restore the opening once more- this opening theme climaxes towards the end and a gentle reflection of the opening bars concludes the piece.It is 4 mins 20 in length and price is for the full score and parts.I have set it to intermediate level, but the whole score is on the youtube link for you to assess suitability. Versions for Flute Duet, Flute and Clarinet Duet and Solo Piano are also available.
$6.50
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