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Violin and Piano
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3 sheet music found
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Chopin: Prelude Op. 28 No. 4 for Violin and Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Frederic Chopin
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James M
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Chopin: Prelude Op. 28 No. 4 f
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.1374761 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festiva...
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Piano,Violin - Level 3 - Digital Download SKU: A0.1374761 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 6 pages. Jmsgu3 #959289. Published by jmsgu3 (A0.1374761). Chopin's Prelude Op. 28 No. 4 is significant for several reasons. It is one of the 24 Chopin preludes known for its brevity, harmonic and melodic richness, and emotional depth. The piece is only a page long and uses a descending melody line. Chopin requested that this piece be played at his funeral, along with Mozart's Requiem, which adds to its significance. The prelude is often described as heart-rending and emotionally powerful, and it continues to captivate audiences even long after the composer's death. The piece is in E minor and is characterized by a descending melody line, making it emotionally evocative and musically rich. The Prelude has been the subject of various analyses and tutorials, highlighting its emotional, philosophical, and technical complexity.
$24.95
Jacques Leguerney: Première Sonate for piano and violin
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Violin and Piano
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ADVANCED
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Jacques Leguerney
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Jacques Leguerney: Première S
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publ...
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Piano,Violin - Level 5 - Digital Download SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publishing #2343095. Published by Musik Fabrik Music Publishing (A0.533318). Première Sonate pour piano et violonI. ModéréII. Assez lentIII. AniméIV. Bien allant, mais d'expression tranquilleJacques Leguerney began the composition of his First Sonata for Piano and Violin in 1926, shortly after beginning composition studies with Nadia Boulanger. She was reportedly quite enthusiastic about the natural talent of her new student, and offered to give him private lessons to supplement her analysis classes. Leguerney was already reticent about studying composition. In an interview in 1989, he remembered his feeling at that time, saying that I found that this was useless work. If one is gifted for music, one is capable of writing harmonies. instead, Leguerney showed his Sonata to the French composer Albert Roussel, who was renting an apartment on Avenue Wagram in a building next to that of the Leguerney family. Leguerneyremembered Roussel's apartment with its dark blue walls and gilded Indian statues! Roussel encouraged his efforts and said of the second theme of the first movement: I would have liked to have written that. (J'aurais été très content d'avoir écrit ça.)The first performance of the Sonata was given by the pianist Thérèse Cahen (1897-1944) and the violinist Hortense de Sampigny (? – 1970) in a private concert. The violinist was already a well-known concert artist. De Sampigny finished her studies at the Paris Conservatory in 1915, where she was in the class of Jules Boucherit. In 1918 she married the French author Auguste Bailly (1878-1967). From 1921, she was a member of the Trio Trillat, founded by the pianist Ennemond Trillat with the collaboration of cellist Jean Witkowski. The Trio was active in concerts and recordings in France and abroad for about thirty years. De Sampigny later taught at the Conservatory as assistant to René Benedetti. Thérèse Cahen had studied piano, harmony and counterpoint at the Schola Cantorum, where she obtained a Second Prize. She was a faithful friend and muse for Leguerney, and recruited many musicians for first performances of his vocal and chamber works. She was deported to Auschwitz on July 31, 1944, a few weeks before the Liberation of Paris. This edition of the Sonata was performed at a private concert in Vernon (France) in July 2011 by French violinist Marion Larigaudrie and pianist Mary Dibbern. It is based upon the autograph manuscript OL 23, on deposit at the Music Department of the Bibliothèque national in Paris.
$25.95
Fauré: Élégie Op. 24 for Violin & Piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Gabriel Faure
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James M
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Fauré: Élégie Op. 24 for Vi
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.549723 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Roman...
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Piano,Violin - Level 4 - Digital Download SKU: A0.549723 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. 22 pages. Jmsgu3 #3531355. Published by jmsgu3 (A0.549723). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.
$32.95
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