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Violin and Piano
Sheetmusic to print
5 sheet music found
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1
CRIER FACE A L'OCEAN for violin and looper with piano part --- JCM2022
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Jean-Christophe Masson
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CRIER FACE A L'OCEAN for violi
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Jean-Christophe Masson
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.1137385 By Jean-Christophe Masson. By Jean-Christophe Masson www.jcmasson.com. Chamber,Classical,Contem...
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Piano,Violin - Level 4 - Digital Download SKU: A0.1137385 By Jean-Christophe Masson. By Jean-Christophe Masson www.jcmasson.com. Chamber,Classical,Contemporary,Romantic Period,Spiritual. 52 pages. Jean-Christophe Masson #737588. Published by Jean-Christophe Masson (A0.1137385). Crier face à l’Océan for violin and looper (14 titles) + 3 titles for violin, piano and looper buy the CD on www.jcmasson.com français : Recueil pour violon et looper (14 titres) La collection inclut également 3 titres en version pour violon, piano et looper (pour un seul musicien!). Durée des 14 titres : 45 minutes (chaque pièce dure environ 3-4 minutes) Niveaux (Conservatoires français) : cycle III minimum ou professionnel. COMMENT JOUER CES PIECES AVEC LOOPER Pour jouer ces pièces, vous devez disposer d’un looper, d’un microphone pour instruments à cordes (ou d’une cellule voire d’un instrument électrique) ainsi que d’un ampli. Il vous faudra vous munir enfin des câbles nécessaires aux raccordements de ces appareils (minimum deux).
$30.00
Transfigured Life - Still Life
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Violin and Piano
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ADVANCED
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David Braid
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Transfigured Life - Still Life
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Les Editions Doberman-Yppan
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SheetMusicPlus
Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #...
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Violin and piano - Advanced - Digital Download SKU: ZY.DO-1525 Composed by David Braid. Score and part. 32 pages. Les Editions Doberman-Yppan (digital) #DO 1525. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1525). J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
$12.95
Claude Debussy: Sérénade for violin and piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pa...
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95
Una Furtiva Lagrima (One Furtive Tear): Trio for Two Violins and Piano
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Violin and Piano
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INTERMEDIATE
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Classical
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Gaetano Donizetti
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John A
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Una Furtiva Lagrima
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John A. Dempsey
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1260509 Composed by Gaetano Donizetti. Arranged by John A. De...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.1260509 Composed by Gaetano Donizetti. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. 18 pages. John A. Dempsey #853673. Published by John A. Dempsey (A0.1260509). An opulent, unforgettable air that exudes beauty, drama and mystique, Donizetti's Una Furtiva Lagrima (from the opera L'Elisir d'Amore or The Elixir of Love ) makes a haunting, heartfelt piano trio for two violins and piano. Â The melody soars! Â Recommended for recitals, concerts and more. Â Key: A minor / modulates to A major. Â 14 pages of music (that includes separate two-page parts for violin 1 and violin 2). Â Violin Level: Intermediate. Â Piano Level: Advanced Intermediate
$11.99
Una Furtiva Lagrima (One Furtive Tear): Violin and Piano
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Violin and Piano
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INTERMEDIATE
#
Classical
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Gaetano Donizetti
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John A
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Una Furtiva Lagrima
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John A. Dempsey
#
SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.523429 Composed by Gaetano Donizetti. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Per...
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Piano,Violin - Level 3 - Digital Download SKU: A0.523429 Composed by Gaetano Donizetti. Arranged by John A. Dempsey. Classical,Film/TV,Opera,Romantic Period,Wedding. 12 pages. John A. Dempsey #3477601. Published by John A. Dempsey (A0.523429). An opulent, unforgettable aria that exudes beauty, drama and mystique, Donizetti's Una Furtiva Lagrima (from his opera L'Elisir d'Amore or The Elixir of Love) makes a haunting, heartfelt duet for violin and piano. The melody soars! Recommended for concerts and recitals. 8 pages of music (that includes a separate two-page violin part). Key: A minor / modulates to A major. Violin Level: Intermediate. Piano Level: Advanced Intermediate
$6.99
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