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5 To 9
String Orchestra
Sheetmusic to print
48 sheet music found
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1
26
Concerto for Two Oboes in C Major, Op. 9 No. 9 and String Orchestra
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String Orchestra
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ADVANCED
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Classical
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Tomaso Albinoni
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Don Werdick (1946 - )
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II score, Oboe I &
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Concerto for Two Oboes in C Ma
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Chamber Ensemble of Minnesota, Inc.
#
SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.955172 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score a...
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String Orchestra - Level 5 - Digital Download SKU: A0.955172 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 87 pages. Chamber Ensemble of Minnesota, Inc. #6140431. Published by Chamber Ensemble of Minnesota, Inc. (A0.955172). Complete score and parts of the Concerto for Two Oboes in C Major, Op. 9, No. 9 and String Orchestra , composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Includes Oboe I & II score, Oboe I & II separate parts and Double Bass part with figured bass notation. Movements: 1. Allegro 2. Adagio Legato 3. Allegro Time: 10 minutes, 35 seconds Full Score + Parts: Oboe I & II Parts, Oboe Score, Violin I, Violin II, Viola, Cello, Double Bass with figured bass notation. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. The Oboe solo arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75
Concerto for English horn in Bb Major, Op. 9 No. 11 and String Orchestra
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String Orchestra
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ADVANCED
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Classical
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Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for English horn in B
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Chamber Ensemble of Minnesota, Inc.
#
SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.955168 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score a...
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String Orchestra - Level 5 - Digital Download SKU: A0.955168 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 83 pages. Chamber Ensemble of Minnesota, Inc. #6039009. Published by Chamber Ensemble of Minnesota, Inc. (A0.955168). Complete score and parts of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra, composed in 1722 by T. Albinoni, arranged for English horn by D. Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds Full Score + Parts: English horn Solo, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This English horn solo arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.00
Concerto for English horn in G Minor, Op. 9 No. 8 and String Orchestra
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String Orchestra
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ADVANCED
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Classical
#
Tomaso Albinoni
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Don Werdick (1946 - )
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Concerto for English horn in G
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Chamber Ensemble of Minnesota, Inc.
#
SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.955162 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score a...
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String Orchestra - Level 5 - Digital Download SKU: A0.955162 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 70 pages. Chamber Ensemble of Minnesota, Inc. #5869923. Published by Chamber Ensemble of Minnesota, Inc. (A0.955162). Complete score and parts of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra , composed in 1722 by T. Albinoni, arranged for English horn by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds Full Score + Parts: English horn, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement for English horn offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$17.00
Concerto for Oboe d’amore in E Minor, Op. 9 No. 8 and String Orchestra
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String Orchestra
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ADVANCED
#
Classical
#
Tomaso Albinoni
#
Don Werdick (1946 - )
#
Concerto for Oboe d’amore in
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Chamber Ensemble of Minnesota, Inc.
#
SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.955164 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score a...
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String Orchestra - Level 5 - Digital Download SKU: A0.955164 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 70 pages. Chamber Ensemble of Minnesota, Inc. #5884095. Published by Chamber Ensemble of Minnesota, Inc. (A0.955164). Complete score and parts of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra, composed in 1722 by T. Albinoni, arranged in E minor for Oboe d’amore and string orchestra by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds Full Score + Parts: Oboe d’amore, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement for Oboe d’amore offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc.
$17.00
Concerto for Oboe D’amore in G Major, Op. 9 No. 11 and String Orchestra
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String Orchestra
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ADVANCED
#
Classical
#
Tomaso Albinoni
#
Don Werdick (1946 - )
#
Concerto for Oboe D’amore in
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Chamber Ensemble of Minnesota, Inc.
#
SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.955170 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score a...
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String Orchestra - Level 5 - Digital Download SKU: A0.955170 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 86 pages. Chamber Ensemble of Minnesota, Inc. #6050973. Published by Chamber Ensemble of Minnesota, Inc. (A0.955170). Complete score and parts of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra, composed in 1722 by T. Albinoni, arranged in G Major for String Orchestra and Oboe d’amore by D. Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds Full Score + Parts: Oboe d’amore Solo, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This Oboe d’amore solo arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.00
Overture for Strings No. 5 - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Joseph Bologne, Chevalier de S
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Robert Debbaut
#
Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Ode to Joy
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String Orchestra
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EASY
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Classical
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Ludwig van Beethoven
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Orion Mendenall
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Ode to Joy
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Amos 5.8
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1449401 Composed by Ludwig van Beethoven. Arranged by Orion Mendenall. Classical,Romantic Period. 2...
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String Orchestra - Level 2 - Digital Download SKU: A0.1449401 Composed by Ludwig van Beethoven. Arranged by Orion Mendenall. Classical,Romantic Period. 20 pages. Amos 5.8 #1029175. Published by Amos 5.8 (A0.1449401). This iconic theme from Beethoven's Symphony No. 9 has become one of the most recognizable melodies in all of Western music. This arrangement is based on the themes as they first appear in the symphony; the themes are passed around the orchestra, while the melodies and rhythms are relatively simple. This is a great piece to teach counting rests, dynamics, and stylistic variety.Grade: 2Running time: 2:47.
$24.99
Suite for Strings after 12 Violin Sonatas, Op. 5 as played by Eugene Ormandy &Philadelphia Orchestra
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String Orchestra
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INTERMEDIATE
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Arcangelo Corelli, Eugene Orma
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Flavio Regis Cunha
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Suite for Strings after 12 Vio
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Flavio Regis Cunha
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1466810 By Arcangelo Corelli, Eugene Ormandy and Philadelphia Orchestra. By Arcangelo Corelli. Arra...
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String Orchestra - Level 3 - Digital Download SKU: A0.1466810 By Arcangelo Corelli, Eugene Ormandy and Philadelphia Orchestra. By Arcangelo Corelli. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. 31 pages. Flavio Regis Cunha #1045345. Published by Flavio Regis Cunha (A0.1466810). Corelli: Suite for Strings after 12 Violin Sonatas, Op. 5, for String Orchestra (Full Score & Parts) I. Sarabanda II.Giga III. BadinerieEdition based on the arrangement by Ettore PinelliReview by Flavio Regis Cunha🎻 Transform Your Strings with Corelli’s Masterpiece! 🎶Step into the enchanting world of Baroque music with Arcangelo Corelli’s Suite for Strings after 12 Violin Sonatas, Op. 5, magnificently interpreted by Eugene Ormandy and the Philadelphia Orchestra. Perfect for professional and amateur string orchestras in churches, theatres, and schools, this advanced-intermediate level sheet music brings Corelli’s brilliance to life.🌟 Features:Advanced intermediate LevelFormat: 9 x 12 inches, 23 pages of concert-quality engravingFonts: Beautifully set in Urtext Kapellmeister Music FontsImmerse your orchestra in the lush movements of Sarabanda, the lively rhythms of Giga, and the playful spirit of Badinerie. With every note, let your ensemble convey the passion and elegance of Corelli’s timeless compositions.🎼 Order now and let your strings sing with the soul of the Baroque era!
$18.99
Sibelius op. 5 no. 6 for string orchestra
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String Orchestra
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EASY
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Joshua Malave
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Joshua Malave
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Sibelius op. 5 no. 6 for strin
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Joshua Malave
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1281561 By Joshua Malave. By Jean Sibelius. Arranged by Joshua Malave. 19th Century,Chamber,Classic...
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String Orchestra - Level 2 - Digital Download SKU: A0.1281561 By Joshua Malave. By Jean Sibelius. Arranged by Joshua Malave. 19th Century,Chamber,Classical,Traditional. Score and Parts. 9 pages. Joshua Malave #872900. Published by Joshua Malave (A0.1281561). Sibelius's impromptu op. 5 no. 6 (originally for piano solo) can be found here arranged for a string orchestra. It is a beautiful singing piece perfect for a string orchestra of any size or experience level from beginner to professional.
$1.99
Joyous Celebration- Op. 9
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String Orchestra
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BEGINNER
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Troy Hanson
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Joyous Celebration- Op. 9
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Troy J Hanson
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SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.1384316 Composed by Troy Hanson. 21st Century,Contemporary,Instructional. 37 pages. Troy J Hanson #...
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String Orchestra - Level 1 - Digital Download SKU: A0.1384316 Composed by Troy Hanson. 21st Century,Contemporary,Instructional. 37 pages. Troy J Hanson #968630. Published by Troy J Hanson (A0.1384316). This is a work written for a beginner string orchestra that my mom asked me to write for her elementary orchestra.It is written in two parts Violin and Viola/Cello/BassThe piece uses only 5 notes; D-E-F#-G-AIt is written in three movements; fast-slow-fastUses the rhythms; whole-dotted half-half-quarter-eighth. I hope you enjoy it!
$9.99
Andante from Trio Sonata Op. 5, No. 1: Score
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String Orchestra
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Classical
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George Frideric Handel
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Robert Sieving
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Festival.
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Andante from Trio Sonata Op. 5
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PR-0004619 Score. Composed by George Frideric Handel. Arranged by Robert Sieving. Classical. Score....
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String Orchestra - Digital Download SKU: AX.00-PR-0004619 Score. Composed by George Frideric Handel. Arranged by Robert Sieving. Classical. Score. 9 pages. Alfred Music - Digital Sheet Music #00-PR-0004619. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004619). UPC: 038081480770.This trio shines as transcribed for string orchestra and makes possible the inclusion of a viola part, both as an equal player in the primary melodic material and in fulfilling harmonic realizations. All parts are playable in first position with the exception of fourth position required occasionally for cellos. Opportunities abound for students to polish Baroque bowing techniques. (4:30) This title is available in SmartMusic.List/syllabus: TX UIL PML: Orch, Strings, GuitarConcert/Contest; Festival.
$7.00
Attitude
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String Orchestra
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INTERMEDIATE
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Contemporary
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Thom Sharp
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Attitude
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LudwigMasters Digital
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SheetMusicPlus
String Orchestra - Grade 2.5 - Digital Download Composed by Thom Sharp. Original Concert Works. Score and Parts. 17 pages. LudwigMasters Digital #502...
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String Orchestra - Grade 2.5 - Digital Download Composed by Thom Sharp. Original Concert Works. Score and Parts. 17 pages. LudwigMasters Digital #50250151. Published by LudwigMasters Digital
ISBN 9781682968239. 9 x 12 inches.
Sassy? You better believe it!. Players are going to need to be on their toes to navigate the multiplicity of articulations, bowings, rhythms, dynamics, and a host of pesky accidentals.
$40.00
Rondeau Fanfare
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String Orchestra
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EASY
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Classical
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Jean-Joseph Mouret
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Rondeau Fanfare
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SheetMusicPlus
String Orchestra - Grade 1.5 - Digital Download Composed by Jean-Joseph Mouret (1682-1738). Classical Selections. Score and Parts. 11 pages. LudwigMast...
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String Orchestra - Grade 1.5 - Digital Download Composed by Jean-Joseph Mouret (1682-1738). Classical Selections. Score and Parts. 11 pages. LudwigMasters Digital #50250147. Published by LudwigMasters Digital
ISBN 9781682968192. 9 x 12 inches.
This arrangement of Mouret's famous work is set up like a Baroque concerto grosso, allowing you to feature soloists at an early grade level. Minimal hooked bowings, slurs on adjacent notes, and some low 2s for upper strings all make an appearance.
$35.00
Cedar Hollow (from Buffalo River Suite)
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String Orchestra
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EASY
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Contemporary
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Bud Woodruff
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Cedar Hollow
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LudwigMasters Digital
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SheetMusicPlus
String Orchestra - Grade 1.5 - Digital Download Composed by Bud Woodruff. 21st Century. Score and Parts. 23 pages. LudwigMasters Digital #50250145. P...
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String Orchestra - Grade 1.5 - Digital Download Composed by Bud Woodruff. 21st Century. Score and Parts. 23 pages. LudwigMasters Digital #50250145. Published by LudwigMasters Digital
ISBN 9781682968130. 9 x 12 inches.
Cedar Hollow is a small valley (or hollow) in the Ozarks. This work attempts to capture the essence and tranquility of the area. The harp is not essential for performance but will enhance the ensemble wonderfully if used. Some skillful writing makes the work playable with no shifting.
$42.00
Adeste Fiddles
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String Orchestra
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EASY
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Christmas
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Traditional Carol
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Ingrid Koller
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Adeste Fiddles
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LudwigMasters Digital
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SheetMusicPlus
String Orchestra - Grade 1.5 - Digital Download Composed by Traditional Carol. Arranged by Ingrid Koller. Holiday Music Series. Christmas, Holiday. Sco...
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String Orchestra - Grade 1.5 - Digital Download Composed by Traditional Carol. Arranged by Ingrid Koller. Holiday Music Series. Christmas, Holiday. Score and Parts. 25 pages. LudwigMasters Digital #50250144. Published by LudwigMasters Digital
ISBN 9781682968116. 9 x 12 inches.
A traditional carol with a distinctly non-traditional approach! Some old-time fiddling figures combine with the carol in a comfortable key of D major. Easy parts for violin, viola, and violoncello allow students who haven't advanced to extensions perform with success.
$42.00
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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String Orchestra
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EASY
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Classical
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Ins...
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String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Elegy for the Lost PARTS 88555
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String Orchestra
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ADVANCED
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Contemporary
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Gary D
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Elegy for the Lost PARTS 88555
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DR GARY D BELSHAW
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.796777 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and parts. 84 pages. D...
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String Orchestra - Level 5 - Digital Download SKU: A0.796777 Composed by Gary D. Belshaw (ASCAP). 20th Century,Contemporary. Score and parts. 84 pages. DR GARY D BELSHAW #6437943. Published by DR GARY D BELSHAW (A0.796777). Advanced. PARTS ONLY. For String Orchestra: 8/8/5/5/5. FULL SCORE available separately.A New Adagio. An Adagio for 2021. An Adagio for all who grieve for any reason, for every reason. A new Adagio for Remembering 9/11 Twenty Years Later.NOTE: These pages are formatted for printing on 9x12 paper, as the hard copy print version available on https://www.garydbelshawmusic.com. Be sure to make the appropriate selections on your printer in order reduce, or shrink, or fit, these documents so as to print on letter size sheets.Website: https://www.garydbelshawmusic.comVisit us on Facebook: https://www.facebook.com/Gary-D-Belshaw-Music-93955858441Visit us on Twitter: @GaryDBelshawMus
$40.00
Mussorgsky: Pictures at an Exhibition for Piano and String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1399365 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Contest...
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String Orchestra - Level 4 - Digital Download SKU: A0.1399365 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Standards. 252 pages. Jmsgu3 #982648. Published by jmsgu3 (A0.1399365). Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.Pictures at an Exhibition (Ð?аÑ?Ñ?инки Ñ Ð²Ñ?ÑÑ?авки) by Modest PetroviÄ Musorgskij, 1874(Ð?одеÑÑ? Ð?еÑ?Ñ?овиÑ? Ð?Ñ?ÑоÑ?гÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð?Ð¶ÐµÐ¹Ð¼Ñ Ð?. Ð?аÑ?Ñ?и)Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Ð?алеÑ? невÑ?лÑ?пивÑ?иÑ?ÑÑ Ð¿Ñ?енÑ?ов  Scherzino 6. Samuel Goldenberg und Schmuÿle  Ð?вÑ?ей в меÑ?овой Ñ?апке. CандомиÑ? Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÃ?. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Ð?аÑ?ижÑкие каÑ?акомбÑ? Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Ð?збÑ?Ñ?ка Ð?абÑ?-Яги на кÑ?Ñ?Ñ?иÑ? ожкаÑ?. ЧаÑÑ? в Ñ?Ñ?ÑÑком ÑÑ?иле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Ð?Ñ?оекÑ? гоÑ?одÑкиÑ? воÑ?оÑ? в Ð?иеве. Ð?лавнÑ?й Ñ?аÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza
$72.95
Tálamo e túmulo / Thalamus and tumulus - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Rudesindo Soutelo
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string orchestra
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Tálamo e túmulo / Thalamus a
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1502937 Composed by Rudesindo Soutelo. Arranged by string orchestra. 21st Century,Classical,Contemp...
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String Orchestra - Level 4 - Digital Download SKU: A0.1502937 Composed by Rudesindo Soutelo. Arranged by string orchestra. 21st Century,Classical,Contemporary. 50 pages. Publisher by Rudesindo Soutelo #1078615. Published by Publisher by Rudesindo Soutelo (A0.1502937). Rudesindo SouteloTálamo e túmulo / Thalamus and tumulus (Tribute to Ricardo Carvalho Calero)(2000, revised in 2024) for String Orchestra [ca. 34'] 1. Mulher de doce sal e neve mole / Woman of sweet salt and soft snow 2. Aqui me tens, querida, esperando a Godot / Here I am, darling, waiting for Godot 3. Ainda que vivi pouco, muito sonhei / Though I lived little, I dreamed muchISWC: T-045.522.027-5ISMN: 979-0-707704-37-0Info: https://soutelo.euPáginas de amostra / Sample pages: https://www.researchgate.net/publication/383819625-oOo-Esta obra está inspirada nos poemas do polígrafo galego Ricardo Carvalho Calero (Ferrol, 1910 - Santiago de Compostela, 1990) que se incluem aqui, antes de cada andamento.Os complexos que conformam a organização da obra são [7, 8, 6], [6, 2, 6] e [9, 7].--This work is inspired by the poems of Galician polygraph Ricardo Carvalho Calero (Ferrol, 1910 - Santiago de Compostela, 1990), which are included here before each movement, in the original version.The complexes that make up the organisation of the work are [7, 8, 6], [6, 2, 6] and [9, 7].
$30.00
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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String Orchestra
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
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Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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String Orchestra
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Triptych for String Orchestra (Parts only)
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String Orchestra
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ADVANCED
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Igor Korneitchouk
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Triptych for String Orchestra
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Studio at the Post
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.1365113 Composed by Igor Korneitchouk. 20th Century,Contemporary. 68 pages. Studio at the Post #879...
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String Orchestra - Level 5 - Digital Download SKU: A0.1365113 Composed by Igor Korneitchouk. 20th Century,Contemporary. 68 pages. Studio at the Post #879423. Published by Studio at the Post (A0.1365113). Parts only (see A879420 for Score). Duration: 18 - 19 min., 5 ensemble parts and 5 solo parts, average 9 pp each. Description: Triptych for String Orchestra sets up three contrasting musical tableaux in as many different genres. Though this approach is often called post-modern, the composer prefers to see it as an indulgence of the many types of music he enjoys. The work opens with a free form improvisatory movement whose sour romanticism comes from its rich chromatic palette. The second movement is in many ways the opposite of the first. It is a very tightly constrained serial work where the parameters of rhythm, inflection, and dynamics, not just pitch, get a full serial workout of permutations. The third and finale movement, then can be seen as a happy medium between the two extremes of the previous movements. It's in the form of an episodic Dionysian romp that alternates between expositions of an ever more shrill theme with puckish episodes of varied quasi-ad lib solos embedded in coloristic texture. There are three movements, Chroma - The Academy - Rock.
$5.02
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