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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
At His Name
Not classified
929
Piano & keyboards
Piano solo
545
Easy Piano
193
Piano, Voice
175
Piano, Vocal and Guitar
82
Piano Accompaniment
42
Organ
34
C Instruments
28
2 Pianos, 4 hands
8
Piano Trio: piano, violin, cello
7
1 Piano, 4 hands
6
Piano Quartet: piano, violin, viola, cello
3
Piano Quintet: piano, 2 violins, viola, cello
3
Organ, Trumpet (duet)
2
Piano Quartet: piano, 2 violins, cello
2
Accordion
1
+ 10 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
40
Guitar
40
Ukulele
26
Melody line, (Lyrics) and Chords
16
Lyrics and Chords
6
2 Guitars (duet)
5
Guitar Ensemble
4
Banjo
1
4 Guitars (Quartet)
1
Mandolin
1
Bass guitar
1
Dulcimer
1
Mandolin, Guitar (duet)
1
+ 8 instrumentations
-
Retract
Voice
Choral 3-part
185
Choral SATB
114
Choral SSAA
35
Choral TTBB
21
Choral 2-part
20
Tenor voice, Piano
18
Alto voice, Piano
17
Soprano voice, Piano
16
Baritone voice, Piano
15
Choral Unison
6
Vocal duet, Piano
4
High voice
4
Vocal duet
2
Voice solo
2
Tenor voice
1
Mezzo-Soprano voice, Piano
1
Low voice, Piano
1
+ 12 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
80
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
79
Saxophone Quintet: 5 Saxophones
71
Saxophone Quartet: 4 saxophones
70
Flute and Piano
56
Flute
53
Alto Saxophone and Piano
49
Clarinet
48
Clarinet and Piano
47
Alto Saxophone
43
Flute, Oboe, Clarinet, Bassoon
40
Oboe, Piano (duet)
40
2 Clarinets (duet)
38
2 Flutes (duet)
37
Saxophone, Clarinet (duet)
37
Tenor Saxophone
37
Clarinet Quartet: 4 clarinets
30
Oboe (band part)
28
Tenor Saxophone and Piano
26
Soprano Saxophone and Piano
25
Clarinet, Violin (duet)
24
Clarinet, Trumpet (duet)
21
Flute, Clarinet (duet)
20
2 Oboes (duet)
18
Baritone Saxophone, Piano
16
Oboe
14
Flute, Violin
14
3 Saxophones (trio)
13
Flute, Saxophone (duet)
13
Clarinet and Viola
13
Oboe, Flute
12
Oboe, Clarinet (duet)
12
Flute, Trumpet (duet)
11
Oboe, Bassoon (duet)
10
Flute ensemble
10
Clarinet Ensemble
10
English horn, Piano
10
Flute Quartet: 4 flutes
10
Bass Clarinet, Piano
9
Flute, Viola (duet)
9
Flute and Guitar
6
Oboe, Clarinet, Bassoon (trio)
6
Flute Quintet : 5 flutes
5
Saxophone ensemble
5
Flute, Oboe, Clarinet (trio)
5
Clarinet Quintet: 5 clarinets
5
Saxophone (band part)
5
Clarinet, Guitar (duet)
4
Saxophone and Organ
4
Flute Trio: 3 flutes
3
Flute, Organ (duet)
3
3 Clarinets (trio)
3
Baritone Saxophone
2
Soprano Saxophone
2
Clarinet, Harp (duet)
2
Oboe, Guitar (duet)
2
Descant (Soprano) Recorder
2
Recorder
2
Oboe, Harp
2
Recorder Quartet
2
5 Recorders
1
Flute, Clarinet, Piano (trio)
1
Clarinet, Bassoon (duet)
1
Pennywhistle
1
Flute, Violin and Violoncello
1
Saxophone and Guitar
1
Treble (Alto) Recorder, Piano
1
Clarinet, Organ
1
Flute, Oboe, Bassoon
1
3 Recorders (trio)
1
Clarinet, Cello (duet)
1
Treble (Alto) Recorder
1
Eb Instruments
1
2 Recorders (duet)
1
Saxophone and Harp
1
English Horn, Guitar (duet)
1
Flute, Violin, Piano
1
Flute, Violoncello
1
Flute, Bassoon, and Piano
1
Piccolo, Piano
1
Clarinet, Cello, Piano (trio)
1
+ 76 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
90
Brass quartet : 2 trumpets, trombone, tuba
56
Trumpet
54
Trombone
41
French Horn and Piano
32
French horn
31
Trombone and Piano
30
Trumpet, Piano
29
Trumpet, Saxophone (duet)
26
2 Trumpets (duet)
23
Tuba and Piano
22
2 Trombones (duet)
18
Tuba
17
Euphonium, Piano (duet)
15
Trumpet, Trombone (duet)
12
English horn, Piano
10
Brass Quartet
10
Trombone ensemble
6
2 French horns (duet)
5
Brass Quartet: 2 trumpets, horn, trombone
5
Trumpet ensemble
4
Trombone (band part)
3
Brass Quartet: 4 horns
3
Brass Quintet: 2 trumpets, horn, 2 trombones
2
Trumpet (band part)
2
Brass Quartet: 4 trombones
2
Tuba (band part)
1
Bb Instruments
1
2 Tubas (duet)
1
Brass Quartet: 4 trumpets
1
4 Tubas
1
F Instruments
1
Trumpet, Harp
1
English Horn, Guitar (duet)
1
Tuba and Organ
1
Trombone, Organ
1
French Horn and Harp
1
Horn Ensemble
1
+ 33 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
130
Violin and Piano
75
Violin
65
Cello
56
Viola
44
Viola, Piano
41
Cello, Piano
41
2 Violins (duet)
27
Violin, Cello (duet)
25
2 Violas (duet)
22
String Quintet: 2 violins, viola, cello, bass
21
Harp
20
2 Cellos (duet)
19
String Trio: violin, viola, cello
19
Violin, Viola (duet)
16
Double bass, Piano (duet)
16
Double Bass
15
String Trio: 2 violins, cello
14
2 Harps (duet)
9
Viola (band part)
8
Violin ensemble
5
Viola ensemble
5
String Trio: 3 cellos
3
Harp, Voice
3
4 Cellos
3
Violin (band part)
3
Harp, Flute (duet)
3
2 Double basses (duet)
2
Cello, Guitar (duet)
2
Harp, Violin (duet)
2
String Trio: 3 violins
1
Cello, Organ
1
Viola, Organ
1
Violin, Guitar (duet)
1
String Quintet: 2 violins, viola, 2 cellos
1
Viola, Guitar (duet)
1
Harp and Piano
1
String quartet: 4 violins
1
String Quartet : 4 violas
1
String Quintet: 2 violins, 2 violas, cello
1
2 Violas, Piano
1
String Trio: 3 violas
1
Doublebass (band part)
1
Viola, Cello (duet)
1
Viola and Harp
1
+ 40 instrumentations
-
Retract
Orchestra & Percussion
Concert band
161
String Orchestra
50
Orchestra
44
Brass ensemble
30
Jazz Ensemble
20
Handbells
18
Chamber Orchestra
17
Marching band
8
Jazz combo
7
Percussion Ensemble
6
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Drums
2
Vibraphone
1
Percussion
1
Piano and Orchestra
1
Percussion (band part)
1
2 Marimbas
1
+ 12 instrumentations
-
Retract
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HARPSICHORD
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LUTE, THEOR…
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MARCHING BA…
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1
26
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Irish Tunes for Young at Heart Fiddlers, Book 1
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String Orchestra
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INTERMEDIATE
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Celtic/Irish
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Scott Walker
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Scott Walker
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Irish Tunes for Young at Heart
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S'got Possiblities
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.749240 By Scott Walker. By Scott Walker. Arranged by Scott Walker. Celtic,Irish. Score and parts. 2...
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String Orchestra - Level 3 - Digital Download SKU: A0.749240 By Scott Walker. By Scott Walker. Arranged by Scott Walker. Celtic,Irish. Score and parts. 29 pages. S'got Possiblities #355150. Published by S'got Possiblities (A0.749240). I am very proud to offer this remake of Irish Tunes for Young @ Heart Fiddlers, Book 1! I am very thankful for the response I have had from students, teachers, and families, who have enjoyed these tunes over the years! Included in this volume are the following tunes: The Ballydesmond Polka and Matt Teehan’s Polka, CaptainO’Kane, The Cliffs of Moher, in Dm and Am, Sally Gardens, The Eagle’s Whistle, Dunmore Lasses, in Am and Em, Harvest Home, The Foggy Dew, Maira’s Wedding, George Brabizon, Hewlett’s, Tobins into The Irish Washerwoman, Southwind, Lanigan’s Ball, Mary Mack, Planxty Fanny Power, The Rights of Man, Slane, Walker Street into Silver Spear. The tunes in this book are very well known traditional Irish tunes, good at any Irish session! There is a link to the first tune of the book to give you an idea of what the music sounds like. They make a very good supplemental resource for growing fiddlers, are fun to play, and can be used with the Cello book of the same name. Please enjoy! Included here is a youtube link to a playlist of these tunes, playedin their entirety by Scott Walker on fiddle, cello and guitar: https://youtube.com/playlist?list=PL1QxSodsD2nH6EPY-NIvVnJfcAMs2LPQW.
$15.00
Irish Tunes for Young at Heart Fiddlers, Book 2
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String Orchestra
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INTERMEDIATE
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Celtic/Irish
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Scott Walker
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Scott Walker
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Irish Tunes for Young at Heart
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S'got Possiblities
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.679792 By Scott Walker. By Traditional. Arranged by Scott Walker. Celtic,Irish. Score and parts. 24...
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String Orchestra - Level 3 - Digital Download SKU: A0.679792 By Scott Walker. By Traditional. Arranged by Scott Walker. Celtic,Irish. Score and parts. 24 pages. S'got Possiblities #245957. Published by S'got Possiblities (A0.679792). I am very excited to present “Irish Tunes for Young @Heart Fiddlersâ€, Book 2!! I hope that this collection of tunes will bring more joy and more of the Magic of Irish Music closer to musicians of all ages. Itncluded in this book are the following tunes: Dawning of the Day, Road to Lisdoonvarna, Swallow Tail, Britches full of Stitches and Cuil Adhoa, After the Battle of Aughrim, Star of the County Down, Fig for a Kiss, The Butterfly,Banish Misfortune,Cook in the Kitchen, Planxty Irwin, Tommy Cohen’s, The Banshee,Slane, New Rigged Ship. The tunes in this book are very well known traditional Irish tunes, good at any Irish session! There is a link to the first tune of the book to give you an idea of what the music sounds like. The tunes in this book are very well known traditional Irish tunes, good at any Irish session! I chose these particular tunes first because they are good tunes, but also because they are accessible to the Cello, and in the same key as the Fiddle.. They make a very good supplemental resource for growing fiddlers, fun to play, and can be used with the Cello book of the same name. Please enjoy these great tunes! Included here is a youtube link to a playlist of these tunes, playedin their entirety by cello and fiddle: https://www.youtube.com/watch?v=_ON1BBAfVj4&list=PL1QxSodsD2nFp1WDIsjWGargdnp2_fxQt.
$12.00
All Hail the Power of Jesus' Name
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String Orchestra
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EASY
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Sacred music
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Words: E
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Thomas Quigley
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All Hail the Power of Jesus' N
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Thomas Quigley
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1288095 Composed by Words: E. Perronet / Music: O. Holden. Arranged by Thomas Quigley. Christian,Pr...
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String Orchestra - Level 2 - Digital Download SKU: A0.1288095 Composed by Words: E. Perronet / Music: O. Holden. Arranged by Thomas Quigley. Christian,Praise & Worship,Religious,Sacred. Score and Parts. 17 pages. Thomas Quigley #879134. Published by Thomas Quigley (A0.1288095). If you are a teacher in search of an arrangement for your string ensemble to perform at a religious service, this powerful, uplifting hymn tune is an excellent choice. Ideal for students, it is playable, highly musical in a classical style and rewarding to hear. Also, a possible concert item choice, this is a fine addition to your sacred music collection.
$24.95
He Is Great
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String Orchestra
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INTERMEDIATE/ADVANCED
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Sacred music
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Bruce J
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He Is Great
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In His Name Music/SESAC
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.938098 Composed by Bruce J. Patterson. Christmas,Contemporary,Musical/Show,Praise & Worship,Sacred....
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String Orchestra - Level 4 - Digital Download SKU: A0.938098 Composed by Bruce J. Patterson. Christmas,Contemporary,Musical/Show,Praise & Worship,Sacred. Score and parts. 26 pages. In His Name Music/SESAC #3224329. Published by In His Name Music/SESAC (A0.938098). He Is Great is from my Classical Works project and is written for Classical Guitar, Choir and String Orchestra. This song is musically based on Luke 1:26-33 where the scripture says, 32 He will be great, and will be called the Son of the Highest; and the Lord God will give Him the throne of His father David. 33 And He will reign over the house of Jacob forever, and of His kingdom there will be no end. Classical Works is a collection of original compositions written for classical guitar with orchestration. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. www.messiahsongs.com 615-516-0473
$6.99
Overture for Strings No. 3 - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 6 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 4 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
for Sasha (string orchestra)
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String Orchestra
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INTERMEDIATE
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Contemporary
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Philip Orem
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for Sasha
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Philip Orem
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.872717 Composed by Philip Orem. Contemporary. Score and parts. 25 pages. Philip Orem #6486791. Publ...
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String Orchestra - Level 3 - Digital Download SKU: A0.872717 Composed by Philip Orem. Contemporary. Score and parts. 25 pages. Philip Orem #6486791. Published by Philip Orem (A0.872717). Originally the second movement of a brass sextet, this begged to be arranged and adapted for string orchestra. Sasha was a beautiful husky that lived with me for fourteen years and the writing of this was part of my grieving process. His name is spelled out at one point in the score and the main melody is a bit of a nonsense song I used to sing to him. This elegy will move both performers and listeners.
$30.00
Mozart: Sonata K. 284 “Durnitz” for String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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W
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James M
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Mozart: Sonata K. 284 “Durni
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classic...
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String Orchestra - Level 4 - Digital Download SKU: A0.1202559 Composed by W. A. Mozart (1756 – 1791). Arranged by James M. Guthrie, ASCAP. Classical,Contest,Festival,Standards. Score and parts. 125 pages. Jmsgu3 #800938. Published by jmsgu3 (A0.1202559). Sonata No. 6, “Durnitz†for String OrchestraScore and performance parts:  Score: 66 pages. Duration: ca. 29:28 Mozart's Sonata in D major, K. 284, also known as the Durnitz Sonata, is a solo piano piece composed by Wolfgang Amadeus Mozart in 1775. It is one of Mozart's more complex and ambitious sonatas and is generally regarded as one of his greatest works for the instrument.The sonata is divided into three movements:1.   Allegro - The first movement is a fast-paced and energetic sonata-allegro form, characterized by its lively theme and virtuosic passages. The movement begins with a bold and dramatic opening statement, followed by a series of contrasting themes and variations. The development section explores new harmonic and rhythmic territory, while the recapitulation brings the movement full circle with a restatement of the main themes.2.   Rondeau en Polonaise - The second movement is a graceful and elegant rondo in the style of a polonaise, a popular dance of the time. The main theme is a lilting melody that is first presented by the right hand and then repeated with variations throughout the movement. The middle section features a contrasting theme in a minor key, which is then developed and expanded upon in the latter half of the movement.3.   Theme and Variations - The final movement is a set of six variations on a theme, which is introduced at the beginning of the movement. Each variation explores a different aspect of the theme, from playful embellishments to dramatic flourishes. The final variation brings the piece to a rousing and triumphant close.Overall, Mozart's Sonata in D major, K. 284, is a masterful example of the composer's virtuosity and innovation and remains a beloved and influential work in the piano repertoire. Mozart's Sonata in D major, K. 284 is also known as the Dürnitz Sonata because it is believed to have been composed for Count Johann Joseph Anton von Dürnitz, an accomplished amateur flautist who was a patron of Mozart.Mozart was in Munich in 1775, and he met Dürnitz there. According to Mozart's letters to his father, Dürnitz played the flute very well, and Mozart was impressed by his abilities. It is believed that Mozart composed this sonata specifically for Dürnitz, who may have performed it with Mozart accompanying him on the piano.No concrete evidence supports the theory that the sonata was named after Dürnitz, but it is widely accepted as the most likely explanation for the nickname. In any case, the sonata remains one of Mozart's most popular and beloved works for solo piano.
$59.95
The Seas of Kirk Swarf
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String Orchestra
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Sir Peter Maxwell Davies
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The Seas of Kirk Swarf
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Schott Music - Digital
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SheetMusicPlus
Bass clarinet and string orchestra - Digital Download SKU: S9.Q19841 For bass clarinet and strings. Composed by Sir Peter Maxwell Davies. This edi...
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Bass clarinet and string orchestra - Digital Download SKU: S9.Q19841 For bass clarinet and strings. Composed by Sir Peter Maxwell Davies. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. 281. Duration 15 minutes. Schott Music - Digital #Q19841. Published by Schott Music - Digital (S9.Q19841). Commissioned by the St Magnus Festival and first performed there in 2007, The Seas of Kirk Swarf, like many of the composer’s works, draws inspiration from the Orkney Isles where Maxwell Davies lives. Kirk Swarf is a stretch of sea off the Holms of Ire, two small uninhabited islands off Sanday, Orkney and as the name suggests, on shore is a ruined chapel. The composer explains that two kinds of sea meet and interact here at this point - the wilder sea from Westray to the west, and a calmer sea, resulting in huge waves suddenly rearing up, even on calm days, with extraordinary dramatic effect.
$19.99
THE COVENTRY CAROL
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String Orchestra
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BEGINNER
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Christmas
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Traditional English Carol
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Vincent Vitale
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THE COVENTRY CAROL
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Vincent Vitale
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SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.835542 Composed by Traditional English Carol. Arranged by Vincent Vitale. Christmas. Score and part...
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String Orchestra - Level 1 - Digital Download SKU: A0.835542 Composed by Traditional English Carol. Arranged by Vincent Vitale. Christmas. Score and parts. 10 pages. Vincent Vitale #3141247. Published by Vincent Vitale (A0.835542). THE COVENTRY CAROL is a 16th century Christmas carol and is named after the city of Coventry, England. The carol was traditionally performed in Coventry as part of a mystery play called The Pageant of the Shearmen and Tailors. Written for the elementary level the composition has all instruments in First Position and includes a full score and parts for Violin 1, Violin 2, Viola, Cello and St. Bass. It is written in A minor and is very playable at this level. If this piece appeals to you please consider others in this string series by typing VINCENT VITALE in the search bar located on the home page. I thank you very much for your consideration and wish you and your students much musical success.
$10.00
Mr. Thinn, Waltz for Strings (Standard Arrangement)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Geraldine
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Mr. Thinn, Waltz for Strings
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1298603 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Par...
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String Orchestra - Level 4 - Digital Download SKU: A0.1298603 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 42 pages. Geraldine (Denny) Green at Oakmountmusic #888482. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298603). ALL PURCHASES COME WITH SCORE AND PARTSSeptember 2011-Duration 4 minutes 30 seconds.  Written for Gary Woolf and the Banda Di Musica.This short waltz is named after an imaginary, childhood character of mine – a magic toy-maker. Its 2 melodies span 36 years. The first tune came to me when I was 8 years old and on holiday in the Co.Donegal town of Buncrana, west Ireland. Back then there was a small shop on Buncrana’s high street that sold everything from milk to DIY tools. And the name of the shop was “John Thinn And Sonâ€. I thought this was an awesome name and I remember the shop owner, the real Mr. Thinn, being a lovely kindly, rather shy and gentle man. And this inspired my childhood mind’s character of Mr.Thinn the magic-toy maker.  The 2nd theme arrived in September 2011 as soon as I had decided that Mr.Thinn’s first tune had waited long enough and now needed to find a permanent home. Once again writing for the wonderful Banda di musica has given me a unique chance to release an old and very special melody that has lain neglected and home-less for over 3 decades. The resulting piece is light hearted, fun and in a simple ABA form.There are 2 arrangements;No. 1 – School Arrangement ; Violins 1, 2 and 3, Cellos 1 and 2No. 2 – Standard Arrangement ; Violins 1 and 2, Viola, Cello and Double BassThere are a few violin and cello solos throughout which are to be played by the section leaders. These are of moderate difficulty.
$25.00
Mr. Thinn, Waltz for Strings (School Arrangement)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Geraldine
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Mr. Thinn, Waltz for Strings
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Geraldine
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1298601 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Par...
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String Orchestra - Level 4 - Digital Download SKU: A0.1298601 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 43 pages. Geraldine (Denny) Green at Oakmountmusic #888480. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1298601). ALL PURCHASES COME WITH SCORE AND PARTSSeptember 2011-Duration 4 minutes 30 seconds.  Written for Gary Woolf and the Banda Di Musica.This short waltz is named after an imaginary, childhood character of mine – a magic toy-maker. Its 2 melodies span 36 years. The first tune came to me when I was 8 years old and on holiday in the Co.Donegal town of Buncrana, west Ireland. Back then there was a small shop on Buncrana’s high street that sold everything from milk to DIY tools. And the name of the shop was “John Thinn And Sonâ€. I thought this was an awesome name and I remember the shop owner, the real Mr. Thinn, being a lovely kindly, rather shy and gentle man. And this inspired my childhood mind’s character of Mr.Thinn the magic-toy maker.  The 2nd theme arrived in September 2011 as soon as I had decided that Mr.Thinn’s first tune had waited long enough and now needed to find a permanent home. Once again writing for the wonderful Banda di musica has given me a unique chance to release an old and very special melody that has lain neglected and home-less for over 3 decades. The resulting piece is light hearted, fun and in a simple ABA form.There are 2 arrangements;No. 1 – School Arrangement ; Violins 1, 2 and 3, Cellos 1 and 2No. 2 – Standard Arrangement ; Violins 1 and 2, Viola, Cello and Double BassThere are a few violin and cello solos throughout which are to be played by the section leaders. These are of a more advanced difficulty.
$25.00
Multi Flora Rosa
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String Orchestra
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EASY
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Classical
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Scott Walker
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Scott Walker
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Multi Flora Rosa
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S'got Possiblities
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1036871 By Scott Walker. By Scott Walker. Arranged by Scott Walker. Classical. Score and parts. 22 ...
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String Orchestra - Level 2 - Digital Download SKU: A0.1036871 By Scott Walker. By Scott Walker. Arranged by Scott Walker. Classical. Score and parts. 22 pages. S'got Possiblities #641683. Published by S'got Possiblities (A0.1036871). I wrote this string orchestra piece for a middle school orchestra that had a cello section that needed a chance to play a melody, any kind of a melody! Everyone is in 1st position the whole time, and it would be considered a grade 2 piece. It has a kind of Italian feel to it, and I named it for a certain rose bush that we had growing at my home, and it turned out to be a kind of musical description of the flower. Little did I know that the Multi Flora Rosa is considered an annoying weed by most gardeners. Who knew? The picture of the rose is from my sister’s front yard and is just a rose by another name!
$15.00
Eine Kleine Nachtmusik (Serenade in G) K 525
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Arte Nova Music Lab
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Eine Kleine Nachtmusik
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.742450 Composed by Wolfgang Amadeus Mozart. Arranged by Arte Nova Music Lab. Classical,Concert,Stan...
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String Orchestra - Level 4 - Digital Download SKU: A0.742450 Composed by Wolfgang Amadeus Mozart. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Score and parts. 75 pages. Arte Nova Music Lab #3878777. Published by Arte Nova Music Lab (A0.742450). Eine kleine Nachtmusik, (German: A Little Night Music) by name of Serenade No. 13 in G Major, K 525, serenade for two violins, viola, cello, and double bass by Wolfgang Amadeus Mozart, admired for its lively, joyful quality and its memorable melodies. The piece was completed on August 10, 1787, but was published posthumously. In present-day practice, it is typically performed in orchestral arrangement.Although it originally denoted an evening song for courtship, the term serenade by the late 18th century was used broadly to describe a chamber work intended for light entertainment on a social occasion. Serenades enjoyed great popularity in south-central Europe, particularly in Vienna, where Mozart spent the last decade of his life. At that time, it was customary for ensembles to perform serenades in Vienna’s parks and gardens, and the creation of such pieces became a lucrative source of income for composers.Taken from https://www.britannica.com/topic/Eine-kleine-Nachtmusik
$50.00
Death Theme 'from the Paramount Motion Picture THE UNTOUCHABLES' for String Orchestra
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String Orchestra
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INTERMEDIATE
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Film/TV
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Ennio Morricone
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Death Theme 'from the Paramoun
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Flavio Regis Cunha
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download By Ennio Morricone. Arranged by Flávio Régis Cunha. Score, Set of Parts. 10 pages. ...
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String Orchestra - Intermediate - Digital Download By Ennio Morricone. Arranged by Flávio Régis Cunha. Score, Set of Parts. 10 pages. Published by Flavio Regis Cunha
The Untouchables is a 1987 American gangster film directed by Brian De Palma, produced by Art Linson, written by David Mamet, and based on the book of the same name (1957). The film stars Kevin Costner, Charles Martin Smith, Andy García, Robert De Niro, and Sean Connery, and follows Eliot Ness (Costner) as he forms the Untouchables team to bring Al Capone (De Niro) to justice during Prohibition. The Grammy Award-winning score was composed by Ennio Morricone and features period music by Duke Ellington.
This arrangement was composed for string orchestra. You and your ensemble will love to play.
Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$49.99
Two Voltas - Dances 201 and 210 from Terpsichore (Michael Praetorius)
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String Orchestra
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INTERMEDIATE
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Christmas
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Various
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Colin Kirkpatrick
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Two Voltas - Dances 201 and 21
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards....
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String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards. Score and parts. 20 pages. Colin Kirkpatrick Publications #3885295. Published by Colin Kirkpatrick Publications (A0.522221). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments. The volta is an anglicised name for a dance that was popular during the Renaissance. Considered at first to be slightly risqué and controversial it eventually became more respectable but never completely dignified. The first dance uses interesting cross-rhythms.In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, finger cymbals, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
Barók - Concerto para Violino e Orquestra de Cordas
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String Orchestra
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INTERMEDIATE
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Contemporary
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Betsuel Uesile Prado
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Barók - Concerto para Violino
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BETSUEL UESILE DO PRADO
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.809297 Composed by Betsuel Uesile Prado. Contemporary. Score and parts. 27 pages. BETSUEL UESILE DO...
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String Orchestra - Level 3 - Digital Download SKU: A0.809297 Composed by Betsuel Uesile Prado. Contemporary. Score and parts. 27 pages. BETSUEL UESILE DO PRADO #6489675. Published by BETSUEL UESILE DO PRADO (A0.809297). É com imenso prazer que apresento Barók, o primeiro concerto que escrevi quando ainda estudava violino no conservatório de música. Por muito tempo essa peça ficou guardada na gaveta, até que decidi trazê-la à luz. A inspiração par a essa peça, como o próprio nome diz, vem do vasto repertório da música barroca. Isso pode ser observado no formato do concerto desde o primeiro movimento. O segundo movimento também trás um toque do perÃodo clássico enquanto que o terceiro busca elementos vistos nos dois primeiros, mas terminando em um finale pomposo e majestoso.It is with great pleasure that I present Barók, the first concert I wrote when I was still studying violin at the music conservatory. For a long time this piece was kept in the drawer, until I decided to bring it ti light. The inspiration for this piece, as the name implies, comes from the vast repertoire of baroque music. This can be seen in the format of the concerto from the firts to last movements. The second movement also brings a touch of the classical period while the third moves towards elements seen in the first two, but ending in a po,pous and majestic finale.
$39.99
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