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Not classified
3,948
Piano & keyboards
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2,018
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1,325
Piano, Vocal and Guitar
897
Easy Piano
419
Organ
258
C Instruments
148
Piano Accompaniment
103
Accordion
81
Piano Trio: piano, violin, cello
72
1 Piano, 4 hands
52
Big Note Piano
44
2 Pianos, 4 hands
28
Piano Quartet: piano, violin, viola, cello
24
Piano Quintet: piano, 2 violins, viola, cello
14
Organ, Piano (duet)
13
Harpsichord
9
Organ, Trumpet (duet)
8
Piano Quartet: piano, 2 violins, cello
8
2 Pianos, 8 hands
2
Piano (band part)
2
Accordion, Voice
1
Melody line, Piano
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1 Piano, 6 hands
1
Keyboard
1
+ 19 instrumentations
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282
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217
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200
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56
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Bass guitar
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Piano, Guitar (duet)
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Mandolin
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6
Guitar Ensemble
5
Mandolin, Guitar (duet)
5
3 Guitars (trio)
4
Guitar, Violin, Cello (trio)
3
Dulcimer
3
Banjo
3
Ukulele Ensemble
2
Baritone Ukulele
1
Plectrum Orchestra
1
Band Scores
1
+ 16 instrumentations
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Voice
Choral SATB
1,428
Choral 3-part
321
Choral 2-part
201
Choral TTBB
129
Choral Unison
120
Vocal duet, Piano
78
Choral SSAA
64
Vocal duet
36
Voice solo
31
Choral
28
Alto voice, Piano
26
High voice
19
Baritone voice, Piano
19
Tenor voice, Piano
19
Soprano voice, Piano
17
Medium voice, Piano
10
Tenor voice
7
Choral SSAATTBB
6
Low voice, Piano
6
Choral SSATTB
5
Soprano voice
4
Choral, Organ
2
Soli, Mixted choir and accompaniment
2
Children choir
1
Choral SSATB
1
Low voice
1
+ 21 instrumentations
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Retract
Woodwind
Flute and Piano
453
Clarinet and Piano
381
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
308
Saxophone Quartet: 4 saxophones
255
Alto Saxophone and Piano
251
2 Saxophones (duet)
233
Oboe, Piano (duet)
217
Flute, Oboe, Clarinet, Bassoon
196
Flute
190
Clarinet Quartet: 4 clarinets
168
Soprano Saxophone and Piano
162
Tenor Saxophone and Piano
157
Clarinet
151
2 Flutes (duet)
127
Saxophone Quintet: 5 Saxophones
125
2 Clarinets (duet)
123
Clarinet Ensemble
113
Flute Quartet: 4 flutes
109
Baritone Saxophone, Piano
83
Flute ensemble
81
English horn, Piano
81
Saxophone ensemble
79
Alto Saxophone
79
Saxophone (band part)
62
Saxophone, Clarinet (duet)
61
3 Clarinets (trio)
58
Flute, Clarinet (duet)
57
3 Saxophones (trio)
53
Tenor Saxophone
52
Oboe (band part)
48
Bass Clarinet, Piano
45
Clarinet, Violin (duet)
45
Oboe, Bassoon (duet)
41
Clarinet Quintet: 5 clarinets
39
Flute, Violin, Piano
38
Clarinet, Guitar (duet)
35
Flute and Guitar
35
2 Oboes (duet)
35
Clarinet, Trumpet (duet)
31
Flute, Violin
30
Flute Trio: 3 flutes
29
Saxophone
25
2 Recorders (duet)
24
Oboe, Clarinet (duet)
23
Clarinet and Viola
21
Flute, Trumpet (duet)
21
Recorder Ensemble
20
Flute, Saxophone (duet)
20
Oboe, Flute
20
Flute (band part)
18
Clarinet, Bassoon (duet)
18
Flute Quintet : 5 flutes
18
Recorder
15
Flute, Viola (duet)
15
Recorder Quartet
15
Oboe
14
Oboe, Clarinet, Bassoon (trio)
14
Flute, Oboe, Bassoon
12
Soprano Saxophone
11
Descant (Soprano) Recorder
11
2 Saxophones, Piano
10
5 Recorders
10
Flute, Clarinet and Bassoon.
10
Flute, Cello, Piano (trio)
10
Treble (Alto) Recorder
10
Flute, Oboe, Clarinet (trio)
9
Flute, Clarinet, Piano (trio)
9
Harmonica
8
Clarinet (band part)
8
Clarinet, Harp (duet)
7
Descent (Soprano) Recorder, Piano
7
Piccolo, Piano
6
Saxophone and Harp
6
2 Clarinets, Piano
6
Oboe, Harp
6
Flute, Viola and Piano
6
Oboe, Guitar (duet)
6
Flute, Violoncello
5
3 Recorders (trio)
5
Clarinet, Cello (duet)
5
Flute, Oboe (duet)
5
Treble (Alto) Recorder, Piano
4
Ocarina
4
Clarinet, Cello, Piano (trio)
4
3 Oboes
4
Flute, Cello, Guitar
4
Recorder, Guitar (duet)
4
Flute, Organ (duet)
4
English Horn, Guitar (duet)
4
2 Flutes, Piano
3
Flute, Violin, Violoncello and Piano
3
Saxophone and Guitar
3
Treble (Alto) Recorder, Basso continuo
3
English Horn
3
Oboe, Cello
3
Saxophone and Piano
2
2 Clarinets, Bassoon
2
Flute, Bassoon, and Piano
2
2 English horns and Pianoforte
2
Oboe and viola (duet)
2
Flute, Trombone (duet)
2
Pennywhistle
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
Flute, harp and violin
2
Flute, Basso continuo
2
Tenor Recorder
2
Flute, Oboe, Piano (trio)
1
2 Flutes, 2 Clarinets (Quartet)
1
Recorder, Harp
1
Saxophone and Organ
1
Flute, Violin and Violoncello
1
Eb Instruments
1
Flute, Tuba (duet)
1
Flute and Strings Trio
1
Clarinet, Tuba
1
Bass Clarinet
1
Piccolo
1
4 Oboes
1
Clarinet, Trombone (duet)
1
Recorder, Piano
1
Clarinette, Viola and Piano (trio)
1
Clarinet, trumpet and piano
1
Oboe, Violin (duet)
1
Flute, Oboe, Violin
1
English horn, Harp (duet)
1
Baritone Saxophone
1
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Brass Quintet: 2 trumpets, horn, trombone, tuba
309
Brass quartet : 2 trumpets, trombone, tuba
218
Trombone and Piano
211
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174
Trumpet
144
French Horn and Piano
133
Euphonium, Piano (duet)
81
English horn, Piano
81
Trombone
80
Brass Quartet: 2 trumpets, horn, trombone
67
Brass Quartet
63
Trumpet, Trombone (duet)
58
2 Trombones (duet)
57
2 Trumpets (duet)
55
Tuba and Piano
52
Trombone (band part)
47
French horn
46
Trumpet, Saxophone (duet)
44
Tuba
42
Trumpet (band part)
40
Brass Quartet: 4 trombones
37
Trombone ensemble
35
Trumpet ensemble
23
2 French horns (duet)
22
Brass Quartet: 4 horns
20
Horn Ensemble
11
Brass Trio
8
Tuba and Organ
8
Trumpet, Horn (duert)
7
3 Trombones (trio)
7
Brass Quartet: 4 trumpets
7
French horn (band part)
6
4 Tubas
6
2 Euphoniums and 2 Tubas
5
Brass Quintet: 2 trumpets, horn, 2 trombones
5
Euphonium
5
2 Tubas (duet)
5
French Horn and Harp
5
Trumpet, Harp
5
3 Trumpets (trio)
5
2 Trumpets, Keyboard (piano or organ)
4
Tuba (band part)
4
English Horn, Guitar (duet)
4
2 Euphoniums (duet)
3
Brass Quartet: 2 trumpets, 2 trombones
3
Bass Trombone and Piano
3
Trumpet, violin (duet)
3
English Horn
3
Bass Clef Instruments
2
2 English horns and Pianoforte
2
Bass Trombone
2
Trombone, Tuba (duet)
2
Trumpet, Trombone, Piano
2
Trombone, Organ
2
Trombone, Horn (duet)
1
Trombone and Orchestra
1
Horn, Tuba (duet)
1
Euphonium, Tuba (duet)
1
Tuba ensemble
1
3 French horns (trio)
1
Clarinet, Horn (duet)
1
Trumpet, Euphonium (duet)
1
Bb Instruments
1
Tuba or Euphonium or Saxhorn
1
Horn and Organ
1
Trumpet, Tuba (duet)
1
F Instruments
1
English horn, Harp (duet)
1
Trombone, Violin (duet)
1
+ 64 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
717
Violin and Piano
549
Cello, Piano
377
Viola, Piano
315
Violin
207
String Trio: violin, viola, cello
156
Violin, Cello (duet)
127
Cello
123
2 Violins (duet)
113
Harp
98
2 Cellos (duet)
94
Viola
74
Violin, Viola (duet)
71
2 Violas (duet)
69
Violin, Guitar (duet)
56
String Trio: 2 violins, cello
54
2 Harps (duet)
47
Double bass, Piano (duet)
32
Double Bass
31
Viola, Guitar (duet)
27
Viola (band part)
24
Viola, Cello (duet)
23
4 Cellos
22
Cello, Guitar (duet)
22
String Trio: 3 violins
19
Piano Trio: Violin, Viola, Piano
19
String Quintet: 2 violins, viola, cello, bass
18
Violin (band part)
14
Harp, Flute (duet)
14
String Trio: 3 cellos
13
Doublebass (band part)
12
Violin ensemble
12
Viola ensemble
11
Harp, Violin (duet)
9
String Trio: 2 violins, viola
9
String Trio: 3 violas
7
String Quartet : 4 violas
7
Cello (band part)
7
String quartet: 4 violins
7
Viola and Harp
6
Flute, Doublebass (duet)
6
String Quintet: 2 violins, 2 violas, cello
5
2 Double basses (duet)
4
2 Violins, Piano
4
Harp, Voice
4
Harp, Cello (duet)
3
Cello Ensemble
2
Harp, Violin, Violoncello
2
Cello, String Bass (duet)
2
Violin, Bassoon (duet)
2
4 Double Basses
2
Violin, Organ
1
Cello, Organ
1
Violin, Clarinet, Piano (trio)
1
String trio
1
3 Harps
1
2 Cellos, Piano
1
Cello, Orchestra
1
Harp, Trombone (duet)
1
Viola, Organ
1
String Quintet: 2 violins, viola, 2 cellos
1
Violin, Basso continuo
1
Violin, Tuba (duet)
1
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773
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294
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199
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144
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139
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95
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22
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15
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11
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11
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9
Xylophone
5
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5
Orchestra, Violin
5
Percussion (band part)
4
Drum (band part)
3
Piano and Orchestra
2
Xylophone, Piano
1
2 Marimbas
1
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1
Timpani
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301
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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String Orchestra
#
EASY
#
Classical
#
Ludwig van Beethoven
#
James M
#
Beethoven: Sonata Op. 49 No. 2
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Ins...
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String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Scriabin: Five Preludes, Op. 74 for String Orchestra - Score Only
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String Orchestra
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ADVANCED
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Alexander Scriabin
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James M
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Scriabin: Five Preludes, Op. 7
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.1400295 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Con...
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String Orchestra - Level 5 - Digital Download SKU: A0.1400295 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Contest,Festival,Historic,Instructional. 21 pages. Jmsgu3 #983477. Published by jmsgu3 (A0.1400295). Scriabin's Op. 74, specifically the Five Preludes, is significant for its innovative harmonic system based on the Mystic Chord. Scriabin's use of the acoustic scale as a set, known as the Mystic Chord, revolutionized traditional tonal gravity and functionality in his compositions. The tritone plays a crucial role in his harmonic construction and formal definition, often leading to sections returning at tritone transpositions. Despite the absence of tonal gravity, Scriabin assigns a pitch-center to his pieces, redefining tonal orientation through the primary transposition of the Mystic Chord. These preludes, composed in 1914 before he died in 1915, showcase Scriabin's mastery of harmonies and his departure from traditional tonalities.
$49.95
Scriabin: Five Preludes, Op. 74, for String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Alexander Scriabin
#
James M
#
Scriabin: Five Preludes, Op. 7
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1401941 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Con...
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String Orchestra - Level 4 - Digital Download SKU: A0.1401941 Composed by Alexander Scriabin. Arranged by James M. Guthrie. 20th Century,Contemporary,Contest,Festival,Historic,Standards. 36 pages. Jmsgu3 #985140. Published by jmsgu3 (A0.1401941). Scriabin's Op. 74, specifically the Five Preludes, is significant for its innovative harmonic system based on the Mystic Chord. Scriabin's use of the acoustic scale as a set, known as the Mystic Chord, revolutionized traditional tonal gravity and functionality in his compositions. The tritone plays a crucial role in his harmonic construction and formal definition, often leading to sections returning at tritone transpositions. Despite the absence of tonal gravity, Scriabin assigns a pitch-center to his pieces, redefining tonal orientation through the primary transposition of the Mystic Chord. These preludes, composed in 1914 before he died in 1915, showcase Scriabin's mastery of harmonies and his departure from traditional tonalities.
$76.95
Softly and Tenderly Jesus is Calling (For String Quartet)
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String Orchestra
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INTERMEDIATE
#
W
#
Han-Ki Kim
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Softly and Tenderly Jesus is C
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Han-Ki Kim
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.511472 Composed by W.L.Thompson. Arranged by Han-Ki Kim. Contemporary,Instructional,Sacred. Score a...
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String Orchestra - Level 3 - Digital Download SKU: A0.511472 Composed by W.L.Thompson. Arranged by Han-Ki Kim. Contemporary,Instructional,Sacred. Score and parts. 17 pages. Han-Ki Kim #3449531. Published by Han-Ki Kim (A0.511472). 1. Main Theme is rotated by parts, to give interest for all the listener and player 2. This music is for Church and Educational purpose. 3. Arranger is very experienced(with I Musici), and his works are very loved world widely. 4. Shown Bowing sign and Fingering(Vn,Va) will be very helpful to player. 5. Instead of Viola, optional Violin 3 part is included. 6. attached Music file is recorded as S. Orchestra, it's just for a reference. Han-Ki KimArranger, Violinist. He earned his Master's degree from the Michigan State University (Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic's DobÅ™ichovice International Music Camp, and now Korean Suzuki Association Music Camp.Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University's College of Performing Arts. Currently he is Emeritus professor of Changwon National University. https://www.sheetmusicplus.com/publishers/han-ki-kim/7032  Â
$11.99
Softly and Tenderly Jesus is Calling (For String Orchestra)
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String Orchestra
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INTERMEDIATE
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W
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Han-Ki Kim
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Softly and Tenderly Jesus is C
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Han-Ki Kim
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.511709 Composed by W.L.Thompson. Arranged by Han-Ki Kim. Christian,Contemporary,Instructional,Sacre...
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String Orchestra - Level 3 - Digital Download SKU: A0.511709 Composed by W.L.Thompson. Arranged by Han-Ki Kim. Christian,Contemporary,Instructional,Sacred,Standards. Score and parts. 19 pages. Han-Ki Kim #4628641. Published by Han-Ki Kim (A0.511709). This music is arranged for Church concert and also for Educational purpose. I -as a Violinist and arranger of I Musici - tried to make use of functional structure of stringed instrument. So, some passage looks complicated can be played easily and shown Bowing sign and Fingering will be very helpful to player. And, in my work, can find well balanced between Theory and Musical Experience. Optional Violin 3 - instead of Viola part - part is inculded.Han-Ki Kim Arranger, Violinist. He earned his Master's degree from the Michigan State University (Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic's Dobřichovice International Music Camp, and now Korean Suzuki Association Music Camp. Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University's College of Performing Arts. Currently he teaches student as professor of Changwon National University.
$14.50
MORCEAUX en forme d'une POIRE (PEAR-SHAPED PIECES) Harp and Strings
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String Orchestra
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INTERMEDIATE
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Classical
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Contemporary
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Erik Satie
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Alan Edgar
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MORCEAUX en forme d'une POIRE
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Alan Edgar Ted Moon
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1146683 Composed by Erik Satie. Arranged by Alan Edgar. 20th Century. Score and parts. 42 pages. Al...
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String Orchestra - Level 3 - Digital Download SKU: A0.1146683 Composed by Erik Satie. Arranged by Alan Edgar. 20th Century. Score and parts. 42 pages. Alan Edgar Ted Moon #746921. Published by Alan Edgar Ted Moon (A0.1146683). A charming and quirky suite of three movements from the original seven, for solo concert harp with string orchestra. Debussy criticised Satie's music for lack of form--there is a story that Satie showed these pieces to Debussy who asked, ‘Why such a title?’ He replied Because you cannot criticize my Three Pieces in the shape of a Pear. If they are in the form of a pear they cannot be shapeless. Poire had the slang meanings of fool and spinning top--Satie is famous for playing the fool --he said Take my ... Morceaux en Forme d’une Poire... it is evident that musical ideas played no part whatsoever in their composition. First performed by Anita Aslin with Hessle Sinfonia, Alan Edgar conducting.
$24.00
Concerto for Oboe and Bassoon in C minor.
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standar...
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String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
Five Australian Scenes for String Orchestra - 5. A Day at the Beach
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String Orchestra
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INTERMEDIATE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I La...
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String Orchestra - Level 3 - Digital Download SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Published by MA Lass & I Lass (A0.1414027). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing.Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring a few cello passages, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, “A Day at the Beach,†is set in Surfers Paradise on the Gold Coast in QLD. On a perfect summer day, one heads for the beach where fun and games, swimming, surfing, sun-baking, a picnic, and more games are the order of the day before heading home, full of sand, sun, food, and tired satisfaction.
$39.00
Overture for Strings No. 3 - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
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Robert Debbaut
#
Overture for Strings No. 6 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 4 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 2 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
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String Orchestra
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EASY
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Dr
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James M
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Bull: A Gigge - Doctor Bull's
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histo...
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String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 10 pages. Jmsgu3 #883326. Published by jmsgu3 (A0.1292763). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$36.95
Bull: Salvator mundi for String Orchestra
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String Orchestra
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INTERMEDIATE
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Dr
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James M
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Bull: Salvator mundi for Strin
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Festival,Histori...
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String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Festival,Historic,Religious,Renaissance. Score and Parts. 37 pages. Jmsgu3 #882346. Published by jmsgu3 (A0.1291738). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
Bull: In Nomine CXIX for String Orchestra - Score Only
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String Orchestra
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EASY
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John Bull
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James M
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Bull: In Nomine CXIX for Strin
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. 20 pages. Jmsgu3 #882823. Published by jmsgu3 (A0.1292216). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
Bull: In Nomine CXIX for String Orchestra
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String Orchestra
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INTERMEDIATE
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Dr
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James M
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Bull: In Nomine CXIX for Strin
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histo...
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String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. Score and Parts. 38 pages. Jmsgu3 #883018. Published by jmsgu3 (A0.1292447). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra - Score Only
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String Orchestra
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EASY
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Dr
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James M
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Bull: A Gigge - Doctor Bull's
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histo...
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String Orchestra - Level 2 - Digital Download SKU: A0.1292762 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 5 pages. Jmsgu3 #883325. Published by jmsgu3 (A0.1292762). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
Bull: Salvator mundi for String Orchestra - Score Only
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String Orchestra
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INTERMEDIATE
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Dr
#
James M
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Bull: Salvator mundi for Strin
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1291707 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Early Music,Fest...
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String Orchestra - Level 3 - Digital Download SKU: A0.1291707 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Early Music,Festival,Renaissance,Traditional. 23 pages. Jmsgu3 #882313. Published by jmsgu3 (A0.1291707). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
He Is Not Here
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String Orchestra
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EASY
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Edigles Guedes
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He Is Not Here
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Edigles Guedes
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1001145 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score and parts...
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String Orchestra - Level 2 - Digital Download SKU: A0.1001145 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score and parts. 11 pages. Edigles Guedes #6078969. Published by Edigles Guedes (A0.1001145). It is a composition study. It is suitable for students with an early intermediate level of violin, viola, cello, and double bass. Work duration: 8:32 min. Inspired by the biblical verse: He is not here: for he is risen, as he said. Come, see the place where the Lord lay. (Matthew 28: 6 - KJV).
$1.99
Prelude and Fugue in C major for String Orchestra - Arrangement of Beethoven Hess 31
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String Orchestra
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Classical
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Ludwig van Beethoven, Cees Nie
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Upstream Music
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Prelude and Fugue in C major f
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Upstream Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and...
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String Orchestra - Digital Download SKU: A0.933524 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 24 pages. Upstream Music #6353319. Published by Upstream Music (A0.933524). The Prelude and Fugue in C major were created during the period of study with Johann Georg Albrechtsberger, who lived from February 3, 1736 to March 7, 1809. Albrechtsberger was an Austrian theoretician and pedagogue of music, an organist, as well as a composer. He entered upon his career early as a choirboy in the choir of the monastery of Melk, Austria. There he was discovered by the crown prince, the later emperor Joseph II. The latter facilitated an appointment as the court organist.Later Albrechtsberger became conductor of the chapel choir of the famous Stephansdom in Vienna. Albrechtsberger was a highly praised pedagogue; Beethoven, too, was among his pupils. It was this composer that studied with Albrechtsberger from January 1794 to March/May 1795. Together with Beethoven, Albrechtsberger researched all forms of the counterpoint, which is most manifest in the large number of exercises passed down; over 300 studies, fugues etc. have been preserved with corrections and alterations by Albrechtsberger. During this period of study, greater works were also composed, such as the Dona Nobis Pacem (Hess A57), the Prelude and Fugue in E minor (Hess 29), the Prelude and Fugue in F major (Hess 30) and the present one in C major (Hess 31). The piece was probably composed in 1794-95; this opus also shows numerous improvements and alterations by his master, although some alterations are by Beethoven himself. The manuscript of the work is to be found in Vienna, and did not appear in print until 1967 for the first time.The present version sticks closely to Beethoven’s, but has been provided with a double bass part so as to adapt the work for being performed with a larger strength than for which it was originally written. The strength originally intended by Beethoven was two violins, a viola and a cello, so as a string quartet. With the supplementary bass part, the piece can also be played by a string orchestra, which will no doubt promote its dissemination and familiarity. In a sense, the work is already a preliminary study for the string quartets Opus 18 produced later.Especially the rhythm, melodic forms, and the counterpoint applied, frequently return in these string quartets. Beethoven has hardly indicated any rests in the empty bars; Cees has as yet added them.The phrasing, dynamics and time indications have also been added. Beethoven merely writes down the notes, while we have to accept the fact that various notes have been changed by Albrechtsberger but Beethoven’s notes might have been just as interesting. Of some notes it was not clear what Beethoven exactly meant; in such a case, Cees has adhered to the harmonious form, adapting the notes which, logically speaking, fit in with the harmonic unity.
$29.00
The Abduction of Persephone (for String Orchestra)
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String Orchestra
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INTERMEDIATE
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Aaron Fonzi
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#
The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aa...
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String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
For He's a Jolly Good Fellow & Happy Birthday for String Orchestra
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String Orchestra
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INTERMEDIATE
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Keith Terrett
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Keith Terrett
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For He's a Jolly Good Fellow &
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Keith Terrett
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1369753 By Keith Terrett. By Trad,Patty & Mildred J. Hill. Arranged by Keith Terrett. Standards,Tra...
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String Orchestra - Level 3 - Digital Download SKU: A0.1369753 By Keith Terrett. By Trad,Patty & Mildred J. Hill. Arranged by Keith Terrett. Standards,Traditional. 9 pages. Keith Terrett #954118. Published by Keith Terrett (A0.1369753). For He's a Jolly Good Fellow & Happy Birthday arranged for String Orchestra.
$8.00
Severn Polish Dance for Violin and String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Edmund Severn
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Paul Wood
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Severn Polish Dance for Violin
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1329722 Composed by Edmund Severn. Arranged by Paul Wood. Romantic Period. 46 pages. MyMusicScores....
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String Orchestra - Level 4 - Digital Download SKU: A0.1329722 Composed by Edmund Severn. Arranged by Paul Wood. Romantic Period. 46 pages. MyMusicScores.com #917707. Published by MyMusicScores.com (A0.1329722). Edmund Severn, born in 1862, was a distinguished American violinist and composer. Renowned for his exceptional talent, he studied under the guidance of acclaimed musicians like Emanuel Wirth, Franz Milcke and  Listemann Bernhard. His prowess on the violin garnered widespread admiration, leading him to perform globally, captivating audiences with his emotive and technically brilliant renditions. Severn's legacy extends beyond his performances; his compositions, notably the Polish Dance  remain cherished pieces in the violin repertoire, showcasing his virtuosity. His contributions as a performer, composer, and educator left an indelible mark on the world of classical music.Polish DanceSevern's most renowned creation, the Polish Dance, embodies the spirited essence of the mazurka style. This composition serves as an enchanting gateway into the distinct local flavors of the dance form. Laden with numerous ritardandos and rubatos, it infuses a rhythmic richness, while wide leaps, double stops, and intricate three-note chords embellish its delightful melodies and harmonies. The expressive dynamics employed throughout infuse this Polish Dance with the vital energy necessary to bring its vivacious character to life.Here is an arrangement for violin and string orchestra.The PDF file contains the score and instrumental parts.
$19.99
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