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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
He
Not classified
4,441
Piano & keyboards
Piano solo
2,558
Piano, Voice
1,672
Piano, Vocal and Guitar
1,110
Easy Piano
588
Organ
314
C Instruments
219
Piano Accompaniment
105
Accordion
89
Piano Trio: piano, violin, cello
73
Big Note Piano
68
1 Piano, 4 hands
59
2 Pianos, 4 hands
29
Piano Quartet: piano, violin, viola, cello
24
Piano Quintet: piano, 2 violins, viola, cello
14
Organ, Piano (duet)
13
Piano (band part)
12
Harpsichord
10
Piano Quartet: piano, 2 violins, cello
8
Organ, Trumpet (duet)
8
2 Pianos, 8 hands
4
1 Piano, 6 hands
4
Melody line, Piano
3
Accordion, Voice
1
Keyboard
1
+ 19 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
338
Guitar
332
Guitar notes and tablatures
247
Ukulele
107
Lyrics and Chords
95
2 Guitars (duet)
46
Bass guitar
24
4 Guitars (Quartet)
14
Mandolin
14
Piano, Guitar (duet)
13
Guitar (band part)
9
Guitar Ensemble
7
Mandolin, Guitar (duet)
5
Banjo
5
3 Guitars (trio)
4
Dulcimer
4
Ukulele Ensemble
3
Guitar, Violin, Cello (trio)
2
Band Scores
1
Electric Bass (band part)
1
Plectrum Orchestra
1
Baritone Ukulele
1
2 Dulcimers (duet)
1
+ 18 instrumentations
-
Retract
Voice
Choral SATB
1,804
Choral 3-part
398
Choral Instrumental Pak
249
Choral 2-part
231
Choral TTBB
167
Choral Unison
154
Vocal duet, Piano
80
Choral SSAA
77
Choral
41
Vocal duet
39
Voice solo
37
Alto voice, Piano
28
High voice
28
Soprano voice, Piano
26
Baritone voice, Piano
22
Tenor voice, Piano
20
Medium voice, Piano
13
Choral SSAATTBB
8
Tenor voice
7
Low voice, Piano
7
Choral SSATTB
7
Soprano voice
5
Choral, Organ
2
Soli, Mixted choir and accompaniment
2
Mezzo-Soprano voice, Piano
1
Low voice
1
Children choir
1
Choral SSATB
1
+ 23 instrumentations
-
Retract
Woodwind
Flute and Piano
485
Clarinet and Piano
404
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
320
Saxophone Quartet: 4 saxophones
290
Alto Saxophone and Piano
263
2 Saxophones (duet)
238
Flute, Oboe, Clarinet, Bassoon
227
Oboe, Piano (duet)
226
Flute
225
Clarinet
180
Clarinet Quartet: 4 clarinets
180
Tenor Saxophone and Piano
164
Soprano Saxophone and Piano
162
2 Flutes (duet)
134
Saxophone Quintet: 5 Saxophones
125
2 Clarinets (duet)
123
Clarinet Ensemble
114
Alto Saxophone
113
Flute Quartet: 4 flutes
112
Saxophone (band part)
94
Tenor Saxophone
85
Baritone Saxophone, Piano
83
English horn, Piano
83
Flute ensemble
83
Saxophone ensemble
79
Saxophone, Clarinet (duet)
63
3 Clarinets (trio)
60
Flute, Clarinet (duet)
57
3 Saxophones (trio)
53
Oboe (band part)
50
Clarinet, Violin (duet)
46
Bass Clarinet, Piano
45
Oboe, Bassoon (duet)
41
Clarinet Quintet: 5 clarinets
40
Flute, Violin, Piano
38
Flute and Guitar
38
2 Oboes (duet)
35
Clarinet, Guitar (duet)
35
Flute (band part)
34
Clarinet, Trumpet (duet)
32
Flute, Violin
32
Flute Trio: 3 flutes
31
Saxophone
25
2 Recorders (duet)
25
Oboe, Clarinet (duet)
23
Clarinet and Viola
21
Flute, Trumpet (duet)
21
Recorder Ensemble
20
Oboe, Flute
20
Flute, Saxophone (duet)
20
Clarinet (band part)
19
Flute Quintet : 5 flutes
19
Oboe
18
Clarinet, Bassoon (duet)
18
Flute, Viola (duet)
15
Recorder
15
Recorder Quartet
15
Oboe, Clarinet, Bassoon (trio)
14
Flute, Oboe, Bassoon
13
Descant (Soprano) Recorder
12
Soprano Saxophone
11
2 Saxophones, Piano
10
Flute, Cello, Piano (trio)
10
5 Recorders
10
Treble (Alto) Recorder
10
Flute, Clarinet and Bassoon.
10
Harmonica
10
Flute, Clarinet, Piano (trio)
9
Flute, Oboe, Clarinet (trio)
9
Flute, Oboe (duet)
8
Descent (Soprano) Recorder, Piano
7
Clarinet, Harp (duet)
7
Saxophone and Harp
6
Oboe, Guitar (duet)
6
Piccolo, Piano
6
2 Clarinets, Piano
6
Clarinet, Cello (duet)
6
Oboe, Harp
6
Flute, Violoncello
6
Flute, Viola and Piano
6
3 Recorders (trio)
5
2 Flutes, Piano
5
Flute, Organ (duet)
5
English Horn, Guitar (duet)
4
3 Oboes
4
Clarinet, Cello, Piano (trio)
4
Flute, Cello, Guitar
4
Recorder, Guitar (duet)
4
Treble (Alto) Recorder, Piano
4
Oboe, Cello
4
Ocarina
4
Saxophone and Guitar
3
Treble (Alto) Recorder, Basso continuo
3
English Horn
3
Oboe, Violin (duet)
3
Flute, Trombone (duet)
3
Flute, Violin, Violoncello and Piano
3
2 English horns and Pianoforte
2
Saxophone and Piano
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
Oboe, Trumpet (duet)
2
Flute, harp and violin
2
Tenor Recorder
2
Flute, Bassoon, and Piano
2
Flute, Basso continuo
2
Bass Clarinet
2
2 Clarinets, Bassoon
2
Pennywhistle
2
Oboe and viola (duet)
2
Recorder, Piano
1
Flute and Strings Trio
1
Flute, Oboe, Violin
1
Clarinette, Viola and Piano (trio)
1
Piccolo
1
Clarinet, trumpet and piano
1
Clarinet, Trombone (duet)
1
Saxophone and Organ
1
4 Oboes
1
Flute, Tuba (duet)
1
Flute, Violin and Violoncello
1
Recorder, Harp
1
Eb Instruments
1
Flute, Oboe, Piano (trio)
1
English horn, Harp (duet)
1
Baritone Saxophone
1
2 Flutes, 2 Clarinets (Quartet)
1
Clarinet, Tuba
1
Saxophone, Violin (duet)
1
+ 123 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
333
Brass quartet : 2 trumpets, trombone, tuba
242
Trombone and Piano
229
Trumpet, Piano
192
Trumpet
175
French Horn and Piano
137
Brass Quartet
119
Trombone
105
English horn, Piano
83
Trumpet (band part)
81
Euphonium, Piano (duet)
81
Brass Quartet: 2 trumpets, horn, trombone
70
Trombone (band part)
67
French horn
61
Trumpet, Trombone (duet)
59
2 Trombones (duet)
58
2 Trumpets (duet)
57
Tuba and Piano
53
Trumpet, Saxophone (duet)
45
Tuba
43
Brass Quartet: 4 trombones
38
Trombone ensemble
35
Trumpet ensemble
23
2 French horns (duet)
22
Brass Quartet: 4 horns
21
Horn Ensemble
11
French horn (band part)
10
Brass Trio
10
Trumpet, Horn (duert)
8
Tuba and Organ
8
3 Trombones (trio)
7
Tuba (band part)
7
Brass Quartet: 4 trumpets
7
4 Tubas
6
2 Euphoniums and 2 Tubas
6
Euphonium
5
French Horn and Harp
5
2 Tubas (duet)
5
Trumpet, Harp
5
3 Trumpets (trio)
5
Brass Quintet: 2 trumpets, horn, 2 trombones
5
English Horn, Guitar (duet)
4
Trumpet, violin (duet)
4
2 Trumpets, Keyboard (piano or organ)
4
Brass Quartet: 2 trumpets, 2 trombones
3
Trombone, Tuba (duet)
3
English Horn
3
Bass Trombone and Piano
3
2 Euphoniums (duet)
3
Bass Clef Instruments
3
2 English horns and Pianoforte
2
Trombone, Organ
2
Bass Trombone
2
Trumpet, Tuba (duet)
2
Horn, Tuba (duet)
2
Trumpet, Trombone, Piano
2
Trombone and Orchestra
1
Horn and Organ
1
Horn, Cello (duet)
1
Bb Instruments
1
Trombone, cello (duet)
1
Euphonium, Tuba (duet)
1
Tuba or Euphonium or Saxhorn
1
Trumpet, Bassoon (duet)
1
Clarinet, Horn (duet)
1
3 French horns (trio)
1
Tuba ensemble
1
Trumpet, Euphonium (duet)
1
English horn, Harp (duet)
1
F Instruments
1
Trombone, Violin (duet)
1
Trombone, Horn (duet)
1
+ 67 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
792
Violin and Piano
584
Cello, Piano
392
Viola, Piano
329
Violin
248
String Trio: violin, viola, cello
160
Cello
150
Violin, Cello (duet)
135
2 Violins (duet)
117
Harp
112
2 Cellos (duet)
100
Viola
89
Violin, Viola (duet)
71
2 Violas (duet)
70
2 Harps (duet)
67
String Trio: 2 violins, cello
58
Violin, Guitar (duet)
57
Violin (band part)
38
Double Bass
36
Double bass, Piano (duet)
32
Viola (band part)
30
Viola, Guitar (duet)
27
Viola, Cello (duet)
26
4 Cellos
22
Cello, Guitar (duet)
22
Doublebass (band part)
20
Piano Trio: Violin, Viola, Piano
19
String Trio: 3 violins
19
String Quintet: 2 violins, viola, cello, bass
18
Cello (band part)
16
Harp, Flute (duet)
14
String Trio: 3 cellos
14
Violin ensemble
12
Viola ensemble
11
String Trio: 2 violins, viola
9
Harp, Violin (duet)
9
String Trio: 3 violas
7
String Quartet : 4 violas
7
String quartet: 4 violins
7
Viola and Harp
6
Flute, Doublebass (duet)
6
2 Violins, Piano
5
String Quintet: 2 violins, 2 violas, cello
5
Harp, Voice
4
2 Double basses (duet)
4
Harp, Cello (duet)
3
Harp, Violin, Violoncello
2
Violin, Bassoon (duet)
2
4 Double Basses
2
Violin, Organ
2
Cello, String Bass (duet)
2
Cello Ensemble
2
Cello, Orchestra
2
Violin, Basso continuo
2
Cello, Organ
1
Violin, Clarinet, Piano (trio)
1
3 Harps
1
Viola, Organ
1
String trio
1
String Quintet: 2 violins, viola, 2 cellos
1
Harp (band part)
1
2 Cellos, Piano
1
Violin, Tuba (duet)
1
Harp, Trombone (duet)
1
Viola and Bassoon
1
+ 60 instrumentations
-
Retract
Orchestra & Percussion
Concert band
903
String Orchestra
335
Orchestra
327
Brass ensemble
216
Jazz Ensemble
156
Chamber Orchestra
146
Handbells
132
Jazz combo
47
Drums
41
Marimba
24
Percussion Ensemble
16
Marching band
14
Percussion
14
Percussion (band part)
11
Vibraphone
9
Drum (band part)
6
2 Xylophones
5
Xylophone
5
Orchestra, Violin
5
Piano and Orchestra
2
Timpani (band part)
2
Timpani
2
2 Marimbas
1
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
1
Xylophone, Piano
1
+ 20 instrumentations
-
Retract
Others
Musical course - Solfege
2
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DOBRO - GUI…
DOUBLE BASS
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DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
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He
String Orchestra
Sheetmusic to print
335 sheet music found
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1
26
51
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326
He Is Not Here
#
String Orchestra
#
EASY
#
Edigles Guedes
#
He Is Not Here
#
Edigles Guedes
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1001145 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score and parts...
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String Orchestra - Level 2 - Digital Download SKU: A0.1001145 Composed by Edigles Guedes. Christian,Contemporary,Instructional,Spiritual. Score and parts. 11 pages. Edigles Guedes #6078969. Published by Edigles Guedes (A0.1001145). It is a composition study. It is suitable for students with an early intermediate level of violin, viola, cello, and double bass. Work duration: 8:32 min. Inspired by the biblical verse: He is not here: for he is risen, as he said. Come, see the place where the Lord lay. (Matthew 28: 6 - KJV).
$1.99
He Is Great
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Bruce J
#
He Is Great
#
In His Name Music/SESAC
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.938098 Composed by Bruce J. Patterson. Christmas,Contemporary,Musical/Show,Praise & Worship,Sacred....
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String Orchestra - Level 4 - Digital Download SKU: A0.938098 Composed by Bruce J. Patterson. Christmas,Contemporary,Musical/Show,Praise & Worship,Sacred. Score and parts. 26 pages. In His Name Music/SESAC #3224329. Published by In His Name Music/SESAC (A0.938098). He Is Great is from my Classical Works project and is written for Classical Guitar, Choir and String Orchestra. This song is musically based on Luke 1:26-33 where the scripture says, 32 He will be great, and will be called the Son of the Highest; and the Lord God will give Him the throne of His father David. 33 And He will reign over the house of Jacob forever, and of His kingdom there will be no end. Classical Works is a collection of original compositions written for classical guitar with orchestration. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. www.messiahsongs.com 615-516-0473
$6.99
For He's a Jolly Good Fellow & Happy Birthday for String Orchestra
#
String Orchestra
#
INTERMEDIATE
#
Keith Terrett
#
Keith Terrett
#
For He's a Jolly Good Fellow &
#
Keith Terrett
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1369753 By Keith Terrett. By Trad,Patty & Mildred J. Hill. Arranged by Keith Terrett. Standards,Tra...
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String Orchestra - Level 3 - Digital Download SKU: A0.1369753 By Keith Terrett. By Trad,Patty & Mildred J. Hill. Arranged by Keith Terrett. Standards,Traditional. 9 pages. Keith Terrett #954118. Published by Keith Terrett (A0.1369753). For He's a Jolly Good Fellow & Happy Birthday arranged for String Orchestra.
$8.00
Pilgrim's Song (He Who Would Valiant Be)
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Music by Charles Winfred Dougl
#
John R
#
Pilgrim's Song
#
John R. Daniels
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.503482 Composed by Music by Charles Winfred Douglas. Arranged by John R. Daniels. Classical,Sacred,...
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String Orchestra - Level 4 - Digital Download SKU: A0.503482 Composed by Music by Charles Winfred Douglas. Arranged by John R. Daniels. Classical,Sacred,Traditional. Score and parts. 15 pages. John R. Daniels #115593. Published by John R. Daniels (A0.503482). A delightful arrangement of the music to John Bunyan's hymn He Who Would Valiant Be from Pilgrim's Progress. More than a straight transcription, it has alternate voicing and key wanderings. It's an easy enough piece for most string orchestras, but it has enough challenges to keep it interesting.IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the composer / arranger and other services, go to www.Salt-Cellar-Creations.com.
$25.00
He's A Pirate
#
String Orchestra
#
BEGINNER
#
Film/TV
#
Geoffrey Zanelli, Hans Zimmer,
#
Jon Bakken
#
He's A Pirate
#
Jon Bakken
#
SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.1233410 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Jon Bakken. Film/T...
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String Orchestra - Level 1 - Digital Download SKU: A0.1233410 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Jon Bakken. Film/TV. Score and Parts. 4 pages. Jon Bakken #828999. Published by Jon Bakken (A0.1233410). Beginning string orchestra arrangement of He's A Pirate from Pirates of the Caribbean: The Curse of the Black Pearl.
$49.99
He Lives (String Orchestra or Quintet)
#
String Orchestra
#
EASY
#
Samuel Medley
#
B
#
He Lives
#
Ben Dockery
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1410290 Composed by Samuel Medley. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacre...
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String Orchestra - Level 2 - Digital Download SKU: A0.1410290 Composed by Samuel Medley. Arranged by B. C. Dockery. Christian,Easter,Lent,Religious,Sacred. 7 pages. Ben Dockery #992710. Published by Ben Dockery (A0.1410290). Arranged for string orchestra or quintet: two violins, viola, cello, and bass. Great for preludes, offertories, postludes, recitals, and lessons. Especially well-suited for Easter services. Includes score and parts. Easy intermediate level.
$8.99
Christ Arose (Low in the Grave He Lay) for String Orchestra or Quintet
#
String Orchestra
#
EASY
#
Sacred music
#
Robert Lowry
#
B
#
Christ Arose
#
Ben Dockery
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1367651 Composed by Robert Lowry. Arranged by B. C. Dockery. Christian,Easter,Religious,Sacred. 7 p...
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String Orchestra - Level 2 - Digital Download SKU: A0.1367651 Composed by Robert Lowry. Arranged by B. C. Dockery. Christian,Easter,Religious,Sacred. 7 pages. Ben Dockery #952027. Published by Ben Dockery (A0.1367651). Arranged for string orchestra or quintet: two violins, viola, cello, and bass. Great for preludes, offertories, postludes, recitals, and lessons. Especially well-suited for Easter services. Easy intermediate level. Includes score and parts.
$8.99
He, Watching Over Israel- String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Felix Bartholdy Mendelssohn
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Ryan Christensen
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He, Watching Over Israel- Stri
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Ryan Christensen
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.873849 Composed by Felix Bartholdy Mendelssohn. Arranged by Ryan Christensen. Romantic Period,Stand...
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String Orchestra - Level 4 - Digital Download SKU: A0.873849 Composed by Felix Bartholdy Mendelssohn. Arranged by Ryan Christensen. Romantic Period,Standards. Score and parts. 20 pages. Ryan Christensen #3559229. Published by Ryan Christensen (A0.873849). A wonderful arrangement of gorgeous chorus from Mendelssohn's Elijah. Great for introducing students to counterpoint. Video:https://youtu.be/ypNsgdFsS_4 .
$19.99
He Who Would Valiant Be
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String Orchestra
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INTERMEDIATE
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Sacred music
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Traditional
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David D
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He Who Would Valiant Be
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David D Mason
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.770103 Composed by Traditional. Arranged by David D. Mason. Easter,Praise & Worship,Sacred. Score a...
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String Orchestra - Level 3 - Digital Download SKU: A0.770103 Composed by Traditional. Arranged by David D. Mason. Easter,Praise & Worship,Sacred. Score and parts. 10 pages. David D Mason #5753497. Published by David D Mason (A0.770103). I have arranged this lovely old Hymn for String Quintet and included an optional 3rd Violin (Viola) part.
$8.99
As Long As He Needs Me
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String Orchestra
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Contemporary
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Lionel Bart
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Douglas R
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As Long As He Needs Me
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Douglas R. Morrison
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SheetMusicPlus
String Orchestra - Digital Download SKU: A0.800994 Composed by Lionel Bart. Arranged by Douglas R. Morrison. Contemporary. Score and parts. 16 pages. Dou...
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String Orchestra - Digital Download SKU: A0.800994 Composed by Lionel Bart. Arranged by Douglas R. Morrison. Contemporary. Score and parts. 16 pages. Douglas R. Morrison #4797303. Published by Douglas R. Morrison (A0.800994). A Rivendell String Orchestra Arrangement. The great dramatic ballad from Lionel Bart's Oliver! is now available in a beautiful arrangement for string orchestra, complete with bowings by an award-winning string music educator. This is a real show stopper!
$15.99
He's A Pirate
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String Orchestra
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EASY
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Film/TV
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Geoffrey Zanelli, Hans Zimmer,
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Stephanie J
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He's A Pirate
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Stephanie J. Miller
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1264529 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Stephanie J. Mille...
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String Orchestra - Level 2 - Digital Download SKU: A0.1264529 Composed by Geoffrey Zanelli, Hans Zimmer, and Klaus Badelt. Arranged by Stephanie J. Miller. 21st Century,Film/TV. Score and Parts. 19 pages. Stephanie J. Miller #857356. Published by Stephanie J. Miller (A0.1264529). This energetic piece will be a hit with young string orchestras. The melody is passed among the violins, violas, and cellos. The lower strings' pulsing eighth notes keep up the energy throughout.
$49.99
Who Is He In Yonder Stall?
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String Orchestra
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EASY
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Sacred music
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Benjamin R
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Gert Th
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Who Is He In Yonder Stall?
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Gert Th. Walter
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.682312 Composed by Benjamin R. Hanby. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Wor...
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String Orchestra - Level 2 - Digital Download SKU: A0.682312 Composed by Benjamin R. Hanby. Arranged by Gert Th. Walter. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 9 pages. Gert Th. Walter #5774609. Published by Gert Th. Walter (A0.682312). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All Rights Reserved. https://www.musikverlaggertwalter.de
$10.95
He's A Pirate
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String Orchestra
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INTERMEDIATE
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Film/TV
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Geoffrey Zanelli, Hans Zimme
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Sam Araya
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He's A Pirate
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Sam Araya
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SheetMusicPlus
Composed by Geoffrey Zanelli, Hans Zimmer (1957-), and Klaus Badelt. Arranged by Sam Araya. Film/TV. Score and parts. 16 pages. Sam Araya #548194. Pub...
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Composed by Geoffrey Zanelli, Hans Zimmer (1957-), and Klaus Badelt. Arranged by Sam Araya. Film/TV. Score and parts. 16 pages. Sam Araya #548194. Published by Sam Araya
$49.99
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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String Orchestra
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EASY
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Classical
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Ins...
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String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
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String Orchestra
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic P...
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
Overture for Strings No. 3 - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 3 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 5 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Joseph Bologne, Chevalier de S
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Robert Debbaut
#
Overture for Strings No. 6 - S
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ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
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String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 4 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Joseph Bologne, Chevalier de S
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Robert Debbaut
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Overture for Strings No. 2 - S
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ROBERT DEBBAUT
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
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String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Bull: A Gigge - Doctor Bull's my selfe for String Orchestra
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String Orchestra
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EASY
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Dr
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James M
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Bull: A Gigge - Doctor Bull's
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histo...
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String Orchestra - Level 2 - Digital Download SKU: A0.1292763 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 10 pages. Jmsgu3 #883326. Published by jmsgu3 (A0.1292763). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$36.95
Bull: Salvator mundi for String Orchestra
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String Orchestra
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INTERMEDIATE
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Dr
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James M
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Bull: Salvator mundi for Strin
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Festival,Histori...
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String Orchestra - Level 3 - Digital Download SKU: A0.1291738 Composed by Dr. John Bull. Arranged by James M. Guthrie. Christian,Contest,Festival,Historic,Religious,Renaissance. Score and Parts. 37 pages. Jmsgu3 #882346. Published by jmsgu3 (A0.1291738). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
Bull: In Nomine CXIX for String Orchestra - Score Only
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String Orchestra
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EASY
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John Bull
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James M
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Bull: In Nomine CXIX for Strin
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,...
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String Orchestra - Level 2 - Digital Download SKU: A0.1292216 Composed by John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. 20 pages. Jmsgu3 #882823. Published by jmsgu3 (A0.1292216). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$32.95
Bull: In Nomine CXIX for String Orchestra
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String Orchestra
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INTERMEDIATE
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Dr
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James M
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Bull: In Nomine CXIX for Strin
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histo...
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String Orchestra - Level 3 - Digital Download SKU: A0.1292447 Composed by Dr. John Bull. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Religious,Renaissance. Score and Parts. 38 pages. Jmsgu3 #883018. Published by jmsgu3 (A0.1292447). John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.
$38.95
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