Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
He Is King
Not classified
848
Piano & keyboards
Piano solo
339
Piano, Voice
152
Piano, Vocal and Guitar
90
Accordion
47
Organ
42
Easy Piano
39
C Instruments
36
Piano Trio: piano, violin, cello
15
2 Pianos, 4 hands
8
1 Piano, 4 hands
6
Piano Accompaniment
5
Piano Quartet: piano, violin, viola, cello
4
Piano Quintet: piano, 2 violins, viola, cello
4
2 Pianos, 8 hands
1
Harpsichord
1
+ 10 instrumentations
-
Retract
Guitars
Guitar
48
Guitar notes and tablatures
21
Melody line, (Lyrics) and Chords
8
Ukulele
6
Mandolin
4
4 Guitars (Quartet)
3
Lyrics and Chords
2
Piano, Guitar (duet)
1
Dulcimer
1
3 Guitars (trio)
1
Bass guitar
1
+ 6 instrumentations
-
Retract
Voice
Choral SATB
258
Choral 3-part
50
Choral 2-part
29
Choral TTBB
25
Vocal duet, Piano
12
Choral Unison
12
Choral SSAA
11
Alto voice, Piano
11
Vocal duet
6
Soprano voice, Piano
6
Baritone voice, Piano
4
High voice
4
Tenor voice, Piano
4
Tenor voice
2
Voice solo
2
Low voice, Piano
2
Soli, Mixted choir and accompaniment
1
Choral Instrumental Pak
1
Choral SSATTB
1
+ 14 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
74
Flute and Piano
59
Saxophone Quintet: 5 Saxophones
59
Saxophone Quartet: 4 saxophones
46
Saxophone ensemble
40
Flute
38
Clarinet and Piano
36
Alto Saxophone and Piano
34
Oboe, Piano (duet)
33
Clarinet
32
Tenor Saxophone and Piano
30
2 Saxophones (duet)
28
Flute, Oboe, Clarinet, Bassoon
26
Clarinet Ensemble
23
2 Flutes (duet)
23
Clarinet Quartet: 4 clarinets
23
Flute ensemble
21
Oboe (band part)
20
Soprano Saxophone and Piano
19
Baritone Saxophone, Piano
14
English horn, Piano
12
2 Clarinets (duet)
11
Saxophone, Clarinet (duet)
11
Bass Clarinet, Piano
11
Flute Quartet: 4 flutes
9
Alto Saxophone
8
Clarinet Quintet: 5 clarinets
8
Oboe, Bassoon (duet)
8
Flute, Clarinet (duet)
8
Flute Quintet : 5 flutes
8
Clarinet, Violin (duet)
7
Saxophone (band part)
7
Flute, Violin
6
Tenor Saxophone
6
3 Saxophones (trio)
5
Recorder
5
Clarinet, Bassoon (duet)
5
Oboe, Flute
4
Clarinet, Trumpet (duet)
4
2 Oboes (duet)
4
3 Clarinets (trio)
4
Oboe, Clarinet (duet)
4
Treble (Alto) Recorder
4
Oboe
4
Clarinet and Viola
4
Clarinet, Harp (duet)
3
Flute Trio: 3 flutes
3
Saxophone
3
Flute (band part)
3
Flute, Trumpet (duet)
3
Clarinet, Cello (duet)
2
Descant (Soprano) Recorder
2
Ocarina
2
Flute, Viola (duet)
2
Flute, Saxophone (duet)
2
Saxophone and Harp
2
Flute and Guitar
2
Flute, Violin, Piano
2
Oboe, Harp
2
Piccolo, Piano
2
Clarinet, Trombone (duet)
1
Treble (Alto) Recorder, Piano
1
Flute, Violoncello
1
Clarinet, Cello, Piano (trio)
1
Treble (Alto) Recorder, Basso continuo
1
Flute, Clarinet, Piano (trio)
1
Harmonica
1
Flute, harp and violin
1
Clarinet, Guitar (duet)
1
Descent (Soprano) Recorder, Piano
1
5 Recorders
1
Oboe, Clarinet, Bassoon (trio)
1
Saxophone and Organ
1
3 Recorders (trio)
1
Flute, Trombone (duet)
1
Clarinette, Viola and Piano (trio)
1
2 Recorders (duet)
1
2 Clarinets, Bassoon
1
Oboe, Guitar (duet)
1
Recorder Quartet
1
+ 75 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
58
Brass quartet : 2 trumpets, trombone, tuba
54
Trombone and Piano
33
Trumpet
25
French Horn and Piano
25
Brass Quartet
20
Trumpet, Piano
19
Euphonium, Piano (duet)
18
French horn
15
Trombone
14
Trombone ensemble
13
English horn, Piano
12
Tuba and Piano
12
Trumpet ensemble
11
Tuba
10
Brass Quartet: 2 trumpets, horn, trombone
8
Trumpet, Saxophone (duet)
8
Trumpet, Trombone (duet)
7
Trumpet (band part)
6
Trombone (band part)
6
2 Trombones (duet)
5
Brass Quartet: 4 trombones
5
Horn Ensemble
5
2 Trumpets (duet)
4
Brass Trio
4
Trumpet, violin (duet)
3
Brass Quartet: 4 horns
3
Euphonium
2
2 Euphoniums and 2 Tubas
2
French Horn and Harp
1
Trombone and Orchestra
1
Trombone, Organ
1
2 French horns (duet)
1
2 Tubas (duet)
1
Trumpet, Euphonium (duet)
1
4 Tubas
1
Brass Quartet: 4 trumpets
1
Trumpet, Harp
1
Bass Trombone
1
Tuba and Organ
1
3 Trombones (trio)
1
+ 36 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
182
Violin and Piano
101
Viola, Piano
42
Cello, Piano
42
String Trio: violin, viola, cello
40
Violin
28
Cello
25
Harp
24
2 Violins (duet)
23
2 Harps (duet)
20
Violin, Cello (duet)
12
Viola
12
Double Bass
10
String Trio: 2 violins, cello
10
2 Violas (duet)
9
Viola ensemble
8
Violin ensemble
7
4 Cellos
6
String Quintet: 2 violins, viola, cello, bass
6
Violin, Viola (duet)
6
Double bass, Piano (duet)
4
Harp, Flute (duet)
4
String quartet: 4 violins
3
String Quintet: 2 violins, 2 violas, cello
3
Violin, Guitar (duet)
3
Harp, Voice
3
String Quartet : 4 violas
3
2 Cellos (duet)
3
String Trio: 3 cellos
2
Viola and Harp
2
String Trio: 2 violins, viola
2
Flute, Doublebass (duet)
2
Viola, Cello (duet)
2
Viola (band part)
2
String Trio: 3 violins
2
Harp, Violin (duet)
2
4 Double Basses
1
Cello, Guitar (duet)
1
Harp, Trombone (duet)
1
String Trio: 3 violas
1
Viola, Guitar (duet)
1
Violin, Clarinet, Piano (trio)
1
Cello Ensemble
1
Harp, Cello (duet)
1
Cello, Orchestra
1
2 Violins, Piano
1
+ 41 instrumentations
-
Retract
Orchestra & Percussion
Concert band
152
Orchestra
63
String Orchestra
51
Brass ensemble
39
Jazz Ensemble
33
Chamber Orchestra
23
Handbells
13
Jazz combo
10
Percussion
6
Drums
6
Marimba
4
Percussion Ensemble
2
Orchestra, Violin
1
Marching band
1
2 Marimbas
1
Vibraphone
1
+ 11 instrumentations
-
Retract
Others
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
24
Digital Sheet Music
51
Sheet Music Books
426
Music Equipment
7,141
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
He Is King
String Orchestra
Sheetmusic to print
51 sheet music found
<
1
26
51
He Is Great
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Bruce J
#
He Is Great
#
In His Name Music/SESAC
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.938098 Composed by Bruce J. Patterson. Christmas,Contemporary,Musical/Show,Praise & Worship,Sacred....
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.938098 Composed by Bruce J. Patterson. Christmas,Contemporary,Musical/Show,Praise & Worship,Sacred. Score and parts. 26 pages. In His Name Music/SESAC #3224329. Published by In His Name Music/SESAC (A0.938098). He Is Great is from my Classical Works project and is written for Classical Guitar, Choir and String Orchestra. This song is musically based on Luke 1:26-33 where the scripture says, 32 He will be great, and will be called the Son of the Highest; and the Lord God will give Him the throne of His father David. 33 And He will reign over the house of Jacob forever, and of His kingdom there will be no end. Classical Works is a collection of original compositions written for classical guitar with orchestration. Bruce J. Patterson serves as Adjunct Professor of Guitar at Welch College and Allegro School of Music in Nashville, Tennessee. www.messiahsongs.com 615-516-0473
$6.99
Happy Xmas (war Is Over)
#
String Orchestra
#
INTERMEDIATE
#
Contemporary
#
John & Yoko Ono W/harlem Comm
#
Tim Crooks
#
Happy Xmas
#
STR:UK String Arrangements
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.850380 By John & Yoko Ono W/harlem Comm. By John Lennon and Yoko Ono. Arranged by Tim Crooks. Conte...
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.850380 By John & Yoko Ono W/harlem Comm. By John Lennon and Yoko Ono. Arranged by Tim Crooks. Contemporary. Score and parts. 21 pages. STR:UK String Arrangements #6569369. Published by STR:UK String Arrangements (A0.850380). Happy Xmas (War is Over), by Yoko Ono and John Lennon, arranged for string ensemble by Tim Crooks. This arrangement is suitable for beginner and intermediate ensembles and contains: - Full Score- Violin 1, 2 Viola and Cello (can be performed as string quartet) - Double bass - Piano (not necessary for performance) - Sleigh Bells - Easy Violin, Easy Viola and Easy Cello (ABRSM Grade 1)Parts can be printed multiple times. A version of this arrangement for String Quartet is also available here: https://www.sheetmusicplus.com/title/happy-xmas-war-is-over-string-quartet-version-digital-sheet-mus.... This recording is by the Manchester String Quartet and is available for streaming and download. www.manchesterstringquartet.comAbout the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK String Arrangements, made in the UK Get in touch - your feedback and requests are always welcome! strukstrings@gmail.com Twitter@strukstrings - Facebook@strukstrings
$24.99
WE THREE KINGS - String Orchestra or Quartet - Intermediate
#
String Orchestra
#
INTERMEDIATE
#
Sacred music
#
John Henry Hopkins Jr
#
Dennis Ruello
#
WE THREE KINGS - String Orches
#
Chicory Music
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.734340 Composed by John Henry Hopkins Jr. Arranged by Dennis Ruello. Christian,Christmas,Holiday,Pr...
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.734340 Composed by John Henry Hopkins Jr. Arranged by Dennis Ruello. Christian,Christmas,Holiday,Praise & Worship,Sacred. Score and parts. 13 pages. Chicory Music #2951949. Published by Chicory Music (A0.734340). We Three Kings, also known as We Three Kings of Orient Are or The Quest of the Magi, is a Christmas carol that was written by John Henry Hopkins, Jr. in 1857. At the time of composing the carol, Hopkins served as the rector of Christ Episcopal Church in Williamsport, Pennsylvania, and he wrote the carol for a Christmas pageant in New York City. Many versions of this song have been composed and it remains a popular Christmas carol. This intermediate level arrangement can be used for string quartet or string orchestra. It is in the string friendly key of e minor with no extremes in range or technique. Useful for performances at schools, churches or recitals. Performance time: approx.1 min. 55 sec.
$9.99
Farnaby: Fantasia CXXIX for String Orchestra - Score Only
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Giles Farnaby
#
James M
#
Farnaby: Fantasia CXXIX for St
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histo...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1298242 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 17 pages. Jmsgu3 #888221. Published by jmsgu3 (A0.1298242). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560, and he lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in the development of keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$32.95
Farnaby: Fantasia CXXIX for String Orchestra
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Giles Farnaby
#
James M
#
Farnaby: Fantasia CXXIX for St
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histo...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1298252 Composed by Giles Farnaby. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 33 pages. Jmsgu3 #888225. Published by jmsgu3 (A0.1298252). Giles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$39.95
Farnaby: Four Fitzwilliam Pieces for String Orchestra
#
String Orchestra
#
BEGINNER
#
Giles Farnaby, 1563-1640
#
James M
#
Farnaby: Four Fitzwilliam Piec
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.1255701 Composed by Giles Farnaby, 1563-1640. Arranged by James M. Guthrie, ASCAP. Contest,Early Mu...
(+)
String Orchestra - Level 1 - Digital Download SKU: A0.1255701 Composed by Giles Farnaby, 1563-1640. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Traditional. 15 pages. Jmsgu3 #849209. Published by jmsgu3 (A0.1255701). 1. Farnaby's Dreame2. His Rest - Galiard3. His Humour4. FinaleGiles Farnaby was an English composer and virginalist during the late 16th and early 17th centuries. He is known for his contributions to Elizabethan and Jacobean music. He was born around 1560 and lived during the reigns of Queen Elizabeth I and King James I. He was a contemporary of other notable English composers such as William Byrd and John Dowland. Farnaby's compositions are known for their variety of styles. He wrote pieces that ranged from lively dance tunes to more intricate and introspective works. His music often featured elements of English folk melodies and dance rhythms.Giles Farnaby's Fantasias are significant for their role in developing keyboard music, their influence on later composers, and their historical documentation of musical practices in late Renaissance England. Farnaby's music often displays a lively and whimsical character, with syncopations, rapid passagework, and playful ornamentation. His style was influenced by the continental keyboard music of his time, especially that of the English virginalists like John Bull and William Byrd. However, Farnaby's compositions also have a distinct character, marked by their dance-like rhythms and catchy melodies.Although Farnaby's music fell out of favor during the Baroque period, there has been a resurgence of interest in his works in the modern era. Musicians and scholars have rediscovered and recorded his compositions, helping to revive his legacy.
$38.95
Five Australian Scenes for String Orchestra - 5. A Day at the Beach
#
String Orchestra
#
INTERMEDIATE
#
Martin Lass
#
Five Australian Scenes for Str
#
MA Lass & I Lass
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I La...
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Published by MA Lass & I Lass (A0.1414027). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing.Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring a few cello passages, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, “A Day at the Beach,†is set in Surfers Paradise on the Gold Coast in QLD. On a perfect summer day, one heads for the beach where fun and games, swimming, surfing, sun-baking, a picnic, and more games are the order of the day before heading home, full of sand, sun, food, and tired satisfaction.
$39.00
Of Roses and Lilies
#
String Orchestra
#
ADVANCED
#
Sarah Wallin Huff
#
Of Roses and Lilies
#
Novel Soundtrax
#
SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.800323 Composed by Sarah Wallin Huff. 20th Century,Contemporary,Spiritual. Score and Parts. 88 page...
(+)
String Orchestra - Level 5 - Digital Download SKU: A0.800323 Composed by Sarah Wallin Huff. 20th Century,Contemporary,Spiritual. Score and Parts. 88 pages. Novel Soundtrax #2035933. Published by Novel Soundtrax (A0.800323). Completed in 2013, this work is A Romantic Expression Based on King Solomon's Song of Songs. Flirting with musical and dramatic elements from Medieval Europe to the ancient Middle East and Ancient Greek Theatre, Of Roses and Lilies features the solo soprano in the role of The Woman; she expresses her love, devotion, and delight toward her Lover while the Daughters of Jerusalem - as with that of the collective commentary of a Greek chorus - listen and engage with The Woman in her tales touting the glories of her Beloved. The work is in three major sections after the expressive and fluid introduction: the first in A Minor, introducing the characters and their vivd emotions; the second in A Major, during which The Woman shares a tale of her Lover calling her to escape with him into the night... For the winter is past and the rain gone... -when for a moment she hesitates, she wonders if she is too late, only to find that he is still there waiting for her, encouraging her with the sweet words of his continued adoration toward her; the third section returns to the original themes in A Minor, yet gains an expression of great power and fervency as The Woman's love for her Beloved utterly transforms her.
$75.00
Byrd: Rowland for String Orchestra - Score Only
#
String Orchestra
#
EASY
#
William Byrd
#
James M
#
Byrd: Rowland for String Orche
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1290870 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histor...
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1290870 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 8 pages. Jmsgu3 #881555. Published by jmsgu3 (A0.1290870). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$32.95
Byrd: Rowland for String Orchestra
#
String Orchestra
#
EASY
#
William Byrd
#
James M
#
Byrd: Rowland for String Orche
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1290878 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histor...
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1290878 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 18 pages. Jmsgu3 #881563. Published by jmsgu3 (A0.1290878). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music. He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$38.95
Byrd: The Queenes Alman for String Orchestra - Score Only
#
String Orchestra
#
INTERMEDIATE
#
William Byrd
#
James M
#
Byrd: The Queenes Alman for St
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1290432 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histor...
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1290432 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 9 pages. Jmsgu3 #881143. Published by jmsgu3 (A0.1290432). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$32.95
Byrd: The Maidens Songe for String Orchestra - Score Only
#
String Orchestra
#
EASY
#
William Byrd
#
James M
#
Byrd: The Maidens Songe for St
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1288889 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histor...
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1288889 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 12 pages. Jmsgu3 #879728. Published by jmsgu3 (A0.1288889). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$28.95
Byrd: Fantasia in A Minor for String Orchestra - Score Only
#
String Orchestra
#
EASY
#
William Byrd
#
James M
#
Byrd: Fantasia in A Minor for
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1289766 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histor...
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1289766 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 44 pages. Jmsgu3 #880459. Published by jmsgu3 (A0.1289766). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$28.95
Byrd: The Queenes Alman for String Orchestra
#
String Orchestra
#
INTERMEDIATE
#
William Byrd
#
James M
#
Byrd: The Queenes Alman for St
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1290437 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histor...
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1290437 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 18 pages. Jmsgu3 #881149. Published by jmsgu3 (A0.1290437). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$38.95
Byrd: Fantasia in A Minor for String Orchestra
#
String Orchestra
#
EASY
#
William Byrd
#
James M
#
Byrd: Fantasia in A Minor for
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1289769 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histor...
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1289769 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #880465. Published by jmsgu3 (A0.1289769). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$38.95
Byrd: The Maidens Songe for String Orchestra
#
String Orchestra
#
EASY
#
William Byrd
#
James M
#
Byrd: The Maidens Songe for St
#
jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1288895 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Histor...
(+)
String Orchestra - Level 2 - Digital Download SKU: A0.1288895 Composed by William Byrd. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 22 pages. Jmsgu3 #879731. Published by jmsgu3 (A0.1288895). William Byrd was an English composer and organist who lived during the Renaissance period. He is considered one of the greatest composers of the era and had a profound influence on composers both from his native country and on the Continent. Byrd is best known for his development of the English madrigal and his ability to elevate the English keyboard style through his compositions for virginal and organ music.He was a pupil and protégé of the organist and composer Thomas Tallis, and his first authenticated appointment was as organist at Lincoln Cathedral in 1563. Byrd's output of about 470 compositions amply justifies his reputation as one of the great masters of European Renaissance music.He was adept at attracting sponsorship, and his most important patrons were Roman Catholic sympathizers. Byrd was responsible for the publication of about 10 volumes of songs by other composers, his role as publisher allowing him to play an even more prominent part in making both literary and musical composition much more broadly available to a public audience.
$38.95
Wie Melodien sieht es mir
#
String Orchestra
#
INTERMEDIATE
#
Classical
#
Johannes Brahms
#
Jeff Lipscomb
#
Wie Melodien sieht es mir
#
Jeff Lipscomb
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1321180 Composed by Johannes Brahms. Arranged by Jeff Lipscomb. 19th Century,Classical,Romantic Per...
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1321180 Composed by Johannes Brahms. Arranged by Jeff Lipscomb. 19th Century,Classical,Romantic Period. 10 pages. Jeff Lipscomb #909633. Published by Jeff Lipscomb (A0.1321180). This beautiful song comes from a short collection of songs that Brahms wrote relatively late in his career.  He was working on his Violin Sonata No.2 at about the same time, and so it’s natural that piece also quotes from this work.  The song itself is a wonderful example of late Romantic harmonic and Brahms’s own lyrical melodic writing.This piece would be good for developing and refining tonal production and vibrato.  While none of the parts goes up very high, it’s not recommended for performers to stay in first position throughout the piece.  There are also opportunities to refine ensemble skills of phrasing and rubato.  Cross-curricular instruction (with English and/or German) is possible with the original song via discussion on its meaning and how Brahms tried to represent that meaning within the musical form of the work.
$11.00
Back to School Blues
#
String Orchestra
#
BEGINNER
#
Tim Crooks
#
Back to School Blues
#
STR:UK String Arrangements
#
SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.850349 Composed by Tim Crooks. Blues,Jazz,Standards. Score and parts. 16 pages. STR:UK String Arran...
(+)
String Orchestra - Level 1 - Digital Download SKU: A0.850349 Composed by Tim Crooks. Blues,Jazz,Standards. Score and parts. 16 pages. STR:UK String Arrangements #6324197. Published by STR:UK String Arrangements (A0.850349). Back to School Blues by Tim Crooks for String Orchestra (beginner-ABRSM Grade 2). Originally written for the Young String Programme at the Royal Northern College of Music, Manchester UK, this fun Blues piece has been tried and tested on young string players. Technical elements include low 2nd fingers, retakes, and D.S al Coda markings.The arrangement includes an open string part suitable for Violin, Viola and Cello provided as both notation and graphic rhythm score with colour strings colours / string letter names. Only one open string stave is shown on the score, but parts for Violin, Viola and Cello are included in this set.Video resources for this piece are on STR:UK STRINGS YouTube channel https://www.youtube.com/channel/UCDTycW2v0da13N7oReByj7g/videos- Full Score Video & Backing- Piano accompaniment video- Open String graphic score videoAbout the arranger Tim Crooks trained as a violinist and violist, working professionally in Manchester (UK) for many years. He was a founding member of the Manchester String Quartet and scored many arrangements for the group's recordings. Tim now orchestrates and conducts, working with orchestras including Manchester Camerata, Royal Liverpool Philharmonic, RTÉ Concert Orchestra and the Philharmonia. STR:UK STRINGS - Education String Music, made in the UKWe'd love to hear your feedback: strukstrings@gmail.com Subscribe to our social media to get news of all new releases: https://www.facebook.com/Strukstrings-102251248505787 https://twitter.com/strukstrings STR:UK Strings - Education String Music ©2020 S T Crooks Ltd All Rights Reserved.
$14.99
Overture for Strings No. 3 - Score Only
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 3 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 5 - Score Only
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 5 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 6 - Score Only
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 6 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 4 - Score Only
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 4 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Overture for Strings No. 2 - Score Only
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Joseph Bologne, Chevalier de S
#
Robert Debbaut
#
Overture for Strings No. 2 - S
#
ROBERT DEBBAUT
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
Concerto for Oboe and Bassoon in C minor.
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
George Frideric Handel
#
Arte Nova Music Lab
#
Concerto for Oboe and Bassoon
#
Arte Nova Music Lab
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standar...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
Surrender The Sword (score – violin and string orchestra)
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Mark O'Connor
#
Surrender The Sword
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.861940 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6208217. Published by Mark O'Connor Musik International (A0.861940). Surrender The Sword (score – violin and string orchestra) MO136AScore (parts available)Music by Mark O’Connor24 pages - 9:30 minutes in length Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCan be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn Catalogue Number MO136ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
<
1
26
51
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version