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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
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XYLOPHONE
ZITHER
In Our Place
Sheetmusicplus
Not classified
748
Piano & keyboards
Piano solo
357
Piano, Voice
177
Easy Piano
82
Piano, Vocal and Guitar
56
C Instruments
34
2 Pianos, 4 hands
25
Organ
18
Piano Trio: piano, violin, cello
9
1 Piano, 4 hands
9
Piano Quartet: piano, violin, viola, cello
6
Piano Quintet: piano, 2 violins, viola, cello
3
Accordion
3
Harpsichord
2
Piano Quartet: piano, 2 violins, cello
2
Piano Accompaniment
1
Piano (band part)
1
Organ, Piano (duet)
1
1 Piano, 6 hands
1
+ 13 instrumentations
-
Retract
Guitars
Ukulele
53
Guitar
38
Guitar notes and tablatures
34
Bass guitar
6
2 Guitars (duet)
4
Dulcimer
4
Melody line, (Lyrics) and Chords
3
4 Guitars (Quartet)
3
Guitar (band part)
2
Piano, Guitar (duet)
2
Mandolin
1
Guitar, String Quartet
1
2 Dulcimers (duet)
1
+ 8 instrumentations
-
Retract
Voice
Choral SATB
263
Choral Instrumental Pak
63
Choral 3-part
56
Alto voice, Piano
50
Baritone voice, Piano
43
Choral 2-part
42
Choral TTBB
29
Tenor voice
27
Tenor voice, Piano
25
Soprano voice, Piano
25
Soprano voice
23
Vocal duet, Piano
22
Choral Unison
20
Choral SSAA
14
Vocal duet
6
Choral SSAB, Piano
1
Soli, Mixted choir and accompaniment
1
Choral
1
+ 13 instrumentations
-
Retract
Woodwind
Flute and Piano
42
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
34
Flute
33
Clarinet and Piano
30
Saxophone Quintet: 5 Saxophones
29
Alto Saxophone
28
Alto Saxophone and Piano
26
Clarinet
23
Saxophone (band part)
23
Oboe, Piano (duet)
23
Flute, Oboe, Clarinet, Bassoon
21
Saxophone Quartet: 4 saxophones
20
Tenor Saxophone
19
Oboe (band part)
18
2 Flutes (duet)
18
Flute, Violin, Piano
14
2 Clarinets (duet)
13
2 Saxophones (duet)
12
Tenor Saxophone and Piano
12
Clarinet Ensemble
11
Saxophone ensemble
10
Flute, Clarinet (duet)
8
Baritone Saxophone, Piano
8
Flute ensemble
8
Flute Quartet: 4 flutes
8
Soprano Saxophone and Piano
7
2 Oboes (duet)
6
Soprano Saxophone
6
Saxophone, Clarinet (duet)
6
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6
Clarinet, Bassoon (duet)
5
Bass Clarinet, Piano
3
Clarinet, Violin (duet)
3
Clarinet (band part)
3
Flute Quintet : 5 flutes
3
3 Clarinets (trio)
3
Flute, harp and violin
2
Oboe, Clarinet (duet)
2
Clarinet, Guitar (duet)
2
Descant (Soprano) Recorder
2
Flute, Trumpet (duet)
2
Clarinet Quintet: 5 clarinets
2
Clarinet and Viola
2
English Horn
2
Treble (Alto) Recorder
2
Flute, Saxophone (duet)
2
Flute (band part)
2
Flute, Viola (duet)
2
English horn, Piano
2
Flute, Violoncello
2
Ocarina
2
Flute and Guitar
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
Oboe, Bassoon (duet)
2
3 Saxophones (trio)
1
Harmonica
1
Flute, Oboe, Piano (trio)
1
Recorder
1
Recorder Quartet
1
Flute, Violin, Violoncello and Piano
1
Flute, Oboe, Clarinet (trio)
1
Clarinet, Trumpet (duet)
1
Clarinet, Cello (duet)
1
2 Recorders (duet)
1
Flute Trio: 3 flutes
1
Oboe, Cello
1
Flute, Violin
1
English horn, Harp (duet)
1
Flute, Clarinet, Violin (trio)
1
Oboe, Flute
1
Clarinet, Trombone (duet)
1
+ 66 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
49
Trumpet
43
Brass Quartet: 2 trumpets, horn, trombone
24
Brass quartet : 2 trumpets, trombone, tuba
23
Trombone
21
Trombone and Piano
19
Trumpet, Piano
19
French Horn and Piano
17
Tuba
17
Tuba and Piano
16
French horn
13
Trombone ensemble
9
Brass Quartet
8
Trumpet, Trombone (duet)
8
Trumpet (band part)
7
Trombone (band part)
6
2 Trumpets (duet)
6
2 Trombones (duet)
5
2 French horns (duet)
4
Trumpet, Horn (duert)
4
Brass Quartet: 4 trombones
4
Trumpet ensemble
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
2 Tubas (duet)
3
French horn (band part)
3
English Horn
2
Tuba (band part)
2
Euphonium, Piano (duet)
2
Trumpet, Saxophone (duet)
2
English horn, Piano
2
Brass Quartet: 4 trumpets
1
Trumpet, Cello (duet)
1
2 Euphoniums and 2 Tubas
1
3 Trumpets (trio)
1
Trombone and Orchestra
1
English horn, Harp (duet)
1
+ 31 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
107
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67
Violin
46
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36
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34
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26
Harp
21
String Trio: violin, viola, cello
20
Viola
15
2 Violins (duet)
15
String Quintet: 2 violins, viola, cello, bass
14
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14
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12
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10
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8
2 Cellos (duet)
7
Violin (band part)
6
2 Violas (duet)
6
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6
2 Harps (duet)
5
String Trio: 2 violins, cello
5
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5
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4
Cello (band part)
3
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3
Viola ensemble
3
4 Cellos
2
Piano Trio: Violin, Viola, Piano
2
String Trio: 3 violins
1
String Trio: 3 cellos
1
String Quartet : 4 violas
1
Harp, Voice
1
Viola, Cello (duet)
1
Violin, Bassoon (duet)
1
Cello, Organ
1
String Quintet: 2 violins, 2 violas, cello
1
Viola and Bassoon
1
Harp and Piano
1
+ 33 instrumentations
-
Retract
Orchestra & Percussion
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238
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80
String Orchestra
72
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33
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23
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22
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21
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13
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6
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5
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Vibraphone and Marimba
1
Snare drums
1
Drum (band part)
1
Cajon
1
Xylophone, Piano
1
Percussion (band part)
1
+ 16 instrumentations
-
Retract
Others
Musical course - Solfege
6
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1
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In Our Place
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String Orchestra
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72 sheet music found
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1
26
51
La Bourrée - Dance 32 from Terpsichore (Praetorius)
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String Orchestra
#
EASY
#
Various
#
Colin Kirkpatrick
#
La Bourrée - Dance 32 from Te
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.522218 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. S...
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String Orchestra - Level 2 - Digital Download SKU: A0.522218 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879699. Published by Colin Kirkpatrick Publications (A0.522218). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$9.99
Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) for Strings
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String Orchestra
#
EASY
#
Anonymous
#
Colin Kirkpatrick
#
Les Courantes - Dances 183 and
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and p...
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String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 20 pages. Colin Kirkpatrick Publications #3915085. Published by Colin Kirkpatrick Publications (A0.522223). Les Courantes are two well-known dances from Terpsichore by Michael Praetorius. They have been arranged for strings, keyboard, optional guitar, recorder or any C-pitched instruments and simple percussion. In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$11.99
Two Courantes - Dances 151 and 152 from Terpsichore (Praetorius)
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String Orchestra
#
EASY
#
Various
#
Colin Kirkpatrick
#
Two Courantes - Dances 151 and
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.522220 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. S...
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String Orchestra - Level 2 - Digital Download SKU: A0.522220 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3880257. Published by Colin Kirkpatrick Publications (A0.522220). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
Maestoso and Fugue in D minor for String Orchestra - Based on Ludwig van Beethoven Unv 7 Hess 40 & O
#
String Orchestra
#
Classical
#
Ludwig van Beethoven, Cees Nie
#
Upstream Music
#
Maestoso and Fugue in D minor
#
Upstream Music
#
SheetMusicPlus
String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and...
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String Orchestra - Digital Download SKU: A0.933521 Composed by Ludwig van Beethoven, Cees Nieuwenhuizen. Arranged by Upstream Music. Classical. Score and parts. 18 pages. Upstream Music #6353295. Published by Upstream Music (A0.933521). Both the Adagio molto (Hess 40) and the unfinished, originally intended Fugue date from November, 1817. It was the publisher Tobias Haslinger who requested a prelude and fugue for a publication in line with works published earlier. Beethoven completed the prelude but with the fugue he stopped after merely four bars of music. The short original fugue theme was later inserted into the second part (Molto vivace) of the Ninth Symphony (Opus 125).The prelude (Beethoven did not give any time indication) starts with 37 bars of solemn music followed by 12 bars Allegro. In terms of form, rhythm, and key, this material shows great similarity to the Molto vivace from Opus 125 referred to above. The present version has been arranged for a string orchestra instead of for a string quintet, thus being the first publication which enables it to be performed in its entirety. In order to balance the foundation, I opted for introducing a contrabass part, which largely follows the cello part composed by Beethoven. As regards the phrasing, dynamics, and rests as well as the time indication, this publication follows those in Willy Hess’ publication. So the prescribed time ‘Adagio molto’ is not that of Beethoven himself.The arguments to link the Maestoso to the Fugue in D major (Opus 137) published later are multiple. In the first place, the Fugue also dates from 1817. Secondly, the key is the same as is the number of instruments for a string quintet with two separate alto parts. Not only does the original fugue theme start at the tone a, but the timing too is the same, that is 3/8. So it seems reasonable to assume that Beethoven intended both works as a couple.The abnormal rhythmics of the bars 38 up to and including 49 is remarkable. I have preserved it because the part has been authentically composed by Beethoven, while it did not seem logical to me to have it immediately followed by the Fugue completed by myself. I have composed a number of bars of music based on the beginning of the prelude by way of a smooth transition.In the Fugue, I closely adhere to Beethoven, at the same time introducing a contrabass part here as well, so as to support the cello. At a number of places in the score, Beethoven recorded neither music nor rests. This refers to the bars 5 (second viola and cello), 11, 12, 25 and 26 (first and second violins), 39 to 41 (all parts), 43 and 44 (all parts except the first violin), 45 (first viola) and finally 45 and 46 (second violin). As in Willy Hess’ publication, I have just inserted rests here.
$29.00
Concerto for Violin in G Minor, RV 331
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String Orchestra
#
ADVANCED
#
Classical
#
Antonio Vivaldi
#
Edited Robert C
#
Concerto for Violin in G Minor
#
Robert C. Olivia
#
SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.1395040 Composed by Antonio Vivaldi. Arranged by Edited Robert C. Olivia. Baroque,Chamber,Early Mus...
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String Orchestra - Level 5 - Digital Download SKU: A0.1395040 Composed by Antonio Vivaldi. Arranged by Edited Robert C. Olivia. Baroque,Chamber,Early Music. 80 pages. Robert C. Olivia #978505. Published by Robert C. Olivia (A0.1395040). This edition has been performed by major symphony orchestras. This has been transcribed and engraved from manuscript and other sources. It replaces other versions that may be for sale and for rent that have many wrong notes and discrepancies. This contains full score/harpsichord, solo and string parts with attention given to page turns and other techniques.
$150.00
Concerto for Violin in D Major, RV 217
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String Orchestra
#
ADVANCED
#
Classical
#
Antonio Vivaldi
#
Edited Robert C
#
Concerto for Violin in D Major
#
Robert C. Olivia
#
SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.1394323 Composed by Antonio Vivaldi. Arranged by Edited Robert C. Olivia. Baroque,Chamber,Early Mus...
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String Orchestra - Level 5 - Digital Download SKU: A0.1394323 Composed by Antonio Vivaldi. Arranged by Edited Robert C. Olivia. Baroque,Chamber,Early Music. 94 pages. Robert C. Olivia #977799. Published by Robert C. Olivia (A0.1394323). This edition has been performed by major symphony orchestras. This has been transcribed and engraved from manuscript and other sources. It replaces other versions that may be for sale and for rent that have many wrong notes and discrepancies. This contains full score/harpsichord, solo and string parts with attention given to page turns and other techniques.
$150.00
Haunted Places: Score
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String Orchestra
#
Instructional
#
Brendan Mcbrien
#
Haunted Places: Score
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PR-0004690 Score. Composed by Brendan Mcbrien. Instructional. Score. 15 pages. Alfred Music - Digit...
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String Orchestra - Digital Download SKU: AX.00-PR-0004690 Score. Composed by Brendan Mcbrien. Instructional. Score. 15 pages. Alfred Music - Digital Sheet Music #00-PR-0004690. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004690). UPC: 038081483979.Inspired by the overactive imagination of childhood, this piece examines the youthful fun of scary places that make our skin tingle! Enjoy this musical portrait of scary, abandoned dwellings, and of the spirits that for some frightful reason seem to inhabit them. (6:40) This title is available in SmartMusic.
$7.00
Haunted Places: 2nd Violin
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String Orchestra
#
Instructional
#
Brendan Mcbrien
#
Haunted Places: 2nd Violin
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0016452_VN2 2nd Violin. Composed by Brendan Mcbrien. Instructional. Part. 2 pages. Alfred Music ...
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String Orchestra - Digital Download SKU: AX.00-PC-0016452_VN2 2nd Violin. Composed by Brendan Mcbrien. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016452_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016452_VN2). UPC: 038081483979.Inspired by the overactive imagination of childhood, this piece examines the youthful fun of scary places that make our skin tingle! Enjoy this musical portrait of scary, abandoned dwellings, and of the spirits that for some frightful reason seem to inhabit them. (6:40) This title is available in SmartMusic.
$5.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Visionary Quest Records
#
Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Vision...
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String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
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String Orchestra
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and
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Visionary Quest Records
#
SheetMusicPlus
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visiona...
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
#
Johann Strauss Jr
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Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
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String Orchestra
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
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String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
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String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99
Scottish Anthem for String Orchestra
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String Orchestra
#
INTERMEDIATE
#
Keith Terrett
#
Keith Terrett
#
Scottish Anthem for String Orc
#
Keith Terrett
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1491758 By Keith Terrett. By Roy Williamson. Arranged by Keith Terrett. Classical,Contemporary,Cont...
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String Orchestra - Level 3 - Digital Download SKU: A0.1491758 By Keith Terrett. By Roy Williamson. Arranged by Keith Terrett. Classical,Contemporary,Contest,Festival,Instructional,Multicultural,World. 10 pages. Keith Terrett #1068437. Published by Keith Terrett (A0.1491758). As of February 2024, the Scottish Government have not yet formally adopted an official national anthem of Scotland, despite having the legal competence in order to do so. ] During a meeting of the Enterprise and Culture Committee on 9 May 2006 in the Scottish Parliament, MSP Michael Matheson raised the question about the status of Scotland's national anthem, citing during the recent Commonwealth Games in Melbourne, there was some debate about a Scottish national anthem, largely because a number of songs were being used as our national anthem. However, in recent discussions on the matter, no consensus was reached, other than on the point that we should have a national anthem. At that time, there was suggestions that the incumbent First Minister of Scotland Jack McConnell had claimed that a debate on an official national anthem for Scotland should take place to address the issue.MSP Murdo Fraser expressed concerns over the three most popular candidates for an official national anthem of Scotland – Flower of Scotland, Scotland the Brave and Highland Cathedral. In his speech to the committee, he claimed Flower of Scotland is inappropriate because some of the sentiments that are expressed in it are jingoistic and anti-English; Scotland the Brave is inappropriate because, although it is a good tune, it does not have words that match the upbeat nature of the music; and Highland Cathedral is a good tune, but it has no words at all.
$8.99
Cinema Paradiso (from "Ennio Morricone In Venice: Live At Piazza San Marco)
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String Orchestra
#
INTERMEDIATE/ADVANCED
#
Film/TV
#
Ennio Morricone
#
Cinema Paradiso
#
Flavio Regis Cunha
#
SheetMusicPlus
By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 32 pages. Published by Flavio Regis Cunha ...
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By Ennio Morricone. Arranged by Flavio Regis Cunha. Score, Set of Parts. 32 pages. Published by Flavio Regis Cunha
Item Number: H0.710161-SC000006747
This is a beautiful arrangement based on the concert "Ennio Morricone In Venice: Live At Piazza San Marco". You will not find any score for winds, piano and strings on the internet or on this site and any other place with this musical quality and for this price. You and your ensemble will be amazed at the quality of this edition and, above all, the music emanating from these notes. This beautiful composition by Morricone enchants all ages and fits in many situations, from thematic concerts, weddings, parties and recitals. Intermediate-advanced level.
$89.99
Ocean Voyage (string orchestra)
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String Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Nick Raspa
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Ocean Voyage
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NJR Music
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1219564 Composed by Nick Raspa. Contemporary. Score and Parts. 160 pages. NJR Music #815925. Publis...
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String Orchestra - Level 4 - Digital Download SKU: A0.1219564 Composed by Nick Raspa. Contemporary. Score and Parts. 160 pages. NJR Music #815925. Published by NJR Music (A0.1219564). This is a string orchestra adaptation of the full orchestral version I wrote in 2007. Â (Listen to the complete recording of this string orchestra adaptation by clicking the YouTube link.)When I began Ocean Voyage, I was thinking about how my father and my grandparents left their families and the comfort of familiar surroundings in Italy and immigrated to America for a new life during the early part of the 20th Century.Just as there is an element of danger in taking a trip across the ocean, there is the excitement of the voyage and the promise of a new experience in a place you have never been before. Â The trip itself is an adventure since you will spend several days aboard the ship, and in days that have long since faded from the calendar, these trips took weeks and even months. This piece attempts to capture the spirit of the adventure and excitement of such a trip.The piece starts with the sounding of the horn as the ship embarks. Â This leads to a beautiful lyrical section and later there is a spritely gigue. Â Through these various sections I attempted to capture the various moods of the passengers during various stages of this long, exciting journey. Â ASCAP.
$35.00
The Abduction of Persephone (for String Orchestra)
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String Orchestra
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INTERMEDIATE
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Aaron Fonzi
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The Abduction of Persephone
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Aaron Fonzi
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aa...
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String Orchestra - Level 3 - Digital Download SKU: A0.998356 Composed by Aaron Fonzi. Children,Contemporary,Rock,Standards. Score and parts. 27 pages. Aaron Fonzi #3367893. Published by Aaron Fonzi (A0.998356). This piece tells the epic story of Hades' abduction of his niece, Persephone. According to the legend, Hades came up through a crack in the ground and snatched the girl while she was playing. In the Underworld, he tried to seduce her in a variety of ways, but to no avail. Finally, Hades is said to have tricked her into staying by offering her a tempting pomegranate. As Persephone ate 6 seeds, she was to stay in the Underworld for six months each year. It is said that while Persphone is in the Underworld, the plants wither and die, and when she comes back to the surface she brings rebirth to growing things. This piece begins with playful pizzicato lines that build upon each other. These represent Persphone at play, but forebodes the dark forces that are encircling her. When the orchestra goes to arco, Persphone is being dragged into the Underworld. A mournful violin solo signifies her arrival, but this mournful theme is quickly replace by the devious seductions of Hades in the form of a humorous waltz. Finally, Hades offers the pomegranate to Persephone and she eats 6 seeds (represented by the six beats of the B major chord in measures 76 and 77). The main theme then takes over once again, modulating to F# minor to represent Hades' victory. With relentless energy, catchy ostinati and opportunities to work on shifting, pizzicato and arco throughout, this piece will not dissapoint for audiences and students alike. A FEW NOTES: 1. I'd recommend rehearsing the rhythms of recurring ostinati together- first pizzicato then arco. You may get creative and incorporate scales with these rhythms. However you do it, it'll be important that each ostinato is played with precision and confidence. 2. Have fun with the waltz section! It's meant to portray the strange, whimsical nature of Hades' attempts to woo Persephone, so the awkwardness in delivery is encouraged! 3. All ritardandos should be exaggerated for the sake of drama. 4. Encourage your drumset player to explore different ways of accompanying the orchestra- the drumset part is a blueprint, not definitive instructions. 5. Be sure to practice shifting into 2nd position for the modulation. I hope you and your students have a great time putting this epic piece together! I had a ton of fun writing it! ~Aaron Fonzi
$20.00
Three Gavottes from Terpsichore (Michael Praetorius)
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String Orchestra
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EASY
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Various
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Colin Kirkpatrick
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Three Gavottes from Terpsichor
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.522217 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Renaissance,Wedding. Score and...
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String Orchestra - Level 2 - Digital Download SKU: A0.522217 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879697. Published by Colin Kirkpatrick Publications (A0.522217). Three gavottes arranged for strings, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that. Â
$9.99
Two Voltas - Dances 201 and 210 from Terpsichore (Michael Praetorius)
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String Orchestra
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INTERMEDIATE
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Christmas
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Various
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Colin Kirkpatrick
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Two Voltas - Dances 201 and 21
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards....
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String Orchestra - Level 3 - Digital Download SKU: A0.522221 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Standards. Score and parts. 20 pages. Colin Kirkpatrick Publications #3885295. Published by Colin Kirkpatrick Publications (A0.522221). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments. The volta is an anglicised name for a dance that was popular during the Renaissance. Considered at first to be slightly risqué and controversial it eventually became more respectable but never completely dignified. The first dance uses interesting cross-rhythms.In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, finger cymbals, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
Two Ballets - Dances 268 and 273 from Terpsichore (Praetorius)
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String Orchestra
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EASY
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Christmas
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Various
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Colin Kirkpatrick
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Two Ballets - Dances 268 and 2
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. S...
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String Orchestra - Level 2 - Digital Download SKU: A0.522219 Composed by Various. Arranged by Colin Kirkpatrick. Christmas,Holiday,Renaissance,Wedding. Score and parts. 20 pages. Colin Kirkpatrick Publications #3879701. Published by Colin Kirkpatrick Publications (A0.522219). Arranged for strings, keyboard, any C-pitched instruments, simple percussion and other instruments by Colin KirkpatrickIn this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a small bass drum or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.
$9.99
(Meet) The Flintstones: 1st Violin
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String Orchestra
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Hoyt Curtin, Joseph Barbera, a
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Bob Cerulli
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(Meet) The Flintstones: 1st Vi
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0002567_VN1 1st Violin. Composed by Hoyt Curtin, Joseph Barbera, and William Hanna. Arranged by ...
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String Orchestra - Digital Download SKU: AX.00-PC-0002567_VN1 1st Violin. Composed by Hoyt Curtin, Joseph Barbera, and William Hanna. Arranged by Bob Cerulli. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002567_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002567_VN1). UPC: 654979069164.Fred, Barny, Wilma, Betty -- even Bam Bam, Pebbles and Dino are in your fondest memories. We're excited to bring you a gleeful arrangement of the theme song to the time-honored cartoon classic. This encore-like tune will place a smile on the face of all. As in all Bob Cerulli arrangements, teaching opportunities abound. (0:50).
$5.99
(Meet) The Flintstones: Score
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String Orchestra
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Hoyt Curtin, Joseph Barbera, a
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Bob Cerulli
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(Meet) The Flintstones: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PR-0002507 Score. Composed by Hoyt Curtin, Joseph Barbera, and William Hanna. Arranged by Bob Cerul...
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String Orchestra - Digital Download SKU: AX.00-PR-0002507 Score. Composed by Hoyt Curtin, Joseph Barbera, and William Hanna. Arranged by Bob Cerulli. Instructional. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-0002507. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0002507). UPC: 654979069164.Fred, Barny, Wilma, Betty -- even Bam Bam, Pebbles and Dino are in your fondest memories. We're excited to bring you a gleeful arrangement of the theme song to the time-honored cartoon classic. This encore-like tune will place a smile on the face of all. As in all Bob Cerulli arrangements, teaching opportunities abound. (0:50).
$7.00
(Meet) The Flintstones: Viola
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String Orchestra
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Instructional
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Hoyt Curtin, Joseph Barbera, a
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Bob Cerulli
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(Meet) The Flintstones: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0002567_VA1 Viola. Composed by Hoyt Curtin, Joseph Barbera, and William Hanna. Arranged by Bob C...
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String Orchestra - Digital Download SKU: AX.00-PC-0002567_VA1 Viola. Composed by Hoyt Curtin, Joseph Barbera, and William Hanna. Arranged by Bob Cerulli. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002567_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002567_VA1). UPC: 654979069164.Fred, Barny, Wilma, Betty -- even Bam Bam, Pebbles and Dino are in your fondest memories. We're excited to bring you a gleeful arrangement of the theme song to the time-honored cartoon classic. This encore-like tune will place a smile on the face of all. As in all Bob Cerulli arrangements, teaching opportunities abound. (0:50).
$5.99
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