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No Time To Die
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You've selected:
No Time To Die
String Orchestra
Sheetmusic to print
42 sheet music found
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1
26
No Time To Die
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String Orchestra
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INTERMEDIATE
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Pop music
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Billie Eilish
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Jack Bridger
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String Orchestra.
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No Time To Die
#
Jack Bridger Music
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1324177 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jack Bridge...
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String Orchestra - Level 3 - Digital Download SKU: A0.1324177 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jack Bridger. Contemporary,Film/TV,Pop. 16 pages. Jack Bridger Music #912372. Published by Jack Bridger Music (A0.1324177). No Time To Die from No Time To DieArranged for Vocal Solo, Piano, Drums & String Orchestra.
$49.99
No Time To Die by Billie Eilish (from the JAMES BOND film NO TIME TO DIE) - string ensemble / string octet
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String Orchestra
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ADVANCED
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Pop music
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Billie Eilish
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Austin Ralphson
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No Time To Die by Billie Eilis
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SheetMusicPlus
By Billie Eilish. Arranged by Austin Ralphson. Score, Set of Parts. 28 pages. Published by Austin Ralphson ...
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By Billie Eilish. Arranged by Austin Ralphson. Score, Set of Parts. 28 pages. Published by Austin Ralphson
The theme song from the 2020 James Bond film 'No Time To Die' by Billie Eilish, arranged carefully for the ensemble so that all parts are fun to play and it is highly effective in performance.
Also search for my other James Bond songs 'Skyfall' and 'Live and Let Die'.
$16.99
Symphony Op. 1 No. 5
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Anton Filtz
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Paul Wood
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Symphony Op. 1 No. 5
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.736694 Composed by Johann Anton Filtz. Arranged by Paul Wood. Classical. Score and parts. 44 pages....
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String Orchestra - Level 4 - Digital Download SKU: A0.736694 Composed by Johann Anton Filtz. Arranged by Paul Wood. Classical. Score and parts. 44 pages. MyMusicScores.com #1892819. Published by MyMusicScores.com (A0.736694). Johann Anton Filtz (1733 - 1760) was just 26 years old when he died! In his short time on earth, he studied law and theology at the University of Ingolstadt, was a cellist in the Mannheimer Hofkapelle and a composer of at least thirty-four symphonies, thirty concertos and a several chamber works. Being a member of the Mannheimer Hofkapelle puts Filtz's compositions clear in the Mannheim school along with fellow composers Franz Xaver Richter, Carl Stamitz, Franz Ignaz Beck, Ignaz Fränzl, and Christian Cannabich. His 6 Symphonies Op. 1 are all scored for strings and continuo and consist of three movement - fast - slow- fast. I can't find a recording of Filtz's Symphony Op.1 No.5 in F major or a modern edition of this work. I do hope that you will find this work interesting enough to play and perform. If you do perform it, I would love to hear a recording.
$9.99
Filtz Symphony in F major Op. 1 No. 5 for String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Anton Filtz
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P
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Filtz Symphony in F major Op.
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.736797 Composed by Johann Anton Filtz. Arranged by P. Wood. Classical. Score and parts. 53 pages. M...
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String Orchestra - Level 4 - Digital Download SKU: A0.736797 Composed by Johann Anton Filtz. Arranged by P. Wood. Classical. Score and parts. 53 pages. MyMusicScores.com #6307239. Published by MyMusicScores.com (A0.736797). Johann Anton Filtz (1733 - 1760) was just 26 years old when he died! In his short time on earth, he studied law and theology at the University of Ingolstadt, was a cellist in the Mannheimer Hofkapelle and a composer of at least thirty-four symphonies, thirty concertos and several chamber works. Being a member of the Mannheimer Hofkapelle puts Filtz's compositions clear in the Mannheim school along with fellow composers Franz Xaver Richter, Carl Stamitz, Franz Ignaz Beck, Ignaz Fränzl, and Christian Cannabich. His 6 Symphonies Op. 1 are all scored for strings and continuo and consist of three movements - fast - slow- fast. I can't find a recording of Filtz's Symphony Op.1 No.5 in F major or a modern edition of this work. I do hope that you will find this work interesting enough to play and perform. If you do perform it, I would love to hear your recording.
$14.99
Excerpt from Tchaikovsky, Symphony. No. 5, Movement II, Arr. for Strings
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Peter Ilyich Tchaikovsky
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Bud Caputo
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Excerpt from Tchaikovsky, Symp
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Bud Caputo
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.826686 Composed by Peter Ilyich Tchaikovsky. Arranged by Bud Caputo. Romantic Period,Standards,Worl...
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String Orchestra - Level 4 - Digital Download SKU: A0.826686 Composed by Peter Ilyich Tchaikovsky. Arranged by Bud Caputo. Romantic Period,Standards,World. Score and parts. 20 pages. Bud Caputo #4758311. Published by Bud Caputo (A0.826686). This 2nd movement of this symphony contains one of the all-time, most the memorable, melodies from the symphonic repertoire. The solo French horn part is shared among the strings. This Romantic work will require students to carefully follow the rubato conducting gestures of the director and will provide students with the opportunity to become familiar with this beautiful music outside of the full symphony orchestra setting. Audiences will love this familiar work. A Violin 3 part is included to bolster or substitute for the Viola.
$22.50
Wie Melodien sieht es mir
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String Orchestra
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INTERMEDIATE
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Classical
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Johannes Brahms
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Jeff Lipscomb
#
Wie Melodien sieht es mir
#
Jeff Lipscomb
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1321180 Composed by Johannes Brahms. Arranged by Jeff Lipscomb. 19th Century,Classical,Romantic Per...
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String Orchestra - Level 3 - Digital Download SKU: A0.1321180 Composed by Johannes Brahms. Arranged by Jeff Lipscomb. 19th Century,Classical,Romantic Period. 10 pages. Jeff Lipscomb #909633. Published by Jeff Lipscomb (A0.1321180). This beautiful song comes from a short collection of songs that Brahms wrote relatively late in his career.  He was working on his Violin Sonata No.2 at about the same time, and so it’s natural that piece also quotes from this work.  The song itself is a wonderful example of late Romantic harmonic and Brahms’s own lyrical melodic writing.This piece would be good for developing and refining tonal production and vibrato.  While none of the parts goes up very high, it’s not recommended for performers to stay in first position throughout the piece.  There are also opportunities to refine ensemble skills of phrasing and rubato.  Cross-curricular instruction (with English and/or German) is possible with the original song via discussion on its meaning and how Brahms tried to represent that meaning within the musical form of the work.
$11.00
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Orchestra)
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String Orchestra
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic P...
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String Orchestra - Level 3 - Digital Download SKU: A0.813844 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 31 pages. Regis Bookshar #6537751. Published by Regis Bookshar (A0.813844). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Orchestra) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (23 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a String Orchestra. Parts included with the purchase are a 1st Violin, a 2nd Violin, a 3rd Violin, a 1st Viola, a 2nd Viola, a 1st Violon.
$18.00
Sweelinck: Echo Fantasia No. 3 for String Orchestra - Score Only
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String Orchestra
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INTERMEDIATE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 3
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1297060 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 3 - Digital Download SKU: A0.1297060 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 10 pages. Jmsgu3 #887184. Published by jmsgu3 (A0.1297060). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 2 for String Orchesrta - Score Only
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String Orchestra
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INTERMEDIATE
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1296238 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 3 - Digital Download SKU: A0.1296238 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886483. Published by jmsgu3 (A0.1296238). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 1 for String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 1
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 4 - Digital Download SKU: A0.1295730 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 38 pages. Jmsgu3 #886030. Published by jmsgu3 (A0.1295730). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 2 for String Orchestra
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String Orchestra
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INTERMEDIATE
#
Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1296514 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 3 - Digital Download SKU: A0.1296514 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 21 pages. Jmsgu3 #886692. Published by jmsgu3 (A0.1296514). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed various music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed various styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 2 for String Quartet - Score Only
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String Orchestra
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INTERMEDIATE
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Jan Pieterszoon Sweelinck was
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James M
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Sweelinck: Echo Fantasia No. 2
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1296237 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Musi...
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String Orchestra - Level 3 - Digital Download SKU: A0.1296237 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 11 pages. Jmsgu3 #886480. Published by jmsgu3 (A0.1296237). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 6 for String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 6
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1298000 Composed by Jan Pieterszoon Sweelinck. Arranged by James M.. Guthrie. Contest,Early Music,F...
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String Orchestra - Level 4 - Digital Download SKU: A0.1298000 Composed by Jan Pieterszoon Sweelinck. Arranged by James M.. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 23 pages. Jmsgu3 #887905. Published by jmsgu3 (A0.1298000). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 4 for String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 4
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1297521 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 4 - Digital Download SKU: A0.1297521 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 40 pages. Jmsgu3 #887564. Published by jmsgu3 (A0.1297521). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 5 for String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 5
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1297702 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 4 - Digital Download SKU: A0.1297702 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 26 pages. Jmsgu3 #887673. Published by jmsgu3 (A0.1297702). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$38.95
Sweelinck: Echo Fantasia No. 5 for String Orchestra - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
#
Jan Pieterszoon Sweelinck
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James M
#
Sweelinck: Echo Fantasia No. 5
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 4 - Digital Download SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 14 pages. Jmsgu3 #887669. Published by jmsgu3 (A0.1297695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 4 for String Orchestra - Score Only
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String Orchestra
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INTERMEDIATE
#
Jan Pieterszoon Sweelinck
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James M
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Sweelinck: Echo Fantasia No. 4
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1297517 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Fe...
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String Orchestra - Level 3 - Digital Download SKU: A0.1297517 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 20 pages. Jmsgu3 #887560. Published by jmsgu3 (A0.1297517). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann.  Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Sweelinck: Echo Fantasia No. 6 for String Orchestra - Score Only
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String Orchestra
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INTERMEDIATE/ADVANCED
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Jan Pieterszoon Sweelinck was
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James M
#
Sweelinck: Echo Fantasia No. 6
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1297998 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Musi...
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String Orchestra - Level 4 - Digital Download SKU: A0.1297998 Composed by Jan Pieterszoon Sweelinck was. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 12 pages. Jmsgu3 #887903. Published by jmsgu3 (A0.1297998). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.
$32.95
Beethoven: Sonata Op. 49 No. 2 for String Orchestra
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String Orchestra
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EASY
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Classical
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
#
SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Ins...
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String Orchestra - Level 2 - Digital Download SKU: A0.549863 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Instructional,Standards,World. Score and parts. 52 pages. Jmsgu3 #3557749. Published by jmsgu3 (A0.549863). Beethoven Sonata Op. 49 No. 2 arranged for string orchestra. Duration: 10:15 Score: 28 pages, 242 measures. In two movements. I arranged this for my own beginner orchestra. Easy to rehearse and perform. Very popular with the audience. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95
Elgar Chanson de Nuit Op 15 No 1 for Violin and String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Edward Elgar
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Paul Wood
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Elgar Chanson de Nuit Op 15 No
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MyMusicScores.com
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1225616 Composed by Edward Elgar. Arranged by Paul Wood. Romantic Period. Score and Parts. 18 pages...
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String Orchestra - Level 4 - Digital Download SKU: A0.1225616 Composed by Edward Elgar. Arranged by Paul Wood. Romantic Period. Score and Parts. 18 pages. MyMusicScores.com #821686. Published by MyMusicScores.com (A0.1225616). Chanson de nuit, Op. 15 No. 1, is a romantic composition for violin and piano by the English composer Edward Elgar. It was composed in 1889, during a time when Elgar was still establishing himself as a composer. The piece is part of a set of two, the other being Chanson de matin, which was composed shortly after.Chanson de nuit was an instant success upon its release, and it quickly became one of Elgar's most popular works. It has been transcribed for various instruments and has been performed by countless musicians over the years. The piece remains a beloved gem of the romantic repertoire and is sure to continue to captivate audiences for generations to come.Here is an arrangement for violin and string orchestraThe PDF file contains the score and instrumental parts.
$19.99
Ode to Joy
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String Orchestra
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EASY
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Classical
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Ludwig van Beethoven
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Orion Mendenall
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Ode to Joy
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Amos 5.8
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1449401 Composed by Ludwig van Beethoven. Arranged by Orion Mendenall. Classical,Romantic Period. 2...
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String Orchestra - Level 2 - Digital Download SKU: A0.1449401 Composed by Ludwig van Beethoven. Arranged by Orion Mendenall. Classical,Romantic Period. 20 pages. Amos 5.8 #1029175. Published by Amos 5.8 (A0.1449401). This iconic theme from Beethoven's Symphony No. 9 has become one of the most recognizable melodies in all of Western music. This arrangement is based on the themes as they first appear in the symphony; the themes are passed around the orchestra, while the melodies and rhythms are relatively simple. This is a great piece to teach counting rests, dynamics, and stylistic variety.Grade: 2Running time: 2:47.
$24.99
Sea Shanty Dance, for String Orchestra (Standard Arrangement)
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String Orchestra
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INTERMEDIATE
#
Geraldine
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Sea Shanty Dance, for String O
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Geraldine
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1299106 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Par...
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String Orchestra - Level 3 - Digital Download SKU: A0.1299106 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 18 pages. Geraldine (Denny) Green at Oakmountmusic #888958. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1299106). ALL PURCHASES COME WITH SCORE AND PARTS2009 – Sea Shanty Dance, for String Orchestra.  Duration: 4 minutes.This short piece began life as a piece of incidental music by the same title in a children’s musical, Sea Shanty For A King, for which I wrote the tunes to the songs. The Musical was the brainchild of Phil Bennett, the head mistress of Herne Hill Primary School in London, and I had the wonderful privilege of writing the music for it in the early 1990s. The show was performed four times to parents of the children of the school and was a huge success at the time.  I decided that many of the melodies could be incorporated into my concert pieces and this piece is one such example. It can be enjoyed by both professionals and students alike. It is rhythmic and tuneful, with  a Russian folk song flavour.There are two arrangements available:No. 1 – School arrangement:  for Violins 1, 2 and 3, cellos 1 and 2 No. 2 – Standard:  for Violins 1 and 2, viola, cello and Double Bass.
$21.00
Sea Shanty Dance, for String Orchestra (School Arrangement)
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String Orchestra
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INTERMEDIATE
#
Geraldine Green
#
Geraldine Green
#
Sea Shanty Dance, for String O
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Geraldine
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1299102 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,C...
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String Orchestra - Level 3 - Digital Download SKU: A0.1299102 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and Parts. 18 pages. Geraldine (Denny) Green at Oakmountmusic #888954. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1299102). ALL PURCHASES COME WITH SCORE AND PARTS2009 – Sea Shanty Dance, for String Orchestra.  Duration: 4 minutes.This short piece began life as a piece of incidental music by the same title in a children’s musical, Sea Shanty For A King, for which I wrote the tunes to the songs. The Musical was the brainchild of Phil Bennett, the head mistress of Herne Hill Primary School in London, and I had the wonderful privilege of writing the music for it in the early 1990s. The show was performed four times to parents of the children of the school and was a huge success at the time.  I decided that many of the melodies could be incorporated into my concert pieces and this piece is one such example. It can be enjoyed by both professionals and students alike. It is rhythmic and tuneful, with  a Russian folk song flavour.There are two arrangements available:No. 1 – School arrangement:  for Violins 1, 2 and 3, cellos 1 and 2 No. 2 – Standard:  for Violins 1 and 2, viola, cello and Double Bass.
$21.00
Symphony in D minor (Movement 3)
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String Orchestra
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INTERMEDIATE
#
Cesar Auguste Franck
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Davison Yon
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Symphony in D minor
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Davison Yon
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1286453 Composed by Cesar Auguste Franck. Arranged by Davison Yon. 19th Century,Classical,Instructi...
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String Orchestra - Level 3 - Digital Download SKU: A0.1286453 Composed by Cesar Auguste Franck. Arranged by Davison Yon. 19th Century,Classical,Instructional,Romantic Period. Score and Parts. 44 pages. Davison Yon #877509. Published by Davison Yon (A0.1286453). Captivating Transformation: Symphony No. 5 Movement 3 by César Franck - Reimagined for String OrchestraStep into a world of enchanting musical metamorphosis with this meticulously crafted arrangement of Symphony No. 5 Movement 3 by the composer César Franck. This unique adaptation brings a fresh perspective to the timeless beauty of Franck's original composition, tailored specifically for a string orchestra, allowing its inherent brilliance to shine anew.A Symphony Reimagined: This arrangement carefully preserves the essence and emotional depth of César Franck's Symphony No. 5 3rd Movement while introducing a captivating twist through the medium of a string orchestra. The lush harmonies, poignant melodies, and intricate textures are ingeniously reinterpreted, breathing new life into the piece while honoring its historical significance.Unveiling Emotion: Franck's original composition is renowned for its ability to evoke a wide range of emotions, and our arrangement takes this a step further. The inherent expressiveness of the string orchestra accentuates the poignant moments, heightening the emotional impact and transporting listeners to a world where every note carries an indelible story.Versatility and Adaptability: Perfect for both intimate chamber settings and grand concert stages, this arrangement offers remarkable versatility. Whether performed in a refined chamber ensemble or by a full string orchestra, the arrangement's adaptability ensures an unforgettable musical experience that resonates with audiences of all ages.For Performers and Collectors: This meticulously crafted arrangement is an invaluable addition to the repertoire of string orchestras, chamber ensembles, and music collectors. Musicians will relish the opportunity to interpret a beloved classical piece in a new light, while collectors will treasure this arrangement as a testament to the ever-evolving nature of musical artistry.Elevate Your Repertoire: Embark on a musical journey that transcends time and tradition. This arrangement of Symphony No. 5 by César Franck for string orchestra offers a chance to explore the symphonic gem from a fresh perspective, making it an essential addition to the repertoire of any ensemble seeking to elevate their performances to new heights.
$40.00
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