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Permutations
String Orchestra
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2 sheet music found
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1
Triptych for String Orchestra (Parts only)
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String Orchestra
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ADVANCED
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Igor Korneitchouk
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Triptych for String Orchestra
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Studio at the Post
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.1365113 Composed by Igor Korneitchouk. 20th Century,Contemporary. 68 pages. Studio at the Post #879...
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String Orchestra - Level 5 - Digital Download SKU: A0.1365113 Composed by Igor Korneitchouk. 20th Century,Contemporary. 68 pages. Studio at the Post #879423. Published by Studio at the Post (A0.1365113). Parts only (see A879420 for Score). Duration: 18 - 19 min., 5 ensemble parts and 5 solo parts, average 9 pp each. Description: Triptych for String Orchestra sets up three contrasting musical tableaux in as many different genres. Though this approach is often called post-modern, the composer prefers to see it as an indulgence of the many types of music he enjoys. The work opens with a free form improvisatory movement whose sour romanticism comes from its rich chromatic palette. The second movement is in many ways the opposite of the first. It is a very tightly constrained serial work where the parameters of rhythm, inflection, and dynamics, not just pitch, get a full serial workout of permutations. The third and finale movement, then can be seen as a happy medium between the two extremes of the previous movements. It's in the form of an episodic Dionysian romp that alternates between expositions of an ever more shrill theme with puckish episodes of varied quasi-ad lib solos embedded in coloristic texture. There are three movements, Chroma - The Academy - Rock.
$5.02
Concerto for Oboe and Bassoon in C minor.
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standar...
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String Orchestra - Level 4 - Digital Download SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00
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